Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

Diamanda Galás: Savagery and Opulence

Unconventional to the last, Diamanda Galás tore through her Barbican concert on Monday evening with a torrential force that shattered the inertia and passivity of the modern song recital. This was operatic activism, pure and simple. Dressed in metallic, shimmering black she moved rather stately across the stage to her piano - but there was nothing stately about what unfolded during the next 90 minutes.

Schubert Wanderer Songs - Florian Boesch, Wigmore Hall

A summit reached at the end of a long journey: Florian Boesch and Malcolm Martineau at the Wigmore Hall, as the two-year Complete Schubert Song series draws to a close. Unmistakably a high point in the whole traverse. A well-planned programme of much-loved songs performed exceptionally well, with less well known repertoire presented with intelligent flourish.

La Bohème in San Francisco

In 2008 it was the electrifying conducting of Nicola Luisotti and the famed Mimì of Angela Gheorghiu, in 2014 it was the riveting portrayals of Michael Fabbiano’s Rodolfo and Alexey Markov’s Marcelo. Now, in 2017, it is the high Italian style of Erika Grimaldi’s Mimì — and just about everything else!

A heart-rending Jenůfa at Grange Park Opera

Katie Mitchell’s 1998 Welsh National Opera production of Janáček’s first mature opera, Jenůfa, is a good choice for Grange Park Opera’s first season at its new home, West Horsley Place. Revived by Robin Tebbutt, Mitchell and designer Vicki Mortimer’s 1930s urban setting emphasises the opera’s lack of sentimentality and subjectivism, and this stark realism is further enhanced by the narrow horseshoe design of architect Wasfi Kani’s ‘Theatre in the Woods’ whose towering walls and narrow width seem to add further to the weight of oppression which constricts the lives of the inhabitants.

Pelléas et Mélisande at Garsington Opera

“I am nearer to the greatest secrets of the next world than I am to the smallest secrets of those eyes!” So despairs Golaud, enflamed by jealousy, suspicious of his mysterious wife Mélisande’s love for his half-brother Pelléas. Michael Boyd’s thought-provoking new production of Debussy’s Pelléas et Mélisande at Garsington Opera certainly ponders plentiful secrets: of the conscience, of the subconscious, of the soul. But, with his designer Tom Piper, Boyd brings the opera’s dreams and mysteries into landscapes that are lit, symbolically and figuratively, with precision.

Carmen: The Grange Festival

The Grange Festival, artistic director Michael Chance, has opened at Northington Grange giving everyone a chance to see what changes have arisen from this change of festival at the old location. For our first visit we caught the opening night of Annabel Arden's new production of Bizet's Carmen on Sunday 11 June 2017. Conducted by Jean-Luc Tingaud with the Bournemouth Symphony Orchestra in the pit, the cast included Na'ama Goldman as Carmen, Leonardo Capalbo as Don Jose, Shelley Jackson as Micaela and Phillip Rhodes as Escamillo. There were also two extra characters, Aicha Kossoko and Tonderai Munyevu as Commere and Compere. Designs were by Joanna Parker (costume co-designer Ilona Karas) with video by Dick Straker, lighting by Peter Mumford. Thankfully, the opera comique version of the opera was used, with dialogue by Meredith Oakes.

Don Giovanni in San Francisco

San Francisco Opera revved up its 2011 production of Don Giovanni with a new directorial team and a new conductor. And a blue-chip cast.

Dutch National Opera puts on a spellbinding Marian Vespers

A body lies in half-shadow, surrounded by an expectant gathering. Our Father is intoned in Gregorian chant. The solo voices bloom into a chorus with a joyful flourish of brass.

Into the Wood: A Midsummer Night's Dream at Snape Maltings

‘I know a bank where the wild thyme blows, Where Oxlips and the nodding Violet grows.’ In her new production of Britten’s A Midsummer Night’s Dream, Netia Jones takes us deep into the canopied groves of Oberon’s forest, luring us into the nocturnal embrace of the wood with a heady ‘physick’ of disorientating visual charms.

Rigoletto in San Francisco

Every once in a while a warhorse redefines itself. This happened last night in San Francisco when Rigoletto propelled itself into the ranks of the great masterpieces of opera as theater — the likes of Falstaff and Tristan and Rossini’s Otello.

My Fair Lady at Lyric Opera of Chicago

In its spring musical production of Alan Jay Lerner and Frederick Loewe’s My Fair Lady Lyric Opera of Chicago has put together an ensemble which does ample justice to the wit and lyrical beauty of the well-known score.

Henze: Elegie für junge Liebende

Hans Werner Henze’s compositions include ten fine symphonies, various large choral and religious works, fourteen ballets (among them one, Undine, that ranks the greatest of modern times), numerous prominent film scores, and hundreds of additional works for orchestra, chamber ensemble, solo instruments or voice. Yet he considered himself, above all, a composer of opera.

Werther at Manitoba Opera

If opera ultimately is about bel canto, then one need not look any further than Manitoba Opera’s company premiere of Massenet’s Werther, its lushly scored portrait of an artist as a young man that also showcased a particularly strong cast of principal artists. Notably, all were also marking their own role debuts, as well as this production being the first Massenet opera staged by organization in its 44-year history.

Seattle: A seamlessly symphonic L’enfant

Seattle Symphony’s “semi-staged” presentation of L’enfant et les sortilèges was my third encounter with Ravel’s 1925 one-act “opera.” It was incomparably the most theatrical, though the least elaborate by far.

Color and Drama in Two Choral Requiems from Post-Napoleonic France

The Requiem text has brought out the best in many composers. Requiem settings by Mozart, Verdi, and Fauré are among the most beloved works among singers and listeners alike, and there are equally wondrous settings by Berlioz and Duruflé, as well as composers from before 1750, notably Jean Gilles.

Der Rosenkavalier: Welsh National Opera in Cardiff

Olivia Fuchs' new production of Richard Strauss's Der Rosenkavalier is a co-production between Welsh National Opera and Theater Magdeburg. The production debuted in Magdeburg last year and now Welsh National Opera is presenting the production as part of its Summer season, the company's first Der Rosenkavalier since 1990 (when the cast included Rita Cullis as the Marschallin and Amanda Roocroft making her role debut as Sophie).

Don Giovanni takes to the waves at Investec Opera Holland Park

There’s no reason why Oliver Platt’s imaginative ‘concept’ for this new production of Don Giovanni at Investec Opera Holland Park shouldn’t work very well. Designer Neil Irish has reconstructed a deck of RMS Queen Mary - the Cunard-White Star Line’s flag-ship cruiser during the 1930s, that golden age of trans-Atlantic cruising. Spanning the entire width of the OHP stage, the deck is lined with port-holed cabin doors - perfect hideaways for one of the Don’s hasty romantic dalliances.

"Recreated" Figaro at Garsington delights

After the preceding evening’s presentation of Annilese Miskimmon’s sparkling production of Handel’s Semele - an account of marital infidelity in immortal realms - the second opera of Garsington Opera’s 2017 season brought us down to earth for more mundane disloyalties and deceptions amongst the moneyed aristocracy of the eighteenth-century, as presented by John Cox in his 2005 production of Mozart’s Le nozze di Figaro.

Semele: star-dust and sparkle at Garsington Opera

To open the 2017 season at Garsington Opera, director Annilese Miskimmon and designer Nicky Shaw offer a visually beautifully new production of Handel's Semele in which comic ribaldry and celestial feuding converge and are transfigured into star-dust.

La rondine at Investec Opera Holland Park

Opera Holland Park's 2017 season opened on 1 June 2017 with Martin Lloyd-Evans's new production of Puccini's La Rondine, designed by takis, with lighting by Mark Howland and choreography by Steve Elias. Elizabeth Llewellyn was Magda with Matteo Lippi as Ruggero, Tereza Gevorgyan as Lisette, Stephen Aviss as Prunier and David Stephenson as Rambaldo, Matthew Kofi Waldren conducted the City of London Sinfonia.


OPERA TODAY ARCHIVES »

Performances

22 Jun 2017

Don Carlo in Marseille

First mounted in 2015 at the Opéra National de Bordeaux this splendid Don Carlo production took stage just now at the Opéra de Marseille with a completely different cast and conductor. This Marseille edition achieved an artistic stature rarely found hereabouts, or anywhere.  »

Recently in Performances

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32  |  33  |  34  |  35  |  36  |  37  |  38  |  39  |  40  |  41  |  42  |  43  |  44  |  45  |  46  |  47  |  48  |  49  |  50  |  51  |  52  |  53  |  54  |  55  |  56  |  57  |  58  |  59  |  60  |  61  |  62  |  63  |  64  |  65  |  66  |  67  |  68 
17 Mar 2010

Les Troyens at Carnegie Hall

Les Troyens is the noblest grand opera ever composed by a Frenchman, one of those desert-island works of which it is impossible to tire because its depths can never be completely sounded.  »

17 Mar 2010

Concert of Arias by Arizona Opera

Advertised as ‘ A night of powerful music with today’s superstars,’ Arizona Opera’s concert of opera arias definitely lived up to those words.  »

17 Mar 2010

Katya Kabanova, London

Anguished, lacerating, irredeemably tragic, David Alden’s new production of Katya Kabanova presents a drama of unalleviated suffering and unremitting bleakness.  »

17 Mar 2010

Philip Glass: Satyagraha, ENO, London 2010

Philip Glass's Satyagraha at the English National Opera, at the Coliseum, London, proves that modern minimalism can be extraordinarily moving. The secret is to open your soul, as Gandhi did, when he searched the Baghavad-Gita for inspiration.  »

15 Mar 2010

A Midsummer Night’s Dream by ETO

A silvery tree stretched its gnarled branches across the moonlit stage, and from the briar and bush spiky, feathered fairies wriggled and crept, intent on mischief and malevolence.  »

12 Mar 2010

The Nose, New York

When the orchestra re-tuned itself between the intermissionless acts of the Met premiere of The Nose last week, many in the audience were uncertain whether they were hearing practice or prelude.  »

11 Mar 2010

Verdi’s Attila, New York

The curtain rises on an enormous pile of crumbling reinforced concrete, broken wires sticking out every which way – an image that has replaced (at least in the minds of set designers) the romantic columned or castellated ruins that thrilled our ancestors, especially around the time, 1846, that Verdi composed Attila. »

09 Mar 2010

The Elixir of Love at ENO

As a medic with a keen knowledge of psychology, Jonathan Miller probably knows a thing or two about elixirs and placebos.  »

09 Mar 2010

The Gambler, London

The global credit crunch, with its painful exposure of the moral and literal bankruptcy of our own age, provides the perfect backdrop for this new production of Prokofiev’s The Gambler, the first ever staging of this opera at The Royal Opera House, Covent Garden.  »

08 Mar 2010

Love Triumphs in L’Elisir d’amore at Lyric Opera of Chicago

In its current revival of Donizetti’s L’Elisir d’amore Lyric Opera of Chicago’s production showcases the strengths and foibles of humanity, while assuring the ultimate triumph of love. »

08 Mar 2010

Brilliant Schubert programme: Matthias Goerne, Wigmore Hall

This second of two recitals of Schubert songs by Matthias Goerne and Helmut Deutsch at the Wigmore Hall, London was superb, the programme created with exceptional intelligence and insight into the inner dynamics of Schubert’s music.  »

08 Mar 2010

Tamerlano: Handel at the Royal Opera House, London

Handel’s Tamerlano, in the production by Graham Vick, is well known, but its run at the Royal Opera House is unusual because many of the cast are creating the roles for the first time. It isn't a live reprise of the DVD, but more challenging. »

05 Mar 2010

Karlsruhe: Rare Verdi, Well Done

The Baden State Theatre's new mounting of I Masnadieri may not completely be the production of one’s dreams. »

05 Mar 2010

Matthias Goerne at Wigmore Hall, London

In this, the first of two recitals with pianist Helmut Deutsch, baritone Matthias Goerne continued his very personal journey through the landscape of Schubert’s lieder, a passage which is currently being preserved on an outstanding series of discs by Harmonia Mundi.  »

05 Mar 2010

Ariadne auf Naxos, New York

As the first familiar themes of Ariadne came from the pit, I felt myself sinking — sinking from a tense, dreary, daily world into a sort of ecstatic fantasy — a place where all was happy, funny, romantic, inane, fateful and surprising all at once — Sarah Connolly superb, Kathleen Kim charming, Nina Stemme full-throated,  »

04 Mar 2010

Zürich mal Zwei

Zürich Opera’s poster for their new production of Idomeneo is a knockout. »

11 Feb 2010

Armide by Opera Lafayette

Gluck’s Armide, as semi-staged (costumed dancers but no scenery) at the Rose Theater by the Washington-based Opera Lafayette, was exactly what Gluck designed the piece to be: a supremely elegant entertainment. »

07 Feb 2010

Donizetti revealed: Lucia di Lammermoor, ENO, London

Donizetti’s original concept of Lucia di Lammermoor is revealed in its true glory in this ground breaking production by the English National Opera, first heard in 2008. The opera is loved in its familiar form, but the new critical edition reveals the depth of Donizetti’s musical creation. »

04 Feb 2010

Heidelberg’s Stumbling Spartaco at Schwetzingen Castle

For those who might be seeking a representational tale of the legendary Roman slave Spartacus, well, Gladiator this ain’t. »

02 Feb 2010

Così fan tutte, Covent Garden

First seen in 1995, and here receiving its seventh revival, Jonathan Miller’s Così fan tutte has lost none of its power to unsettle and discomfort.  »

02 Feb 2010

Shohat’s The Child Dreams — A mature work

Gil Shohat, now 35 and Israeli’s top classical composer, was 15 when in the ‘80s he saw Hanoch Levin’s The Child Dream on stage in his native Tel Aviv. Shohat, of course, knew Levin’s work well, for throughout early decades in the history of Israel he — its outstanding dramatist — had served somewhat as the conscience of a nation tormented defining itself within its pain-wrought beginnings.  »

01 Feb 2010

Joyce DiDonato, Wigmore Hall

The Wigmore Hall was bursting its seams in excited anticipation of this recital by the American mezzo-soprano, Joyce DiDonato.  »

29 Jan 2010

Lyric Opera of Chicago’s The Merry Widow

Melodic and scenic gaiety predominates in Lyric Opera of Chicago’s new production of Franz Lehár’s The Merry Widow.  »

25 Jan 2010

London’s Rambunctious Rake

Covent Garden has revived director Robert Lepage’s popular and well-traveled version of The Rake’s Progress with often thrilling results. »

22 Jan 2010

Il Mondo della Luna (The World on the Moon)

A long time ago in a galaxy far, far away, around 1777, the Empress Maria Theresa used to visit Prince Esterhazy’s summer palace at Esterhàza, where there was an opera house fully equipped with stage machinery, leading singers, an orchestra, and a guy named Joseph Haydn to compose on cue.  »

18 Jan 2010

Stiffelio at the MET

Stiffelio was composed just after Luisa Miller — an opera that has had little trouble holding its own in the repertory — and just before the magic trio of Rigoletto, Trovatore and Traviata, the first Verdi operas to take their immediate place on the stages of the world and hold them without a break from that day to this.  »

18 Jan 2010

Phaedra at the Barbican

Most musical of mourners, weep anew! Not all to that bright station dared to climb And happier they their happiness who knew Whose tapers yet burn through that night of time »

18 Jan 2010

Elektra at the Barbican

Concert performances of operas are often problematic in that the work tends to be cut or otherwise played around with, or the venue is inappropriate - after all, these were meant to be staged pieces. »

17 Jan 2010

Carmen at the MET

Elina Garanča conceals her gleaming gold tresses beneath a curly black wig to sing Carmen.  »

08 Jan 2010

Quality opera just round the corner

Well into the 1960s, ‘provincial theaters’ were the backbone of Italy’s operatic culture.  »

29 Dec 2009

58th Wexford Festival Opera

David Agler must be feeling a trifle unlucky. Having in 2005 taken over the reins of a flourishing, internationally renowned opera festival, with a stylish new opera house in the planning and the Irish economy booming, his hopes must been high; but in the event the Canadian’s first few years as Artistic Director of the Wexford Festival Opera have been far from plain-sailing.  »

18 Dec 2009

Elektra at the Met

The roles Richard Strauss composed for his “chorus” of Five Serving Maids in Elektra — all that remains in the opera of the commentator chorus in Sophocles’ tragedy — are short but arduous. »

18 Dec 2009

Ernani: The Case for Early Verdi at Lyric Opera of Chicago

Productions of Giuseppe Verdi’s early opera Ernani have become relatively infrequent primarily because of the difficulties of casting the work requiring four demanding roles.  »

18 Dec 2009

Sergei Leiferkus at Wigmore Hall

Exchanging the stage of The Royal Opera House — where he is currently performing the role of His Highness in Tchaikovsky’s fairy-tale opera, The Tsarina's Slippers —  »

18 Dec 2009

Frankfurt’s ‘Medium’ Rarities

Encountering Frankfurt Opera’s staging of Leoni’s L’Oracolo and Puccini’s Le Villi, I was reminded of that old saw about the German weather. »

18 Dec 2009

Amsterdam: Minnie, Get Your Gun

It is hard to know where to start to adequately laud Netherlands Opera’s witty new La Fanciulla del West. »

18 Dec 2009

Pénélope in Manhattan

The one thing certain about the judgment of history is that history will change its mind.  »

15 Dec 2009

Zürich’s Riveting ‘Corsaro’

Il Corsaro, the Verdi rarity currently on display at Zürich Opera, is the best of both possible worlds. »

11 Dec 2009

Les Contes d’Hoffmann at the MET

The Tales of Hoffmann is a cruel piece, for all the wit of the macabre tales on which it is based and the sparkle the dying Offenbach put into his last and grandest score.  »

11 Dec 2009

A Streetcar Named Desire at Opera Australia

Musically, Australia looks to Britain and Europe, especially for its operatic diet and America’s considerable operatic output has been overlooked.  »

10 Dec 2009

Der Rosenkavalier - Royal Opera House, London

In dark, damp December we need good cheer, and Der Rosenkavalier at the Royal Opera House, delivers colour and spectacle. in abundance. It's a revival of the John Schlesinger production from 1884, and somewhat antiquated, but that's no disadvantage, for the passage of time haunts Der Rosenkavalier.  »

08 Dec 2009

Tchaikovsky’s Sure-Footed ‘Slippers’

Spearheaded by a stunning design concept for The Tsarina’s Slippers, London’s Covent Garden served up as delectable a production as could be desired, and introduced its lucky patrons to a jewel of an under-performed comic opera in the bargain. »

06 Dec 2009

A Faust of Distinction at Lyric Opera of Chicago

For its second production of the 2009-10 season Lyric Opera of Chicago staged a revival of Charles Gounod’s Faust, last seen here in 2003-04.  »

04 Dec 2009

Le Nozze di Figaro at the MET

The best news about the Met’s eleven-year-old Jonathan Miller production of Le Nozze di Figaro is that it has been restaged by Gregory Keller, more tautly spun, many elegant jokes or character moments inserted, several idiocies discarded and with plenty of room remaining for singers with a flair for it (such as Luca Pisaroni and Isabel Leonard) to invent comic business of their own. »

02 Dec 2009

Otello in San Francisco

Sir Peter Hall created this production of Otello at Chicago Lyric Opera in 2001.  »

01 Dec 2009

No need to rise for this Hallelujah Chorus

ENO did not exactly ‘import a choir of Heathens’ to encourage the Shaws of this world to ‘hasten’ to its version of ‘Messiah’ ‘if only to witness the delight of the public and the discomfiture of the critics,’ the contribution of ‘Heathens’ in musical terms being limited to representing the populace of an initially grey Britain (or so I assume) but for every critic who was discomfited — most of us — there were hundreds of audience members who loved it, so it’s fairly safe to predict a considerable hit. »