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Elsewhere

Anna Bolena in Lisbon

Donizetti’s Anna Bolena, composed in 1830, didn’t make it to Lisbon until 1843 when there were 14 performances at its magnificent Teatro São Carlos (opened 1793), and there were 17 more performances spread over the next two decades. The entire twentieth century saw but three (3) performances in this European capital.

Oh, What a Night in San Jose

It is difficult to know where to begin to praise the stunning achievement of Opera San Jose’s West Coast premiere of Silent Night.

Billy Budd in Madrid

Like Carmen, Billy Budd is an operatic personage of such breadth and depth that he becomes unique to everyone. This signals that there is no Billy Budd (or Carmen) who will satisfy everyone. And like Carmen, Billy Budd may be indestructible because the opera will always mean something to someone.

A riveting Nixon in China at the Concertgebouw

American composer John Adams turns 70 this year. By way of celebration no less than seven concerts in this season’s NTR ZaterdagMatinee series feature works by Adams, including this concert version of his first opera, Nixon in China.

English song: shadows and reflections

Despite the freshness, passion and directness, and occasional wry quirkiness, of many of the works which formed this lunchtime recital at the Wigmore Hall - given by mezzo-soprano Kathryn Rudge, pianist James Baillieu and viola player Guy Pomeroy - a shadow lingered over the quiet nostalgia and pastoral eloquence of the quintessentially ‘English’ works performed.

A charming Pirates of Penzance revival at ENO

'Nobody does Gilbert and Sullivan anymore.’ This was the comment from many of my friends when I mentioned the revival of Mike Leigh's 2015 production of The Pirates of Penzance at English National Opera (ENO). Whilst not completely true (English Touring Opera is doing Patience next month), this reflects the way performances of G&S have rather dropped out of the mainstream. That Leigh's production takes the opera on its own terms and does not try to send it up, made it doubly welcome.

A Relevant Madama Butterfly

On Feb 3, 2017, Arizona Opera presented Giacomo Puccini’s dramatic opera Madama Butterfly. Sandra Lopez was the naive fifteen-year-old who falls hopelessly in love with the American Naval Officer.

Johan Reuter sings Brahms with Wiener Philharmoniker

In the last of my three day adventure, I headed to Vienna for the Wiener Philharmoniker at the Musikverein (my first time!) for Mahler and Brahms.

Gatti and the Royal Concertgebouw Orchestra Head to Asia

In Amsterdam legend Janine Jansen and the seventh Principal Conductor of the Royal Concertgebouw, Daniele Gatti, came together for their first engagement in a ravishing performance of Berg’s Violin Concerto.

Verdi’s Requiem with the Berliner Philharmoniker

I extravagantly scheduled hearing the Berliner, Concertgebouw Orchestra, and Wiener Philharmoniker, to hear these three top orchestra perform their series programmes opening the New Year.

Jeanne d'Arc au bûcher in Lyon

There is no bigger or more prestigious name in avant-garde French theater than Romeo Castellucci (b. 1960), the Italian metteur en scène of this revival of Arthur Honegger’s mystère lyrique, Joan of Arc at the Stake (1938) at the Opéra Nouvel in Lyon.

A New Look at Mozart’s Abduction from the Seraglio

On January 28, 2017, Los Angeles Opera premiered James Robinson’s nineteen twenties production of Mozart’s The Abduction from the Seraglio, which places the story on the Orient Express. Since Abduction is a work with spoken dialogue like The Magic Flute, the cast sang their music in German and spoke their lines in English.

Giasone in Geneva

Fecund Jason, father of his wife Isifile’s twins and as well father of his seductress Medea’s twins, does indeed have a problem — he prefers to sleep with and wed Medea. In this resurrection of the most famous opera of the seventeenth century he evidently also sleeps with Hercules.

Falstaff in Genoa

A Falstaff that raised-the-bar ever higher, this was a posthumous resurrection of Luca Ronconi’s masterful staging of Verdi’s last opera, the third from last of the 83 operas Ronconi staged during his lifetime (1933-2015). And his third staging of Falstaff following Salzburg in 1993 and Florence in 2006.

Traviata in Seattle

One of Aidan Lang’s first initiatives as artistic director of Seattle Opera was to encourage his board to formulate a “mission statement” for the fifty-year old company. The document produced was clear, simple, and anodyne. Seattle Opera would aim above all to create work appealing both to the emotions and reason of the audience.

When Performance Gets Political: A Brooklyn Concert Benefiting the ACLU

What’s an artist’s place in politics? That’s the question many were asking after actress Meryl Streep made a pointed speech criticizing President Trump at the Golden Globes. Trump responded directly to Streep, using his preferred communication medium of Twitter to call Streep “overrated.”

Wagner at the Deutsche Oper Berlin Part II: Kasper Holten’s angelic Lohengrin

Contrary to Stolzi’s multidimensional Parsifal, Holten’s simple setting of Lohengrin felt timeless with its focus on the drama between characters. Premiering in 2012, nothing too flashy and with a clever twist,

Wagner at the Deutsche Oper Berlin Part I: Stölzl’s Psychedelic Parsifal

Deutsche Oper Berlin (DOB) consistently serves up superlatively sung Wagner productions. This Fall, its productions of Philipp Stölzl's Parsifal and Kasper Holten's Lohengrin offered intoxicating musical affairs. Annette Dasch, Klaus Florian Vogt, and Peter Seiffert reached for the stars. Even when it comes down to last minute replacements, the casting is topnotch.

Donna abbandonata: Temple Song Series

Donna abbandonata would have been a good title for the first concert of Temple Music’s 2017 Song Series. Indeed, mezzo-soprano Christine Rice seems to be making a habit of playing abandoned women.

Fortepiano Schubert : Wigmore Hall

The Wigmore Hall complete Schubert song series continued with a recital by Georg Nigl and Andreas Staier. Staier's a pioneer, promoting the use of fortepiano in Schubert song. In Schubert's time, modern concert pianos didn't exist. Schubert and his contemporaries would have been familiar with a lighter, brighter sound. Over the last 30 years, we've come to better understand Schubert and his world through the insights Staier has given us. His many performances, frequently with Christoph Prégardien at the Wigmore Hall, have always been highlights.


OPERA TODAY ARCHIVES »

Performances

18 Feb 2017

Anna Bolena in Lisbon

Donizetti’s Anna Bolena, composed in 1830, didn’t make it to Lisbon until 1843 when there were 14 performances at its magnificent Teatro São Carlos (opened 1793), and there were 17 more performances spread over the next two decades. The entire twentieth century saw but three (3) performances in this European capital. »

Recently in Performances

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30 Aug 2009

Manon Lescaut at the Festival Puccini di Torre del Lago

Each year, the tiny Tuscan village Torre del Lago hosts a festival dedicated to its favorite son, Giacomo Puccini. This year’s Puccini Festival (10 July - 30 August) featured a “new” Manon Lescaut (a co-production with Opera del Nice Theater), its premiere garnering standing ovations for Marcello Giordani and Martina Serafin and accolades for Alberto Veronesi, the artistic director of the Festival.  »

30 Aug 2009

Louis Andriessen De Staat at the Proms

De Staat is a seminally important work. So much modern music stems from it, not only “serious” classical music but progressive popular music too. It “is” music theatre, for it’s designed to be experienced live, the visual effect part of the action. »

23 Aug 2009

Zelmira in Pesaro

August is when Italians immerse themselves in the primal soup of all life. Hordes swarm to the Mediterranean shores and multitudes arrive in Pesaro on the Adriatic, where just then crowds of Rossinians from around the world arrive to partake of their primal operatic soup.  »

23 Aug 2009

Stars Shine at Glimmerglass

Everyone once in a while, we veteran opera-goers are privileged to see a promising artist give a break-out performance that announces a giant step forward into major stardom.  »

17 Aug 2009

Mozart and Gluck — Mixed Results at Santa Fe

It is never easy to revive a success. Audiences will remember the first run of a show and consciously or not, compare a revival with earlier favorable impressions.  »

17 Aug 2009

Sir Harrison Birtwistle: Mask of Orpheus at the Proms

What drives Harrison Birtwistle to Greek myth? Orpheus is a primal archetype. When he played his lyre he tamed wild beasts and made mountains move. But he suffered. He journeyed into Hades but could not bring Eurydice, his beloved, back to life. In some versions of the myth, his talent enraged the jealous who tore him apart. Yet even then, his head remained intact, still singing. He symbolizes the power of music, and the fate of an artist.  »

09 Aug 2009

Semiramide at Caramoor

You need three or, ideally, four top-flight bel canto specialists to do anything like justice to Rossini’s Semiramide, his last and grandest Italian score. Otherwise why go to the expense?  »

06 Aug 2009

On deception at Sferisterio Festival, Macerata, Italy

L’inganno is this year’s theme at the Sferisterio Festival in Macerata, Italy.  »

05 Aug 2009

Les Huguenots at Bard SummerScape 2009

Why — they always ask — why — present Les Huguenots?  »

02 Aug 2009

Paris: King Roger Goes Hollywood

Paris Opera seems to posit the question: Does anyone completely understand what Karol Szymanowski’s King Roger is about?  »

01 Aug 2009

‘Opera Noir’ Entertains at Santa Fe

Can a famously successful movie be made into an effective opera? A quick answer is: yes! »

29 Jul 2009

Schubert bounces along at Wigmore Hall

The performance of lieder is a partnership between singer and pianist. In May I heard Julius Drake redeem an indifferent recital by the sheer beauty of his playing. I’ve been listening to him for more than 15 years. He’s a favorite. So I was completely taken by surprise by this recital »

27 Jul 2009

An Evening at Père Lachaise [Or, Natalie Dessay Attempts Violetta]

A fine-sounding Santa Fe Opera orchestra, excellently conducted by Frédéric Chaslin, was barely into the haunting, delicate prelude to Act I of La traviata, when a funeral procession, wet umbrellas unfurled, arrived to wend its way though a stage full of big grey marble rectangular boxes, handsomely abstracted tomb shapes, soon to be the courtesan Violetta Valéry’s destination. So much for the Prelude to Act I. »

22 Jul 2009

Bought and Paid-for Magic — Bernstein Tahiti in Munich’s Cuvilliès Theater

There she is, in her inch or two of sarong, floating, floating…Oh, excuse me, where was I? »

21 Jul 2009

A knock-out Ariadne auf Naxos at Munich’s Bavarian State Opera Festival

There are rare times when a critic can just enjoy, and say “Wow!”  »

21 Jul 2009

Tosca at the Baths of Caracalla, Rome

Tosca is the quintessential Roman opera, with a plot located in three infamous landmarks of Rome, its 1900 premiere in Rome was bound to be enormously successful.  »

20 Jul 2009

Munich's Re-constructed Lohengrin

Were someone looking to assemble a musical Dream Team to thrill us to the core with Wagner’s Lohengrin, one would need look no further than the assembled forces currently on stage at Munich's Bavarian State Opera. »

19 Jul 2009

Alice Coote stars in the First Night of the BBC Proms 2009

The Proms reach people all over the world, bringing them together for a kind of international street party, celebrating a shared love of music. If the arts make us more human and humane, then the BBC Proms are a force for good.  »

19 Jul 2009

Festival Aix-en-Provence by Stéphan Lissner

The Aix Festival imagines itself one of Europe’s great festivals, defining itself as the crossroads of European culture.  »

19 Jul 2009

Götterdämmerung at Aix-en-Provence — A Human Symphony

This year’s program at the Aix-en-Provence Festival includes Götterdämmerung, the much-anticipated final installment of the Ring co-sponsored by Festival d’Aix-en-Provence and the Osterfestspiele Salzburg.  »

19 Jul 2009

Mozart Mistreated at Aix-en-Provence Festival

At the festival of Aix-en-Provence, now in its sixty-first year, the final installment of Wagner’s “Ring,” with Simon Rattle and the Berlin Philharmonic, has hogged the spotlight.  »

19 Jul 2009

Prom 2 — Haydn: The Creation

‘I never left a theatre more contented, and all night I dreamed of The Creation of the world.’ — the view of one of those at the first performance of The Creation in 1799. »

19 Jul 2009

Amsterdam: Old Wine in New Bull Rings

A roster of exciting young artists supported by the Concertgebouw Orchestra in the pit, ensured that Amsterdam’s Carmen worked its usual spell. »

14 Jul 2009

Il Barbiere di Siviglia at Covent Garden

Music-masters, singing lessons and serenading bands all abound in Rossini’s comic masterpiece, Il Barbiere di Sivilglia, but at this performance it was the medical rather than the musical puns which drew the loudest laughs.  »

12 Jul 2009

Tosca at Royal Opera House

This revival of Jonathan Kent’s 2006 production of Tosca brings to an end the ROH’s ‘Italian Season’ in fine style. »

07 Jul 2009

Saariaho’s sumptuous L’amour de loin at the ENO, London

Absence of plot is by no means an impediment in opera.  »

04 Jul 2009

The Ravenna Festival: La scuola napoletana

Ravenna once served as the capital of the Roman Empire in the 5th and 6th centuries C.E.  »

03 Jul 2009

Porgy and Bess in San Francisco

For Americans of older generations Porgy and Bess is surely a primal experience, formed by the 1959 Otto Preminger film with Sammy Davis Jr. as Sportin’ Life, the audio recording derived from the 1952 London production with Leontyne Price as Bess, and a first encounter with Porgy and Bess as an opera in the artistically satisfying, and well traveled 1976 Houston production (was it twenty-five performances in the War Memorial Opera House?).  »

03 Jul 2009

Summer Nights with the Stars — OTSL’s 2009 Season Shines

The success of Opera Theatre of St. Louis’ 2009 festival season reflects the intelligent leadership of both the previous triumvirate (Charles MacKay, Colin Graham, and Stephen Lord) and the new recruits Timothy O’Leary and James Robinson.  »

02 Jul 2009

Carmen Triumphs (Again) at the Opéra Comique

Bizet’s famed heroine Carmen returned this June to the place where it all began, in a critically-heralded new production by Adrian Noble. Frank Cadenhead was on hand to experience the staging held at the opulent newly-renovated Opéra Comique. »

29 Jun 2009

Antonio Pappano and Friends — Royal Opera House, Covent Garden

It’s not often that the accompanist is given top billing in a vocal recital, even when he’s the venue’s musical director.  »

29 Jun 2009

Glyndebourne : a spectacular Purcell The Fairy Queen

Glyndebourne is the epitome of British opera festivals. Seventy-five years ago, John Christie founded the tradition of “country house opera”, where opera can be enjoyed in beautiful settings.  »

29 Jun 2009

Un ballo in maschera at Royal Opera House

On the whole, I’d prefer the conspirators to be sitting on toilets… »

26 Jun 2009

Gőtterdämmerung in Venice and Kőln — Sex and Politics Behind the Berlin Wall

With Götterdämmerung, a co-production with the Köln Opera House created by Robert Carsen (stage direction), Patrick Kinmonth (sets and costumes) and Jeffrey Tate (conductor), La Fenice approaches completion of the Ring cycle.  »

26 Jun 2009

La Traviata at Royal Opera House

Four years have passed since the most celebrated American soprano of recent times, Renée Fleming, graced the stage at Covent Garden, in Elijah Moshinsky’s classic production of Otello.  »

25 Jun 2009

Ligeti’s Le Grand Macabre shocks Rome but only mildly

Le Grand Macabre is the only opera of György Ligéti, one of the major composers of the 20th century.  »

24 Jun 2009

La Traviata in San Francisco

Much ink has been spilled over the failed Marta Domingo production of La Traviata that San Francisco Opera inexplicably imported for its blatantly audience baiting summer season (Traviata, Tosca, Porgy and Bess). »

24 Jun 2009

A Masked Ball by Brooklyn Repertory Opera

Amato Opera went to the netherworld of expired extravaganzas this spring, a one-man operation whose one man was weary. As New York’s oldest down-the-block and semi-pro company, it’s loss was regrettable — though it’s many years since Amato gave up doing interesting repertory. »

24 Jun 2009

Saint Louis: Reliably Excellent

It is quite possible that Opera Theatre of Saint Louis is the leading summer opera destination in the United States. »

22 Jun 2009

Schwanengesang at Wigmore Hall

A performance of sublime authority from Goerne and Eschenbach »

21 Jun 2009

Madam Butterfly - English National Opera, London Coliseum

Following the death of the American film director Anthony Minghella, ENO were left with a gap in the season vacated by the new production which he had been engaged to direct, and what better way to do so than by bringing back his immensely popular 2005 staging of Madam Butterfly? Minghella’s widow, Carolyn Choa (who has worked on the production from its original conception) was charged with resurrecting the production in tribute. »

21 Jun 2009

Madame Says Farewell

Last week (May 27), “without further a-don’t,” as she adorably puts it, Madame Vera Galupe-Borszkh, the world’s reigning traumatic soprano — lately, she says, more of a soprano “spento” — bade a last, lingering, loving farewell to her adoring public in a sold-out concert at the Leonard Nimoy Thalia Theater on Manhattan’s Upper West Side.  »

21 Jun 2009

Alceste by The Collegiate Chorale

The Collegiate Chorale (ably supported by the orchestra of the New York City Opera under George Manahan) chose Gluck’s Alceste, last heard in New York at the City Opera in 1982, for its annual spring concert opera — an excellent choice for a chorus eager to show its stuff. »

21 Jun 2009

Britten’s Midsummer Night’s Dream Charms La Scala

Robert Carsen’s production of Benjamin Britten’s A Midsummer Night’s Dream is not new, as the La Scala playbill suggests.  »

21 Jun 2009

La Cenerentola at the MET

La Cenerentola runs third in popularity among Rossini’s comic operas — the Met didn’t get around to it at all until the present staging was created for Cecilia Bartoli.  »

21 Jun 2009

Claudio Abbado Introduces the Complete Pergolesi

Very little is known about Giovanni Battista Draghi (or Drago, according to certain sources), known as Pergolesi.  »