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Elsewhere

Glyndebourne Open House - Handel’s Giulio Cesare and Brett Dean’s Hamlet

Glyndebourne has announced the next two opera titles in its virtual festival, Glyndebourne Open House - Handel’s Giulio Cesare (pictured) and Brett Dean’s Hamlet.

Guildhall School of Music & Drama announces free, digital Autumn events season

Guildhall School of Music & Drama today announces its Autumn Season of events, which will all be delivered digitally and free of charge.

Guildhall School creates new edition of Handel cantata

A new edition of Handel’s cantata Mi palpita il cor has been created by a group of students from Guildhall School’s Historical Performance department during lockdown.

Grange Park Opera announces 2021 season

It’s been a ‘challenging’ year, but what has kept us going is to focus on the future: 2021 at Grange Park Opera, Surrey, 10 June - 17 July.

After Silence: VOCES8

‘After silence, that which comes closest to expressing the inexpressible is music.’ Aldous Huxley’s words have inspired VOCES8’s new disc, After Silence, a ‘double album in four chapters’ which marks the ensemble’s 15th anniversary.

Beethoven's Songs and Folksongs: Bostridge and Pappano

A song-cycle is a narrative, a journey, not necessarily literal or linear, but one which carries performer and listener through time and across an emotional terrain. Through complement and contrast, poetry and music crystallise diverse sentiments and somehow cohere variability into an aesthetic unity.

Snape Maltings Concert Hall to reopen for live performances with audience from 7 August

Britten Pears Arts is thrilled to announce that it will host live music-making again in Snape Maltings Concert Hall from Friday 7 August, becoming one of the first venues in the UK to return to regular concerts for a live audience.

The Grange Festival presents Precipice, an outdoor promenade performance

On 21, 22 and 23 August 2020, The Grange Festival will present Precipice, an outdoor immersive promenade performance using the many varied natural stages offered by the buildings and gardens at The Grange in Hampshire. Created by the critically-acclaimed director Sinéad O’Neill and designed by Joanna Parker, the performance will last one hour and a small audience of up to 60 people will be guided through the sequence of events with spoken text by the actor, writer and director Tonderai Monyevu. There will be four performances each day.

Opera Holland Park returns for a series of outdoor performances this summer

Opera Holland Park (OHP) will present a series of outdoor performances this summer in the space where the theatre normally stands. The company held its first concert since lockdown this weekend. The performance sold out in less than 90...

Fidelio: semi-staged live performance at Garsington

Garsington Opera will be giving semi-staged performances of Beethoven’s Fidelio in the Opera Pavilion at Wormsley on 12, 14, 18 & 20 September 2020.

First-ever global online vocal festival anounced: singing returns

Live from London is a new, paid-for online festival from the VOCES8 Foundation, featuring some of the world's finest vocal ensembles including VOCES8, I Fagiolini, Stile Antico, The Swingles, The Sixteen, Chanticleer and more.

Salzburg Elektra premiere to be streamed

Stage director Krzysztof Warlikowski offers a happy ending, he hints, to Richard Strauss’ monumental tragedy Elektra at the Salzburg Festival, streamed live at its premiere on August 1 from the Felsenreitscchule at 5 PM Central European Time.

Classical Opera and The Mozartists launch their ‘Pay it Forward’ Appeal

As their concerts have been cancelled for the rest of the year, Classical Opera and The Mozartists have launched an innovative appeal to generate funds for their freelance artists, who have been severely affected and are unlikely to receive any share of the government’s pledged funding for the arts.

A virtual ‘Der Lindenbaum’: Streetwise Opera bring the 2020 Ryedale Festival Online to a restful close

Streetwise Opera were joined by baritone Roderick Williams, the Brodsky Quartet and Genesis Sixteen for a special ‘virtual’ performance of Schubert’s ‘Der Lindenbaum’, the fifth song of the composer’s song-cycle Winterreise, bringing this year’s Ryedale Festival Online to a pensive close.

Two more new titles announced for Glyndebourne Open House

Glyndebourne has announced the next two opera titles in its virtual festival, Glyndebourne Open House - Verdi’s Falstaff and Stravinsky’s The Rake’s Progress (pictured).

Music for a While: Rowan Pierce and Christopher Glynn at Ryedale Online

“Music for a while, shall all your cares beguile.”

The Two Summer Festivals That Can

Against all odds the festivals of Salzburg and Rossini’s Pesaro are forging ahead this summer with real, live opera, though the limited programs and scarcity of tickets may discourage us from journeying to Austria or Italy in August. Would that we could!

Flax and Fire: a terrific debut recital-disc from tenor Stuart Jackson

One of the nicest things about being lucky enough to enjoy opera, music and theatre, week in week out, in London’s fringe theatres, music conservatoires, and international concert halls and opera houses, is the opportunity to encounter striking performances by young talented musicians and then watch with pleasure as they fulfil those sparks of promise.

English National Opera announces new Harewood Artists for Summer 2020

English National Opera (ENO) today announces that three new singers will be joining the Harewood Artists programme this summer.

"Opportunity will come from crisis": Polly Graham, Artistic Director of Longborough Opera, in conversation

It’s ingrained in theatre-makers: “Make a show.” As she prepares to announce some new events and performances that will take place in forthcoming weeks, as well as Longborough Festival Opera’s 2021 productions, Artistic Director Polly Graham reflects on the very difficult decision to cancel the 2020 Longborough Festival which she was forced to take.


OPERA TODAY ARCHIVES »

Performances

26 Jul 2020

Music for a While: Rowan Pierce and Christopher Glynn at Ryedale Online

“Music for a while, shall all your cares beguile.” »

Recently in Performances

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11 Jan 2018

London Schools Symphony Orchestra celebrates Bernstein and Holst anniversaries

One recent survey suggested that in 1981, the average age of a classical concertgoer was 36, whereas now it is 60-plus. So, how pleasing it was to see the Barbican Centre foyers, cafes and the Hall itself crowded with young people, as members of the London Schools Symphony Orchestra prepared to perform with soprano Louise Alder and conductor Sir Richard Armstrong, in a well-balanced programme that culminated with an ‘anniversary’ performance of Holst’s The Planets. »

10 Jan 2018

Salome at the Royal Opera House

In De Profundis, his long epistle to ‘Dear Bosie’, Oscar Wilde speaks literally ‘from the depths’, incarcerated in his prison cell in Reading Gaol. As he challenges the young lover who has betrayed him and excoriates Society for its wrong and unjust laws, Wilde also subjects his own aesthetic ethos to some hard questioning, re-evaluating a life lived in avowal of the amorality of luxury and beauty. »

08 Jan 2018

In the Beginning ... Time Unwrapped at Kings Place

Epic, innovative and bold, Haydn’s The Creation epitomises the grandeur and spirit of the eighteenth-century Enlightenment.  »

06 Jan 2018

The Pearl Fishers at Lyric Opera of Chicago

For its recent production of Georges Bizet’s Les pêcheurs de perles Lyric Opera of Chicago assembled an ideal cast of performers who blend well into an imaginative and colorful production.  »

22 Dec 2017

New Cinderella SRO in San Jose

Alma Deutscher’s Cinderella is most remarkable for one reason and one reason alone: It was composed by a 12-year old girl. »

22 Dec 2017

La Cenerentola in Lyon

Like Stendhal when he first saw Rossini’s Cenerentola in Trieste in 1823, I was left stone cold by Rossini’s Cendrillon last night in Lyon. Stendhal complained that in Trieste nothing had been left to the imagination. As well, in Lyon nothing, absolutely nothing was left to the imagination. »

21 Dec 2017

Messiah, who?: The Academy of Ancient Music bring old and new voices together

Christmas isn’t Christmas without a Messiah. And, at the Barbican Hall, the Academy of Ancient Music reminded us why … while never letting us settle into complacency. »

19 Dec 2017

The Golden Cockerel Bedazzles in Amsterdam

Nikolai Rimsky-Korsakov’s fairy tale The Golden Cockerel was this holiday season’s ZaterdagMatinee operatic treat at the Concertgebouw. There was real magic to this concert performance, chiefly thanks to Vasily Petrenko’s dazzling conducting and the enchanting soprano Venera Gimadieva. »

18 Dec 2017

Mahler Das Lied von der Erde, London - Rattle, O'Neill, Gerhaher

By pairing Mahler Das Lied von der Erde (Simon O'Neill, Christian Gerhaher) with Strauss Metamorphosen, Simon Rattle and the London Symphony Orchestra were making a truly powerful statement. The Barbican performance last night was no ordinary concert. This performance was extraordinary because it carried a message.  »

17 Dec 2017

David McVicar's Rigoletto returns to the ROH

This was a rather disconcerting performance of David McVicar’s 2001 production of Rigoletto. Not only because of the portentous murkiness with which Paule Constable’s lighting shrouds designer Michael Vale’s ramshackle scaffolding; nor, the fact that stage and pit frequently seemed to be tugging in different directions. But also, because some of the cast seemed rather out of sorts. »

16 Dec 2017

Verdi Otello, Bergen - Stuart Skelton, Latonia Moore, Lester Lynch

Verdi Otello livestream from Norway with the Bergen Philharmonic Orchestra conducted by Edward Garner with a superb cast, led by Stuart Skelton, Latonia Moore, and Lester Lynch and a good cast, with four choirs, the Bergen Philharmonic Chorus, the Edvard Grieg Kor, Collegiûm Mûsicûm Kor, the Bergen pikekor and Bergen guttekor (Children’s Choruses) with chorus master Håkon Matti Skrede. The Bergen Philharmonic Orchestra was founded in 1765, just a few years after the Leipzig Gewandhaus Orchestra : Scandinavian musical culture has very strong roots, and is thriving still. Tucked away in the far north, Bergen may be a hidden treasure, but, as this performance proved, it's world class. »

15 Dec 2017

Temple Winter Festival: the Gesualdo Six

‘Gaudete, gaudete!’ - Rejoice, rejoice! - was certainly the underlying spirit of this lunchtime concert at Temple Church, part of the 5th Temple Winter Festival. Whether it was vigorous joy or peaceful contemplation, the Gesualdo Six communicate a reassuring and affirmative celebration of Christ’s birth in a concert which fused medieval and modern concerns, illuminating surprising affinities. »

13 Dec 2017

Mark Padmore and Mitsuko Uchida at the Wigmore Hall

The journey is always the same, and never the same. As Ian Bostridge remarks, at the end of his prize-winning book Schubert’s Winter Journey: Anatomy of an Obsession, when the wanderer asks Der Leiermann, “Will you play your hurdy-gurdy to my songs?”, in the final song of Winterreise, the ‘crazy but logical procedure would be to go right back to the beginning of the whole cycle and start all over again’. »

12 Dec 2017

Turandot in San Francisco

San Francisco Opera wrapped up its 95th fall opera season just now with a bang up Turandot. It has been a season of hopeful hints that this venerable company may regain some of its former luster. »

08 Dec 2017

Daniel Michieletto's Cav and Pag returns to Covent Garden

It felt rather decadent to be sitting in an opera house at 12pm. Even more so given the passion-fuelled excesses of Pietro Mascagni’s Cavalleria Rusticana and Ruggero Leoncavallo’s Pagliacci, which might seem rather too sensual and savage for mid-day consumption. »

05 Dec 2017

Manitoba Opera: Madama Butterfly

Manitoba Opera opened its 45th season with Puccini’s Madama Butterfly proving that the aching heart as expressed through art knows no racial or cultural divide, with the Italian composer’s self-avowed favourite opera still able to spread its poetic wings across time and space since its Milan premiere in 1904. »

01 Dec 2017

Ian Bostridge and Julius Drake celebrate 25 years of music-making

In 1992, concert promoter Heinz Liebrecht introduced pianist Julius Drake to tenor Ian Bostridge and an acclaimed, inspiring musical partnership was born. On Wenlock Edge formed part of their first programme, at Holkham Hall in Norfolk; and, so, in this recital at Middle Temple Hall, celebrating their 25 years of music-making, the duo included Vaughan Williams’ Housman settings for tenor, piano and string quartet alongside works with a seventeenth-century origin or flavour. »

30 Nov 2017

Girls of the Golden West in San Francisco

Not many (maybe any) of the new operas presented by San Francisco Opera over the past 10 years would lure me to the War Memorial Opera House a second time around. But for Girls of the Golden West just now I would be there again tomorrow night and the next, and I am eagerly awaiting all future productions. »

30 Nov 2017

DiDonato is superb in Semiramide at Covent Garden

It’s taken a while for Rossini’s Semiramide to reach the Covent Garden stage. The last of the operas which Rossini composed for Italian theatres between 1810-1823, Semiramide has had only one outing at the Royal Opera House since 1887, and that was a concert version in 1986.  »

28 Nov 2017

Philippe Jaroussky and Ensemble Artaserse at the Wigmore Hall

‘His master’s masterpiece, the work of heaven’: ‘a common fountain’ from which flow ‘pure silver drops’. At the risk of effulgent hyperbole, I’d suggest that Antonio’s image of the blessed governance and purifying power of the French court - in the opening scene of Webster’s The Duchess of Malfi - is also a perfect metaphor for the voice of French countertenor Philippe Jaroussky, as it slips through Handel’s roulades like a silken ribbon. »

24 Nov 2017

La Rondine Takes Flight in San Jose

Kudos to San Jose Opera for offering up a wholly winning, consistently captivating new production of Puccini’s seldom performed La Rondine.  »

24 Nov 2017

Clonter Opera Gala

Clonter’s Opera Gala in the breath-taking beautiful ball-room at the Lansdowne Club in Mayfair was a glamorously glittering smattering of opera – which made me want to run out to every opera in town.    »

24 Nov 2017

A New Die Walküre at Lyric Opera of Chicago

From the start of Lyric Opera of Chicago’s splendid, new production of Richard Wagner’s Die Walküre conflict and resolution are portrayed throughout with moving intensity. The central character Brünnhilde is sung by Christine Goerke and her father Wotan by Eric Owens.  »

22 Nov 2017

As One a Haunting Success in San Diego

San Diego Opera has mined solid gold with its mesmerizing and affecting production of As One, a part of their innovative ‘Detour Series.’ »

22 Nov 2017

OLF: Songs by Tchaikovsky, Anton Rubinstein, Rachmaninov and Georgy Sviridov

Compared to the oft-explored world of German lieder and French chansons, the songs of Russia are unfairly neglected in recordings and in the concert hall. The raw emotion and expansive lyricism present in much of this repertoire was clearly in evidence at the Holywell Music Room for the penultimate day of the celebrated Oxford Lieder Festival.  »

22 Nov 2017

Stockhausen’s STIMMUNG and COSMIC PULSES at the Barbican.

This concert was an event on several levels - marking a decade since the death of Stockhausen, the fortieth anniversary (almost to the day) since Singcircle first performed STIMMUNG (at the Round House), and their final public performance of the piece. It was also a rare opportunity to hear (and see) Stockhausen’s last completed purely electronic work, COSMIC PULSES - an overwhelming visual and aural experience that anyone who was at this concert will long remember.  »

20 Nov 2017

Nico Muhly's Marnie at ENO

Winston Graham’s 1961 novel Marnie was bold for its time. Its themes of sexual repression, psychological suspense and criminality set within the dark social fabric of contemporary Britain are but outlier themes of the anti-heroine’s own narrative of deceit, guilt, multiple identities and blackmail.  »

14 Nov 2017

TOSCA: A Dramatic Sing-Fest

On November 12, 2017, Arizona Opera presented Giacomo Puccini’s verismo opera, Tosca, in a dramatic production directed by Tara Faircloth. Her production utilized realistic scenery from Seattle Opera and detailed costumes from the New York City Opera. Gregory Allen Hirsch’s lighting made the set look like the church of St. Andrea as some of us may have remembered it from time gone by.  »

12 Nov 2017

The Lighthouse: Shadwell Opera at Hackney Showroom

‘Only make the reader’s general vision of evil intense enough … and his own experience, his own imagination, his own sympathy … and horror … will supply him quite sufficiently with all the particulars. Make him think the evil, make him think it for himself, and you are released from weak specifications.’ »

10 Nov 2017

Elisabeth Kulman sings Mahler's Rückert-Lieder with Sir Mark Elder and the Britten Sinfonia

Austrian singer Elisabeth Kulman has had an interesting career trajectory. She began her singing life as a soprano but later shifted to mezzo-soprano/contralto territory. Esteemed on the operatic stage, she relinquished the theatre for the concert platform in 2015, following an accident while rehearsing Tristan.  »

09 Nov 2017

Tremendous revival of Katie Mitchell's Lucia at the ROH

The morning sickness, miscarriage and maundering wraiths are still present, but Katie Mitchell’s Lucia di Lammermoor, receiving its first revival at the ROH, seems less ‘hysterical’ this time round - and all the more harrowing for it. »

08 Nov 2017

Manon in San Francisco

Nothing but a wall and a floor (and an enormous battery of unseen lighting instruments) and two perfectly matched artists, the Manon of soprano Ellie Dehn and the des Grieux of tenor Michael Fabiano, the centerpiece of Paris’ operatic Belle Époque found vibrant presence on the War Memorial stage.  »