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Elsewhere

The Threepenny Opera, London

‘Mack does bad things.’ The tabloid headline that convinces Rory Kinnear’s surly, sharp-suited Macheath that it might be time to take a short holiday epitomizes the cold, understated menace of Rufus Norris’s production of Simon Stephens’ new adaptation of The Threepenny Opera at the Olivier Theatre.

La bohème, LA Opera

On May 25, 2016, Los Angeles Opera presented a revival of the Herbert Ross production of Giacomo Puccini’s opera, La bohème. Stage director, Peter Kazaras, made use of the Dorothy Chandler Pavilion’s wide stage by setting some scenes usually seen inside the garret on the surrounding roof instead.

Amazons Enchant San Francisco

On May 21, 2016, Ars Minerva presented The Amazons in the Fortunate Isles (Le Amazzoni nelle Isole Fortunate), an opera consisting of a prologue and three acts by seventeenth century Venetian composer Carlo Pallavicino.

Mathis der Maler, Dresden

While Pegida anti-refugee demonstrations have been taking place for a while now in Dresden, there was something noble about the Semperoper with its banners declaring all are welcome, listing Othello, the Turk, and the hedon Papageno as examples.

The Makropulos Case, Munich

Opera houses’ neglect of Leoš Janáček remains one of the most baffling of the many baffling aspects of the ‘repertoire’. At least three of the composer’s operas would be perfect introductions to the art form: Jenůfa, Katya Kabanova, or The Cunning Little Vixen would surely hook most for life.

Orphée et Euridice, Seattle

It’s not easy for critics to hit the right note when they write about musical collaborations between students and professionals. We have to allow for inevitable lack of polish and inexperience while maintaining an overall high standard of judgment.

Die Meistersinger von Nürnberg, Munich

Die Meistersinger at the theatre in which it was premiered, on Wagner’s birthday: an inviting prospect by any standards, still more so given the director, conductor, and cast, still more so given the opportunity to see three different productions within little more than a couple of months).

Il barbiere di Siviglia at Glyndebourne

Director Annabel Arden believes that Rossini’s Il barbiere di Siviglia is ‘all about playfulness, theatricality, light and movement’. It’s certainly ‘about’ those things and they are, as Arden suggests, ‘based in the music’.

Oedipe at Covent Garden

George Enescu’s Oedipe was premiered in Paris 1936 but it has taken 80 years for the opera to reach the stage of Covent Garden. This production by Àlex Ollé (a member of the Catalan theatrical group, La Fura Dels Baus) and Valentina Carrasco, which arrives in London via La Monnaie where it was presented in 2011, was eagerly awaited and did not disappoint.

Gounod’s Roméo et Juliette at Lyric Opera, Chicago

Lyric Opera of Chicago staged Charles Gounod’s Roméo et Juliette as the last opera in its current subscription season.

L’incoronazione di Poppea, RAO

‘The plot is perhaps the least moral in all opera; wrong triumphs in the name of love and we are not expected to mind.’

Madame Butterfly , ENO

Anthony Minghella’s production of Madame Butterfly for ENO is wearing well. First seen in 2005, it is now being aired for the sixth time and is still, as I observed in 2013, ‘a breath-taking visual banquet’.

An interview with Tobias Ringborg

I arrive at the Jerwood Space, where rehearsals are underway for Garsington Opera’s forthcoming production of Idomeneo, to find that the afternoon rehearsal has finished a little early.

Valiant but tentative: La straniera at the Concertgebouw

This concert version of La straniera felt like a compulsory musicology field trip, but it had enough vocal flashes to lobby for more frequent performances of this midway Bellini.

London Festival of Baroque Music 2016: Words with Purcell

As poetry is the harmony of words, so music is that of notes; and as poetry is a rise above prose and oratory, so is music the exaltation of poetry.

The Dark Mirror: Zender’s Winterreise

From experiments with musique concrète in the 1940s, to the Minimalists’ explorations into tape-loop effects in the 1960s, via the appearance of hip-hop in the 1970s and its subsequent influence on electronic dance music in the 1980s, to digital production methods today, ‘sampling’ techniques have been employed by musicians working in genres as diverse as jazz fusion, psychedelic rock and classical music.

Great Scott Wows San Diego

On May 7, 2016, San Diego Opera presented the West Coast premiere of Great Scott, an opera by Terrence McNally and Jake Heggie. McNally’s original libretto pokes fun at everything from football to bel canto period opera. It includes snippets of nineteenth century tunes as well as Heggie's own bel canto writing.

Bellini’s Adelson e Salvini, London

A foiled abduction, a castle-threatening inferno, romantic infatuation, guilt-laden near-suicide, gun-shots and knife-blows: Andrea Leone Tottola’s libretto for Vincenzo Bellini’s first opera, Adelson e Salvini, certainly does not lack dramatic incident.

Manitoba Opera: Of Mice and Men

Opera as an art form has never shied away from the grittier shadows of life. Nor has Manitoba Opera, with its recent past productions dealing with torture, incest, murder and desperate political prisoners still so tragically relevant today.

Opera Las Vegas Announces Full Production of Carmen

Tickets on Sale NOW for June 10 & 12 Performances at UNLV’s Performing Arts Center Box Office


OPERA TODAY ARCHIVES »

Performances

(L–R) Peter de Jersey (Tiger Brown) and Rory Kinnear (Macheath)
31 May 2016

The Threepenny Opera, London

‘Mack does bad things.’ The tabloid headline that convinces Rory Kinnear’s surly, sharp-suited Macheath that it might be time to take a short holiday epitomizes the cold, understated menace of Rufus Norris’s production of Simon Stephens’ new adaptation of The Threepenny Opera at the Olivier Theatre. »

Recently in Performances

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16 Nov 2008

Lucrezia Borgia at the Washington National Opera

After a somewhat shaky start to the season, as my recently posted review of La traviata attests, Washington National Opera has added considerable luster to its roster this November with the infusion of spectacle and star power in two new productions.  »

16 Nov 2008

Wozzeck, Munich

Wozzeck stands ankle deep in water on the flooded stage of the Bavarian State Opera, above him hovers a huge, movable box – the dingy apartment he shares with Marie and their adolescent bastard – and he is surrounded by a freak-show worthy of a George Groszian nightmare and worse. »

13 Nov 2008

A powerful, poignant Elektra at the Royal Opera House, London

“This won’t be a total Schlacht of sound” said the director, Charles Edwards, of this production. Instead, it’s a strikingly intelligent interpretation, focusing on the deeper aspects of the drama. »

13 Nov 2008

Aïda – English National Opera, London Coliseum

It is incredibly unfashionable nowadays to stage opera straightforwardly. Welsh National Opera’s recent lavish staging of Otello prompted a dismissive reception from the critics.  »

09 Nov 2008

L’elisir d’amore in San Francisco

There are remnants of snobbery in San Francisco that are happiest when San Francisco Opera associates itself with the likes of Vienna State Opera and Covent Garden, and left positively frightened at the idea of a production from Opera Colorado/Fort Worth Opera/et al. on the War Memorial Opera House stage.  »

07 Nov 2008

The Pearl Fishers at Lyric Opera of Chicago

The current revival of Georges Bizet’s The Pearl Fishers at Lyric Opera of Chicago (seen 25 October) brings together an exceptionally strong cast.  »

07 Nov 2008

Houston brushes up its Shakespeare

In 1830, three years after the death of Beethoven and two after Schubert’s untimely demise, Berlioz, 27, dazzled the world with his phantasmagoric — perhaps drug-inspired — Symphonie fantastique.  »

04 Nov 2008

Boris Godunov at San Francisco Opera

As performed just now by the San Francisco Opera Mussorgsky’s initial (1869), seven scene version of Boris Godunov revealed itself a finished masterpiece.  »

04 Nov 2008

Rusalka and La tragedie de Carmen by English Touring Opera

Of their two tours per year, English Touring Opera tends to channel the majority of the budget into the Spring season, and the Autumn tour – despite a focus in recent years on some high-quality Baroque chamber works, which lend themselves well to the size of the venues around the UK which the company visits – can be rather noticeably the poor relation.  »

04 Nov 2008

Elektra at Royal Opera House

“Opera directing is very different to theatre directing”, says Charles Edwards, director of Elektra at the Royal Opera House this season. “It has to be the music that motivates you”. For this production, he works with Mark Elder, “an extraordinarily theatrically-minded conductor who sees theatre in everything he hears”. »

02 Nov 2008

The Tsar’s Bride by OONY

What opera contains a terrific overture, a wedding sextet, two murderous magical potions, a mad scene for coloratura soprano, a magnificent a cappella aria for contralto, dozens of glorious melodies and lots of nifty choral writing?  »

02 Nov 2008

Blond Leading the Blond: Scandinavia Times Three

I was just itching to experience the new Oslo Opera House ever since I saw the pictures of its grand opening (ahead of schedule, thank-you-very-much) last April.  »

02 Nov 2008

Boston Baroque’s Xerxes shows the way

Is Boston Baroque period performance’s best kept secret?  »

31 Oct 2008

Lucia di Lammermoor at the MET

Mary Zimmerman’s unmusical production of Lucia certainly improves if you give it a cast of singers who know what Donizetti is about. »

31 Oct 2008

Don Giovanni at the MET

The fascination of Don Giovanni lies not only in the bejeweled score but in the interplay of its eight intriguing characters, each based on an ancient type, yet each somehow cut loose from the formula da Ponte molded so well.  »

24 Oct 2008

Falstaff at Pimlico Opera, Cadogan Hall

Pimlico Opera is based at the Grange in Hampshire, home of the Grange Park opera festival, but pre-dates its sister company by a decade and has been giving national tours of popular operas since the 1980s as well as doing some pioneering opera and music theatre projects in UK prisons. »

24 Oct 2008

Paris Opera’s new production of The Cunning Little Vixen has a lot going for it.

The good news (make that “great news”) is that conductor Dennis Russell Davies had total command over this ever-shifting composition, one minute lyrical and introspective, the next soaring and rhapsodic, the next percussive and agitated.  »

23 Oct 2008

Turandot without the trimmings

In recent years it’s the headgear of the ice-hearted princess that is often the major source of awe and excitement in productions of Puccini’s incomplete final opera.  »

23 Oct 2008

Cervantino pays homage to Catalonia

Joanot Martorell’s 1490 “Tirant lo Blanc” isn’t on anyone’s reading list these days, and that’s rather a shame, for it — the first Catalan novel — was a favorite book of Miguel de Cervantes.  »

21 Oct 2008

Idomeneo in San Francisco

Munich in 1781 was hardly the big city, not an enlightened Paris where Gluck had recently turned the opera world on its ear, not a European capital like Vienna where Italian operatic imperialism was unassailable.  »

21 Oct 2008

Alessandro Scarlatti: Il Trionfo della Santissima Vergine Assunta in Cielo

“One can easily imagine -- Berkeley professor Donald J. Grout wrote in 1979 -- a Scarlatti oratorio occasionally being sung in church or in concert […], but it is more difficult (though perhaps not quite impossible) to imagine a Scarlatti opera being staged at a modern opera house”.  »

21 Oct 2008

Partenope — English National Opera, London Coliseum

In this new staging of Handel's comic rarity for English National Opera, director Christopher Alden has chosen to tell the classical tale of amorous and political intrigue through the world of the artistic elite of the 1920s/30s.  »

21 Oct 2008

La Traviata at the Washington National Opera

Staging La traviata for an opera company these days is an experience akin to that of a symphony’s orchestra programming Mozart: a great idea fraught with disaster.  »

21 Oct 2008

Salome at the MET

We ought to consider – as opera’s current reigning soprano, Karita Mattila, has certainly considered, though I’m not so sure about director Jürgen Flimm – who, what, and how old Salome is.  »

21 Oct 2008

La Gioconda at the MET

It probably wasn’t intended as a symbol of anything in particular, but at the end of Act II, midway through the October 6 performance of La Gioconda, Enzo’s ship failed to burst into flames, thereby letting the curtain down most unsatisfactorily on what is usually one of the liveliest act finales in grand opera. »

21 Oct 2008

Le Roi d’Ys at Avery Fisher Hall

By the time he completed Le Roi d’Ys, in 1888, Edouard Lalo was sixty-five, approaching the end of a successful career as a chamber violinist.  »

21 Oct 2008

Manon at Lyric Opera of Chicago

A funny thing happened on the way to the convent. Manon Lescaut, a pretty little girl with a taste for pretty things, became sidetracked by a pretty young man.  »

08 Oct 2008

Cavalleria rusticana/Pagliacci — English National Opera, London Coliseum

For the opening of the 2008/09 season at ENO, Richard Jones has teamed up with two separate theatrical writers, Sean O'Brien and Lee Hall, to create unique new versions of the repertoire's most famous double bill. »

06 Oct 2008

The Barber of Seville — English National Opera, London Coliseum

It can be difficult to inject life into a production which has been a staple of a company’s repertoire for over twenty years. »

06 Oct 2008

Macbeth at Bavarian State Opera

If Munich’s new Macbeth production does anything, it stirs emotions and draws heated response. »

06 Oct 2008

On The Bonesetter’s Daughter

Decades ago a New Yorker cartoon showed a very little girl standing on tip-toe to return a book to a matronly librarian. »

03 Oct 2008

Die tote Stadt at San Francisco Opera

Korngold’s third opera Die tote Stadt premiered in 1920 in Cologne, the composer a mere 23 years old. Back then, opera remained a living art form, with the likes of Strauss and Puccini keeping the public excited about new works. »

29 Sep 2008

Les Pêcheurs de perles at the Washington National Opera

The second offering of the current WNO season is a San Diego Opera production of Georges Bizet’s Pearl Fishers (1863). »

28 Sep 2008

Cool Cavalli at Covent Garden — La Calisto

Planet Earth laid waste by forces beyond our control, hunger and drought squeezing humanity out of existence whilst those in charge look on, laughing, lusting and concerned only with their own power struggles – does this sound familiar? »

22 Sep 2008

Paer’s Leonora from Bampton Classical Opera

Musically and dramatically Ferdinando Paer’s Leonora and Beethoven’s Fidelio might be said to belong respectively to pre- and post-revolutionary ages. »

22 Sep 2008

Puccini's Il Trittico at Los Angeles Opera

A few seasons back, Los Angeles Opera invited William Friedkin to direct a double-bill of Bartok's Bluebeard's Castle and Puccini's Gianni Schicchi. »

19 Sep 2008

Oresteia at Miller Theatre

Iannis Xenakis once stood among the leading composers of the avant-garde, mentioned in a (long, drawn-out, amelodic, taped and fed back) breath with Babbitt, Berio, Boulez, Henze, Penderecki and Stockhausen: internationally famous among academics, ignored or deplored by the concert-going public. »

16 Sep 2008

Prom 61 — Verdi's Requiem

The Verdi Requiem is a regular feature at the Proms, having appeared every few years in past decades, usually to full houses. »

16 Sep 2008

Prom 51 — St. John Passion

Sunday 24th August at the Proms promised a day dedicated to the music of Bach, beginning with an organ recital in the afternoon by Simon Preston and ending with a late-night performance of the first three of the six Cello Suites by Chinese cellist Jian Wang by way of a palate-cleanser. »

14 Sep 2008

The Second to Last Night of the Proms – Beethoven’s 9th Symphony

The Last Night of the Proms is notorious because it’s an excuse for jingoistic excess. »

09 Sep 2008

Prom 70 — St François d’Assise

Even a concert performance of Messiaen’s St François d’Assise could hardly fail to be an event. »

08 Sep 2008

“Great Performances” remembers Pavarotti — What remains is the voice.

Luciano Pavoritti died on September 6, 2007. The all-too-ample figure and the fables associated with him are already retreating from memory. »

08 Sep 2008

Cecilia Bartoli at the Musikverein Wien

Every time an artist walks onto the performance stage, he or she attempts to give the performance of their lives, focusing on everything they have learned prior to, and giving of themselves in an unprecedented way. »

07 Sep 2008

Prom 68 — Russian Fairy Tales from Rimsky-Korsakov and Stravinsky

Kashchey is a gnarled old ogre who imprisons a beautiful young princess in his gloomy underworld. It’s classic psychodrama. Kashchey has supernatural powers, so how can the Princess be saved ? »

07 Sep 2008

The Coronation of Poppea

The startup of a new opera company is always cause for cheering; it is getting harder and harder (that is, more and more expensive) to do, especially in New York. »

07 Sep 2008

Prom 64 — Rattle conducts the Berlin Philharmonic in Messiaen’s Turangâlìla-symphonie

Because Turangâlìla is such a panorama, taking in Hollywood, Hindus and Peruvians, Wagner and Gurrelieder, it’s easy to assume it’s all surface Technicolor. »