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Elsewhere

ETO Autumn 2020 Season Announcement: Lyric Solitude

English Touring Opera are delighted to announce a season of lyric monodramas to tour nationally from October to December. The season features music for solo singer and piano by Argento, Britten, Tippett and Shostakovich with a bold and inventive approach to making opera during social distancing.

Eight Songs from Isolation: first opera written for a socially distanced world

Conductor Oliver Zeffman has commissioned the very first opera for a socially distanced world, which is now available to watch exclusively on Apple Music. Eight Songs From Isolation has been written by eight leading composers, specifically for streaming - rather than live performance - and is the first opera written for a time when the performers were unable to meet in person.

Let Music Live

Leading freelance musicians unite in Parliament Square to call for targeted support for colleagues in the arts and entertainment sector.

Murphy & Attridge celebrate performers' humanity with a creative response to lockdown

Duo Lewis Murphy (composer) and Laura Attridge (writer) have launched a charitable song project entitled Notes From Isolation. The resulting songs, featuring some of the UK's top singing talent, are being released online between August and October 2020 and can be enjoyed free of charge.

Love, always: Chanticleer, Live from London … via San Francisco

This tenth of ten Live from London concerts was in fact a recorded live performance from California. It was no less enjoyable for that, and it was also uplifting to learn that this wasn’t in fact the ‘last’ LfL event that we will be able to enjoy, courtesy of VOCES8 and their fellow vocal ensembles (more below …).

Dreams and delusions from Ian Bostridge and Imogen Cooper at Wigmore Hall

Ever since Wigmore Hall announced their superb series of autumn concerts, all streamed live and available free of charge, I’d been looking forward to this song recital by Ian Bostridge and Imogen Cooper.

Henry Purcell, Royal Welcome Songs for King Charles II Vol. III: The Sixteen/Harry Christophers

The Sixteen continues its exploration of Henry Purcell’s Welcome Songs for Charles II. As with Robert King’s pioneering Purcell series begun over thirty years ago for Hyperion, Harry Christophers is recording two Welcome Songs per disc.

The Royal Opera House unveils programme of new work alongside much-loved classics for live audiences this Autumn

The Royal Opera House is thrilled to announce an exciting, wide-ranging new line-up for its autumn programme. For the first time, extraordinary performances will be accessible online for a global audience through livestreams and for socially distanced live audiences at our home in Covent Garden. In a global first, we present a new opera in hyper-reality, alongside repertory favourites from both artistic companies.

Treasures of the English Renaissance: Stile Antico, Live from London

Although Stile Antico’s programme article for their Live from London recital introduced their selection from the many treasures of the English Renaissance in the context of the theological debates and upheavals of the Tudor and Elizabethan years, their performance was more evocative of private chamber music than of public liturgy.

Anima Rara: Ermonela Jaho

In February this year, Albanian soprano Ermonela Jaho made a highly lauded debut recital at Wigmore Hall - a concert which both celebrated Opera Rara’s 50th anniversary and honoured the career of the Italian soprano Rosina Storchio (1872-1945), the star of verismo who created the title roles in Leoncavallo’s La bohème and Zazà, Mascagni’s Lodoletta and Puccini’s Madama Butterfly.

A wonderful Wigmore Hall debut by Elizabeth Llewellyn

Evidently, face masks don’t stifle appreciative “Bravo!”s. And, reducing audience numbers doesn’t lower the volume of such acclamations. For, the audience at Wigmore Hall gave soprano Elizabeth Llewellyn and pianist Simon Lepper a greatly deserved warm reception and hearty response following this lunchtime recital of late-Romantic song.

Wexford Festival Opera Gala Concert - Remote Voices: as part of Waiting for Shakespeare …The Festival in the air

Some of the most famous and outstanding stars from the opera world are to take part in a very special evening from Wexford Festival Opera, including Aigul Akhmetshina, Joseph Calleja, Daniela Barcellona, Juan Diego Flórez, Igor Golovatenko, Ermonela Jaho, Sergey Romanovsky, and many more.

Requiem pour les temps futurs: An AI requiem for a post-modern society

Collapsology. Or, perhaps we should use the French word ‘Collapsologie’ because this is a transdisciplinary idea pretty much advocated by a series of French theorists - and apparently, mostly French theorists. It in essence focuses on the imminent collapse of modern society and all its layers - a series of escalating crises on a global scale: environmental, economic, geopolitical, governmental; the list is extensive.

OperaStreaming announces second season of nine new productions from the opera houses of Emilia-Romagna, free to view on YouTube

Following its successful launch in 2019, OperaStreaming streams nine operas on YouTube from the historic opera houses of Emilia-Romagna during the 2020-21 season, with fully-staged productions of Verdi's La traviata in October from Modena and Verdi'sOtello from Bologna in...

Connections Across Time: Sholto Kynoch on the 2020 Oxford Lieder Festival

‘A brief history of song’ is the subtitle of the 2020 Oxford Lieder Festival (10th-17th October), which will present an ambitious, diverse and imaginative programme of 40 performances and events.

The Sixteen: Music for Reflection, live from Kings Place

For this week’s Live from London vocal recital we moved from the home of VOCES8, St Anne and St Agnes in the City of London, to Kings Place, where The Sixteen - who have been associate artists at the venue for some time - presented a programme of music and words bound together by the theme of ‘reflection’.

Bampton Classical Opera 2020: Gluck's The Crown at St John's Smith Square

Bampton Classical Opera returns to the Baroque splendour of London’s St John’s Smith Square on November 6 with a concert performance of Gluck’s one-act opera The Crown, the first in the UK since 1987. The performance will also be filmed and available to watch on demand on the Bampton website from 9 November.

Iestyn Davies and Elizabeth Kenny explore Dowland's directness and darkness at Hatfield House

'Such is your divine Disposation that both you excellently understand, and royally entertaine the Exercise of Musicke.’

A new opera written during lockdown with three different endings to choose from to premiere this October as part of Wexford Festival Opera

While many of us spent lockdown at home taking it a little easier, composer Andrew Synnott wrote an opera.

Grange Park Opera presents Britten’s Owen Wingrave, filmed on location in haunted houses in Surrey and London

Owen Wingrave is part of the new Interim Season of 19 brand new events, all free to view online between September and December 2020.


OPERA TODAY ARCHIVES »

Performances

05 Oct 2020

ETO Autumn 2020 Season Announcement: Lyric Solitude

English Touring Opera are delighted to announce a season of lyric monodramas to tour nationally from October to December. The season features music for solo singer and piano by Argento, Britten, Tippett and Shostakovich with a bold and inventive approach to making opera during social distancing. »

Recently in Performances

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22 Jan 2014

La traviata, Chicago

In a staging shared with Houston Grand Opera and the Canadian Opera Company, Lyric Opera of Chicago presented recently a new production of Giuseppe Verdi’s La traviata.  »

22 Jan 2014

Gluck: Orpheus and Eurydice

If you’re the sort of audience member who, when watching a performance of a play or opera, often experiences the urge to abandon your seat and join in with action, then the English Pocket Opera Company’s 2014 collaborative project will be just the thing for you.  »

22 Jan 2014

Gerald Finley: Winterreise

Tenor or baritone? Everyone will have their own individual preference about the voice type best suited to Schubert’s Winterreise — and about the manner in which the songs should be performed (narrated, or acted?).  »

22 Jan 2014

Jules Massenet: Manon, ROH

Tart with a heart, pleasure-loving ingénue, exploited naïf, or femme fatale?  »

22 Jan 2014

Songlives: Johannes Brahms

This recital, part of an inventive series overseen by pianist Malcolm Martineau, did exactly what it said on the tin: it journeyed the length of Brahms’ creative life as a composer of songs, from his earliest adolescent essays, through the early years of expansion and experiment, to the period of maturity and confidence as the composer established himself in Vienna, concluding with the moving, nuanced testaments of Brahms’ final years.  »

21 Jan 2014

Eugene Onegin in Montpellier

Entering the hall there arose the Dantesque “abandon all hope ye who enter” feeling — a cluttered a vista socialist setting, a poster of Lenin and large letters proclaiming Moscow, December 1999.  »

17 Jan 2014

The Sixteen: Jephtha

Harry Christophers and The Sixteen brought Handel's final oratorio, Jephtha, to the Barbican (14 January 2014) preparatory to recording the work.  »

13 Jan 2014

Cosi fan tutte in Montpellier

This Cosi fan tutte completes the Montpellier Mozart/da Ponte trilogy staged by French metteur en scène and esthète Jean-Paul Scarpitta. Primarily studies in elegance and refinement these mises en scènes have provoked all that that is most precious and perfect in Mozart’s scores.  »

08 Jan 2014

Matthias Goerne — Mahler and Shostakovich, Wigmore Hall

At the Wigmore Hall, London, Matthias Goerne and Lief Ove Andsnes performed Mahler in a unique programme built around Shostakovich's Suite on Verses of Michelangelo Buonarroti, op 145 (1974).  »

08 Jan 2014

Otello in Genoa

Forget Shakespeare, this was distinctly an Otello without the ‘h’. It was Italian melodramma to its core, the collaboration of its metteur en scène Davide Livermore, wunderkind conductor Andrea Battistoni and its Desdemona, Maria Agresto. »

07 Jan 2014

Les Contes d'Hoffmann in Lyon

Maybe there can be no bigger feat than making it through Les Contes d’Hoffmann in the Laurent Pelly version without a hitch or two. »

30 Dec 2013

Don Pasquale, Manitoba Opera

Manitoba Opera opened its 41st season with a rootin’ tootin’ new production of Don Pasquale from November 23 through 29, last staged by the Prairie company in 1997. »

24 Dec 2013

Les Arts Florissants: Airs sérieux et à boire

In this unusual programme of late-seventeenth-century airs de cour, Les Arts Florissants presented a flowing sequence of songs for solo and ensemble voices with chamber accompaniment, the intimacy of the Wigmore Hall neatly mimicking the privacy of the royal chambers of Louis XIV in which the courtly compositions were originally performed.  »

19 Dec 2013

Carmen, Royal Opera

Francesco Zambello’s 2006 Carmen, here revived for the sixth time, seems to have something of an identity crisis: sumptuous spectacle or gritty drama? »

17 Dec 2013

Offenbach’s Fantasio from Opera Rara

Premiered in Paris in 1872, Jacques Offenbach’s Fantasio received just ten performances before the opera was withdrawn and its composer found himself on the receiving end of bitter attacks and criticism.  »

16 Dec 2013

Theatre of the Ayre: Charpentier

With the gaudy excesses of secular seasonal indulgence just a few streets away and the tills of Oxford Street traders rattling out melodies of materialism, this advent programme of elegance and refinement offered by lutenist Elizabeth Kenny and the early music ensemble which she founded, Theatre of the Ayre, provided a welcome opportunity for repose and reflection. »

16 Dec 2013

Jihoon Kim, Royal Opera House, London

Jihoon Kim is shining proof that the Jette Parker Young Artists Programme at the Royal Opera House, London, develops singers into complete artists.  »

11 Dec 2013

The Magic Flute at Los Angeles Opera: Silent Film Style

Los Angeles Opera's new production of Wolfgang Amadeus Mozart's The Magic Flute opened on November 23, 2013. Brought here from the Komische Oper in Berlin where it premiered last year, the production is a multimedia rendition in the style of the British theater group 1927. »

11 Dec 2013

War Requiem, Chicago Symphony

As part of this year’s tribute to Benjamin Britten the Chicago Symphony Orchestra, Chorus, and soloists recently gave several performances of the composer’s War Requiem.  »

02 Dec 2013

Fat Knight in Los Angeles

In its ongoing celebration of Verdi’s centennial year, the Los Angeles Opera offered a new production of Falstaff, the composer’s last and most brilliant opera — brilliant in every scintillating, sparkling sense of the word. »

02 Dec 2013

Weber’s Euryanthe, London

Poor Weber: opera companies, especially in England, do him anything but proud.  »

29 Nov 2013

Early Opera Company: Acis and Galatea

Acis and Galatea was one of Handel’s most popular works, frequently revived in his life time and beyond.  »

27 Nov 2013

Werner Güra Lieder recital, Wigmore Hall

German tenor Werner Güra, who has made a speciality of the German lieder repertoire, opened this recital at the Wigmore Hall with Beethoven’s An Die Ferne Geliebte, the composer’s only song cycle and the first significant example of the form.  »

22 Nov 2013

Porgy and Bess in San Francisco

It’s been renamed “The Gershwins' Porgy and Bess,” it hails itself as “The American Musical” and further qualifies itself as “The Porgy and Bess for the Twenty-First Century.”  »

19 Nov 2013

Arizona Opera Presents a Fine Flying Dutchman

Richard Wagner wrote: "The voyage through the Norwegian reefs made a wonderful impression on my imagination; the legend of the Flying Dutchman, which the sailors verified, took on a distinctive, strange coloring that only my sea adventures could have given it.” »

18 Nov 2013

The Rape of Lucretia, Glyndebourne Touring Opera

‘If she is adulterous, why is she praised? If chaste, why was she put to death?’  »

11 Nov 2013

Britten’s Atmospheric War Requiem, London

On Remembrance Sunday, Semyon Bychkov conducted Benjamin Britten's War Requiem at the Royal Albert Hall with Roderick Williams, Allan Clayton, Sabrina Cvilak, the BBC Symphony Orchestra, the BBC Symphony Chorus, Crouch End Festival Chorus and choristers of Westminster Abbey.  »

09 Nov 2013

Barbican Britten

The mantle of tenor Peter Pears’ legacy hung heavily over his immediate ‘successors’, as they performed music that had been composed by Benjamin Britten for the man to whom he avowed, ‘I write every note with your heavenly voice in my head’.  »

08 Nov 2013

Exaudi: O tenebroso giorno — Gesualdo then and now

One year since the launch of their project to create a contemporary book of Italians madrigals, vocal ensemble Exaudi returned to the Wigmore Hall to present an intermingling of old and new madrigals which was typically inventive, virtuosic and compelling.  »

08 Nov 2013

The Magic Flute, ENO, London

Mozart’s The Magic Flute at the Coliseum could give the ENO a welcome boost.  »

07 Nov 2013

Madama Butterfly, Chicago

Lyric Opera of Chicago’s current new production of Giacomo Puccini’s Madama Butterfly, an effort shared with Houston Grand Opera and the Grand Théâtre de Genève, tends to emphasize emotional involvements against a backdrop of spare sets.  »

07 Nov 2013

The (Amazing) Nose

Dmitri Shostakovich’s opera, The Nose, based on Gogol’s short story of the same name, was a smash hit for the Metropolitan Opera company in 2010 and once again, this season. »

05 Nov 2013

Death in Venice, Festival of Britten

There might not be much ‘Serenissima’ about Yoshi Oida’s 2007 production of Death in Venice — it’s more Japanese minimalism than Venetian splendour — but there is still plenty to admire, as this excellent revival by Opera North as part of its centennial celebration, Festival of Britten, underlines.  »

05 Nov 2013

“T” as in “Terrific Toronto”

With an absorbing production of Peter Grimes and a freshly spontaneous La bohème, Canadian Opera Company has set the bar very high indeed for its current season. »

02 Nov 2013

Two Boys at the Brave New Met

Whatever you think of some of the Metropolitan Opera’s recent productions, you cannot fault the Gelb administration for fearing to take risks.  »

01 Nov 2013

Wozzeck, Royal Opera

The lustreless white tiles of the laboratory which forms the set of Keith Warner’s pitiless staging of Alban Berg’s Wozzeck offer little respite — cold, hard, rigid and severe, they are a material embodiment of the bleakness and barrenness of the tragic events which will be played out within the workshop walls (sets by Stefanos Lazaridis).  »

31 Oct 2013

Wexford Festival 2013

At this year’s Wexford Festival — the 62nd operatic gathering in this small south-eastern Irish town - the trio of operas on show present many a wretched battle between duty and desire.  »

29 Oct 2013

Florilegium, Wigmore Hall

At the heart of this Wigmore Hall recital were two sacred vocal works for solo countertenor and small instrumental forces, recently recorded by Florilegium and Robin Blaze to considerable critical acclaim: J.S. Bach’s cantata ‘Vergnügte Ruh, beliebte Seelenlust’ and Giovanni Battista Pergolesi’s ‘Salve Regina’. »

23 Oct 2013

Mark-Anthony Turnage, Greek

After the bitter disappointment of  »

23 Oct 2013

Armide, Amsterdam

There is a cornucopia of ideas on display in Gluck’s Armide at Amsterdam’s Het Muziektheater, but sadly only a few of them seemed to serve the piece.  »

23 Oct 2013

London’s Vespers Ring the Right Bells

Even before it opened, Royal Opera’s Les vêpres siciliennes was the must-see production of the season. »

23 Oct 2013

Verdi’s Otello at Lyric Opera of Chicago

Lyric Opera of Chicago has opened the season with a revival of its 2001 production of Giuseppe Verdi’s Otello.  »

23 Oct 2013

Angel Blue, Wigmore Hall

Having impressed UK audiences in La Boheme (for ENO) and American Lulu (for the Opera Group/Scottish Opera),  »

22 Oct 2013

Madame Butterfly at ENO

First seen in 2005, and since feted in London (several times), New York and Lithuania, Anthony Minghella’s cinematic production of Madame Butterfly remains a breath-taking visual banquet.  »

15 Oct 2013

Fun Loving H.M.S. Pinafore Opens Arizona Opera

The star of the show was the agile Robert Orth as Sir Joseph Porter, the First Lord of the Admiralty. A fine operatic baritone, Orth’s patter was machine gun fast, crisp, and completely understandable.  »

13 Oct 2013

Intriguing Duo in San Francisco

Venerable San Francisco Opera kicked off its fall season with a wholly pleasing revival of a landmark production, complemented by an engrossing world premiere.  »

13 Oct 2013

The Tragedy of Carmen, Syracuse Opera

Carmen Lite: Singing shines in Syracuse Opera’s pocket-sized The Tragedy of Carmen »

13 Oct 2013

Carmen, Yet Again

No matter how or where Carmen is produced, or by whom directed, costumed and performed, its promise of free wheeling sex and exciting rhythmic music, has made it one of the most popular operas in the world. »

13 Oct 2013

L’Arpeggiata: Mediterraneo

What do you get if you cross the sultry folk melodies of Greece, Spain and Italy with the formal repetitions of Baroque instrumental structures, and add a dash of the shady timbres and rhythmic litheness of jazz?  »