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Elsewhere

The “Other” Marriage of Figaro in a West Village Townhouse

Last week an audience of 50 assembled in the kitchen of a luxurious West Village townhouse for a performance of Marriage of Figaro.

West Wind: A new song-cycle by Sally Beamish

In a recent article in BBC Music Magazine tenor James Gilchrist reflected on the reason why early-nineteenth-century England produced no corpus of art song to match the German lieder of Schumann, Schubert and others, despite the great flowering of English Romantic poetry during this period.

Interview with Star of Florencia en el Amazonas, Elizabeth Caballero

Lyric soprano Elizabeth Caballero’s signature role is Violetta in La traviata, which she portrays with a compelling interpretation, focused sound, and elegant coloratura that floats through the opera house as naturally as waves on the ocean.

Florencia en el Amazonas, NYCO

With the New York Premiere of Florencia en el Amazonas, the New York City Opera Steps Out of the Shadows of the Past

Idomeneo, re di Creta, Garsington

Opportunities to see Idomeneo are not so frequent as they might be, certainly not so frequent as they should be.

Don Carlo in San Francisco

Not merely Don Carlo, but the five-act Don Carlo in the 1886 Modena version! The welcomed esotericism of San Francisco Opera’s extraordinary spring season.

Jenůfa in San Francisco

The early summer San Francisco Opera season has the feel of a classy festival. There is an introduction of Spanish director Calixto Bieito to American audiences, a five-act Don Carlo and two awaited, inevitable role debuts, Karita Mattila as Kostelnička and Malin Bystrom as Janacek's Jenůfa.

Musings on the “American Ring

Now that the curtain has long fallen on the third and last performance of the Ring cycle at the Washington National Opera (WNO), it is safe to say that the long-anticipated production has been an unqualified success for the company, director Francesca Zambello, and conductor Philippe Auguin.

Nabucco, Covent Garden

Most of the attention during this revival of Daniele Abbado’s 2013 production of Nabucco has been directed at Plácido Domingo’s reprise of the title role, with the critical reception somewhat mixed.

Tristan, English National Opera

My first Tristan, indeed my first Wagner, in the theatre was ENO’s previous staging of the work, twenty years ago, in 1996. The experience, as it should, as it must, although this is alas far from a given, quite overwhelmed me.

The Cunning Little Vixen, Glyndebourne

Four years ago, almost to the day (13th to 12th), I saw Melly Still’s production of The Cunning Little Vixen during its first Glyndebourne run. I found myself surprised how much more warmly I responded to it this time.

London: A 90th birthday tribute to Horovitz

This recital celebrated both the work of the Park Lane Group, which has been supporting the careers of outstanding young artists for 60 years, and the 90th birthday of Joseph Horovitz, who was born in Vienna in 1926 and emigrated to England aged 12.

Opera Las Vegas: A Blazing Carmen in the Desert

Headed by General Director Luana DeVol, a world-renowned dramatic soprano, Opera Las Vegas is a relatively new company that presents opera with first-rate casts at the University of Las Vegas’s Judy Bayley Theater. In 2014 they presented Rossini’s The Barber of Seville and in 2015, Puccini’s Madama Butterfly. This year they offered a blazing rendition of Georges Bizet’s Carmen.

La bohème, Opera Holland Park

Ever since a friend was reported as having said he would like something in return for modern-dress Shakespeare (how quaint that term seems now, as if anyone would bat an eyelid!), namely an Elizabethan-dress staging of Look Back in Anger, I have been curious about the possibilities of ‘down-dating’, as I suppose we might call it. Rarely, if ever, do we see it, though.

Holland Festival: Alban Berg’s Wozzeck, Amsterdam

Leading a very muscular Dutch Radio Philharmonic, Principal Conductor Markus Stenz brilliantly delivered Alban Berg’s Wozzeck with a superb Florian Boesch in the lead and a mesmerising Asmik Grigorian as Marie his wife.

A Chat With Baritone Brian Mulligan

Maria Nockin interviews baritone Brian Mulligan.

Lalo: Complete Songs

Edouard Lalo (1823-92) is best known today for his instrumental works: the Symphonie espagnole (which is, despite the title, a five-movement violin concerto), the Symphony in G Minor, and perhaps some movements from his ballet Namouna, a scintillating work that the young Debussy adored.

Pietro Mascagni: Iris

There can’t be that many operas that start with an extended solo for double bass. At Holland Park, the eerie, angular melody for lone bass player which opens Pietro Mascagni’s Iris immediately unsettled the relaxed mood of the summer evening.

L’italiana in Algeri, Garsington Opera

George Souglides’ set for Will Tuckett’s new production of Rossini’s L’italiana in Algeri at Garsington would surely have delighted Liberace.

Carmen in San Francisco

Calixto Bieito is always news, Carmen with a good cast is always news. So here is the news.


OPERA TODAY ARCHIVES »

Performances

Scene from <em>La pazza giornata o sia il matrimonio di Figaro</em>
26 Jun 2016

The “Other” Marriage of Figaro in a West Village Townhouse

Last week an audience of 50 assembled in the kitchen of a luxurious West Village townhouse for a performance of Marriage of Figaro.  »

Recently in Performances

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09 Mar 2006

DOVE: Flight

For most of its 40 plus years the Adelaide Festival of Arts has had as its central attraction the Australian premieres of a landmark European opera like Wozzeck, Lady Macbeth of Mtsensk, The Fiery Angel or landmark contemporary works like Death in Venice, Nixon in China or El Nino presented within a few years of their world premieres. »

28 Feb 2006

Les Violons du Roy and Magdalena Kožená at Carnegie Hall

On Sunday, 28 February 2006, Carnegie Hall presented Les Violons du Roy, Bernard Labadie, Music Director and Conductor, with Magdalena Kožená, Mezzo-Soprano, featuring works by Rameau and Gluck. Here are two reviews. »

28 Feb 2006

Ewa Podles in New York — Two Reviews

On 26 February, Constantine Orbelian led the Moscow Chamber Orchestra, marking its 50th anniversary this season, in works by Haydn, Prokofiev, Rossini, Shostakovich, and Mussorgsky, with the renowned contralto Ewa Podlés. Here are two reviews. »

23 Feb 2006

La Forza del Destino at the Met — Four Reviews

METROPOLITAN OPERA: "Commissioned for St Petersburg (the premiere was in 1862), La Forza del Destino was based on a play by the Duke of Rivas, and was at first only a moderate success. Although Verdi revised it for Milan in 1869, it took a long time for audiences to come to appreciate the sprawling drama; several years take place between the first and last scenes, and the number of coincidences in the plot stretches credulity to the limit. But the overture, the arias for Leonora (including “Pace!”), and the duets for tenor and baritone have ensured that the opera remains popular whenever it is revived." Here are four reviews. »

20 Feb 2006

WNO's The Flying Dutchman — Three Reviews

WELSH NATIONAL OPERA: "Welsh National Opera's The Flying Dutchman promises to be a focused, powerful and intense experience. This early Wagnerian masterpiece signalled the composer's fascination with combining epic myths and dramatic music." Here are three reviews. »

16 Feb 2006

Hercules in Brooklyn — Two Reviews

The Brooklyn Academy of Music is presenting Handel's Hercules with Les Arts Florissants, conducted by William Christie and directed by Luc Bondy. Here are two reviews: »

05 Feb 2006

Body and Soul - A New “Poppea” in London

Monteverdi’s great work, “L’Incoronazione di Poppea” in a “semi-staged” format, has been chosen to showcase the talents of some exciting young singers and musicians in London recently as the first part of an ambitious project aimed at a more holistic approach to singing opera. »

04 Feb 2006

Le Nozze di Figaro at ROH — Four Reviews

ROYAL OPERA HOUSE: "To mark the 250th anniversary of the birth of Wolfgang Amadeus Mozart, The Royal Opera mounts a new production of his setting of the second of Beaumarchais' domestic but politically charged 'Figaro' comedies, as adapted by librettist Lorenzo da Ponte. " »

01 Feb 2006

Turandot at Carnegie Hall

On 30 January, the Collegiate Chorale presented Puccini: A Composer's Journey. Here are two reviews. »

25 Jan 2006

Norma in Munich — Two Reviews

Bellini's Norma is the story of a love triangle involving Norma, the Druid high priestess, Pollione, the Roman proconsul and father of Norma's two children, and Adalgisa, a Druid acolyte and Pollione's new conquest whom he intends to take to Rome. The role of Norma is generally considered one of the most difficult in opera literature. Few have succeeded in mastering it. Now Edita Gruberova, has taken on the role at the Bayerische Staatsoper. Here are two reviews. »

25 Jan 2006

Mozart at Lincoln Center — Three Reviews

Earlier this week, Sir John Eliot Gardiner led the Orchestre Revolutionnaire et Romantique and the Monteverdi Choir in two immortal Mozart works: the C-minor Mass and the Requiem, followed by an evening of Mozart's orchestral works. Here are three reviews. »

19 Jan 2006

La Traviata, Royal Opera House, London — Three Reviews

This season the Royal Opera House has recreated "Richard Eyre's popular production of Verdi's La Traviata, which draws on striking period designs by Bob Crowley to amplify the tensions and confrontations that make Violetta's predicament so tragic and her portrayal so real." Here are three reviews: »

18 Jan 2006

A NICE COUP: VILLAZÓN in his first “WERTHER”

The French city of Nice has this past week been enjoying some wonderful weather and the aptly-named Cote d’Azur has truly lived up to its name. »

09 Jan 2006

Renée Fleming and the Met Orchestra at Carnegie Hall — Two Reviews

On 8 January 2006, the Met Orchestra performed at Carnegie Hall with James Levine, Renée Fleming and Julien Robbins. »

06 Jan 2006

Ablaberdyeva/Korobeinikov at Wigmore Hall, London — Four Reviews

On 28 December 2005, soprano Alla Ablaberdyeva and pianist Andrei Korobeinikov presented a program of songs by Rachmaninov, Britten and Shostakovich. Here are four reviews. »

04 Jan 2006

L'Elisir d'Amore at the Met — Three Reviews

The Metropolitan Opera presented Donizetti's L'Elisir d'Amore (The Elixir of Love), which "tells of the peasant Nemorino who decides to take some magic elixir sold to him by a quack doctor, so that he can win the heart of a wealthy land-owner, who (to spite Nemorino) has announced her marriage to a sergeant." Here are three reviews: »

30 Dec 2005

Berg's Wozzeck at the Met — Three Reviews

The Metropolitan Opera presents Wozzeck, Alban Berg's "operatic version of Büchner’s play about a soldier who subjects himself to medical experiments to augment his pay." Here are two reviews. »

15 Dec 2005

Malena Ernman, Simon Rattle and OAE at the Barbican — Three Reviews

On 9 December 2005, Malena Ernman stepped in for an ailing Magdalena Kožená at the Barbican in London. Here are three reviews. »

15 Dec 2005

Rigoletto at the Met — Three Reviews

THE METROPOLITAN OPERA: Verdi considered Victor Hugo’s play Le Roi s’amuse “one of the greatest creations of the modern theatre”, and jumped at the opportunity to adapt it for Venice in 1851. »

13 Dec 2005

Stravinsky in San Francisco — Two Reviews

SAN FRANCISCO SYMPHONY: The San Francisco Symphony and Michael Tilson Thomas present two semi-staged theatrical performances: a double-bill featuring Stravinsky's rarely heard operas The Nightingale and Oedipus Rex. »

05 Dec 2005

Billy Budd at ENO — Two Reviews

ENGLISH NATIONAL OPERA: ‘Under no circumstances to be missed’ (The Guardian), Neil Armfield’s illuminating reading of Billy Budd receives its long-awaited London premiere. In the season in which Benjamin Britten becomes ENO’s House Composer, this engrossing WNO/Opera Australia production is the perfect salute to a great British masterpiece. »

05 Dec 2005

An American Tragedy — Three Reviews

THE METROPOLITAN OPERA: The American author Theodore Dreiser published An American Tragedy in 1925 and it quickly became a classic. Based on a true story of a man who was found guilty of murdering the woman who was carrying his baby, while he was simultaneously pursuing another woman of a higher social class, Dreiser’s novel tells the story of a mid-western preacher’s son who tasted a little sophistication on his way to death in the electric chair. »

28 Nov 2005

Thomas Hampson in Recital

Monday evening, November 21, 2005, I was fortunate enough to attend a benefit recital given by Thomas Hampson in the Fox Theater in Spokane, Washington. »

15 Nov 2005

ROSSINI: William Tell (Two Reviews)

Not Just a Famous Overture »

13 Oct 2005

Anna Christy in Recital

OMAHA — Having first heard Anna Christy a few years ago in the title role of Lucia di Lammermoor, she clearly had a bright future ahead of her. On Tuesday, this opinion was not only reaffirmed, but it is now manifest that this lovely and elegant soprano is well on her way to becoming one of the great coloraturas of the 21st Century. »

08 Sep 2005

Opera Australia Presents Death in Venice

Since opera began, composers have honoured, or pretended to honour, the principle that the music should serve the words, though, in reality, it is done more in the breach than the observance. »

07 Sep 2005

Fidelio in Stir

First, you signed the waiver relieving the venue of any liability for your injury or death. Then, you were handed a flashlight and felt the chill in the air – not a typical cold draft but the prickly tingle that comes with unquiet spirits nearby. »

25 Aug 2005

The Death of Klinghoffer at Edinburgh

It has taken 14 years for John Adams’ second opera to reach a British stage. Scottish Opera’s production of The Death of Klinghoffer at last goes boldly where no opera company in these islands has dared before (and one of them, Glyndebourne, shared in the original commission). »

25 Aug 2005

Melodrama in Edinburgh

First performed in 1775, Georg Benda’s Ariadne auf Naxos is a melodrama in the most literal sense of the word — a work for actors and orchestra in which music is deployed to heighten the effect of emotional declamation. Even though posterity has tended to play its influence down, many in the late 18th and early 19th centuries rated it as both a masterpiece and a major vehicle for a tragic actress. This performance revealed it to be a work of considerable power. »

25 Aug 2005

The Threepenny Opera in LA

LOS ANGELES (Hollywood Reporter) – German writers Bertolt Brecht and Kurt Weill’s stylized 1928 masterpiece “The Threepenny Opera” is savagely cynical, sardonic, brittle and worldly wise—and wonderfully well-performed at the Odyssey Theater Ensemble, a tribute to savvy director Ron Sossi and a cast of 16 talented and eager performers. »

23 Aug 2005

CHRISTINE BREWER — The ‘Anti-Fleming’

As everyone knows, the art of the song recital is in decline. When you and I were young Maggie, Columbia Concerts and Community Concerts regularly sent vocal and other musical artists all around America providing a never fading rainbow of wonderful music, as great classical music performers educated and thrilled us with their art. For example, As a youth I once heard Leonard Warren give a recital in a high school auditorium in Webster Groves, Missouri, price of admission $5. I still have the ticket stub - and the memories. Kathleen Ferrier, Robert Casadesus Jennie Tourel and Guiomar Novaes performed in my town when I was a kid. »

19 Aug 2005

Britten's Curlew River in Edinburgh

Benjamin Britten’s opera Curlew River was inspired by the Noh plays he saw on his 1956 visit to Japan, after which he asked his regular librettist, William Plomer, to adapt Sumidagawa for him. Eight years later, the opera was composed. Since it lasts only an hour and requires a highly stylised kind of performance, it has never been a favourite with regular opera houses, but it makes for excellent festival fare. The Edinburgh Festival has mounted its own production, directed by Olivier Py, which is well worth catching. »

12 Aug 2005

La Traviata at Salzburg — Anna Netrebko and More

Mit h-moll in den Untergang. Die Zeit laeuft. Der Tod sitzt bereit. Geteilte Geigen in hoechster Hoehe, triste, abfallende Phrasen. Eine Frau in fuchsrotem Brokat und mit wirrem Haar platzt rueckwaerts in das leere Raumrund. Kruemmt sich, sinkt auf eine Bank, schaut fast erleichtert Freund Hein, einem weisshaarigen Alten, ins Auge. Anna Netrebko ist da. Violetta auch. Es kann losgehen. Die Salzburger "Traviata" hat seit zwei Minuten endlich begonnen. »

02 Aug 2005

Donizetti's Rita at the Wiener Kammeroper

On the evening of 28 July, I had the privilege to attend the Wiener Kammeroper's performance of Donizetti's Rita. Subtitled "The Battered Husband," this one act farce revolves around Rita, the owner of a cafe, and her husband Beppe (Jose Aparicio). »