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Elsewhere

LA Opera Presents Figaro 90210

Figaro 90210 is Vid Guerrerio’s modern version of Wolfgang Amadeus Mozart and Lorenzo DaPonte’s 1786 opera, The Marriage of Figaro.

Tristan und Isolde at the Wiener Staatsoper

David McVicar’s production of Wagner’s seminal music drama runs aground on the Cornish coast.

Songs of Night and Travel, Wigmore Hall

The coming of ‘Night’ brings darkness, shadows and mystery; sleep, dreams and nightmares; fancies, fantasies and passions.

Andrea Chénier, Royal Opera

Umberto’s Giordano’s Andrea Chénier, now at the Royal Opera House, is no more about history than Jesus Christ Superstar is about theology.

Yevgeny Onegin in Warsaw

Mariusz Treliński’s staging of Tchaikovsky’s operatic masterpiece is visually fascinating but psychologically confusing

Orfeo at the Roundhouse, Royal Opera

The regal trumpets and sackbuts sound their bold herald and, followed by admiring eyes, the powers of state and church begin their dignified procession along a sloping walkway to assume their lofty positions upon the central dais.

Idomeneo in Montpellier

Vestiges of a momentous era . . .

L’elisir d’amore in Marseille

There were hints that L’elisir is one of the great bel canto masterpieces.

Das Liebesverbot opens the new season at Teatro Verdi in Trieste

Aron Stiehl’s production of this rare early Wagner opera cheerfully brings commedia dell’arte to La Cage aux Folles.

Amsterdam: Lohengrin Lite

Stage director Pierre Audi is not one to be strictly representational in his story telling.

Fidelio, Manitoba Opera

For the first time in its 42-year history, Manitoba Opera presented Beethoven’s mighty ode to freedom, Fidelio, with an extraordinary production that resonated as loudly as tolling bells of freedom.

The Hilliard Ensemble: Farewell Concert at Wigmore Hall

Forty-one years is a long time for any partnership to be sustained and to flourish — be it musical, commercial or marital! And, given The Hilliard Ensemble’s ongoing reputation as one of the world’s finest a cappella groups, noted for their performances of works dating from the 11 th century to the present day, it must have been a tough decision to call an end to more than four decades of superlative music-making.

Fidelio opens new season at La Scala

Daniel Barenboim makes a triumphant departure as direttore musicale del Teatro alla Scala with Beethoven’s operatic masterpiece.

Mahler Songs: Christian Gerhaher, Wigmore Hall

Star singer and star composer, a combination guaranteed to bring in the fans. Christian Gerhaher sang Mahler at the Wigmore Hall with Gerold Huber. Gerhaher shot to fame when he sang Wolfram at the Royal Opera House Tannhäuser in 2010.

Modernity vanquished? Verdi Un ballo in maschera, Royal Opera House, London

Verdi’s Un ballo in maschera at the Royal Opera House — a masked ball in every sense, where nothing is quite what it seems.

La Traviata in Ljubljana Slovenia

Small country, small opera house — big ensemble spirit. Internationally acclaimed soprano Natalia Ushakova steps in for indisposed local Violetta with mixed results.

Otello in Bucharest — Moor’s the pity

Bulgarian director Vera Nemirova’s production of Otello for the Romanian National Opera in Bucharest was certainly full of new ideas — unfortunately all bad.

Il trovatore at Lyric Opera of Chicago

For its current revival of the 2006-2007 production of Giuseppe Verdi’s Il trovatore by Sir David McVicar Lyric Opera has assembled a talented quintet of principal singers whose strengths match this conception of the opera.

Schubert’s Winterreise by Matthias Goerne

This Winterreise is the final instalment of Matthias Goerne’s series of Schubert lieder for Harmonia Mundi and it brings the Matthias Goerne Schubert Edition, begun in 2008, to a dark, harrowing close.

Mary, Queen of Heaven, Wigmore Hall

O Maria Deo grata — ‘O Mary, pleasing to God’: so begins Robert Fayrfax’s antiphon, one of several supplications to the Virgin Mary presented in this thought-provoking concert by The Cardinall’s Musick at the Wigmore Hall.


OPERA TODAY ARCHIVES »

Performances

Craig Colclough as Mr Conti with Maria Elena Altany as Susana [Photo courtesy of Los Angeles Opera]
26 Jan 2015

LA Opera Presents Figaro 90210

Figaro 90210 is Vid Guerrerio’s modern version of Wolfgang Amadeus Mozart and Lorenzo DaPonte’s 1786 opera, The Marriage of Figaro.  »

Recently in Performances

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31 Oct 2008

Lucia di Lammermoor at the MET

Mary Zimmerman’s unmusical production of Lucia certainly improves if you give it a cast of singers who know what Donizetti is about. »

31 Oct 2008

Don Giovanni at the MET

The fascination of Don Giovanni lies not only in the bejeweled score but in the interplay of its eight intriguing characters, each based on an ancient type, yet each somehow cut loose from the formula da Ponte molded so well.  »

24 Oct 2008

Falstaff at Pimlico Opera, Cadogan Hall

Pimlico Opera is based at the Grange in Hampshire, home of the Grange Park opera festival, but pre-dates its sister company by a decade and has been giving national tours of popular operas since the 1980s as well as doing some pioneering opera and music theatre projects in UK prisons. »

24 Oct 2008

Paris Opera’s new production of The Cunning Little Vixen has a lot going for it.

The good news (make that “great news”) is that conductor Dennis Russell Davies had total command over this ever-shifting composition, one minute lyrical and introspective, the next soaring and rhapsodic, the next percussive and agitated.  »

23 Oct 2008

Turandot without the trimmings

In recent years it’s the headgear of the ice-hearted princess that is often the major source of awe and excitement in productions of Puccini’s incomplete final opera.  »

23 Oct 2008

Cervantino pays homage to Catalonia

Joanot Martorell’s 1490 “Tirant lo Blanc” isn’t on anyone’s reading list these days, and that’s rather a shame, for it — the first Catalan novel — was a favorite book of Miguel de Cervantes.  »

21 Oct 2008

Idomeneo in San Francisco

Munich in 1781 was hardly the big city, not an enlightened Paris where Gluck had recently turned the opera world on its ear, not a European capital like Vienna where Italian operatic imperialism was unassailable.  »

21 Oct 2008

Alessandro Scarlatti: Il Trionfo della Santissima Vergine Assunta in Cielo

“One can easily imagine -- Berkeley professor Donald J. Grout wrote in 1979 -- a Scarlatti oratorio occasionally being sung in church or in concert […], but it is more difficult (though perhaps not quite impossible) to imagine a Scarlatti opera being staged at a modern opera house”.  »

21 Oct 2008

Partenope — English National Opera, London Coliseum

In this new staging of Handel's comic rarity for English National Opera, director Christopher Alden has chosen to tell the classical tale of amorous and political intrigue through the world of the artistic elite of the 1920s/30s.  »

21 Oct 2008

La Traviata at the Washington National Opera

Staging La traviata for an opera company these days is an experience akin to that of a symphony’s orchestra programming Mozart: a great idea fraught with disaster.  »

21 Oct 2008

Salome at the MET

We ought to consider – as opera’s current reigning soprano, Karita Mattila, has certainly considered, though I’m not so sure about director Jürgen Flimm – who, what, and how old Salome is.  »

21 Oct 2008

La Gioconda at the MET

It probably wasn’t intended as a symbol of anything in particular, but at the end of Act II, midway through the October 6 performance of La Gioconda, Enzo’s ship failed to burst into flames, thereby letting the curtain down most unsatisfactorily on what is usually one of the liveliest act finales in grand opera. »

21 Oct 2008

Le Roi d’Ys at Avery Fisher Hall

By the time he completed Le Roi d’Ys, in 1888, Edouard Lalo was sixty-five, approaching the end of a successful career as a chamber violinist.  »

21 Oct 2008

Manon at Lyric Opera of Chicago

A funny thing happened on the way to the convent. Manon Lescaut, a pretty little girl with a taste for pretty things, became sidetracked by a pretty young man.  »

08 Oct 2008

Cavalleria rusticana/Pagliacci — English National Opera, London Coliseum

For the opening of the 2008/09 season at ENO, Richard Jones has teamed up with two separate theatrical writers, Sean O'Brien and Lee Hall, to create unique new versions of the repertoire's most famous double bill. »

06 Oct 2008

The Barber of Seville — English National Opera, London Coliseum

It can be difficult to inject life into a production which has been a staple of a company’s repertoire for over twenty years. »

06 Oct 2008

Macbeth at Bavarian State Opera

If Munich’s new Macbeth production does anything, it stirs emotions and draws heated response. »

06 Oct 2008

On The Bonesetter’s Daughter

Decades ago a New Yorker cartoon showed a very little girl standing on tip-toe to return a book to a matronly librarian. »

03 Oct 2008

Die tote Stadt at San Francisco Opera

Korngold’s third opera Die tote Stadt premiered in 1920 in Cologne, the composer a mere 23 years old. Back then, opera remained a living art form, with the likes of Strauss and Puccini keeping the public excited about new works. »

29 Sep 2008

Les Pêcheurs de perles at the Washington National Opera

The second offering of the current WNO season is a San Diego Opera production of Georges Bizet’s Pearl Fishers (1863). »

28 Sep 2008

Cool Cavalli at Covent Garden — La Calisto

Planet Earth laid waste by forces beyond our control, hunger and drought squeezing humanity out of existence whilst those in charge look on, laughing, lusting and concerned only with their own power struggles – does this sound familiar? »

22 Sep 2008

Paer’s Leonora from Bampton Classical Opera

Musically and dramatically Ferdinando Paer’s Leonora and Beethoven’s Fidelio might be said to belong respectively to pre- and post-revolutionary ages. »

22 Sep 2008

Puccini's Il Trittico at Los Angeles Opera

A few seasons back, Los Angeles Opera invited William Friedkin to direct a double-bill of Bartok's Bluebeard's Castle and Puccini's Gianni Schicchi. »

19 Sep 2008

Oresteia at Miller Theatre

Iannis Xenakis once stood among the leading composers of the avant-garde, mentioned in a (long, drawn-out, amelodic, taped and fed back) breath with Babbitt, Berio, Boulez, Henze, Penderecki and Stockhausen: internationally famous among academics, ignored or deplored by the concert-going public. »

16 Sep 2008

Prom 61 — Verdi's Requiem

The Verdi Requiem is a regular feature at the Proms, having appeared every few years in past decades, usually to full houses. »

16 Sep 2008

Prom 51 — St. John Passion

Sunday 24th August at the Proms promised a day dedicated to the music of Bach, beginning with an organ recital in the afternoon by Simon Preston and ending with a late-night performance of the first three of the six Cello Suites by Chinese cellist Jian Wang by way of a palate-cleanser. »

14 Sep 2008

The Second to Last Night of the Proms – Beethoven’s 9th Symphony

The Last Night of the Proms is notorious because it’s an excuse for jingoistic excess. »

09 Sep 2008

Prom 70 — St François d’Assise

Even a concert performance of Messiaen’s St François d’Assise could hardly fail to be an event. »

08 Sep 2008

“Great Performances” remembers Pavarotti — What remains is the voice.

Luciano Pavoritti died on September 6, 2007. The all-too-ample figure and the fables associated with him are already retreating from memory. »

08 Sep 2008

Cecilia Bartoli at the Musikverein Wien

Every time an artist walks onto the performance stage, he or she attempts to give the performance of their lives, focusing on everything they have learned prior to, and giving of themselves in an unprecedented way. »

07 Sep 2008

Prom 68 — Russian Fairy Tales from Rimsky-Korsakov and Stravinsky

Kashchey is a gnarled old ogre who imprisons a beautiful young princess in his gloomy underworld. It’s classic psychodrama. Kashchey has supernatural powers, so how can the Princess be saved ? »

07 Sep 2008

The Coronation of Poppea

The startup of a new opera company is always cause for cheering; it is getting harder and harder (that is, more and more expensive) to do, especially in New York. »

07 Sep 2008

Prom 64 — Rattle conducts the Berlin Philharmonic in Messiaen’s Turangâlìla-symphonie

Because Turangâlìla is such a panorama, taking in Hollywood, Hindus and Peruvians, Wagner and Gurrelieder, it’s easy to assume it’s all surface Technicolor. »

05 Sep 2008

Shadowless in Amsterdam

The Netherlands Opera opened its season at the Muziektheater with a stunning new production of Die Frau ohne Schatten, setting the bar very high indeed for all that is to follow in the repertoire. »

04 Sep 2008

HANDEL: Belshazzar

Although performances of Handel’s more obscure large-scale works are relatively common in London, it is far less common that they are given in a venue as large and high-profile as the Royal Albert Hall, with a line-up of conductor and soloists that will attract a full house for a lengthy and static work on a hot summer evening. »

03 Sep 2008

JANÁČEK: Osud

Janáček’s music has already been well served in this year’s Proms in a memorable evening conducted by Boulez (reviewed on this site by Anne Ozorio). »

29 Aug 2008

A Muse for the Masses: Two Operatic Arenas in Review

With the revival of a 1876 Cleopatra by the local composer Lauro Rossi, a couple of world premieres in chamber opera and sacred oratorio (by Marco Tutino and Alberto Colla, respectively) and Verdi’s Attila canceled because of budget constraints, the 44th installment of the Macerata Festival will nevertheless be remembered as a bumper season, if one not particularly friendly to mainstream taste. »

29 Aug 2008

Wagnerian Score: Music 10; Drama 1

The venerable Wagner Festival in Bayreuth has never shied away from provocative productions. »

26 Aug 2008

Prom 34 — Puccini's Il Tabarro; Rachmaninov's Symphony no. 1

In a nod to the 150th anniversary of Puccini's birth, the Manchester-based BBC Philharmonic Orchestra visited the Proms with their chief conductor, Gianandrea Noseda, for a performance of the first opera of Il trittico. »

26 Aug 2008

“Ariadne auf Naxos” at Toronto Music Festival

“Only in the realm of the dead is everything pure.” »

21 Aug 2008

Prom 40 – Boulez conducts Janáček

Contrary to popular assumption, Janáček wasn’t “folkloric” per se, much as he loved his Moravian heritage. Boulez’s perceptive approach shows how inventive and original Janáček’s music can be. »

21 Aug 2008

Torre - Torre - Torre

I hoped it was not an omen of the evening to come at Torre del Lago’s Puccini Festival, when the audience was made to wait at the closed gates until about twenty minutes before curtain rise, listening to the orchestra and chorus a hundred yards away rehearse chunks of that night’s Edgar. »

19 Aug 2008

Prom 18 — L’Incoronazione di Poppea

Glyndebourne Festival Opera’s annual appearance at the Proms is always an eagerly-awaited event, but there is a varying degree of success with which the productions adapt from a full staging at Glyndebourne to a semi-staging suitable for the small platform and cavernous space of the Royal Albert Hall. »

19 Aug 2008

Singers from South Africa and Sweden win Seattle Wagner Competition

A soprano originally from South Africa and a tenor from Sweden sang their way to top honors in the 2008 International Wagner Competition staged by the Seattle Opera on August 16 in Marion Oliver McCaw Hall, the company's handsome home. »

18 Aug 2008

Lucky star over the Arena

“Stage direction should not follow fashion, for fashion is the sister of death”. »

17 Aug 2008

At Glyndbourne, more "Other Demons" than "Love"

The haunting, unsettling opening moments of the Glyndebourne premiere of Peter Eötvös’ “Love and Other Demons” promised much, with sensitive playing by the solo celesta and harp, flutter-tongued flutes, and jarring bass stings. »

30 Jul 2008

Don Carlo at Wiener Staatsoper

Star-studded casts graced end of the season performances at the Wiener Staatsoper, with two versions of Verdi’s Don Carlo on its menu. »