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Elsewhere

Cave: a new opera by Tansy Davies and Nick Drake

Opera seems to travel far from the opera house these days. Alongside numerous productions in community spaces and pub theatres, in the last few years I’ve enjoyed productions staged on the shingle shore of Aldeburgh beach, at the bottom of the shaft of Isambard Kingdom Brunel’s Thames Tunnel at Rotherhithe, and in a renovated warehouse in Shoreditch on the roof of which perch four ‘creative studios’ in the form of recycled Jubilee line train carriages and shipping containers.

Götterdämmerung in San Francisco

The truly tragic moments of this long history rich in humanity behind us we embark on the sordid tale of the Lord of the Gibichungs’s marriage to Brünnhilde and the cowardly murder of Siegfried, to arrive at some sort of conclusion where Brünnhilde sacrifices herself to somehow empower women. Or something.

Siegfried in San Francisco

We discover the child of incestuous love, we ponder a god’s confusion, we anticipate an awakening. Most of all we marvel at genius of the composer and admire the canny story telling of the Zambello production.

Boris Godunov in San Francisco

Yes, just when you thought Wotan was the only big guy in town San Francisco Symphony (just across a small street from San Francisco Opera), offered three staged performances of the Mussorgsky masterpiece Boris Godunov in direct competition with San Francisco Opera’s three Ring des Nibelungen cycles.

Garsington Opera transfers Falstaff from Elizabeth pomp to Edwardian pompousness

Bruno Ravella’s new production of Verdi's Falstaff for Garsington Opera eschews Elizabethan pomp in favour of Edwardian pompousness, and in so doing places incipient, insurgent feminism and the eternal class consciousness of fin de siècle English polite society centre stage.

Mascagni's Isabeau at Opera Holland Park: in conversation with David Butt Philip

Opera directors are used to thinking their way out of theatrical, dramaturgical and musico-dramatic conundrums, but one of the more unusual challenges must be how to stage the spectacle of a young princess’s naked horseback-ride through the streets of a city.

Grange Park Opera travels to America

The Italian censors forced Giuseppe Verdi and his librettist Antonio Somma to relocate their operatic drama of the murder of the Swedish King Gustav III to Boston, demote the monarch to state governor and rename him Riccardo, and for their production of Un ballo in maschera at Grange Park Opera, director Stephen Medcalf and designer Jamie Vartan have left the ‘ruler’ in his censorial exile.

Puccini’s La bohème at The Royal Opera House

When I reviewed Covent Garden’s Tosca back in January, I came very close to suggesting that we might be entering a period of crisis in casting the great Puccini operas. Fast forward six months, and what a world of difference!

Na’ama Zisser's Mamzer Bastard (world premiere)

Let me begin, like an undergraduate unsure quite what to say at the beginning of an essay: there were many reasons to admire the first performance of Na’ama Zisser’s opera, Mamzer Bastard, a co-commission from the Royal Opera and the Guildhall.

Les Arts Florissants : An English Garden, Barbican London

At the Barbican, London, Les Arts Florissants conducted by Paul Agnew, with soloists of Le Jardin de Voix in "An English Garden" a semi-staged programme of English baroque.

Die Walküre in San Francisco

The hero Siegfried in utero, Siegmund dead, Wotan humiliated, Brünnhilde asleep, San Francisco’s Ring ripped relentlessly into the shredded emotional lives of its gods and mortals. Conductor Donald Runnicles laid bare Richard Wagner’s score in its most heroic and in its most personal revelations, in their intimacy and in their exploding release.

Das Rheingold in San Francisco

Alberich’s ring forged, the gods moved into Valhalla, Loge’s Bic flicked, Wagner’s cumbersome nineteenth century mythology began unfolding last night here in Bayreuth-by-the-Bay.

ENO's Acis and Galatea at Lilian Baylis House

The shepherds and nymphs are at play! It’s end-of-the-year office-party time in Elysium. The bean-bags, balloons and banners - ‘Work Hard, Play Harder’ - invite the weary workers of Mountain Media to let their hair down, and enter the ‘Groves of Delights and Crystal Fountains’.

Lohengrin at the Royal Opera House

Since returning to London in January, I have been heartened by much of what I have seen - and indeed heard - from the Royal Opera.

Stéphane Degout and Simon Lepper

Another wonderful Wigmore song recital: this time from Stéphane Degout – recently shining in George Benjamin's new operatic masterpiece,

An excellent La finta semplice from Classical Opera

‘How beautiful it is to love! But even more beautiful is freedom!’ The opening lines of the libretto of Mozart’s La finta semplice are as contradictory as the unfolding tale is ridiculous. Either that master of comedy, Carlo Goldoni, was having an off-day when he penned the text - which was performed during the Carnival of 1764 in the Teatro Giustiniani di S. Moisè in Venice with music by Salvatore Perillo - or Marco Coltellini, the poeta cesareo who was entertaining the Viennese aristocracy in 1768, took unfortunate liberties with poetry and plot.

Pan-European Orpheus : Julian Prégardien

"Orpheus I am!" - An unusual but very well chosen collection of songs, arias and madrigals from the 17th century, featuring Julian Prégardien and Teatro del mondo. Devised by Andreas Küppers, this collection crosses boundaries demonstrating how Italian, German, French and English contemporaries responded to the legend of Orpheus and Eurydice.

Whatever Love Is: The Prince Consort at Wigmore Hall

‘We love singing songs, telling stories …’ profess The Prince Consort on their website, and this carefully curated programme at Wigmore Hall perfectly embodied this passion, as Artistic Director and pianist Alisdair Hogarth was joined by tenor Andrew Staples (the Consort’s Creative Director), Verity Wingate (soprano) and poet Laura Mucha to reflect on ‘whatever love is’.

Bryn Terfel's magnetic Mephisto in Amsterdam

It had been a while since Bryn Terfel sang a complete opera role in Amsterdam. Back in 2002 his larger-than-life Doctor Dulcamara hijacked the stage of what was then De Nederlandse Opera, now Dutch National Opera.

Laci Boldemann’s Opera Black Is White, Said the Emperor

We normally think of operas as being serious or comical. But a number of operas-some familiar, others forgotten-are neither of these. Instead, they are fantastical, dealing with such things as the fairy world and sorcerers, or with the world of dreams.


OPERA TODAY ARCHIVES »

Performances

<em>Cave</em>: London Sinfonietta & The Royal Opera House
24 Jun 2018

Cave: a new opera by Tansy Davies and Nick Drake

Opera seems to travel far from the opera house these days. Alongside numerous productions in community spaces and pub theatres, in the last few years I’ve enjoyed productions staged on the shingle shore of Aldeburgh beach, at the bottom of the shaft of Isambard Kingdom Brunel’s Thames Tunnel at Rotherhithe, and in a renovated warehouse in Shoreditch on the roof of which perch four ‘creative studios’ in the form of recycled Jubilee line train carriages and shipping containers. »

Recently in Performances

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13 Jan 2014

Cosi fan tutte in Montpellier

This Cosi fan tutte completes the Montpellier Mozart/da Ponte trilogy staged by French metteur en scène and esthète Jean-Paul Scarpitta. Primarily studies in elegance and refinement these mises en scènes have provoked all that that is most precious and perfect in Mozart’s scores.  »

08 Jan 2014

Matthias Goerne — Mahler and Shostakovich, Wigmore Hall

At the Wigmore Hall, London, Matthias Goerne and Lief Ove Andsnes performed Mahler in a unique programme built around Shostakovich's Suite on Verses of Michelangelo Buonarroti, op 145 (1974).  »

08 Jan 2014

Otello in Genoa

Forget Shakespeare, this was distinctly an Otello without the ‘h’. It was Italian melodramma to its core, the collaboration of its metteur en scène Davide Livermore, wunderkind conductor Andrea Battistoni and its Desdemona, Maria Agresto. »

07 Jan 2014

Les Contes d'Hoffmann in Lyon

Maybe there can be no bigger feat than making it through Les Contes d’Hoffmann in the Laurent Pelly version without a hitch or two. »

30 Dec 2013

Don Pasquale, Manitoba Opera

Manitoba Opera opened its 41st season with a rootin’ tootin’ new production of Don Pasquale from November 23 through 29, last staged by the Prairie company in 1997. »

24 Dec 2013

Les Arts Florissants: Airs sérieux et à boire

In this unusual programme of late-seventeenth-century airs de cour, Les Arts Florissants presented a flowing sequence of songs for solo and ensemble voices with chamber accompaniment, the intimacy of the Wigmore Hall neatly mimicking the privacy of the royal chambers of Louis XIV in which the courtly compositions were originally performed.  »

19 Dec 2013

Carmen, Royal Opera

Francesco Zambello’s 2006 Carmen, here revived for the sixth time, seems to have something of an identity crisis: sumptuous spectacle or gritty drama? »

17 Dec 2013

Offenbach’s Fantasio from Opera Rara

Premiered in Paris in 1872, Jacques Offenbach’s Fantasio received just ten performances before the opera was withdrawn and its composer found himself on the receiving end of bitter attacks and criticism.  »

16 Dec 2013

Theatre of the Ayre: Charpentier

With the gaudy excesses of secular seasonal indulgence just a few streets away and the tills of Oxford Street traders rattling out melodies of materialism, this advent programme of elegance and refinement offered by lutenist Elizabeth Kenny and the early music ensemble which she founded, Theatre of the Ayre, provided a welcome opportunity for repose and reflection. »

16 Dec 2013

Jihoon Kim, Royal Opera House, London

Jihoon Kim is shining proof that the Jette Parker Young Artists Programme at the Royal Opera House, London, develops singers into complete artists.  »

11 Dec 2013

The Magic Flute at Los Angeles Opera: Silent Film Style

Los Angeles Opera's new production of Wolfgang Amadeus Mozart's The Magic Flute opened on November 23, 2013. Brought here from the Komische Oper in Berlin where it premiered last year, the production is a multimedia rendition in the style of the British theater group 1927. »

11 Dec 2013

War Requiem, Chicago Symphony

As part of this year’s tribute to Benjamin Britten the Chicago Symphony Orchestra, Chorus, and soloists recently gave several performances of the composer’s War Requiem.  »

02 Dec 2013

Fat Knight in Los Angeles

In its ongoing celebration of Verdi’s centennial year, the Los Angeles Opera offered a new production of Falstaff, the composer’s last and most brilliant opera — brilliant in every scintillating, sparkling sense of the word. »

02 Dec 2013

Weber’s Euryanthe, London

Poor Weber: opera companies, especially in England, do him anything but proud.  »

29 Nov 2013

Early Opera Company: Acis and Galatea

Acis and Galatea was one of Handel’s most popular works, frequently revived in his life time and beyond.  »

27 Nov 2013

Werner Güra Lieder recital, Wigmore Hall

German tenor Werner Güra, who has made a speciality of the German lieder repertoire, opened this recital at the Wigmore Hall with Beethoven’s An Die Ferne Geliebte, the composer’s only song cycle and the first significant example of the form.  »

22 Nov 2013

Porgy and Bess in San Francisco

It’s been renamed “The Gershwins' Porgy and Bess,” it hails itself as “The American Musical” and further qualifies itself as “The Porgy and Bess for the Twenty-First Century.”  »

19 Nov 2013

Arizona Opera Presents a Fine Flying Dutchman

Richard Wagner wrote: "The voyage through the Norwegian reefs made a wonderful impression on my imagination; the legend of the Flying Dutchman, which the sailors verified, took on a distinctive, strange coloring that only my sea adventures could have given it.” »

18 Nov 2013

The Rape of Lucretia, Glyndebourne Touring Opera

‘If she is adulterous, why is she praised? If chaste, why was she put to death?’  »

11 Nov 2013

Britten’s Atmospheric War Requiem, London

On Remembrance Sunday, Semyon Bychkov conducted Benjamin Britten's War Requiem at the Royal Albert Hall with Roderick Williams, Allan Clayton, Sabrina Cvilak, the BBC Symphony Orchestra, the BBC Symphony Chorus, Crouch End Festival Chorus and choristers of Westminster Abbey.  »

09 Nov 2013

Barbican Britten

The mantle of tenor Peter Pears’ legacy hung heavily over his immediate ‘successors’, as they performed music that had been composed by Benjamin Britten for the man to whom he avowed, ‘I write every note with your heavenly voice in my head’.  »

08 Nov 2013

Exaudi: O tenebroso giorno — Gesualdo then and now

One year since the launch of their project to create a contemporary book of Italians madrigals, vocal ensemble Exaudi returned to the Wigmore Hall to present an intermingling of old and new madrigals which was typically inventive, virtuosic and compelling.  »

08 Nov 2013

The Magic Flute, ENO, London

Mozart’s The Magic Flute at the Coliseum could give the ENO a welcome boost.  »

07 Nov 2013

Madama Butterfly, Chicago

Lyric Opera of Chicago’s current new production of Giacomo Puccini’s Madama Butterfly, an effort shared with Houston Grand Opera and the Grand Théâtre de Genève, tends to emphasize emotional involvements against a backdrop of spare sets.  »

07 Nov 2013

The (Amazing) Nose

Dmitri Shostakovich’s opera, The Nose, based on Gogol’s short story of the same name, was a smash hit for the Metropolitan Opera company in 2010 and once again, this season. »

05 Nov 2013

Death in Venice, Festival of Britten

There might not be much ‘Serenissima’ about Yoshi Oida’s 2007 production of Death in Venice — it’s more Japanese minimalism than Venetian splendour — but there is still plenty to admire, as this excellent revival by Opera North as part of its centennial celebration, Festival of Britten, underlines.  »

05 Nov 2013

“T” as in “Terrific Toronto”

With an absorbing production of Peter Grimes and a freshly spontaneous La bohème, Canadian Opera Company has set the bar very high indeed for its current season. »

02 Nov 2013

Two Boys at the Brave New Met

Whatever you think of some of the Metropolitan Opera’s recent productions, you cannot fault the Gelb administration for fearing to take risks.  »

01 Nov 2013

Wozzeck, Royal Opera

The lustreless white tiles of the laboratory which forms the set of Keith Warner’s pitiless staging of Alban Berg’s Wozzeck offer little respite — cold, hard, rigid and severe, they are a material embodiment of the bleakness and barrenness of the tragic events which will be played out within the workshop walls (sets by Stefanos Lazaridis).  »

31 Oct 2013

Wexford Festival 2013

At this year’s Wexford Festival — the 62nd operatic gathering in this small south-eastern Irish town - the trio of operas on show present many a wretched battle between duty and desire.  »

29 Oct 2013

Florilegium, Wigmore Hall

At the heart of this Wigmore Hall recital were two sacred vocal works for solo countertenor and small instrumental forces, recently recorded by Florilegium and Robin Blaze to considerable critical acclaim: J.S. Bach’s cantata ‘Vergnügte Ruh, beliebte Seelenlust’ and Giovanni Battista Pergolesi’s ‘Salve Regina’. »

23 Oct 2013

Mark-Anthony Turnage, Greek

After the bitter disappointment of  »

23 Oct 2013

Armide, Amsterdam

There is a cornucopia of ideas on display in Gluck’s Armide at Amsterdam’s Het Muziektheater, but sadly only a few of them seemed to serve the piece.  »

23 Oct 2013

London’s Vespers Ring the Right Bells

Even before it opened, Royal Opera’s Les vêpres siciliennes was the must-see production of the season. »

23 Oct 2013

Verdi’s Otello at Lyric Opera of Chicago

Lyric Opera of Chicago has opened the season with a revival of its 2001 production of Giuseppe Verdi’s Otello.  »

23 Oct 2013

Angel Blue, Wigmore Hall

Having impressed UK audiences in La Boheme (for ENO) and American Lulu (for the Opera Group/Scottish Opera),  »

22 Oct 2013

Madame Butterfly at ENO

First seen in 2005, and since feted in London (several times), New York and Lithuania, Anthony Minghella’s cinematic production of Madame Butterfly remains a breath-taking visual banquet.  »

15 Oct 2013

Fun Loving H.M.S. Pinafore Opens Arizona Opera

The star of the show was the agile Robert Orth as Sir Joseph Porter, the First Lord of the Admiralty. A fine operatic baritone, Orth’s patter was machine gun fast, crisp, and completely understandable.  »

13 Oct 2013

Intriguing Duo in San Francisco

Venerable San Francisco Opera kicked off its fall season with a wholly pleasing revival of a landmark production, complemented by an engrossing world premiere.  »

13 Oct 2013

The Tragedy of Carmen, Syracuse Opera

Carmen Lite: Singing shines in Syracuse Opera’s pocket-sized The Tragedy of Carmen »

13 Oct 2013

Carmen, Yet Again

No matter how or where Carmen is produced, or by whom directed, costumed and performed, its promise of free wheeling sex and exciting rhythmic music, has made it one of the most popular operas in the world. »

13 Oct 2013

L’Arpeggiata: Mediterraneo

What do you get if you cross the sultry folk melodies of Greece, Spain and Italy with the formal repetitions of Baroque instrumental structures, and add a dash of the shady timbres and rhythmic litheness of jazz?  »

13 Oct 2013

Toby Spence, Wigmore Hall

‘All Life death does end and each day dies with sleep.’ The sentiments of the closing lines of Gerald Manley Hopkins’ sonnet, ‘No worst, there is none.  »

13 Oct 2013

Benjamin Britten: War Requiem

Britten’s War Requiem is one of the defining artistic works of the twentieth century. Consummate artwork, religious ritual and prayer, ceremonial commemoration, ideological political statement, public expression of mourning, and private avowal of faith,  »

11 Oct 2013

The Coronation of Poppea, ETO

James Conway’s production of Monteverdi’s final masterpiece, L’incoronazione di Poppea was  »

10 Oct 2013

Eugene Onegin disappoints

The company’s new production of the Tchaikovsky masterpiece is cramped and cheap, leaving the listener longing for a return of the 1997 version »

09 Oct 2013

Falstaff in San Francisco

A rambunctious ensemble on the stage and in the pit. A star conductor. Falstaff showed its stuff as one of the repertory’s greatest masterpieces.  »

09 Oct 2013

Verdi’s Macbeth in Concert at the Chicago Symphony Orchestra

Performances of Verdi’s Macbeth take shape and leave an overall impression from both individual and collective emphases.  »

09 Oct 2013

Robert Schumann: A Life in Song

Miah Persson and Florian Boesch sang Schumann with Malcolm Martineau at the Wigmore Hall for the latest of his Songlives series.  »

07 Oct 2013

Roberto Devereux, WNO

For the final instalment of Welsh National Opera’s Tudor trilogy, Donizetti’s Roberto Devereux, director  »

07 Oct 2013

Maria Stuarda, WNO

The second installment of Welsh National Opera’s Tudor trilogy, Donizetti’s Maria Stuarda saw  »