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Elsewhere

Verdi Otello, Bergen - Stuart Skelton, Latonia Moore, Lester Lynch

Verdi Otello livestream from Norway with the Bergen Philharmonic Orchestra conducted by Edward Garner with a superb cast, led by Stuart Skelton, Latonia Moore, and Lester Lynch and a good cast, with four choirs, the Bergen Philharmonic Chorus, the Edvard Grieg Kor, Collegiûm Mûsicûm Kor, the Bergen pikekor and Bergen guttekor (Children’s Choruses) with chorus master Håkon Matti Skrede. The Bergen Philharmonic Orchestra was founded in 1765, just a few years after the Leipzig Gewandhaus Orchestra : Scandinavian musical culture has very strong roots, and is thriving still. Tucked away in the far north, Bergen may be a hidden treasure, but, as this performance proved, it's world class.

French orientalism : songs and arias, Sabine Devieilhe

Mirages : visions of the exotic East, a selection of French opera arias and songs from Sabine Devieilhe, with Alexandre Tharaud and Les Siècles conducted by François-Xavier Roth, new from Erato

Temple Winter Festival: the Gesualdo Six

‘Gaudete, gaudete!’ - Rejoice, rejoice! - was certainly the underlying spirit of this lunchtime concert at Temple Church, part of the 5th Temple Winter Festival. Whether it was vigorous joy or peaceful contemplation, the Gesualdo Six communicate a reassuring and affirmative celebration of Christ’s birth in a concert which fused medieval and modern concerns, illuminating surprising affinities.

Mark Padmore and Mitsuko Uchida at the Wigmore Hall

The journey is always the same, and never the same. As Ian Bostridge remarks, at the end of his prize-winning book Schubert’s Winter Journey: Anatomy of an Obsession, when the wanderer asks Der Leiermann, “Will you play your hurdy-gurdy to my songs?”, in the final song of Winterreise, the ‘crazy but logical procedure would be to go right back to the beginning of the whole cycle and start all over again’.

Turandot in San Francisco

San Francisco Opera wrapped up its 95th fall opera season just now with a bang up Turandot. It has been a season of hopeful hints that this venerable company may regain some of its former luster.

Daniel Michieletto's Cav and Pag returns to Covent Garden

It felt rather decadent to be sitting in an opera house at 12pm. Even more so given the passion-fuelled excesses of Pietro Mascagni’s Cavalleria Rusticana and Ruggero Leoncavallo’s Pagliacci, which might seem rather too sensual and savage for mid-day consumption.

Manitoba Opera: Madama Butterfly

Manitoba Opera opened its 45th season with Puccini’s Madama Butterfly proving that the aching heart as expressed through art knows no racial or cultural divide, with the Italian composer’s self-avowed favourite opera still able to spread its poetic wings across time and space since its Milan premiere in 1904.

Ian Bostridge and Julius Drake celebrate 25 years of music-making

In 1992, concert promoter Heinz Liebrecht introduced pianist Julius Drake to tenor Ian Bostridge and an acclaimed, inspiring musical partnership was born. On Wenlock Edge formed part of their first programme, at Holkham Hall in Norfolk; and, so, in this recital at Middle Temple Hall, celebrating their 25 years of music-making, the duo included Vaughan Williams’ Housman settings for tenor, piano and string quartet alongside works with a seventeenth-century origin or flavour.

Girls of the Golden West in San Francisco

Not many (maybe any) of the new operas presented by San Francisco Opera over the past 10 years would lure me to the War Memorial Opera House a second time around. But for Girls of the Golden West just now I would be there again tomorrow night and the next, and I am eagerly awaiting all future productions.

DiDonato is superb in Semiramide at Covent Garden

It’s taken a while for Rossini’s Semiramide to reach the Covent Garden stage. The last of the operas which Rossini composed for Italian theatres between 1810-1823, Semiramide has had only one outing at the Royal Opera House since 1887, and that was a concert version in 1986.

Hans Werner Henze Choral Music

Hans Werner Henze works for mixed voice and chamber orchestra with SWR Vokalensemble and Ensemble Modern, conducted by Marcus Creed. Welcome new recordings of important pieces like Lieder von einer Insel (1964), Orpheus Behind the Wire (1984) plus Fünf Madrigale (1947).

Philippe Jaroussky and Ensemble Artaserse at the Wigmore Hall

‘His master’s masterpiece, the work of heaven’: ‘a common fountain’ from which flow ‘pure silver drops’. At the risk of effulgent hyperbole, I’d suggest that Antonio’s image of the blessed governance and purifying power of the French court - in the opening scene of Webster’s The Duchess of Malfi - is also a perfect metaphor for the voice of French countertenor Philippe Jaroussky, as it slips through Handel’s roulades like a silken ribbon.

La Rondine Takes Flight in San Jose

Kudos to San Jose Opera for offering up a wholly winning, consistently captivating new production of Puccini’s seldom performed La Rondine.

Bettina Smith, Norwegian Mezzo, in Songs by Fauré and Debussy

Here are five complete song sets by two of the greatest masters of French song. The performers are highly competent. I should have known, given the rave reviews that their 2015 recording of modern Norwegian songs received.

Clonter Opera Gala

Clonter’s Opera Gala in the breath-taking beautiful ball-room at the Lansdowne Club in Mayfair was a glamorously glittering smattering of opera – which made me want to run out to every opera in town.  

Étienne-Nicolas Méhul: Uthal

The opera world barely knows how to handle works that have significant amounts of spoken dialogue. Conductors and stage directors will often trim the dialogue to a bare minimum (Magic Flute), have it rendered as sung recitative (Carmen), or have it spoken in the vernacular though the sung numbers may often be performed in the original language (Die Fledermaus).

A New Anna Moffo?: The Debut Disc of Aida Garifullina

Here is the latest CD from a major label promoting a major new soprano. Aida Garifullina is utterly remarkable: a lyric soprano who also can handle coloratura with ease. Her tone has a constant shimmer, with a touch of quick, narrow vibrato even on short notes.

A New Die Walküre at Lyric Opera of Chicago

From the start of Lyric Opera of Chicago’s splendid, new production of Richard Wagner’s Die Walküre conflict and resolution are portrayed throughout with moving intensity. The central character Brünnhilde is sung by Christine Goerke and her father Wotan by Eric Owens.

As One a Haunting Success in San Diego

San Diego Opera has mined solid gold with its mesmerizing and affecting production of As One, a part of their innovative ‘Detour Series.’

OLF: Songs by Tchaikovsky, Anton Rubinstein, Rachmaninov and Georgy Sviridov

Compared to the oft-explored world of German lieder and French chansons, the songs of Russia are unfairly neglected in recordings and in the concert hall. The raw emotion and expansive lyricism present in much of this repertoire was clearly in evidence at the Holywell Music Room for the penultimate day of the celebrated Oxford Lieder Festival.


OPERA TODAY ARCHIVES »

Performances

16 Dec 2017

Verdi Otello, Bergen - Stuart Skelton, Latonia Moore, Lester Lynch

Verdi Otello livestream from Norway with the Bergen Philharmonic Orchestra conducted by Edward Garner with a superb cast, led by Stuart Skelton, Latonia Moore, and Lester Lynch and a good cast, with four choirs, the Bergen Philharmonic Chorus, the Edvard Grieg Kor, Collegiûm Mûsicûm Kor, the Bergen pikekor and Bergen guttekor (Children’s Choruses) with chorus master Håkon Matti Skrede. The Bergen Philharmonic Orchestra was founded in 1765, just a few years after the Leipzig Gewandhaus Orchestra : Scandinavian musical culture has very strong roots, and is thriving still. Tucked away in the far north, Bergen may be a hidden treasure, but, as this performance proved, it's world class. »

Recently in Performances

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20 Dec 2004

Kata Kabanova at the Met

Janacek’s Kata Kabanova began this year’s run at the Met on Friday night with a very new cast including two important and highly successful debuts. This is Janacek late in his career, writing on a Russian subject by the playwright Ostrovsky. His admiration for Russian culture and literature may also have led him to follow Anton Chekhov’s example — Kata moves swiftly with the sense that any extraneous word or note has been rigorously pruned away — it is an opera that speaks directly and powerfully to its audience. Last night’s audience — the Met was at least 90% full — reacted with enthusiasm that bordered on delirium when the final curtain rose again for beloved Finnish soprano Karita Mattila’s pride-of-place first solo bow. »

20 Dec 2004

Das Rheingold at Covent Garden

THE slightly unsettling fervour of Wagner adepts as they look forward to the start of another Ring cycle is matched by a religious hush as we sit in the dark waiting — for a good 30 seconds — for the thing to begin. And then it does, soft, impossibly deep rumblings emerging from the void to become the longest E flat chord in history, and a single light lost in the blackness of the stage. You think: this better be good. »

19 Dec 2004

Carmen at Semperoper

Kein Urweib, keine femme fatale – eine “ganzheitliche” Frau mit einem unbändigen Freiheitsdrang soll diese Carmen sein. So stellt sie sich Regisseurin Konstanze Lauterbach laut Programmheft vor. Was man auf der Bühne von Peter Schubert sieht, sind Genreszenen in einem faschistischen Land. Das Eröffnungsbild schon zeigt einen Marktplatz, auf dem es vor lungernden Soldaten nur so wimmelt. Kinder sitzen in dem lindgrün-ockerfarbenen Geviert auf dem terrakotta-farbenen Steinfußboden für ihren Auftritt bereit. Gruppen von schwarz gekleideten Lorca-Frauen huschen über die Bühne. »

18 Dec 2004

Man and Boy: Dada

Schwitters Agonistes: Opera Takes on a Radical By ANNE MIDGETTE Kurt Schwitters. Merz Picture 32A (The Cherry Picture). 1921. Cloth, wood, metal, fabric, cut-and-pasted papers, cork, gouache, oil, and ink on cardboard, 36 1/8 × 27 3/4" (91.8 × 70.5... »

17 Dec 2004

Andromeda liberata in London

Andromeda liberata, Barbican Hall, London By Richard Fairman Published: December 16 2004 02:00 | Last updated: December 16 2004 02:00 In his prolific career Vivaldi wrote about 38 solo cantatas, 20 motets and 45 operas, of which 21 survive more... »

16 Dec 2004

Rodelinda at the Met

Brilliant, Starlit Night Metropolitan Opera's 'Rodelinda' grants Handel his due By JAMES JORDEN The Metropolitan Opera can be a pretty dreary place when presenting an under-cast and under-rehearsed revival. But their new production of Handel's "Rodelinda" on December 6 was... »

16 Dec 2004

Il ritorno di Ulisse in patria a Brescia

Una spiaggia di sabbia, due muri ai lati, l'ingresso monumentale alla reggia di Itaca sul fondo. E' incredibile come questa scena fissa semplicissima sia riuscita a reggere per le tre ore e mezza di spettacolo, ma non solo, a renderlo... »

15 Dec 2004

Hercules in Paris

Hard luck trails Hercules By David Stevens International Herald Tribune Wednesday, December 15, 2004 Handel opera falls short in Paris From left: Toby Spence, Joyce DiDonato and Malena Ernman in ''Hercules.'' (Eric Mahoudeau) PARIS Hercules had a lot of bad... »

15 Dec 2004

Another View of A Wedding

Bolcom's music humanizes Altman's sardonic 'Wedding' Movie-turned-opera by U-M composer William Bolcom opens in Chicago. By Lawrence B. Johnson / Detroit News Music Critic Image CHICAGO -- Think of the human condition as images in a funhouse -- where individual... »

14 Dec 2004

Falstaff at Strasbourg

Falstaff, Opéra du Rhin, Strasbourg By Francis Carlin Published: December 14 2004 15:54 | Last updated: December 14 2004 15:54 The posters dotted around Strasbourg showed a figure trussed up in pillows and mattresses, to add more protuberance to waist... »

14 Dec 2004

Die tote Stadt at the Wiener Staatsoper

Kritik Staatsoper: Sie war doch nur scheintot VON WILHELM SINKOVICZ Wie Erich Wolfgang Korngolds einstiger Sensationserfolg "Die tote Stadt" zum Repertoirestück wird. Wiederbelebungsversuche startet man seit geraumer Zeit mit vie len Werken, die unter der ära des Nationalsozialismus als "entartet"... »

14 Dec 2004

Rossini's La Pietra del Paragone at Opéra de Fribourg

LA PIETRA DEL PARAGONE (La pierre de touche) Melodramma giocoso en deux actes de Gioacchino Rossini Livret de Luigi Romanelli (1751-1839) Créé à la Scala de Milan le 26 septembre 1812 Le comte Asdrubal est entouré de trois femmes qui... »

14 Dec 2004

Kurt Weill's One Touch of Venus

One Touch of Venus, Grand Theatre, Leeds By Richard Fairman [Financial Times] Published: December 13 2004 02:00 | Last updated: December 13 2004 02:00 It is no surprise that Kurt Weill's One Touch of Venus was one of his bigger... »

14 Dec 2004

Le Monde Reviews First Encounter

Sélection CD L'osmose de deux timbres rares LE MONDE | 13.12.04 | 15h33 First Encounter: Angelika Kirchschlager & Barbara Bonney Classique "Il y a très longtemps, raconte Barbara Bonney, que je fis connaissance avec Angelika Kirchschlager. Ce fut un dimanche... »

13 Dec 2004

Elektra at the Oper Duisburg

Elektra in der Oper Duisburg: Ein Leben für den Tod Rheinoper: In Duisburg zeigen Stein Winge und Johannes Schütz Richard Strauss` "Elektra" in einer Welt, die Kopf steht. Duisburg. Alles ist erfüllt von den Abwesenden. An die Wände hängt Elektra,... »

13 Dec 2004

Lavinia fuggita at Modena

Lavinia la turca Lavinia fuggita Opera da camera in un atto di Matteo D'Amico libretto di Sandro Cappelletto, liberamente tratto dall'omonimo racconto di Anna Banti prima rappresentazione: Modena, Teatro Comunale 12 dicembre 2004 Teatro Comunale via del Teatro 8 Modena... »

13 Dec 2004

A Wedding in Chicago: Two Reviews

Altman opera a fitting renovation By Bill Gowen Daily Herald Classical Music Critic Posted Monday, December 13, 2004 It's rare that a film director has an opportunity for a do-over. But Robert Altman is no ordinary director, having created several... »

13 Dec 2004

Rossini's La Cenerentola at Dallas

Singer is entrancing in a demanding role By Wayne Lee Gay Star-Telegram Classical Music Critic After a weak start with Bizet's Carmen and a strong comeback with Janacek's Jenufa, Dallas Opera was on track for Rossini's La Cenerentola, or Cinderella,... »

12 Dec 2004

Anna Netrebko in Leipzig

Anna Netrebko: Vom Aschenputtel zur Operndiva VON Tobias D. Höhn, 10.12.04, 12:30h Leipzig - Für viele ist sie die zweite Maria Callas. Wenn die russische Opernsängerin Anna Netrebko wie eine Ballerina über die Bühne schwebt, mit einem Lächeln und glockenheller... »

12 Dec 2004

Das Weihnachtsoratorium in der Thomaskirche

Alle Jahre wieder - Das Weihnachtsoratorium in der Thomaskirche, mit den Thomaner, dem Gewandhausorchester und Gästen Weihnachtsoratorien sind auch eine Jahrgangsfrage: Frei von der Diskussion um die Herrlichkeit Bachscher Noten, fixiert auf die individuelle Interpretation. Insofern ist Thomaskantor Georg Christoph... »

12 Dec 2004

Don Carlo a Firenze

Firenze, teatro Comunale. Si rappresenta il Don Carlo nell'edizione in cinque atti, con la ricostruzione dello storico allestimento di Luchino Visconti. A metà del secondo atto il sipario si chiude per il cambio di scena. Mezze luci in sala, Zubin... »

10 Dec 2004

Don Carlo at Teatro del Maggio Musicale Fiorentino

With all of the festivities surrounding the reopening of La Scala, the production of Don Carlo at Teatro del Maggio Musicale Fiorentino was left in the shadows. The company is producing both the four-act and five-act editions, the latter being... »

10 Dec 2004

Vita con un idiota at Russkij Festival, Rome

Altro che idiota! Vita con un idiota opera in due atti di Alfred Schinittke libretto di Viktor Erofeev Russkij Festival Auditorium Parco della Musica - Sala Petrassi Viale Pietro De Coubertin Roma 0680241281 10 dicembre 2004 Non è solo un... »

10 Dec 2004

A Month in the Country

We previously reported on the Manhattan School of Music production of Lee Hoiby's A Month in the Country. Here is Anne Midgette's review. A Russian Play, Reimagined by an American Composer By ANNE MIDGETTE "We've lost a few people," said... »

10 Dec 2004

A Double Bill at Juilliard

Prodigal Son and a Brat, a Whimsical Pairing By BERNARD HOLLAND The Juilliard Opera Center's double bill on Wednesday made more nonmusical than musical sense. "L'Enfant Prodigue" by Debussy and "L'Enfant et les Sortilèges" by Ravel fit nicely into an... »

10 Dec 2004

Salieri's Europa Riconosciuta A Wise Choice

Salieri promu chantre de l'Europe [09 décembre 2004] Le Napolitain Riccardo Muti a fait le bon choix avec cette Europa Riconosciuta de Salieri pour rouvrir le théâtre dont il est directeur musical depuis le départ d'Abbado en 1986. L'ouvrage avait,... »

08 Dec 2004

Handel in Paris: A Review of Hercules

Paris Palais Garnier 12/04/2004 - et 6, 8, 11, 14, 16, 19, 22, 27 décembre 2004 Georg Friedrich Haendel : Hercules Joyce DiDonato (Dejanira), William Shimell (Hercules), Malena Ernman (Lichas), Toby Spence (Hyllus), Indela Bohlin (Iole), Simon Kirkbridge (Pretre de... »

08 Dec 2004

Der Rosenkavalier at Helsinki

A triumphant 'Rosenkavalier' By George Loomis International Herald Tribune Wednesday, December 8, 2004 HELSINKI Far be it from me to foment rivalry between sopranos, but Finland has another who is fully worthy of the international acclaim already lavished on the... »

07 Dec 2004

Rigoletto at Amsterdam (and an appraisal of tenor Joseph Calleja)

How does it come about that "modern" productions date so quickly while "traditional" ones can go on for ages ? Probably, because ideas that once were fresh and innovative are immediately picked up by everybody in the business, copied (sometimes... »

06 Dec 2004

Los Angeles Philharmonic Tristan Project

I spent a spectacular three days in Walt Disney Concert Hall taking in the magnificent music of Richard Wagner in what has been entitled The Tristan Project. At first, when this three day event was announced as part of... »

04 Dec 2004

Berlioz in Boston

Not strictly opera, but so full of the usual suspects . . . My experience of Berlioz's Dramatic Symphony Romeo et Juliette (R&J) came full circle last night at Boston's Symphony Hall. I had first heard the work live in... »

03 Dec 2004

Anne Sofie von Otter at Théâtre du Châtelet, Paris

Troubadour des temps modernes Avec toujours un meme gout pour l'éloquente clarté, Anne Sofie von Otter sait tout faire. Bete de scène inespérée, elle est récitaliste sans appret ni pose. Ballades ou mélodies, Lieder et songs, l'éclectisme du programme n'est... »

03 Dec 2004

Praises for Rodelinda at the Met

Review: 'Rodelinda' at Met Is Masterpiece MIKE SILVERMAN Associated Press NEW YORK - George Frideric Handel's "Rodelinda" was a huge success at its London premiere in 1725, but it soon vanished from the stage and - like the composer's three... »

01 Dec 2004

Who Said Wagner Didn't Have a Sense of Humor?

Australia forges a 'Ring' with confidence By Shirley Apthorp Published: November 30 2004 Where do the Valkyries meet between battles? At the Wunder Bar, of course. Schwertleite, Grimgerde and sisters are leather-clad punks with a crass sense of humour,... »

30 Nov 2004

Pierre Jourdan Resurrects Haÿdée at Compiègne

OPéRA "Hayedée" à Compiègne Auber sort de l'oubli Jacques Doucelin [Le Figaro] [30 novembre 2004] Et de cinq ! Après Manon Lescaut, Gustave III, Le Domino noir et Les Diamants de la couronne entre 1990 et 1999, Pierre Jourdan vient... »

30 Nov 2004

Opera North Presents Kurt Weill's One Touch of Venus

On the Weill side of Venus Robert Thicknesse Opera North is reviving a "lost" work by the composer THINK of Kurt Weill and what do you get? Cigarettes, dim lights, fishnets; Lotte Lenya or Ute Lemper; Berlin, Brecht, Communism, cabaret... »

29 Nov 2004

Izvestia Reviews

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