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Elsewhere

Peter Grimes in Princeton

The Princeton Festival presents one opera annually, amidst other events. Its offerings usually alternate annually between 20th century and earlier operas. This year the Festival presented Benjamin Britten’s Peter Grimes, now a classic work, in a very effective and moving production.

Scintillating Strauss in Saint Louis

If you like your Ariadne on Naxos productions as playful as a box of puppies, then Opera Theatre of Saint Louis is the address for you.

Saint Louis Takes On ‘The Scottish Opera’

Opera Theatre of Saint Louis took forty years before attempting Verdi’s Macbeth but judging by the excellence of the current production, it was well worth the wait.

Anatomy Theater: A Most Unusual New Opera

On June 16, 2016, Los Angeles Opera with Beth Morrison Projects presented the world premiere of Pulitzer Prize-winning composer David Lang's Anatomy Theater at the Roy and Edna Disney/CalArts Theater (REDCAT).

Shalimar in St. Louis: Pagliaccio Non Son

In its compact forty-year history, the ambitious Opera Theatre of Saint Louis has just triumphantly presented its twenty-fifth world premiere with Shalimar the Clown.

Jenůfa, ENO

The sharp angles and oddly tilting perspectives of Charles Edwards’ set for David Alden’s production of Jenůfa at ENO suggest a community resting precariously on the security and certainty of its customs, soon to slide from this precipice into social and moral anarchy.

The “Other” Marriage of Figaro in a West Village Townhouse

Last week an audience of 50 assembled in the kitchen of a luxurious West Village townhouse for a performance of Marriage of Figaro.

West Wind: A new song-cycle by Sally Beamish

In a recent article in BBC Music Magazine tenor James Gilchrist reflected on the reason why early-nineteenth-century England produced no corpus of art song to match the German lieder of Schumann, Schubert and others, despite the great flowering of English Romantic poetry during this period.

Interview with Star of Florencia en el Amazonas, Elizabeth Caballero

Lyric soprano Elizabeth Caballero’s signature role is Violetta in La traviata, which she portrays with a compelling interpretation, focused sound, and elegant coloratura that floats through the opera house as naturally as waves on the ocean.

Florencia en el Amazonas, NYCO

With the New York Premiere of Florencia en el Amazonas, the New York City Opera Steps Out of the Shadows of the Past

Idomeneo, re di Creta, Garsington

Opportunities to see Idomeneo are not so frequent as they might be, certainly not so frequent as they should be.

Don Carlo in San Francisco

Not merely Don Carlo, but the five-act Don Carlo in the 1886 Modena version! The welcomed esotericism of San Francisco Opera’s extraordinary spring season.

Jenůfa in San Francisco

The early summer San Francisco Opera season has the feel of a classy festival. There is an introduction of Spanish director Calixto Bieito to American audiences, a five-act Don Carlo and two awaited, inevitable role debuts, Karita Mattila as Kostelnička and Malin Bystrom as Janacek's Jenůfa.

Musings on the “American Ring

Now that the curtain has long fallen on the third and last performance of the Ring cycle at the Washington National Opera (WNO), it is safe to say that the long-anticipated production has been an unqualified success for the company, director Francesca Zambello, and conductor Philippe Auguin.

Nabucco, Covent Garden

Most of the attention during this revival of Daniele Abbado’s 2013 production of Nabucco has been directed at Plácido Domingo’s reprise of the title role, with the critical reception somewhat mixed.

Tristan, English National Opera

My first Tristan, indeed my first Wagner, in the theatre was ENO’s previous staging of the work, twenty years ago, in 1996. The experience, as it should, as it must, although this is alas far from a given, quite overwhelmed me.

The Cunning Little Vixen, Glyndebourne

Four years ago, almost to the day (13th to 12th), I saw Melly Still’s production of The Cunning Little Vixen during its first Glyndebourne run. I found myself surprised how much more warmly I responded to it this time.

London: A 90th birthday tribute to Horovitz

This recital celebrated both the work of the Park Lane Group, which has been supporting the careers of outstanding young artists for 60 years, and the 90th birthday of Joseph Horovitz, who was born in Vienna in 1926 and emigrated to England aged 12.

Opera Las Vegas: A Blazing Carmen in the Desert

Headed by General Director Luana DeVol, a world-renowned dramatic soprano, Opera Las Vegas is a relatively new company that presents opera with first-rate casts at the University of Las Vegas’s Judy Bayley Theater. In 2014 they presented Rossini’s The Barber of Seville and in 2015, Puccini’s Madama Butterfly. This year they offered a blazing rendition of Georges Bizet’s Carmen.

La bohème, Opera Holland Park

Ever since a friend was reported as having said he would like something in return for modern-dress Shakespeare (how quaint that term seems now, as if anyone would bat an eyelid!), namely an Elizabethan-dress staging of Look Back in Anger, I have been curious about the possibilities of ‘down-dating’, as I suppose we might call it. Rarely, if ever, do we see it, though.


OPERA TODAY ARCHIVES »

Performances

Michael Druiett as Wotan, Jo Pohlheim as Alberich and Wolfgang Ablinger-Sperrhacke as Loge
29 Jun 2016

Das Rheingold, Opera North

Das Rheingold is, of course, the reddest in tooth and claw of all Wagner’s dramas - which is saying something.  »

Recently in Performances

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06 Apr 2008

ANNA BOLENA – English Touring Opera

In a climate in which bel canto opera seems to be enjoying a steady and welcome revival, ETO opened their current season with a welcome production of Donizetti's historically dubious account of the latter days of Anne Boleyn. The company's... »

06 Apr 2008

SUSANNAH – English Touring Opera

The most interesting opera on ETO's Spring 2008 tour was Carlisle Floyd's 1950s tale of religious hypocrisy in the rural Deep South, based on the Apocryphal tale of Susannah and the Elders. »

06 Apr 2008

DON GIOVANNI – English Touring Opera

The last of the three operas on ETO's Spring 2008 tour was sung in English, and updated to a Spain of the mid-twentieth century under Franco. »

06 Apr 2008

San Diego Opera: Cavalleria Rusticana & Pagliacci

Opera companies often tout new productions as a major attraction of their seasons. »

23 Mar 2008

Lalo's Fiesque — University College Opera

UC Opera's reputation for showcasing rare large-scale works has been boosted this year with the UK premiere of this 1846 opera by Edouard Lalo after a Schiller play. »

17 Mar 2008

Frankfurt's Ship of Fools

As Anna Russell might say: "The three operas of Puccini's 'Il Trittico' take place on a luxury cruise liner. . . . . On it." »

17 Mar 2008

Heggie's "Last Acts"

Let me say up front that I like Jake Heggie's work. I feel he has a true gift for soaring and meaningful melody, a great ear for orchestral effects, a talent for picking good source material, and a knack for crafting affecting melodrama (in the best sense of that word) that can move an audience to tears. »

17 Mar 2008

Heggie faces family dilemma in new work

Do dysfunctional families outnumber the ones that move through life untroubled, or is it — to paraphrase Tolstoy — that every dysfunctional family is dysfunctional in its own way and thus of greater interest to writers and composers? »

16 Mar 2008

Tristan und Isolde — The Metropolitan Opera

I bet this doesn't happen at the movies: »

16 Mar 2008

Peter Grimes at the MET

Let us, for one example among many, take the capstan song in Act I. »

03 Mar 2008

Los Angeles Opera: March 1 & 2, 2008

James Conlon has become the artistic heart and soul of Los Angeles Opera in his second season as music director. »

02 Mar 2008

Cyrano at The Opera Company of Philadelphia

The Opera Company of Philadelphia’s February production is the second staging of David DiChiera’s new opera Cyrano, a co-production with Michigan Opera Theater and Florida Grand Opera. »

02 Mar 2008

Peter Grimes by Opera North

Opera North is one of the most innovative opera companies in Britain. »

02 Mar 2008

Short on the sides and Full On Top

Perhaps the most beloved comic opera, Rossini’s Il barbière di Siviglia has never left the repertoire. »

02 Mar 2008

Mary, Queen of Scots (Maria Stuarda)

San Diego Opera apparently has raided the vaults of Lincoln Center opera companies, circa the 1970s. »

25 Feb 2008

Salome at Covent Garden

The Royal Opera's new Salome is set roughly in the 1930s, in surroundings which refer overtly to Pasolini's Salò or the 120 Days of Sodom, populated by uniformed soldiers and naked whores. »

22 Feb 2008

Carmen, The Metopolitan Opera

Dread and disgruntle are the emotions natural to the fan of any special singer when he arrives at the opera house to learn she has withdrawn from the performance and been replaced by an unknown. »

20 Feb 2008

Anna Christy Triumphs in Lucia di Lammermoor at ENO

ENO doesn’t really go in for bel canto opera. Other than a Maria Stuarda back in the mid 1990s, the only Donizetti opera in the company’s repertoire in the recent past has been the popular L’elisir d’amore. »

17 Feb 2008

ENO's The Mikado

Director Jonathan Miller was there at the curtain call to greet the first night of this latest revival of a production which has now been in ENO's repertoire for twenty years. »

17 Feb 2008

LA Opera: Tristan und Isolde

My Valentine’s Day gift came a bit early courtesy of Los Angeles Opera. Of course, it is to be hoped that your own celebration has a happier outcome than that of opera’s most famous Love Couple, “Tristan und Isolde.” »

17 Feb 2008

Rodelinda at Portland

Valentine’s Day may not quite be in the same major holiday league with the Fourth of July or New Year’s Eve, but you wouldn’t have known it from the fireworks emanating from the stage of Portland Opera, in the form of some dazzling Valentine’s night vocalizing in quite a fine production of Handel’s “Rodelinda.” »

17 Feb 2008

Navajo oratorio a triumph in Phoenix

A sound designer? Isn’t that merely a euphemistic upgrade of “sound engineer?” »

17 Feb 2008

Tosca at COC

An air of anticipation filled the Four Seasons Centre as the announcer walked across the stage to say that soprano Ester Sümegi was ill and would not be performing. »

17 Feb 2008

Tannhäuser at San Diego Opera

To open its 2008 season, San Diego Opera restored the production of Richard Wagner's Tannhäuser that Günther Schneider-Siemsson created for the Metropolitan Opera three decades ago. »

10 Feb 2008

Madam Butterfly at ENO

Anthony Minghella's visually-arresting staging, a co-production with New York's Metropolitan Opera and the Lithuanian National Opera, returned this month to its original home at the London Coliseum after a gap of two years. »

04 Feb 2008

Awesome Angelika Again

While I eagerly seized upon an opportunity to hear Angelika Kirschlager live for the first time, having written in very recent weeks about not one but two of the star mezzo’s current CD releases, I ventured to Frankfurt’s Alte Oper feeling a little bit like her stalker. »

03 Feb 2008

Karita Mattila Performs Manon Lescaut

When I worked in the Archives of the Met, I was custodian of several hundred costumes, many from the days when divas traveled with steamer trunks full of things run up just for them, by the finest designers, with the most glamorous materials, in the colors and styles that suited the ladies themselves. »

03 Feb 2008

Verdi's Falstaff at Chicago

There is nothing redeeming about Sir John Falstaff, one of Shakespeare’s most lively comic characters and the subject of Verdi’s final opera, and yet, inexplicably, we love him. »

28 Jan 2008

Two Queens in Full Cry

What constitutes an “international opera star” these days, anyway? »

20 Jan 2008

Die Walküre at the Met

The Metropolitan Opera audience loves its Wagner, and the management for the last several decades has, alas, made sure we aren’t spoiled: it’s a rare season that gets more than two production revivals of Wagner, and some years there have been none. »

20 Jan 2008

Deborah Voigt in Concert with the San Francisco Symphony

With her performance of the “Four Last Songs,” ably partnered by Michael Tilson Thomas and his San Francisco Symphony, Deborah Voigt emphatically confirmed her place as one of the glories of the current roster of Strauss interpreters. »

20 Jan 2008

John Adams' Doctor Atomic in Chicago

John Adams, whose opera Nixon in China set the bar for post-minimalism in the lyric theatre, has once again scored a success with his latest work. »

16 Jan 2008

A New Hansel und Gretel at the Met

Wagner’s all-conquering chic made apocalyptic music-dramas drawn from folklore the ideal of the nationalistic era; every serious opera composer of the time felt obliged to attempt something in that line. »

03 Jan 2008

Oppenheimer opera charts new course in music

In this country art and politics are rarely bedfellows — strange or otherwise; indeed, it’s seldom that the two meet under the same roof. »

30 Dec 2007

Iphigénie en Tauride at the Met

Regarded, until the modern vogue for earlier masters, as the senior surviving grand master of opera, Gluck never quite becomes fashionable and never quite vanishes. »

30 Dec 2007

Prokofiev's War and Peace at the Met

There is no middle ground in War and Peace — or, rather, it’s all middle ground, like a battlefield, and you may feel as if every soldier in Russia (and in France) has marched over you. »

30 Dec 2007

Cinderella and her Cinderfella

Once upon a time, we used to only dream about a stellar pairing like Barcelona’s Gran Teatre del Liceu has fielded for their current offering on display: “La Cenerentola.” »

30 Dec 2007

¡Viva Valencia!

Enough ink was spilled last year gushing over Valencia’s new Calatrava-designed opera house and Arts and Science park that I had been chomping at the bit for the opportunity to take in a performance there as soon as my availability and, more important, the availability of a still-very-hard-to-find ticket coincided. »

30 Dec 2007

Chicago stages fantastic “Frau” --- Another View

Do we too easily take Richard Strauss for granted? The question is prompted by the superlative production of “Frau ohne Schatten” that was the highlight of the fall season at the Chicago Lyric Opera. »

27 Dec 2007

“Your Queen is trumped”: Queen of Spades by the Kirov

Watching The Queen of Spades staged by a Russian company is often an unforgettable experience. »

18 Dec 2007

Belfast welcomes a first-rate Messiah

If Belfast in Northern Ireland isn’t a city that immediately springs to mind as a centre of musical excellence then it’s not for want of talent, initiative and professionalism within its cultural community. »

16 Dec 2007

OONY Performs Verdi's I Due Foscari

After the triumph of his fifth opera, Ernani, Verdi could have gone on writing howling melodramas and made a mint. »

11 Dec 2007

The Turn of the Screw at ENO

Not long ago, English National Opera declared an intention to capitalise on its name and history by placing greater emphasis on English works. »

11 Dec 2007

Otello — Kirov Opera

Despite 19th-century Russia’s reputation as an Italian opera haven, Verdi’s late masterpiece Otello found acceptance there only with great difficulty, even though in its 1889 premiere the title role acquired a great local interpreter in the Mariinsky Theater primo uomo, Nikolai Figner. »

04 Dec 2007

Beyond The Media Avatar

Imagine a mild December night, with some three hundred people queueing for a concert ticket on Siena’s horseshoe-shaped Piazza del Campo. »

04 Dec 2007

Giulio Cesare in Chicago

Peter Schickele, channeling P.D.Q. Bach, was wont to say, “Most classical scholars were unaware Iphigenia was ever in Brooklyn … and I think the cantata, Iphigenia in Brooklyn, does for Iphigenia what the Vinland Map did for Leif Ericsson.” »

04 Dec 2007

Bolcom’s ”View” brilliant at WNO

The American Dream and the tragic vision of ancient Greece are miles and millennia apart; yet they merge seamlessly in William Bolcom’s “View from the Bridge,” on stage in November at the Washington National Opera. »

04 Dec 2007

Die Frau ohne Schatten in Chicago

Die Frau ohne Schatten is the story of a being of purely sensual spirit who defies the temptation to do evil, thereby demonstrating a moral soul and achieving humanity. »

28 Nov 2007

Thanksgiving in San Francisco

San Francisco Opera makes it possible for opera-lovers who have stuffed themselves with turkey on the fourth Thursday of November to indulge in a feast of opera on the following three days. »

19 Nov 2007

Verismo Rarities, Teatro Grattacielo

Part of the fun of visiting the many companies that specialize in unearthing forgotten operas lies precisely in not knowing what you’re going to get. »

19 Nov 2007

Norma returns to the Met

The bel canto era, insofar as the contemporary public considers it at all, is usually thought of as the golden age of vocal beauty for its own sake. »