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Elsewhere

Works by Beethoven and Gerald Barry

As a whole, this concert proved a curious affair. It probably made more sense in the context of Thomas Adès’s series of Beethoven and Barry concerts with the Britten Sinfonia. The idea of a night off from the symphonic Beethoven to turn to chamber works was, in principle, a good one, but the sole Gerald Barry piece here seemed oddly out of place – and not in a productive, provocative way. Even the Beethoven pieces did not really seem to fit together especially well. A lovely performance of the op.16 Quintet nevertheless made the evening worthwhile.

The Moderate Soprano : Q&A with Nancy Carroll and Roger Allam

Nancy Carroll and Roger Allam play Audrey Mildmay and John Christie in David Hare’s play The Moderate Soprano which is currently at the Duke of York’s Theatre in London.

Le Concert Royal de la Nuit - Ensemble Correspondances

Le Concert Royal de la Nuit with Ensemble Correspondances led by Sébastien Daucé, the glorious culmination of the finest London Festival of the Baroque in years on the theme "Treasures of the Grand Siècle". Le Concert Royal de la Nuit was Louis XIV's announcement that he would be "Roi du Soleil", a ruler whose magnificence would transform France, and the world, in a new age of splendour.

Voices of Revolution – Prokofiev, Exile and Return

Seven, they are Seven , op.30; Violin Concerto no.1 in D minor, op.19; Cantata for the Twentieth Anniverary of the October Revolution, op.74. David Butt Philip (tenor), Pekka Kuusisto (violin), Aidan Oliver (voice of Lenin, chorus director), Philharmonia Voices, Crouch End Festival Chorus, Students of the Royal Welsh College of Music and Drama (military band), Philharmonia Orchestra/Vladimir Ashkenazy (conductor). Royal Festival Hall, London, Sunday 20 May 2018.

Charpentier Histoires sacrées, staged - London Baroque Festival

Marc-Antoine Charpentier Histoires sacrées with Ensemble Correspondances, conducted by Sébastien Daucé, at St John's Smith Square, part of the London Festival of the Baroque 2018. This striking staging, by Vincent Huguet, brought out its austere glory: every bit a treasure of the Grand Siècle, though this grandeur was dedicated not to Sun God but to God.

No Time in Eternity: Iestyn Davies discusses Purcell and Nyman

Revolution, repetition, rhetoric. On my way to meet countertenor Iestyn Davies, I ponder if these are the elements that might form connecting threads between the music of Henry Purcell and Michael Nyman, whose works will be brought together later this month when Davies joins the viol consort Fretwork for a thought-provoking recital at Milton Court Concert Hall.

Aïda in Seattle: don’t mention the war!

When Francesca Zambello presented Aïda at her own Glimmerglass Opera in 2012, her staging was, as they say, “ripped from today’s headlines.” Fighter planes strafed the Egyptian headquarters as the curtain rose, water-boarding was the favored form of interrogation, Radames was executed by lethal injection.

Glyndebourne Festival Opera 2018 opens with Annilese Miskimmon's Madama Butterfly

As the bells rang with romance from the tower of St George’s Chapel, Windsor, the rolling downs of Sussex - which had just acquired a new Duke - echoed with the strains of a rather more bitter-sweet cross-cultural love affair. Glyndebourne Festival Opera’s 2018 season opened with Annilese Miskimmon’s production of Madama Butterfly, first seen during the 2016 Glyndebourne tour and now making its first visit to the main house.

Remembering Debussy

This concert might have been re-titled Remembrance of Musical Times Past: the time, that is, when French song, nurtured in the Proustian Parisian salons, began to gain a foothold in public concert halls. But, the madeleine didn’t quite work its magic on this occasion.

Garsington's Douglas Boyd on Strauss and Skating Rinks

‘On August 3, 1941, the day that Capriccio was finished, 682 Jews were killed in Chernovtsy, Romania; 1,500 in Jelgava, Latvia; and several hundred in Stanisławów, Ukraine. On October 28, 1942, the day of the opera’s premiere in Munich, the first convoy of Jews from Theresienstadt arrived at Auschwitz-Birkenau, and 90 percent of them went to the gas chamber.’

A chiaroscuro Orfeo from Iestyn Davies and La Nuova Musica

‘I sought to restrict the music to its true purpose of serving to give expression to the poetry and to strengthen the dramatic situations, without interrupting the action or hampering it with unnecessary and superfluous ornamentations. […] I believed further that I should devote my greatest effort to seeking to achieve a noble simplicity; and I have avoided parading difficulties at the expense of clarity.’

Lessons in Love and Violence: powerful musical utterances but perplexing dramatic motivations

‘What a thrill -/ My thumb instead of an onion. The top quite gone/ Except for a sort of hinge/ Of skin,/ A flap like a hat,/ Dead white. Then that red plush.’ Those who imagined that Sylvia Plath (‘Cut’, 1962) had achieved unassailable aesthetic peaks in fusing pain - mental and physical - with beauty, might think again after seeing and hearing this, the third, collaboration between composer George Benjamin and dramatist/librettist Martin Crimp: Lessons in Love and Violence.

Grands motets de Lalande

Majesté, a new recording by Le Poème Harmonique, led by Vincent Dumestre, of music by Michel-Richard de Lalande (1657-1726) new from Alpha Classics. Le Poème Harmonique are regular visitors to London, appreciated for the variety of their programes. On Friday this week, (11/5) they'll be at St John's Smith Square as part of the London Festival of Baroque, with a programme titled "At the World's Courts".

Perpetual Night - Early English Baroque, Ensemble Correspondances

New from Harmonia Mundi, Perpetual Night. a superb recording of ayres and songs from the 17th century, by Ensemble Correspondances with Sébastien Daucé and Lucile Richardot. Ensemble Correspondances are among the foremost exponents of the music of Versailles and the French royalty, so it's good to hear them turn to the music of the Stuart court.

Les Salons de Pauline Viardot: Sabine Devieilhe at Wigmore Hall

Always in demand on French and international stages, the French soprano Sabine Devieihle is, fortunately, becoming an increasingly frequent visitor to these shores. Her first appearance at Wigmore Hall was last month’s performance of works by Handel with Emmanuelle Haïm’s Le Concert d’Astrée. This lunchtime recital, reflecting the meetings of music and minds which took place at Parisian salon of the nineteenth-century mezzo-soprano Pauline Viardot (1821-1910), was her solo debut at the venue.

Jesus Christ Superstar at Lyric Opera of Chicago

Lyric Opera of Chicago is now featuring as its spring musical Jesus Christ Superstar with music and lyrics by Andrew Lloyd Webber and Tim Rice. The production originated with the Regent’s Park Theatre, London with additional scenery by Bay Productions, U.K. and Commercial Silk International.

Persephone glows with life in Seattle

As a figure in the history of 20th century art, few deserve to be closer to center stage than Ida Rubenbstein. Without her talent, determination, and vast wealth, Ravel’s Boléro, Debussy’s Martyrdom of St. Sebastien, Honegger’s Joan of Arc at the Stake, and Stravinsky’s Perséphone would not exist.

La concordia de’ pianeti: Imperial flattery set to Baroque splendor in Amsterdam

One trusts the banquet following the world premiere of La concordia de’ pianeti proffered some spicy flavors, because Pietro Pariati’s text is so cloying it causes violent stomach-churning. In contrast, Antonio Caldara’s music sparkles and dances like a blaze of crystal chandeliers.

Kathleen Ferrier Awards Final 2018

The 63rd Competition for the Kathleen Ferrier Awards 2018 was an unusually ‘home-grown’ affair. Last year’s Final had brought together singers from the UK, the Commonwealth, Europe, the US and beyond, but the six young singers assembled at Wigmore Hall on Friday evening all originated from the UK.

Affecting and Effective Traviata in San Jose

Opera San Jose capped its consistently enjoyable, artistically accomplished 2017-2018 season with a dramatically thoughtful, musically sound rendition of Verdi’s immortal La traviata.


OPERA TODAY ARCHIVES »

Performances

Ludwig van Beethoven
26 May 2018

Works by Beethoven and Gerald Barry

As a whole, this concert proved a curious affair. It probably made more sense in the context of Thomas Adès’s series of Beethoven and Barry concerts with the Britten Sinfonia. The idea of a night off from the symphonic Beethoven to turn to chamber works was, in principle, a good one, but the sole Gerald Barry piece here seemed oddly out of place – and not in a productive, provocative way. Even the Beethoven pieces did not really seem to fit together especially well. A lovely performance of the op.16 Quintet nevertheless made the evening worthwhile. »

Recently in Performances

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12 Aug 2011

Risorgimento 150 years after

How the saga of Italian unification in 1861 is being (half-heartedly) celebrated by opera composers. »

02 Aug 2011

BBC Prom 21

From the bombastic sweeps of Richard Strauss’ Don Juan, to the blissful rhapsodies of Walton’s Violin Concerto, and through the rhythmic surges of Prokofiev’s choral manifesto of socialist realism, conductor Andris Nelsons fizzed — indeed, almost exploded with energy and zest — and inspired clarity, control and freshness from the City of Birmingham Symphony Orchestra, on this their only visit to the Proms this season. »

01 Aug 2011

La traviata at the Aix Festival

An appreciation of La traviata plus La clemenza di Tito and Le Nez/The Nose at the Aix-en-Provence Festival. »

01 Aug 2011

La Wally, Opera Holland Park, London

Alfredo Catalani’s La Wally is known for its arias, but the full opera is rarely performed. Expectations were high for this production at Opera Holland Park, London. »

31 Jul 2011

Die Liebe der Danae, Bard Summerstage

In the modern operatic world, respect for the oeuvre of any given composer, as well as his stylistic development and placement in operatic history, is sacrosanct.  »

31 Jul 2011

Rodelinda Triumphs at Iford Opera

Rodelinda is about as serious an opera as any that Handel wrote: attempted regicide and infanticide, violent death, betrayal and a marriage sorely tried.  »

29 Jul 2011

Rigoletto, Opera Holland Park

It’s always a good idea to ferret away a sure-fire winner amongst the rarities, and Opera Holland Park’s Rigoletto certainly meets, and in some aspects surpasses, expectations.  »

28 Jul 2011

Boston Midsummer Opera’s Italian Girl in Algiers

This year’s venture for the annual Boston Midsummer Opera is an elegant reading of Rossini’s fizzy masterpiece of 1813, l’Italiana in Algeri.  »

27 Jul 2011

Rigoletto, Miami Lyric Opera

There’s hell to pay for profligate publicity; Giuseppe Verdi and Francisco Maria Piave knew this to be true.  »

26 Jul 2011

Verdi’s Requiem, BBC Proms

Not only did Verdi’s Requiem make its debut, rather remarkably, in the church of San Marco in Milan but the performance was as a liturgical one; Verdi’s intentions were quite firmly to provide a memorial mass for the Italian patriot, Manzoni.  »

22 Jul 2011

Mignon and Saul at Buxton Opera Festival

Buxton, like Wexford, makes a point of offering its clientele the opportunity to sample works that are unjustly neglected by the major houses, and for his final festival as director, Andrew Greenwood served up a typical feast of operatic rarities reflecting the increasingly ambitious approach which has characterised his musical stewardship.  »

18 Jul 2011

Guillaume Tell, BBC Proms

Operatic fashions are fickle and, more to the point, often plain wrong. We all have our grievance lists of works that are ‘scandalously neglected’.  »

16 Jul 2011

First Night of the 2011 BBC Proms

The First Night of the Proms seems to be edging back, if a little hesitantly, from the strange, unsatisfying ‘tasting menu’ approach adopted for a few years.  »

15 Jul 2011

Seven Angels, London

Luke Bedford’s first opera, Seven Angels, had its London premiere at the Linbury Studio Theatre, London.  »

13 Jul 2011

Rinaldo at Glyndebourne

Handel’s Rinaldo at the Glyndebourne Festival is a triumph in musical terms. Don’t miss it when it appears at the BBC Proms this summer in concert performance, because some of the singing is very good indeed. »

12 Jul 2011

Grant Park Music Festival, Chicago Commemorates Gustav Mahler

To commemorate the hundredth anniversary of Gustav Mahler’s death Carlos Kalmar and the Grant Park Orchestra gave in early July two performances of Mahler’s Das Lied von der Erde featuring the vocal soloists Alexandra Petersamer and Christian Elsner.  »

12 Jul 2011

La rondine, Opera Holland Park

Opera Holland Park’s unique selling point has always been a devotion to the more obscure works of Puccini and his Italian contemporaries.  »

12 Jul 2011

Cendrillon, Royal Opera

Words, stories, books — the gateway to a world of fantasy in which anything is possible.  »

12 Jul 2011

Guillaume Tell, Caramoor Festival

For classical music fans, summer means only one thing: summer festivals. The goal of these festivals is to showcase a wide range of repertory with thought provoking creativity. »

10 Jul 2011

Faust Reaches Santa Fe Opera — And How!

The celebrated New Mexico opera festival has, in its fifty-fifth season, created a production of Charles Gounod’s 1859 masterpiece Faust, its first ever.  »

07 Jul 2011

The Marriage of Figaro, Opera Holland Park

Even before a note was sounded at Opera Holland Park on Saturday evening, the still summer evening was ruffled by a breeze of unease.  »

07 Jul 2011

Scenes from Two Marriages

By 1825, as Rossini’s operatic vein was approaching exhaustion, the Neapolitan Saverio Mercadante ranked as a front-runner for his succession alongside Bellini and Donizetti; much more so, however, in the field of serious drama than in opera buffa.  »

06 Jul 2011

Juan, a film by Kaspar Holten

I recently got the chance to see Juan, the Kaspar Holten film version of Mozart’s Don Giovanni, at the Seattle International Film Festival.  »

06 Jul 2011

Der Ring des Nibelungen in San Francisco

Some of the experts said it was the best Ring ever, others merely said it was one of the best (these were lecturers at a Wagner Society symposium). »

30 Jun 2011

Summer Treats in Saint Louis

Opera Theatre of St. Louis has demonstrated yet again that it is an indispensable summer festival to be counted on for adventurous programming, thought-provoking productions, and exciting talent discoveries. »

29 Jun 2011

Sensitive, intelligent Madama Butterfly, Royal Opera

This Madama Butterfly at the Royal Opera House, London, brings out the depth and intelligence of the human story Puccini might be trying to tell us, beneath the surface gloss. »

26 Jun 2011

Two Boys, ENO

You would have had to be deaf and blind — or perhaps just a very wise monkey — not to have been aware that a young American composer called Nico Muhly was about to open at the English National Opera in London last night with a work called Two Boys.  »

26 Jun 2011

Viva Vivaldi — Garsington Opera 2011

Garsington Opera — in its superb new home on the Wormsley estate in rural Oxfordshire — has yet again confirmed the merit of its decision to promote Vivaldi’s long-ignored operas.  »

23 Jun 2011

The Cunning Little Vixen, New York

One of Richard Wagner’s most enduring contributions to music history is a concept known as gesamtkunstwerk.  »

23 Jun 2011

Peter Grimes, Covent Garden

Willy Decker’s production of Peter Grimes, first seen at Covent Garden in 2004, should perhaps be renamed The Borough.  »

21 Jun 2011

Swiss Odyssey

A funny thing happened on the way to Anna Bolena… »

20 Jun 2011

Geneva’s Juicy Oranges

Need something remedial for “what ails you?” »

20 Jun 2011

Boston Early Music Festival: Niobe, Regina di Tebe

The Boston Early Music Festival (hereinafter BEMF) has grown up.  »

20 Jun 2011

Don Pasquale, Opera Holland Park

As it turned out, it was a mild and mainly dry evening.  »

15 Jun 2011

Israel Opera cuts wide swath at festival

Israel Opera’s summer festival grew astonishingly in the year following its 2010 inaugural season.  »

14 Jun 2011

Simon Boccanegra, ENO

It would seem that in his preparations for this new production of Simon Boccanegra, the acclaimed Russian director, Dmitri Tcherniakov, has been familiarising himself Jonathan Miller’s previous ENO efforts.  »

14 Jun 2011

L’amico Fritz, London

Think verismo and one imagines melodramatic, often violent plots which peer unflinchingly into the soul of every character.  »

12 Jun 2011

Tosca, Covent Garden

The current Tosca at the Royal Opera House is something of a classic, revived four times in five years. It’s now being filmed for cinema to be released in November 2011. »

09 Jun 2011

Karlsruhe “Gioconda” Unintentionally ‘Konzertant’

It was a lucky happenstance that glorious vocalism characterized Badisches Staatstheater’s La Gioconda, for effective stagecraft was nowhere in evidence…but, oh, what singing!  »

09 Jun 2011

Andreas Scholl, Wigmore Hall

A capacity crowd at the Wigmore Hall eagerly awaited the arrival of Andreas Scholl and Tamar Halperin on the platform on Tuesday evening.  »

07 Jun 2011

Candide, Barbican Centre

‘Glitter and be gay!’ cries Cunegonde, determined to overcome the bitter circumstances in which she finds herself in sordid, downturn Paris. »

06 Jun 2011

Phaedra in Philadelphia

The U.S. premiere of Hans Werner Henze’s Phaedra at the Opera Company of Philadelphia may well be the most important and ambitious new work presented by any American company this season. »

01 Jun 2011

Brahms Liebesliederwalzer, Wigmore Hall, London

Any performance of Brahms and Schumann four part songs is an occasion.  »

30 May 2011

Ian Bostridge, Wigmore Hall

“Music, music for a while/ Shall all your cares beguile,” vowed Ian Bostridge at the opening of this recital with his regular accompanist, Julius Drake.  »

30 May 2011

Les Noces de Figaro in Paris

This is the one by Giorgio Strehler that opened at Versailles in 1973 and since has endured twenty-three incarnations, first at the Garnier and later at the Bastille.  »

27 May 2011

James Bowman, The Last London Recital

It’s easy to slip into platitudes when eulogising the last London recital performance of a singer commonly lauded as the outstanding countertenor of his generation.  »

26 May 2011

I Compagnacci and Il Re, Teatro Grattacielo

Teatro Grattacielo gives concert performances of Verismo operas that range from the obscure to the unheard-of.  »

26 May 2011

Macbeth, Royal Opera

Phyllida Lloyd’s reading of Verdi’s Macbeth – first seen in 2002 and here revived for the second time – could certainly not be described as ‘subtle’, either dramatically or visually. »

24 May 2011

Die Meistersinger von Nürnberg, Glyndebourne

Glorious sunshine for Glyndebourne Opera’s Die Meistersinger von Nürnberg on the eve of Richard Wagner's birthday. »

23 May 2011

Richard Coeur-de-Lion, New York

André-Modeste Grétry, the greatest opera composer ever to come from Belgium, made his way to Paris in 1767 at the age of 26.  »

23 May 2011

A Midsummer Night’s Dream, ENO

On my travels, I often hear occasional opera-goers complain about having wasted time and money on a production that, on the night, bears no relation to their expectations.  »

22 May 2011

Iphigénie en Tauride at the Washington National Opera

The Washington National Opera has concluded its 2010-11 season with Gluck’s 1779 masterpiece Iphigénie en Tauride, arguably the great Viennese composer’s greatest achievement and his swan song (if one does not count that unfortunate flop of 1780, Echo et Narcisse — and luckily, one hardly ever does).  »

22 May 2011

James MacMillan’s Clemency, Royal Opera

James MacMillan has reunited with his librettist, the poet Michael Symmons Roberts, to produce his new opera Clemency.  »

21 May 2011

Don Giovanni, Florida Grand Opera

By Leporello’s count (in the “Catalogue aria”), Don Giovanni tallies over 2,000 sexual exploits. »

18 May 2011

Orfeo ed Euridice, Metropolitan Opera

Gluck’s Orfeo is, intentionally, free of clutter. If you cut out the scenes of balletic rejoicing just before the finale (and I can’t think of any good reason not to do so), it’s less than ninety minutes of music.  »

18 May 2011

Die Walküre, Metropolitan Opera

There’s a lot to be said for lowered expectations. After last fall’s cramped, over-busy staging of Das Rheingold, I was prepared for a rough night at Die Walküre—and enjoyed the occasion very much, the staging, the direction, most of the singing, even the costumes.  »