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Elsewhere

Cold Mountain, Philadelphia

Opera Philadelphia deserves congratulations on yet another coup. The company co-commissioned Cold Mountain, an opera by Jennifer Higdon based on Gene Scheer’s adaptation of Charles Frazier’s celebrated Civil War epic.

Christian Gerhaher Wolfgang Rihm Wigmore Hall

For their first of two recitals at the Wigmore Hall, Christian Gerhaher and Gerold Huber devised an interesting programme - popular Schubert mixed with songs by Wolfgang Rihm and by Huber himself.

Götterdämmerung in Palermo

There are not many opera productions that you would cross oceans to see. Graham Vick’s Götterdämmerung in Sicily however compelled such a voyage.

Emmanuel Chabrier L’Étoile — Royal Opera House London

Premièred in 1877 at Offenbach’s own Théâtre des Bouffes Parisiens, Emmanuel Chabrier’s L’Étoile has a libretto, by Eugène Leterrier and Albert Vanloo, which stirs the blackly comic, the farcical and the bizarre into a surreal melange, blending contemporary satire with the frankly outlandish.

Robert Ashley’s Quicksand at the Kitchen

Robert Ashley’s opera-novel Quicksand makes for a novel experience

Premiere of Raskatov’s Green Mass

One of the leading Russian composers of his generation, Alexander Raskatov’s reputation in the UK and western Europe derives from several, recent large-scale compositions, such as his reconstruction of Alfred Schnittke’s Ninth Symphony from a barely legible manuscript (the work was first performed in 2007 in the Dresden Frauenkirche by the Dresden Philharmonic under Dennis Russell Davies), and his 2010 opera A Dog’s Heart, based on Mikhail Bulgakov’s satire (which was directed by Simon McBurney at English National Opera in 2010, following the opera’s premiere at Netherlands Opera earlier that year).

Orpheus in the Underworld, Opera Danube

I’m not sure that St John’s Smith Square was the most appropriate venue for Opera Danube’s latest production: Jacques Offenbach’s satirical frolic, Orpheus in the Underworld.

Lady Macbeth of Mtsensk in Lyon

This nasty little opera evening in Lyon lived up to the opera’s initial reputation as pure pornophony. This is the erotic Shostakovich of the D minor cello sonata, it is the sarcastic and complicated Shostakovich of The Nose . . .

Bel Canto: A World Premiere at Lyric Opera of Chicago

During December 2015 and presently in January Lyric Opera of Chicago has featured the world premiere of the opera Bel Canto, with music by Jimmy López and libretto by Nilo Cruz, based on the novel by Ann Patchett.

Tosca, Royal Opera

Christmas at the Royal Opera House is all about magic, mystery and miracles: as represented by the conjuror’s exploits in The Nutcracker — with its Kingdom of Sweets and Sugar Plum Fairy — or, as in the Linbury Theatre this year, the fantastical adventures of the Firework-Maker’s Daughter, Lila, and her companions — a lovesick elephant, swashbuckling pirates, tropical beasts and Fire-Fiends.

Lianna Haroutounian resplendent in Madama Butterfly at the Concertgebouw

The title role is a deciding factor in Madama Butterfly. Despite a last-minute conductor cancellation, last Saturday’s concert performance at the Concertgebouw was a resounding success, thanks to Lianna Haroutounian’s opulent, heart-stealing Cio-Cio-San.

Classical Opera: MOZART 250 — 1766: A Retrospective

With this performance of vocal and instrumental works composed by the 10-year-old Mozart and his contemporaries during 1766, Classical Opera entered the second year of their 27-year project, MOZART 250, which is designed to ‘contextualise the development and influences of [sic] the composer’s artistic personality’ and, more audaciously, to ‘follow the path that subsequently led to some of the greatest cornerstones of our civilisation’.

Benjamin Appl — Schubert, Wigmore Hall London

Luca Pisaroni and Wolfram Rieger were due to give the latest installment in the Wigmore Hall's complete Schubert songs series, but both had to cancel at short notice. Fortunately, the Wigmore Hall rises to such contingencies, and gave us Benjamin Appl and Jonathan Ware. Since there's a huge buzz about Appl, this was an opportunity to hear more of what he can do.

Ferrier Awards Winners’ Recital

The phrase ‘Sunday afternoon concert’ may suggest light, post-prandial entertainment, but soprano Gemma Lois Summerfield and her accompanist, Simon Lepper, swept away any such conceptions in this demanding programme at St. John’s Smith Square.

Pelléas et Mélisande at the Barbican

When, o when, will someone put Peter Sellars and his compendium of clichés out of our misery?

A Chat With Up-and-Coming Conductor Kathleen Kelly

Kathleen Kelly is an internationally renowned pianist, coach, conductor, and master teacher. She was the first woman and first American named Director of Musical Studies at the Vienna State Opera.

Samuel Barber: Choral Music

This recording, made in the Adrian Boult Hall at the Birmingham Conservatoire of Music in June 2014, is the fourth disc in SOMM’s series of recordings with Paul Spicer and the Birmingham Conservatoire Chamber Choir.

L'Arpeggiata: La dama d’Aragó, Wigmore Hall

Having recently followed some by-ways through the music of Purcell, Monteverdi and Cavalli, L’Arpeggiata turned the spotlight on traditional folk music in this characteristically vibrant and high-spirited performance at the Wigmore Hall.

Tippett : A Child of Our Time, London

Edward Gardner brought all his experience as a choral and opera conductor to bear in this stirring performance of Michael Tippett’s A Child of Our Time at the Barbican Hall, with a fine cast of soloists, the BBC Symphony Orchestra and BBC Symphony Chorus.

Taverner and Tavener, Fretwork, London

‘Apt for voices or viols’: eager to maximise sales among the domestic market in Elizabethan England, publishers emphasised that the music contained in collections such as Thomas Morley’s First Book of Madrigals to Four Voices of 1594 was suitable for performance by any combination of singers and players.


OPERA TODAY ARCHIVES »

Performances

Ada (Isabel Leonard) recalls saying goodbye to Inman
08 Feb 2016

Cold Mountain, Philadelphia

Opera Philadelphia deserves congratulations on yet another coup. The company co-commissioned Cold Mountain, an opera by Jennifer Higdon based on Gene Scheer’s adaptation of Charles Frazier’s celebrated Civil War epic.  »

Recently in Performances

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11 Dec 2010

Die Walküre at La Scala

The opening night of the new season at Teatro alla Scala Milan is a gala event, the most glamorous in the entire Italian opera year.  »

11 Dec 2010

Magic Flute, Phoenix

Wolfgang Amadeus Mozart and Emmanuel Schikaneder had known each other for some time before they wrote The Magic Flute. »

11 Dec 2010

Cecilia Bartoli at the Barbican Centre, London

Cecilia Bartoli is something of a phenomenon, capable of attracting an enthusiastic capacity crowd.  »

06 Dec 2010

Handel’s Alcina at Barbican Centre, London

The Barbican’s Great Performers season often acts as a receiving house for continental opera productions, thus giving us in London a chance to hear interesting performances without actually having to travel.  »

06 Dec 2010

A Midsummer Night’s Dream, Opera Australia

Transplanting Britten’s Shakespeare opera to an Indian setting seems at first an illogical step by Hollywood director Baz Luhrmann.  »

03 Dec 2010

Die Entführung aus den Serail, Queen Elizabeth Hall, London

With its tricky ‘orientalist’ connotations, Singspiel-originating spoken dialogue, not to mention the problem of finding five outstanding singers who can cope with the considerable demands of the solo roles (and the commercial challenge presented by the need to pay a chorus who sing barely a few bars of music), Mozart’s Die Entführung aus den Serail does not receive as many stagings as it deserves. »

03 Dec 2010

Midsummer Night’s Dream, Lyric Opera of Chicago

In a seamless realization with an ideal cast Lyric Opera of Chicago celebrates the magical antics and foibles of both human and fairy in its premiere production of Benjamin Britten’s Midsummer Night’s Dream.  »

03 Dec 2010

Don Carlo, Metropolitan Opera

It may be as well to put matters in context by saying that Don Carlo is a favorite opera of mine (and of all Verdi lovers), and that I found the Met’s new staging highly satisfactory, vocally very good if less than top flight, orchestrally thrilling—and that I hope to catch it again this season. (Interesting rumors have been heard about the alternate tenor.) »

29 Nov 2010

Rigoletto, Opera Australia

Not revived too frequently this 1991 production by Elijah Moshinsky updates the story to the 1960s and the films of Federico Fellini inspire the sets and costumes.  »

29 Nov 2010

Le nozze di Figaro, Opera Australia

Neil Armfield’s insightful staging of Le nozze di Figaro is making a welcome return in the lead-up to his direction of the Ring Cycle for the Wagner bi-centenary 2013 (the first complete cycle staged in Melbourne in a century). »

23 Nov 2010

A Dog’s Heart, ENO

Three cheers — at the very least — for the English National Opera!  »

23 Nov 2010

Tosca, Manitoba Opera

What some people won’t do for a standing ovation! Saturday night at the opera was a showcase of excesses.  »

21 Nov 2010

Adriana Lecouvreur, Royal Opera

Two months into the current season, after a string of so-so revivals and a curiosity which deserved to be box-office dynamite but wasn’t, the Royal Opera has finally got round to a star-studded new production.  »

20 Nov 2010

The Makropulos Case in San Francisco

Just now in San Francisco Finnish soprano Karita Mattila kicked ass as Janáček’s 337 year old Elina Makropulos.* »

19 Nov 2010

Carmen, Arizona Opera

On Saturday November 13 and Sunday November 14, 2010, Arizona Opera presented Bernard Uzan’s rather different take on Bizet’s Carmen.  »

19 Nov 2010

Il Viaggio a Sicilia

As I strolled around the corner into Piazza Verdi, my first view of Palermo’s Teatro Massimo Vittorio Emanuele stopped me dead in my tracks and damn near took my breath away.  »

18 Nov 2010

György Kurtág — Kafka Fragments, London

Can Haiku be improved by staging? György Kurtág's Kafka-Fragmente (op. 24), is a masterpiece of zen-like purity.  »

08 Nov 2010

Don Giovanni, ENO

There’s nothing wrong with updating an opera as long as the director, designer and conductor share an understanding of the work’s principal ideas and motivations, conflicts and contexts, and have a clear vision of how they intend to communicate these in a new setting. »

08 Nov 2010

Il Trovatore, Metropolitan Opera

It’s difficult to be reasonable about Il Trovatore. Reason is the last quality we expect from any of its characters or situations.  »

07 Nov 2010

La Cenerentola, Minnesota Opera

Minnesota Opera’s recent production of Rossini’s La Cenerentola certainly is a fantastical, comical portrayal of the classical fairy tale.  »

07 Nov 2010

Intermezzo, New York City Opera

Pace Tolstoy, happy marriages are not all alike, but they require a lot of work.  »

07 Nov 2010

Angelika Kirchschlager, German Lieder 1830-40 Wigmore Hall

Angelika Kirchschlager and Malcolm Martineau at the Wigmore Hall showed what real Lieder singing should be.  »

03 Nov 2010

Overture to London’s Handel Festival 2011

The small but perfectly formed Grosvenor Chapel in London’s exclusive Mayfair was the venue last Monday night for a programme of Handel vocal and instrumental music of considerable quality — if minimal quantity.  »

03 Nov 2010

A Carmen Cast to Strength: Lyric Opera of Chicago’s Revival

For its second production of the current season Lyric Opera of Chicago has staged a modified revival of its Carmen under the direction of Harvey Silverstein.  »

02 Nov 2010

Wexford Festival Opera 2010

After a rather lean 2009, the 59th Wexford Festival Opera season almost felt like a return to generous days of old.  »

02 Nov 2010

Haydn: L’isola disabitata, London

Haydn’s L’isola disabitata is ideally suited to the modern taste for chamber opera. This is Haydn for those who think they don’t like his operas or even baroque form.  »

01 Nov 2010

Cervantino stages rare Graun opera — The Mexican national opera?

Clearly, there isn’t one. Yet, Carl Heinrich Graun’s 1755 rarely-performed Montezuma is of special importance in a country celebrating 200 years of Independence from Spanish rule and 100 years since the Revolution that ultimately toppled dictator Porfirio Díaz. »

29 Oct 2010

New York Festival of Song

“Don’t I have the coolest job in the world?” said Steven Blier.  »

28 Oct 2010

Kafka at the Opera: Bartlett Sher’s Production of Hoffmann at the Met

We all come to the opera for different things. To escape, to elevate, to laugh, to cry, or perhaps because someone else bought the tickets.  »

27 Oct 2010

Piotr Beczala: Roméo et Juliette, Royal Opera

Charles Gounod’s Roméo et Juliette is almost more musical than opera. Everyone knows the story, and it would be hard to compete with Shakespeare. Gounod wisely focused on music, rather than drama. »

24 Oct 2010

Boris Godunov, Metropolitan Opera

The last curtain call at the opera usually goes to the title character, the star of the work just performed. At the end of the Met’s new Boris Godunov, the calls begin with a solo call for the title character, René Pape as Boris, and conclude with one for the Metropolitan Opera Chorus all by themselves.  »

24 Oct 2010

Gilbert and Sullivan opens Arizona Opera

On 16 October 2010 in Tucson, Arizona Opera opened it’s 2010-2011 season with an operetta, The Pirates of Penzance, by W. S. Gilbert and Arthur Sullivan.  »

24 Oct 2010

Divas and Divos Concert, Manitoba

It’s every opera director’s nightmare.  »

24 Oct 2010

Jerry Springer, The Opera in San Francisco

The fall opera season in San Francisco has been dealt a wild card — Jerry Springer, The Opera! Not exactly material for SF’s august opera company . . . »

24 Oct 2010

Il Postino at Los Angeles Opera

An American opera house premieres a new work by a Mexico-born composer, to his own libretto in Spanish based on a film in Italian by an English director about an unlikely friendship the Chilean poet Pablo Neruda found when in exile on a small Italian island. »

24 Oct 2010

La Bohème, ENO

ENO clearly expect high returns from Jonathan Miller’s La Bohème.  »

24 Oct 2010

Paris: La Saison a Commencé

Paris Opéra’s L’Italiana in Algeri had a lot going for it, including a star mezzo in her local debut, so why was I resistant to its merits?  »

21 Oct 2010

Rameau’s Zéphyre, New York

In sports they say, “Winning isn’t the most important thing—it’s the only thing.” In the theater, getting the show on the boards out front is the key.  »

16 Oct 2010

Jephtha, New York

Jephtha was Handel’s last work — he went blind while composing it, noting this on the manuscript, and though he lived another seven years, did not deign to dictate new music.  »

16 Oct 2010

Rigoletto at Covent Garden

Dame Joan Sutherland, ‘La Stupenda’, sang her first Gilda at Covent Garden in 1957 under the baton of Sir Edward Downes, and sang the role many times and to great acclaim on the ROH stage.  »

13 Oct 2010

Verdi’s Macbeth in a New Production at Lyric Opera of Chicago

A successful production of Verdi’s Macbeth relies not only on incisive vocal characterization as projected by Macbeth and Lady Macbeth but also on the interaction of these lead figures in order to vivify their descent into a world of destruction.  »

13 Oct 2010

Salome at the Washington National Opera

With its playbill half-empty, its general director Placido Domingo resigning, and the talk of a takeover by the Kennedy Center, Washington National Opera is in a dire need of good news this season. »

12 Oct 2010

Promised End — English Touring Opera

In the final scene of Shakespeare’s King Lear, faced with the dreadful sight of the distraught Lear cradling in his arms the body of his dead daughter Cordelia, the Earl of Kent asks: “Is this the promised end?”  »

11 Oct 2010

The Other ‘Marriage of Figaro’

The opening night of Rossini’s The Barber of Seville, in Rome in 1816, was violently disrupted by vociferous protests from supporters loyal to Paisiello, whose own comic interpretation of Beaumarchais’ politically-charged play had appeared in 1782.  »

10 Oct 2010

Technicolour Radamisto at ENO

Handel’s Radamisto came to the ENO at the Coliseum in glorious technicolour.  »

08 Oct 2010

El Gato con Botas: Gotham Chamber Opera

Haven’t you always secretly felt that singers who reach for high notes (and make them) ought to levitate and maintain themselves in mid-air when they do it?  »

08 Oct 2010

Das Rheingold, Metropolitan Opera

It will be no surprise to me, a year or five from now, when someone falls to her or his death from the guy-wires that configure so much of Robert Lepage’s new state-of-the-art (ah! But which art?) production of Der Ring des Nibelung.  »

07 Oct 2010

Bizet Les Pêcheurs de Perles - Royal Opera House

Bizet’s Les Pêcheurs de Perles is notoriously hard to stage. Because the plot’s so grandiose, the imagination works overtime, dwarfing the music, making it seem puny in comparison. There’s a lot to be said in favour of concert performances because they shift the balance back to Bizet. »

29 Sep 2010

Faust by ENO

Perhaps because the rather stolidly Victorian character of both its music and its morality, Gounod’s Faust has been out of fashion in the UK in recent decades, and owes a debt to David McVicar and his darkly Gothic production for the Royal Opera in 2004 (now, at last, available on DVD) for the restoration of its footing in the standard repertoire. »

28 Sep 2010

Orpheo ed Eurydice in Minnesota

Minnesota Opera pulled out all the stops for its 2010-2011 season with its production of Gluck’s Orpheo ed Eurydice.  »