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Elsewhere

Songs of Night and Travel, Wigmore Hall

The coming of ‘Night’ brings darkness, shadows and mystery; sleep, dreams and nightmares; fancies, fantasies and passions.

Andrea Chénier, Royal Opera

Umberto’s Giordano’s Andrea Chénier, now at the Royal Opera House, is no more about history than Jesus Christ Superstar is about theology.

Yevgeny Onegin in Warsaw

Mariusz Treliński’s staging of Tchaikovsky’s operatic masterpiece is visually fascinating but psychologically confusing

Orfeo at the Roundhouse, Royal Opera

The regal trumpets and sackbuts sound their bold herald and, followed by admiring eyes, the powers of state and church begin their dignified procession along a sloping walkway to assume their lofty positions upon the central dais.

Idomeneo in Montpellier

Vestiges of a momentous era . . .

L’elisir d’amore in Marseille

There were hints that L’elisir is one of the great bel canto masterpieces.

Das Liebesverbot opens the new season at Teatro Verdi in Trieste

Aron Stiehl’s production of this rare early Wagner opera cheerfully brings commedia dell’arte to La Cage aux Folles.

Amsterdam: Lohengrin Lite

Stage director Pierre Audi is not one to be strictly representational in his story telling.

Fidelio, Manitoba Opera

For the first time in its 42-year history, Manitoba Opera presented Beethoven’s mighty ode to freedom, Fidelio, with an extraordinary production that resonated as loudly as tolling bells of freedom.

The Hilliard Ensemble: Farewell Concert at Wigmore Hall

Forty-one years is a long time for any partnership to be sustained and to flourish — be it musical, commercial or marital! And, given The Hilliard Ensemble’s ongoing reputation as one of the world’s finest a cappella groups, noted for their performances of works dating from the 11 th century to the present day, it must have been a tough decision to call an end to more than four decades of superlative music-making.

Fidelio opens new season at La Scala

Daniel Barenboim makes a triumphant departure as direttore musicale del Teatro alla Scala with Beethoven’s operatic masterpiece.

Mahler Songs: Christian Gerhaher, Wigmore Hall

Star singer and star composer, a combination guaranteed to bring in the fans. Christian Gerhaher sang Mahler at the Wigmore Hall with Gerold Huber. Gerhaher shot to fame when he sang Wolfram at the Royal Opera House Tannhäuser in 2010.

Modernity vanquished? Verdi Un ballo in maschera, Royal Opera House, London

Verdi’s Un ballo in maschera at the Royal Opera House — a masked ball in every sense, where nothing is quite what it seems.

La Traviata in Ljubljana Slovenia

Small country, small opera house — big ensemble spirit. Internationally acclaimed soprano Natalia Ushakova steps in for indisposed local Violetta with mixed results.

Otello in Bucharest — Moor’s the pity

Bulgarian director Vera Nemirova’s production of Otello for the Romanian National Opera in Bucharest was certainly full of new ideas — unfortunately all bad.

Il trovatore at Lyric Opera of Chicago

For its current revival of the 2006-2007 production of Giuseppe Verdi’s Il trovatore by Sir David McVicar Lyric Opera has assembled a talented quintet of principal singers whose strengths match this conception of the opera.

Schubert’s Winterreise by Matthias Goerne

This Winterreise is the final instalment of Matthias Goerne’s series of Schubert lieder for Harmonia Mundi and it brings the Matthias Goerne Schubert Edition, begun in 2008, to a dark, harrowing close.

Mary, Queen of Heaven, Wigmore Hall

O Maria Deo grata — ‘O Mary, pleasing to God’: so begins Robert Fayrfax’s antiphon, one of several supplications to the Virgin Mary presented in this thought-provoking concert by The Cardinall’s Musick at the Wigmore Hall.

Analyzed not demonized — Tristan und Isolde, Royal Opera House

Wagner’s Tristan und Isolde at the Royal Opera House, first revival of the 2009 production, one of the first to attract widespread hostility even before the curtain rose on the first night.

Florencia in el Amazonas Makes Triumphant Return to LA

On November 22, 2014, Los Angeles Opera staged Francesca Zambello’s updated version of Florencia in el Amazonas.


OPERA TODAY ARCHIVES »

Performances

Christopher Ainslie [Photo by Denis Jouglet]
22 Jan 2015

Songs of Night and Travel, Wigmore Hall

The coming of ‘Night’ brings darkness, shadows and mystery; sleep, dreams and nightmares; fancies, fantasies and passions.  »

Recently in Performances

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03 Nov 2009

Paris: Off and Running

The Paris Opera season started with ‘un boum,’ scoring decisive successes with two infrequently performed stage pieces. »

30 Oct 2009

Tancredi by Opera Boston

At the time of the premiere of Tancredi in 1813, Rossini, not quite twenty-one years old, had been composing works for the stage for three years and was still not world famous.  »

30 Oct 2009

Verdi's ”Trilogy“ at Parma

For Italy’s opera community, October is Verdi’s month. The composer was born near Busseto (now part of Parma Province) on October 10, 1813.  »

29 Oct 2009

Ned Rorem premiere at Oxford Lieder Festival

Ned Rorem's Evidence of Things Not Seen received its European premiere at the Oxford Lieder Festival.  »

26 Oct 2009

The Turn of the Screw at ENO

Shadows and reflections flicker and dart alarmingly across Tanya McCallin’s dark, gloomy sets for David McVicar’s The Turn of the Screw, first seen in 2007, in a disturbing production that chillingly conveys both infinite mystery and claustrophobic terror. »

26 Oct 2009

Ravel and L’Heure Espagnole at Covent Garden

Greed, lust and folly … Richard Jones’ comic double bill, first seen in 2007 and faithfully revived here by Elaine Kidd, certainly sharpens the spotlight on those eternal human foibles.  »

26 Oct 2009

Der Rosenkavalier at the MET

The Met’s production of Der Rosenkavalier still arouses gasps from audience members as the curtain rises on each set — and laughter at appropriate moments — and tears at others.  »

25 Oct 2009

Baldassare Galuppi: Jahel

Dr. Charles Burney, who in August 1770 heard Galuppi’s singing girls at the Incurabili, one of Venice’s four competing Ospedali or musical orphanages, admired both their excellent performing standard (“indeed all were such as would have merited and received great applause in the first operas of Europe”), and the quality of the music that the aging maestro was still able to write for them: “ it is generally allowed here that his last operas, and his last compositions for the church, abound with more spirit, taste, and fancy, than those of any other period of his life”. »

25 Oct 2009

La Fille du Régiment in San Francisco

There is a buzz of excitement in the War Memorial Opera House on Friday nights that is akin to the Saturday afternoon buzz at the Met.  »

25 Oct 2009

Ruxandra Donose stars in L'heure Espagnole at the Royal Opera House

Ruxandra Donose sings Concepción in Ravel's L'heure Espagnoie in a double bill with Gianni Schicchi at the Royal Opera House. Concepción is an unusual personality, so Miss Donose's characterization is interesting.  »

25 Oct 2009

Achim Freyer's production of Wagner's Siegfried at Los Angeles Opera

Saturday October 17th found the Los Angeles Dodgers out of town for the weekend, but traffic still clogged the freeways leading to their stadium.  »

20 Oct 2009

Brilliantly Simple 'Tolomeo' by ETO

ETO’s production of Tolomeo for one night only at the Britten Theatre, capitalizes brilliantly on the necessary simplicity of this chamber-like opera, written at a time when Handel could no longer call upon fabulous sets and stunning effects, relying only upon great singing - and what singers he wrote it for, in fact the grand trio of Senesino, Cuzzoni and Bordoni. »

19 Oct 2009

Tosca at Lyric Opera of Chicago

For the first production of its 55th season Lyric Opera of Chicago has staged a revival of Puccini’s Tosca with a cast of notable singers led by music director Sir Andrew Davis.  »

16 Oct 2009

Fervaal by Vincent d’Indy

Vincent d’Indy lived eighty years and, when not composing, spent his time revising the teaching of music in France or simply annoying everybody. »

15 Oct 2009

Aida at the MET

Noblesse oblige: The Met feels it must present Aida — and Tosca — and La Bohème — and certain other gaudy spectacles — because it’s the Met and everyone expects the grandest of the grand.  »

13 Oct 2009

Abduction from the Seraglio in San Francisco

Some of the more memorable achievements of San Francisco Opera occurred in the brief life-span of its Spring Opera season, 1961-1981. »

13 Oct 2009

Turandot at ENO

A writer goes to dine in an urban Chinese restaurant, where his eye is caught by a distressed young woman among the crowd of diners.  »

13 Oct 2009

‘10 for 10’ recital gets 10 out of 10 for performance and audience

The Wigmore Hall never stands still: not content with having increased its audience by 300% over the past year, it now seeks both to reward its loyal patrons for their support in acquiring the Lease, and to bring in new audience members, with an innovative series of ten concerts where all the seats are priced at £10. »

13 Oct 2009

Il Barbiere di Siviglia at the MET

Bartlett Sher’s production of Il Barbiere di Siviglia has proved one of the more admired stagings of the Peter Gelb regime, but I’ve avoided it due to a surfeit of Barbieres and to fond memories of the John Cox production on Robin Wagner’s delicious turntable set, about as ideal a Barbiere as could be imagined.  »

11 Oct 2009

Wozzeck in designer khaki : Salonen and Keenlyside in London

In the opera house, stagings can impress by gorgeous sets and costumes. But in semi-staged performances, there's no where to hide behind. Semi-staging tests whether a director understands the music and what its dramatic soul might be. In dramaturgy, less is more.  »

11 Oct 2009

Don Carlo at Covent Garden

The full five-act version of Verdi’s historical epic, Don Carlo, makes for a long evening, but thanks to some fine singing and to the driving sweep of the baton of Semyon Bychkov this four-and-a-half hour performance raced by.  »

11 Oct 2009

Rigoletto at ENO

There is something quote refreshing about the fact that a staging as characterful as Jonathan Miller's 27-year-old “New York Mafia” Rigoletto is the nearest thing to a warhorse that ENO has in its repertoire.  »

11 Oct 2009

Il trittico in San Francisco

In the otherwise silent sixteen years between La fanciulla del west (1910) and Turandot (1926) Puccini had a flirtation with operetta, La rondine (1917) and with the quick and easy drama of the short story in his three one-acts, Il trittico (1918), composed as a one-evening cycle. »

11 Oct 2009

Orfeo at La Scala

Robert Wilson staged Salome at La Scala in 1987, installing a troop of student actors on the stage to enact some sort of abstract action flow that had no discernible relationship to the Salome libretto, meanwhile sung by concert dressed opera stars huddled on a corner of the stage.  »

11 Oct 2009

Los Angeles “Ring” continues to amaze

It’s three down and one to go in the first-ever staging of Richard Wagner’s Ring des Nibelungen at Los Angeles Opera. Following the premiere of Siegfried, the third installment of this epic work of music theater, it’s clear that director/designer Achim Freyer is a hands-down winner. »

09 Oct 2009

Tosca at the MET

In the end the performance does not rescue the dreary new production — still, the reason to visit the Met’s new Tosca is Karita Mattila’s bravura if wrongheaded interpretation of the title role. »

06 Oct 2009

Imogen Cooper's Birthday at the Wigmore Hall

This wasn't an ordinary concert but something very special. The Wigmore Hall was honouring Imogen Cooper on her 60th birthday. She is greatly loved here, both as soloist and as partner in song recitals. The atmosphere was electric. The house was packed, with many famous pianists and singers in the audience. It was a historic occasion, but it felt like a party among friends. »

04 Oct 2009

Il trovatore in San Francisco

SFO general director David Gockley has a mania for developing new audiences — last year The Bonesetter’s Daughter was aimed at enticing the Asian American community into the opera house, and Porgy and Bess encouraged the African American community to cross the threshold.  »

03 Oct 2009

Tristan und Isolde more rooted in tradition than meets the eye

Over 100 years ago, Adolphe Appia sketched designs for Tristan und Isolde that have influenced theatre design from Alfred Roller to Wieland Wagner. Appia's vision came to life on stage at the Royal Opera House this week. This new production has far deeper roots in tradition than its detractors realize.  »

30 Sep 2009

San Francisco Opera: Puccini's Il Trittico and Verdi's Il Trovatore

The complexity of staging Puccini's evening of three one-act operas, Il Trittico, has kept this masterpiece from appearing on opera stages as frequently as, say, Turandot or Tosca.  »

24 Sep 2009

Incomparable Schubert — Goerne at the Wigmore Hall Part 2

This programme of mostly solemn, elevated music based around songs on such themes as Evening, Death and Immutability was part of Matthias Goerne’s ‘Journey with Schubert’ during which he is recording the songs on eleven CDs and presenting the series in recitals all over the world. If the singing on this occasion is anything to go by, these recordings are set to become the standard to which other singers should aspire. »

20 Sep 2009

Goerne sings Schubert at the Wigmore Hall

When Matthias Goerne sings, it’s never superficial. Lieder is a genre that needs almost as much engagement from listeners as from performers. “It's like a church in there”, someone said to me about the Wigmore Hall. “They’re really listening”.  »

20 Sep 2009

Die schöne Müllerin by Mark Padmore, Wigmore Hall

Schubert’s first song-cycle is a perfect choice with which to open a new concert season, and the Wigmore Hall was packed on Friday evening in anticipation of this recital by tenor Mark Padmore, much admired for the focus and concentration of his ‘story-telling’, and Paul Lewis, one of the most expressive and poetic of pianists today. »

20 Sep 2009

Haydn’s Le pescatrici at Bampton Classical Opera

Bampton Classical Opera have two areas of specialism: little-known gems of the late eighteenth-century and ‘opera in adversity’.  »

20 Sep 2009

Humour and horror — Ligeti's Le Grand Macabre at the ENO, London

A massive female figure fills the whole stage at the ENO for Ligeti's Le Grand Macabre, in this amazing production from La Fura del Bas. (Alex Ollé). This production is so inherently dramatic that it brings Ligeti's "anti-opera" onto a new level as theatre.art. .  »

15 Sep 2009

Return to the Origins — Chamber Opera in Crisis Times

Chamber opera is coming back after a period when it appeared to be confined to experimental works.  »

15 Sep 2009

Wigmore Hall Song Competition

‘It’s a personal choice’ / ‘Of course he won - he was the only one who sang songs’ / ‘I’ll be happy if anyone but the first one wins’ (he won) / ‘There’s only one possible choice - the third one’ (he came second) »

06 Sep 2009

Christof Loy speaks about the new Tristan und Isolde at the Royal Opera House, London.

“Opera has so much to give” says Christof Loy, whose new production of Tristan und Isoldeopens at the Royal Opera House on 29th September. This opera is so familiar that everyone assumes they know it. But Loy’s approach involves going straight back to the score, and to the inherent drama in the music. “I don’t like superficial distractions". »

06 Sep 2009

Aspen stages a Don to die for

“Can it be?”“It can’t!”“But it is; he looks just like him…” »