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Elsewhere

Stéphanie D’Oustrac: Sirènes

After D’Oustrac’s striking success as Cassandre in Berlioz Les Troyens, this will reach audiences less familiar with her core repertoire in the baroque and grand opéra. Berlioz’s Les nuits d’été and La mort d’Ophélie, Wagner’s Wesendonck Lieder and the Lieder of Franz Liszt are very well known, but the finesse of D’Oustrac’s timbre lends a lucid gloss which makes them feel fresh and pure.

Faust in Marseille

We sat, bewildered, all of us, watching (enduring) Gounod’s sweet little tear jerker as a nasty drug trip. Except for the Australian Marguerite it was an all French cast and they all gamely played along, the sophisticated verse of Offenbach’s librettists Jules Barbier and Michel Carré clearly sailing out over an abrasive pit.

Down in flames: Les Troyens, Opéra de Paris

Hector Berlioz’s Les Troyens with Philippe Jordan conducting the Opéra National de Paris. Since Les Troyens headlined the inauguration of Opéra Bastille 30 years ago, we might have expected something special of this new production. It should have been a triumph, with such a good conductor and some of the best singers in the business. But it wasn't.

Luminous Mahler Symphony no.3: François-Xavier Roth, Gürzenich-Orchester Köln

Gustav Mahler’s Symphony No.3 with François-Xavier Roth and the Gürzenich-Orchester Köln, now at last on CD, released by Harmonia Mundi, after the highly acclaimed live performance streamed a few months ago.

Andrew Davis conducts Berlioz’s L’enfance du Christ at Hoddinott Hall

A weekend commemorating the 150th anniversary of the death of Hector Berlioz (1803-1869) entitled Berlioz: The Ultimate Romantic was launched in style from Cardiff’s Hoddinott Hall with a magnificent account of L’enfance du Christ (Childhood of Christ). The emotional impact of this ‘sacred trilogy’ seemed to gain further weight for its performance midway between Christmas and Easter, neatly encapsulating Christ’s journey from birth to death.

Love Songs: Temple Song Series

In contrast to the ‘single-shaming’ advertisement - “To the 12,750 people who ordered a single takeaway on Valentine’s Day. You ok, hun?” - for which the financial services company, Revolut, were taken to task, this Temple Music recital programme on 14th February put the emphasis firmly on partnerships: intimate, impassioned and impetuous.

Philip Glass: Akhnaten – English National Opera

There is a famous story that when Philip Glass first met Nadia Boulanger she pointed to a single bar of one of his early pieces and said: “There, that was written by a real composer”. Glass recalls that it was the only positive thing she ever said about him

Rachvelishvili excels in ROH Orchestra's Russian programme

Cardboard buds flaming into magic orchids. The frenzied whizz of a Catherine Wheel as it pushes forth its fiery petals. A harvest sky threshed and glittering with golden grain.

Independent Opera & Britten Sinfonia celebrate bicentenary of Queen Victoria & Prince Albert's births

To celebrate the bicentenary of Queen Victoria and Prince Albert’s births in 2019, Independent Opera (IO) and Britten Sinfonia present the first public performance of Joby Talbot’s new cantata A Sheen of Dew on Flowers on Thursday 11 April at the Barbican.

English National Opera to reprise its 5* production of Paul Bunyan at the historic Alexandra Palace Theatre

Following its sell-out success at Wilton’s Music Hall in September 2018, English National Opera’s acclaimed production of Benjamin Britten’s Paul Bunyan will be revived in May at the equally historically remarkable venue of Alexandra Palace Theatre.

Glyndebourne celebrates 25 years of its award-winning opera house in 2019

Unveiled in 1994, the new auditorium increased capacity by 50% to 1,200 seats and significantly improved backstage facilities. This allowed more people to enjoy world-class opera at Glyndebourne and enabled the company to stage bigger and more ambitious productions in the years that followed.

Lucrèce Borgia in Toulouse

This famed murderess worked her magic on Toulouse’s Théâtre du Capitole stage, six dead including her beloved long lost son. It was Victor Hugo’s carefully crafted 1833 thriller recrafted by Italian librettist Felice Romano that became Donizetti’s fragile Lucrezia Borgia.

Amanda Majeski makes a stunning debut at Covent Garden in Richard Jones's new production of Kát’a Kabanová

How important is ‘context’, in opera? Or, ‘symbol’? How does one balance the realism of a broad social milieu with the expressionistic intensity of an individual’s psychological torment and fracture?

Returning to heaven: The Cardinall's Musick at Wigmore Hall

The Cardinall’s Musick invited us for a second time to join them in ‘the company of heaven’ at Wigmore Hall, in a recital that was framed by musical devotions to St Mary Magdalene and the Virgin Mary.

Diana Damrau’s Richard Strauss Residency at the Barbican: The first two concerts

Listening to these two concerts - largely devoted to the music of Richard Strauss, and given by the soprano Diana Damrau, and the superlative Bavarian Radio Symphony Orchestra in the second - I was reminded of Wilhelm Furtwängler’s observation that German music would be unthinkable without him.

De la Maison des Morts in Lyon

The obsessive Russian Dostoevsky’s novel cruelly objectified into music by Czech composer Leos Janacek brutalized into action by Polish director Krzysztof Warlikowski beatified by Argentine conductor Alejo Pérez.

A First-Ever Recording: Benjamin Godard’s 1890 Opera on Dante and Beatrice

The composer Benjamin Godard (1849–95) is today largely unknown to most music lovers. Specialist collectors, though, have been enjoying his songs (described as “imaginative and delightful” by Robert Moore in American Record Guide), his Concerto Romantique for violin (either in its entirety or just the dancelike Canzonetta, which David Oistrakh recorded winningly decades ago), and some substantial chamber and orchestral works that have received first recordings in recent years.

La Nuova Musica perform Handel's Alcina at St John's Smith Square

There was a full house at St John’s Smith Square for La Nuova Musica’s presentation of Handel’s Alcina.

Ermonela Jaho is an emotively powerful Violetta in ROH's La traviata

Perhaps it was the ‘Blue Monday’ effect, but the first Act of this revival of Richard Eyre’s 1994 production of La Traviata seemed strangely ‘consumptive’, its energy dissipating, its ‘breathing’ rather laboured.

Garsington Opera’s 30th anniversary season: four new productions including an Offenbach premiere

Garsington Opera’s 30th anniversary season will feature four new productions - the UK stage premiere of Offenbach’s Fantasio, Smetana’s The Bartered Bride, Mozart’s Don Giovanni and finally Britten’s The Turn of the Screw.


OPERA TODAY ARCHIVES »

Performances

19 Feb 2019

Faust in Marseille

We sat, bewildered, all of us, watching (enduring) Gounod’s sweet little tear jerker as a nasty drug trip. Except for the Australian Marguerite it was an all French cast and they all gamely played along, the sophisticated verse of Offenbach’s librettists Jules Barbier and Michel Carré clearly sailing out over an abrasive pit. »

Recently in Performances

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22 Jan 2016

Tosca, Royal Opera

Christmas at the Royal Opera House is all about magic, mystery and miracles: as represented by the conjuror’s exploits in The Nutcracker — with its Kingdom of Sweets and Sugar Plum Fairy — or, as in the Linbury Theatre this year, the fantastical adventures of the Firework-Maker’s Daughter, Lila, and her companions — a lovesick elephant, swashbuckling pirates, tropical beasts and Fire-Fiends.  »

21 Jan 2016

Lianna Haroutounian resplendent in Madama Butterfly at the Concertgebouw

The title role is a deciding factor in Madama Butterfly. Despite a last-minute conductor cancellation, last Saturday’s concert performance at the Concertgebouw was a resounding success, thanks to Lianna Haroutounian’s opulent, heart-stealing Cio-Cio-San. »

21 Jan 2016

Classical Opera: MOZART 250 — 1766: A Retrospective

With this performance of vocal and instrumental works composed by the 10-year-old Mozart and his contemporaries during 1766, Classical Opera entered the second year of their 27-year project, MOZART 250, which is designed to ‘contextualise the development and influences of [sic] the composer’s artistic personality’ and, more audaciously, to ‘follow the path that subsequently led to some of the greatest cornerstones of our civilisation’. »

14 Jan 2016

Benjamin Appl — Schubert, Wigmore Hall London

Luca Pisaroni and Wolfram Rieger were due to give the latest installment in the Wigmore Hall's complete Schubert songs series, but both had to cancel at short notice. Fortunately, the Wigmore Hall rises to such contingencies, and gave us Benjamin Appl and Jonathan Ware. Since there's a huge buzz about Appl, this was an opportunity to hear more of what he can do. »

13 Jan 2016

Ferrier Awards Winners’ Recital

The phrase ‘Sunday afternoon concert’ may suggest light, post-prandial entertainment, but soprano Gemma Lois Summerfield and her accompanist, Simon Lepper, swept away any such conceptions in this demanding programme at St. John’s Smith Square.  »

13 Jan 2016

Pelléas et Mélisande at the Barbican

When, o when, will someone put Peter Sellars and his compendium of clichés out of our misery? »

22 Dec 2015

L'Arpeggiata: La dama d’Aragó, Wigmore Hall

Having recently followed some by-ways through the music of Purcell, Monteverdi and Cavalli, L’Arpeggiata turned the spotlight on traditional folk music in this characteristically vibrant and high-spirited performance at the Wigmore Hall.  »

22 Dec 2015

Tippett : A Child of Our Time, London

Edward Gardner brought all his experience as a choral and opera conductor to bear in this stirring performance of Michael Tippett’s A Child of Our Time at the Barbican Hall, with a fine cast of soloists, the BBC Symphony Orchestra and BBC Symphony Chorus. »

22 Dec 2015

Taverner and Tavener, Fretwork, London

‘Apt for voices or viols’: eager to maximise sales among the domestic market in Elizabethan England, publishers emphasised that the music contained in collections such as Thomas Morley’s First Book of Madrigals to Four Voices of 1594 was suitable for performance by any combination of singers and players.  »

18 Dec 2015

Fall of the House of Usher in San Francisco

It was a single title but a double bill and there was far more happening than Gordon Getty and Claude Debussy. Starting with Edgar Allen Poe. »

16 Dec 2015

The Merry Widow at Lyric Opera of Chicago

For its latest production of the current season Lyric Opera of Chicago is presenting Franz Lehár’s The Merry Widow (Die lustige Witwe) featuring Renée Fleming /Nicole Cabell as the widow Hanna Glawari and Thomas Hampson as Count Danilo Danilovich.  »

16 Dec 2015

Kindred Spirits: Cecilia Bartoli and Rolando Villazón at the Concertgebouw

Mezzo-soprano Cecilia Bartoli has been a regular favourite at the Concertgebouw in Amsterdam since 1996. Her verastile concerts are always carefully constructed and delivered with irrepressible energy and artistic commitment.  »

10 Dec 2015

Cav/Pag at Royal Opera

When Italian director Damiano Michieletto visited Covent Garden in June this year, he spiced Rossini’s Guillaume Tell with a graphic and, many felt, gratuitous rape scene that caused outrage and protest.  »

09 Dec 2015

Verdi Giovanna d'Arco, Teatro alla Scala, Milan

Verdi Giovanna d'Arco at Teatro alla Scala, Milan, starting the new season. Primas at La Scala are a state occasion, attended by the President of Italy and other dignitaries.  »

06 Dec 2015

Iestyn Davies, Allan Clayton and James Baillieu at Wigmore Hall

This performance by countertenor Iestyn Davies and tenor Allan Clayton was a stirring celebration of the diversity and continuity that characterises vocal settings of English texts by English and American composers, past and present. Imaginatively and intelligently devised by pianist James Baillieu, the programme demonstrated the affective power of music ranging from the simplest to the most sophisticated forms of vocal expression, and encompassed art-song, folk-song, realisations, quasi-operatic mini-drama and spiritual meditation. »

06 Dec 2015

New Songs to English Poetry - Wigmore Hall, BCMG

At the Wigmore Hall, the London premiere of a major new work by Howard Skempton, The Rime of the Ancient Mariner, with Roderick Williams and BCMG, the Birmingham Contemporary Music Group.  »

05 Dec 2015

A Heap of Utterly Brilliant Rubbish: Hänsel und Gretel at Dutch National Opera

A fairy tale that looks like clay animation come to life, terrifies and enchants, and rakes up heaps of middle class guilt—this is Dutch National Opera’s new production of Hänsel und Gretel, set on the most attractive rubbish tip you will ever come across. »

03 Dec 2015

Bejun Mehta: Yet can I hear that dulcet lay

The American countertenor Bejun Mehta exhibited a considerable range of vocal colours, refined phrasing and spectacular virtuosity in this programme of Baroque cantatas and arias, with La Nuova Musica, under the direction of the ensemble’s founder, David Bates.  »

02 Dec 2015

Il barbiere di Siviglia in San Francisco

There was a pre-curtain excited buzz, unusual these days, in the War Memorial Opera House. Word of mouth (and the major press) had spread the word — it’s a good show!  »

01 Dec 2015

The New York Festival of Song Creates Intimacy and Joy in a Series of Lesser-Known Rachmaninoff Songs

The New York Festival of Song, founded in 1988 by Michael Barrett and Steven Blier, offers unique evenings of songs rarely heard, or songs rarely heard in conjunction with one another.  »

30 Nov 2015

Die Meistersinger von Nurnberg in San Francisco

Falstaff and Die Meistersinger are among the pinnacles if not the pinnacles of nineteenth century opera. Both operas are atypical of the composer and both operas are based on a Shakespeare play.  »

30 Nov 2015

Le Nozze di Figaro, Manitoba Opera

To borrow from the great Bard himself: “the course of true love never did run smooth.”  »

30 Nov 2015

Arizona Opera Presents Florencia in el Amazonas

Florencia in el Amazonas was the first Spanish-language opera to be commissioned by major United States opera houses.  »

30 Nov 2015

Viva la Mamma!: A Fun Evening at POP

Gaetano Donizetti wrote a comedy or dramma giocoso called Le convenienze ed inconvenienze teatrali (The Conventions and Inconveniences of the Theater), which is also known by the shorter title, Viva La Mamma!.  »

30 Nov 2015

LA Opera Norma: A Feast for the Ears

Vincenzo Bellini composed Norma to a libretto that Felice Romani had fashioned after Alexandre Soumet’s French play, Norma, ossia L'infanticidio (Norma, or The Infanticide).  »

30 Nov 2015

Alban Berg’s Wozzeck at Lyric Opera of Chicago

In order to mount a successful production of Alban Berg’s opera Wozzeck, first performed in 1925, the dramatic intensity and lyrical beauty of the score must become the focal point for participants.  »

29 Nov 2015

Florilegium at Wigmore Hall

During this exploration of music from the Austro-German Baroque, Florilegium were joined by the baritone Roderick Williams in a programme of music which placed the music and career of J.S. Bach in the context of three older contemporaries: Franz Tunder (1614-67), Dietrich Buxtehude (1637-1701) and Heinrich Biber (1644-1704).  »

29 Nov 2015

Leoncavallo’s Zazà by Opera Rara

Charismatic charm, vivacious insouciance, fervent passion, dejected self-pity, blazing anger and stoic selflessness: Zazà — a chanteuse raised from the backstreets to the bright lights — is a walking compendium of emotions. »

27 Nov 2015

L'ospedale - an anonymous opera rediscovered

‘Stay away from doctors; they are bad for your health.’ This seems to be the central message of L’Ospedale - a one-hour opera by an unknown seventeenth-century composer, with a libretto by Antonio Abati which presents a satirical critique of the medical profession of the day and those who had the misfortune to need curative treatment for their physical and mental ills.  »

27 Nov 2015

Šimon Voseček : Biedermann and the Arsonists

‘In these times of heightened security … we are listening, watching …’  »

16 Nov 2015

René Pape, Joseph Calleja, Kristine Opolais, Boito Mefistofele, Munich

Arrigo Boito Mefistofele was broadcast livestream from the Bayerische Staatsoper in Munich last night. What a spectacle !  »

14 Nov 2015

Calixto Bieito’s The Force of Destiny

The monochrome palette of Picasso’s Guernica and the mural’s anti-war images of suffering dominate Calixto Bieito’s new production of Verdi’s The Force of Destiny for English National Opera. »

14 Nov 2015

Morgen und Abend — World Premiere, Royal Opera House

The world premiere of Morgen und Abend by Georg Friedrich Haas at the Royal Opera House, London — so conceptually unique and so unusual that its originality will confound many.  »

12 Nov 2015

Company XIV Combines Classic and Chic in an Exquisite Cinderella

Company XIV’s production of Cinderella is New York City theater at its finest. With a nod to the court of Louis the XIV and the grandiosity of Lully’s opera theater, Company XIV manages to preserve elements of the French Baroque while remaining totally innovative, and never—in fact, not once for the entire two and a half hour show—falls prey to the predictable. Not one detail is left to chance in this finely manicured yet earthily raw production of Cinderella. »

12 Nov 2015

Monteverdi by The Sixteen at Wigmore Hall

This was a concert where immense satisfaction was derived equally from the quality of musicianship displayed and the coherence and resourcefulness of the programme presented. In 1610, Claudio Monteverdi published his Vespro della Beata Vergine for soloists, chorus, and orchestra. »

09 Nov 2015

Dialogues des Carmélites Revival at Dutch National Opera

If not timeless, Robert Carsen’s production of Francis Poulenc’s Dialogues des Carmélites is highly age-resistant.  »

05 Nov 2015

Ermanno Wolf-Ferrari: Le donne curiose

Ermanno Wolf-Ferrari was one of the Italian composers of the post-Puccini generation (which included Licinio Refice, Riccardo Zandonai, Umberto Giordano and Franco Leoni) who struggled to prolong the verismo tradition in the early years of the twentieth century. »

05 Nov 2015

Moby-Dick Surfaces in the City of Angels

On Saturday evening October 31, 2015, the Nantucket whaling ship Pequod journeyed to Los Angeles Opera and began its sixth voyage in the attempt to kill the elusive whale called Moby-Dick.  »

05 Nov 2015

Great Scott at the Dallas Opera

Great Scott is a combination of a parody of bel canto opera and an operatic version of All About Eve. Beloved American diva Arden Scott (Joyce DiDonato), has discovered the score to a long-lost opera “Rosa Dolorosa, Figlia di Pompeii” and has become committed to getting the work revived as a vehicle for her. “Rosa Dolorosa” has grand musical moments and a hilariously absurd plot. »

05 Nov 2015

Schubert and Debussy at Wigmore Hall

The most recent instalment of the Wigmore Hall’s ambitious series, ‘Schubert: The Complete Songs’, was presented by soprano Lucy Crowe, pianist Malcolm Martineau and harpist Lucy Wakeford.  »