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Elsewhere

Roger Quilter: The Complete Quilter Songbook, Vol. 3

Mark Stone and Stephen Barlow present Volume 3 in their series The Complete Roger Quilter Songbook, on Stone Records.

Richard Danielpour – The Passion of Yeshua

A contemporary telling of the Passion story which uses texts from both the Christian and the Jewish traditions to create a very different viewpoint.

Opera Holland Park: Un ballo in maschera - a new film with City of London Sinfonia

Opera Holland Park’s acclaimed 2019 production of Un ballo in maschera will be streamed via OHP’s YouTube channel and website from 7.30pm on 2 June 2020, to mark what would have been the opening of the 2020 Season and raise a toast to better times and a return to Holland Park.

Les Talens Lyriques: 18th-century Neapolitan sacred works

In 1770, during an extended tour of France and Italy to observe the ‘present state of music’ in those two countries, the English historian, critic and composer Charles Burney spent a month in Naples - a city which he noted (in The Present State of Music in France and Italy (1771)) ‘has so long been regarded as the centre of harmony, and the fountain from whence genius, taste, and learning, have flowed to every other part of Europe.’

The Mozartists launch ‘RE-LIVE’ with Download of Ann Hallenberg Concert

Classical Opera and The Mozartists are delighted to announce the launch of ‘RE-LIVE’, a new initiative undertaken in collaboration with the recently established music platform Exit Live. Each month between now and the end of the year they will...

Beethoven Matters: Garsington Opera at Home

250 years since his birth, 2020 should have been resounding with Beethoven. But what precisely has made his music endure all these years and how can we celebrate his legacy from lockdown?

Herbert Howells: Missa Sabrinensis revealed in its true glory

At last, Herbert Howells’s Missa Sabrinensis (1954) with David Hill conducting the Bach Choir, with whom David Willcocks performed the piece at the Royal Festival Hall in 1982. Willcocks commissioned this Mass for the Three Choirs Festival in Worcester in 1954, when Howells himself conducted the premiere.

Baritone Roderick Williams performs a Saturday night concert live on Facebook

Baritone Roderick Williams performs a Saturday night concert live on Facebook, produced by the London Mozart Players for At Home with LMP.

Live Music Returns to Wigmore Hall in New Broadcast Series

Wigmore Hall has announced that it will be broadcasting a new series of live lunchtime concerts every weekday in June, in collaboration with BBC Radio 3. Listeners can enjoy the performances on radio, or watch a live stream from the empty auditorium on Wigmore Hall’s website.

Natalya Romaniw - Arion: Voyage of a Slavic Soul

Sailing home to Corinth, bearing treasures won in a music competition, the mythic Greek bard, Arion, found his golden prize coveted by pirates and his life in danger.

General Director Robert K. Meya Announces the Cancellation of the Santa Fe Opera's 2020 Season Due to Covid-19

It is with profound sadness that I announce today that the Santa Fe Opera has been forced to cancel its 2020 Season as a result of the COVID-19 pandemic. This difficult but necessary decision was made with the health and safety of our staff, artists, patrons and the entire Santa Fe community at the forefront of our thoughts.

Glyndebourne: full closure of the 2020 Festival and the opening of Glyndebourne Open House

Glyndebourne have, with ‘a very heavy heart’, taken the decision to cancel all remaining Festival 2020 performances. It had been hoped that it would to be possible to open on 14 July, but the persistence of the COVID-19 global pandemic has made it impossible to guarantee the safety of Company members and audiences.

Garsington Opera: Music for the Eyes

Garsington Opera is delighted to announce the launch of Music for the Eyes - a weekly online documentary featuring music from Garsington Opera and images from the National Gallery of London.

Le Banquet Céleste: Stradella's San Giovanni Battista

The life of Alessandro Stradella was characterised by turbulence, adventure and amorous escapades worthy of an opera libretto. Indeed, at least seven composers have turned episodes from the 17th-century Italian composer’s colourful life into operatic form, the best known being Flotow whose three-act comic opera based on the Lothario’s misadventures was first staged in Hamburg in 1844.

Schubert 200 : in conversation with Tom Guthrie

‘There could be no happier existence. Each morning he composed something beautiful and each evening he found the most enthusiastic admirers. We gathered in his room - he played and sang to us - we were enthusiastic and afterwards we went to the tavern. We hadn’t a penny but were blissfully happy.’

Purcell’s The Indian Queen from Lille

Among the few compensations opera lovers have had from the COVID crisis is the abundance – alas, plethora – of streamed opera productions we might never have seen or even known of without it.

Wexford Festival Opera on RTÉ Player: Stanford's The Veiled Prophet available to view online

At a time when more people than ever are turning online to enjoy their favourite opera productions, the first-ever professional performance in English of The Veiled Prophet by Dublin-born composer, Charles Villiers Stanford, is now available to view on the RTÉ Player.

The Met announces plans to live-stream an all-star At-Home Gala

The Met announces plans to live-stream an all-star At-Home Gala on Saturday, April 25, at 1pm EDT/6pm BST. This free concert will feature performances by more than 40 of the company’s most prominent artists, live from their own quarantines around the world.

Ethel Smyth: Songs and Ballads - a new recording from SOMM

In 1877, Ethel Smyth, aged just nineteen, travelled to Leipzig to begin her studies at the German town’s Music Conservatory, having finally worn down the resistance of her father, General J.H. Smyth.

Wagner: Excerpts from Der Ring des Niebelungen, NHK Symphony Orchestra, Paavo Järvi, RCA-Sony

This new recording of excerpts from Wagner’s Der Ring des Niebelungen is quite exceptional - and very unusual for this kind of disc. The words might be missing, but the fact they are proves to have rather the opposite effect. It is one of the most operatic of orchestral Wagner discs I have come across.


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Reviews

Stone Records 5060192780956
27 May 2020

Roger Quilter: The Complete Quilter Songbook, Vol. 3

Mark Stone and Stephen Barlow present Volume 3 in their series The Complete Roger Quilter Songbook, on Stone Records.  »

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07 Apr 2005

Der Ring in Chicago

For opera conductors, the Ring cycle remains the professional Everest. So the fact that Andrew Davis has just completed his first Ring at the Lyric Opera in Chicago marks not merely a career peak for one of this country’s most important conductors, it is also a major event for British music – even if it is taking place thousands of miles from home. »

07 Apr 2005

Un ballo in maschera at the Met

Humor is not a quality normally associated with Verdi. He was a dour fellow, dubbed “the bear of Busetto” by his long-suffering wife. His first comic opera, “Un giorno di regno,” was a crashing failure, and “Falstaff,” his final work for the stage, looks more intently into the abyss than most commentators care to admit. »

06 Apr 2005

HANSEN: The Sibyl Sanderson Story — Requiem for a Diva

Jack Winsor Hansen's 520-page biography of Sibyl Sanderson (1865 - 1903) is packed with romanticism and gossip that will delight and titillate true worshipers of operatic divas and inquisitive opera fans. It also fills a gap in the music-historical writings about opera at the end of the 19th century. »

06 Apr 2005

More On Fanciulla

While ruminating about “Madama Butterfly” in these pages the other week, I mentioned that the de facto premiere of the work was not in Italy at all but rather New York, since the David Belasco play originally opened on Herald Square. In the case of “Girl of the Golden West,” both the Belasco theatrical piece and the Puccini opera were launched in Manhattan, the latter under Toscanini in 1910. »

06 Apr 2005

ENO Closes the Ring

Four years after the initial concert performances, English National Opera’s Ring cycle has reached its Wagnerian summit. It is not a triumph of the kind that the young company enjoyed with its first-ever cycle in the 1970s, but at least the staging is complete, with cast and production team intact, as planned. Other, more prestigious companies have achieved less. »

06 Apr 2005

Il Trovatore in Toronto

Just how good is the Canadian Opera Company’s current Hummingbird production of Il Trovatore? Good enough, that we wouldn’t be all too surprised to find opera buffs donning hard hats and workboots to pitch in down at the corner of Queen and University, just to ensure that this world class company finally has a home that is worthy of it. »

06 Apr 2005

Hasse's Cleofide in Dresden

Es gab was zu feiern am Ostersonnabend in der Semperoper, und das Publikum feierte gern mit: 274 Jahre nach der Uraufführung stand erstmals wieder „Cleofide“ im Rampenlicht. Die wieder entdeckte Oper des früheren Dresdner Hofkapellmeisters Johann Adolf Hasse (1699-1783) hatte einst den Ruf Dresdens als Opernmetropole begründet. Klar, dass sich die Staatskapelle besonders ins Zeug legte, um dem barocken Kleinod wieder Leben einzuhauchen. »

05 Apr 2005

Anna Takes Vienna

Donizettis “Liebestrank” ist sonst eine gern gepflegte Repertoire-Bank. Diesmal war jedoch alles anders. Gleißendes Scheinwerferlicht schon beim Betreten der Oper: Der ORF war angetreten, um das Ereignis für die Nachwelt zu bannen. Solches passiert eher selten im Repertoire-Alltag. Selten passiert es aber auch, dass der Besucher eine derart adrett aufpolierte und klingend besetzte Staatsopernaufführung einfach unterm Jahr serviert bekommt. Sogar Außenministerin und Star-Tenor lauschten in der Loge. Der Grund? Anna Netrebko, der schöne, junge russische Sopranliebling, war als Jungbäuerin Adina angesetzt. »

05 Apr 2005

Fanciulla: The Banality of Reality?

Conventional wisdom has it that Puccini’s operatic tale of the wild West, “La Fanciulla del West,” is too melodramatic to be fully credible – a reason it hasn’t joined his “Tosca,” “La Bohème” and “Turandot” in the top-most echelon of audience favorites. And it’s true that there are lots of things in it that seem silly today (like a bunch of weepy, childlike gold miners singing in Italian) or even offensive, like American Indians whose pidgin vocabulary frequently includes “ugh!” »

05 Apr 2005

MOZART: Idomeneo

In 1934, John Christie launched an institution of English musical life with Fritz Busch and Carl Ebert: The Glyndebourne Festival. Since 1951, the Festival has staged four productions of Mozart’s opera seria Idomeneo (1781), the most recent being in 2003. »

04 Apr 2005

BALAKAUSKAS: Requiem in Memoriam Stasys Lozoraitis

Of the three Baltic States, both Latvia and Estonia are better known for choral music than Lithuania. Yet, Osvaldas Balakauskas, born in 1937, could be one of the finest lesser known modernist composers of the 20th century. Resisting both the neoclassical Soviet aesthetic of Prokofiev and a trendy nationalist folk identity, Balakauskas embraced the avant garde developments of Western Europe. Composing from dodecaphonic tonal modes and complex rhythmic constructs, he can most accurately be compared to Olivier Messiaen. »

04 Apr 2005

Albert Herring/Eugene Onegin/Genoveva in Boston

I ended last week with three very different operas here in Boston. On Thursday, the Boston Conservatory of Music put on a nicely designed, lovingly directed production of Britten’s Albert Herring. Based loosely on a Guy de Maupassant short story Albert sends up English small town blue stockings who stage an annual May Queen pageant, finding themselves unable to find a young woman of acceptable virtue in the immediate area. Their choice falls on a May King in the person of Mamma’s boy Albert Herring who is mortified by the whole experience. Albert proceeds to use the cash part of his prize to go off on a toot, stay out all night to return home a happier, wiser and far more independent young man, to the chagrin of all. »

04 Apr 2005

Feodor Chaliapin sings Russian folk songs

This new release from Hänssler Classics presents an anthology of live and studio performances by the Russian bass Feodor Chaliapin (1873-1938), undoubtedly one of the greatest singers in recorded history. The title of the album, “Feodor Chaliapin sings Russian Folk Songs,” is somewhat misleading. Apart from traditional songs such as “Mashenka,” “Eh, Van’ka,” and “Down the Volga,” the recording includes arrangements of 19th-century popular songs such as “Dubinushka,” “Down the Peterskaya,” and the perennial Gypsy favorite “Black Eyes,” as well as a selection of salon romances, art songs, and ballads by Mikhail Glinka, Alexander Dargomïzhsky, Anton Rubinstein, and Modest Musorgsky, among others. Most of the selections on the new CD have been previously released on various labels, with the possible exception of “Dubinushka,” which I have not been able to find among the recordings currently available. Hence, avid Chaliapin collectors should be aware that the Hänssler release offers little if anything new to them. Those music lovers still unacquainted with Chaliapin’s art, however, or those whose exposure to this singer has been limited to his opera recordings, would find this album a great insight into a spectacular voice and a unique artistic persona. »

03 Apr 2005

Caballe: Beyond Music

Monserratt Caballé’s journey to La Scala and the Metropolitan Opera was truly a road of talent, dedication, and will. One of the most beautiful and athletic voices of our generation, declared as Callas’ successor, Caballé dominated both the dramatic spinto and bel canto arenas, transcending the realm of the opera world to influence the popular masses. »

02 Apr 2005

The Cambridge Companion to John Cage

Cage's music is like Einstein's theorem: most people know it exists, know it's important, but beyond these facts know nothing about it (count me in this category when it comes to Einstein). »

02 Apr 2005

Verdi Gala

As a live occasion, the gala format allows for a festive atmosphere — a variety of singers trot back and forth across the stage, usually performing a series of “opera’s greatest hits” with no distractions, if one may, in the way of costume, set, or dramatic context. Recorded for posterity, such gala events can lose, for many viewers, the attractions of the live atmosphere and become rather labored exercises. »

02 Apr 2005

Runnicles at Carnegie Hall

Donald Runnicles, the longtime music director of the San Francisco Opera, has been earning excellent reviews for his conducting of Strauss’s “Rosenkavalier” at the Metropolitan Opera, a run that ends with a matinee performance today. But New Yorkers also know of him as the principal conductor of the Orchestra of St. Luke’s. Wearing that hat he appeared at Carnegie Hall for a program on Thursday night titled, rather too cutely, “Postcard From Prague.” »

01 Apr 2005

Eugene Onegin in Boston

Most operas are about love, but Tchaikovsky’s ‘’Eugene Onegin” is a special case because the composer took the subject so personally. Tchaikovsky’s own life was tracing the plot of Pushkin’s verse novel, with catastrophic consequences, and the music is full of yearning, passion, pain, and regret. »

01 Apr 2005

Genoveva in Boston

Three of the greatest composers of art songs — Schubert, Schumann, and Hugo Wolf — also harbored operatic ambitions. All of them wrote operas and set great store by them, but none has ever gained a foothold in the repertory. »

01 Apr 2005

Don Giovanni at the Met

Bleak but uproarious, bawdy but singed with hellfire, Mozart’s opera “Don Giovanni” is just as elusive as its title character. Philosopher Søren Kierkegaard identified Don Giovanni with music and desire: “a force, a wind, impatience, passion,” forever ungraspable. »

01 Apr 2005

Rosenthal's Children at the Bolshoi

New operas by Russian and Soviet composers once played a prominent part in the repertoire of Moscow’s Bolshoi Theater. But nearly 26 years have passed since the theater last produced an operatic world premiere. On Wednesday, the long drought finally ended with the staging of “Rosenthal’s Children,” a work fresh from the pens of St. Petersburg composer Leonid Desyatnikov and writer Vladimir Sorokin. »

01 Apr 2005

With the Face of a Tyrant Before Their Eyes

LA SCALA this past week has been like the Kremlin during the putsch against Mikhail Gorbachev. For days on end, no-one knew who was in charge or what was going on. The only certainty was that the world would never be the same again. »

01 Apr 2005

Cuba libre in Erfurt

Es wird nicht mehr lange dauern bis zur Forderung, Filmleute generell von Opernbühnen fernzuhalten. Nicht nur wegen der jüngsten Fehlschläge an großen Häusern, bei denen Filmregisseure und Kinoproduzenten mit Neuinszenierungen dilettierten – sogar in der sich charmant bemühenden Stadttheaterprovinz grassiert nun offenbar das cineastische Virus. »

31 Mar 2005

BRAHMS: Lieder, Complete Edition, Vol. 8

This latest release in the collaborative project to record the complete songs of Johannes Brahms focuses on four opus numbers, among the last groups of Lieder to be so designated by Brahms. The present recording represents typical songs from the so-called mature composer, most of these having been written between 1883-88. Each of the opus numbers includes a mix of texts drawn from the works of contemporary, well known poets and from the milieu of popular folk-songs. As an example of this mix, the songs from op. 97 comprise settings of poems by Reinhold, Alexis, and Groth, as well as two songs for which the source is simply given as Volkslied. As in most of the previous releases of this project, the singers Juliane Banse and Andreas Schmidt divide the repertoire and are accompanied by the pianist Helmut Deutsch. »

31 Mar 2005

The Ring of the Nibelung in Chicago

Valhalla proved to be a failed paradise for Wotan and his band of doomed gods and goddesses in Wagner’s epic set of four related operas, “The Ring of the Nibelung.’’ But Lyric Opera of Chicago audiences are experiencing the real thing this week as the company opens the first of three weeklong revivals of its production of the “Ring’’ unveiled in the 1990s. »