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Elsewhere

Mascagni's Isabeau at Opera Holland Park: in conversation with David Butt Philip

Opera directors are used to thinking their way out of theatrical, dramaturgical and musico-dramatic conundrums, but one of the more unusual challenges must be how to stage the spectacle of a young princess’s naked horseback-ride through the streets of a city.

Grange Park Opera travels to America

The Italian censors forced Giuseppe Verdi and his librettist Antonio Somma to relocate their operatic drama of the murder of the Swedish King Gustav III to Boston, demote the monarch to state governor and rename him Riccardo, and for their production of Un ballo in maschera at Grange Park Opera, director Stephen Medcalf and designer Jamie Vartan have left the ‘ruler’ in his censorial exile.

Puccini’s La bohème at The Royal Opera House

When I reviewed Covent Garden’s Tosca back in January, I came very close to suggesting that we might be entering a period of crisis in casting the great Puccini operas. Fast forward six months, and what a world of difference!

Na’ama Zisser's Mamzer Bastard (world premiere)

Let me begin, like an undergraduate unsure quite what to say at the beginning of an essay: there were many reasons to admire the first performance of Na’ama Zisser’s opera, Mamzer Bastard, a co-commission from the Royal Opera and the Guildhall.

Les Arts Florissants : An English Garden, Barbican London

At the Barbican, London, Les Arts Florissants conducted by Paul Agnew, with soloists of Le Jardin de Voix in "An English Garden" a semi-staged programme of English baroque.

Die Walküre in San Francisco

The hero Siegfried in utero, Siegmund dead, Wotan humiliated, Brünnhilde asleep, San Francisco’s Ring ripped relentlessly into the shredded emotional lives of its gods and mortals. Conductor Donald Runnicles laid bare Richard Wagner’s score in its most heroic and in its most personal revelations, in their intimacy and in their exploding release.

Das Rheingold in San Francisco

Alberich’s ring forged, the gods moved into Valhalla, Loge’s Bic flicked, Wagner’s cumbersome nineteenth century mythology began unfolding last night here in Bayreuth-by-the-Bay.

ENO's Acis and Galatea at Lilian Baylis House

The shepherds and nymphs are at play! It’s end-of-the-year office-party time in Elysium. The bean-bags, balloons and banners - ‘Work Hard, Play Harder’ - invite the weary workers of Mountain Media to let their hair down, and enter the ‘Groves of Delights and Crystal Fountains’.

Lohengrin at the Royal Opera House

Since returning to London in January, I have been heartened by much of what I have seen - and indeed heard - from the Royal Opera.

Stéphane Degout and Simon Lepper

Another wonderful Wigmore song recital: this time from Stéphane Degout – recently shining in George Benjamin's new operatic masterpiece,

An excellent La finta semplice from Classical Opera

‘How beautiful it is to love! But even more beautiful is freedom!’ The opening lines of the libretto of Mozart’s La finta semplice are as contradictory as the unfolding tale is ridiculous. Either that master of comedy, Carlo Goldoni, was having an off-day when he penned the text - which was performed during the Carnival of 1764 in the Teatro Giustiniani di S. Moisè in Venice with music by Salvatore Perillo - or Marco Coltellini, the poeta cesareo who was entertaining the Viennese aristocracy in 1768, took unfortunate liberties with poetry and plot.

Pan-European Orpheus : Julian Prégardien

"Orpheus I am!" - An unusual but very well chosen collection of songs, arias and madrigals from the 17th century, featuring Julian Prégardien and Teatro del mondo. Devised by Andreas Küppers, this collection crosses boundaries demonstrating how Italian, German, French and English contemporaries responded to the legend of Orpheus and Eurydice.

Whatever Love Is: The Prince Consort at Wigmore Hall

‘We love singing songs, telling stories …’ profess The Prince Consort on their website, and this carefully curated programme at Wigmore Hall perfectly embodied this passion, as Artistic Director and pianist Alisdair Hogarth was joined by tenor Andrew Staples (the Consort’s Creative Director), Verity Wingate (soprano) and poet Laura Mucha to reflect on ‘whatever love is’.

Bryn Terfel's magnetic Mephisto in Amsterdam

It had been a while since Bryn Terfel sang a complete opera role in Amsterdam. Back in 2002 his larger-than-life Doctor Dulcamara hijacked the stage of what was then De Nederlandse Opera, now Dutch National Opera.

Laci Boldemann’s Opera Black Is White, Said the Emperor

We normally think of operas as being serious or comical. But a number of operas-some familiar, others forgotten-are neither of these. Instead, they are fantastical, dealing with such things as the fairy world and sorcerers, or with the world of dreams.

A volcanic Elektra by the Netherlands Radio Philharmonic

“There are no gods in heaven!” sings Elektra just before her brother Orest kills their mother. In the Greek plays about the cursed House of Atreus the Olympian gods command the banished Orestes to return home and avenge his father Agamemnon’s murder at the hands of his wife Clytemnestra. He dispatches both her and her lover Aegisthus.

A culinary coupling from the Guildhall School of Music and Drama

What a treat the London Music Conservatoires serve up for opera-goers each season. After the Royal Academy’s Bizet double-bill of Le docteur Miracle and La tragédie de Carmen, and in advance of the Royal College’s forthcoming pairing of Huw Watkins’ new opera, In the Locked Room, based on a short story by Thomas Hardy, and The Lighthouse by Peter Maxwell Davies, the Guildhall School of Music and Drama have delivered a culinary coupling of Paul Hindemith’s The Long Christmas Dinner and Sir Lennox Berkeley’s The Dinner Engagement which the Conservatoire last presented for our delectation in November 2006.

Così fan tutte: Opera Holland Park

Absence makes the heart grow fonder; or does it? In Così fan tutte, who knows? Or rather, what could such a question even mean?

The poignancy of triviality: Garsington Opera's Capriccio

“Wort oder Ton?” asks Richard Strauss’s final opera, Capriccio. The Countess answers with a question of her own, at the close of this self-consciously self-reflective Konversationstück für Musik: “Gibt es einen, der nicht trivail ist?” (“Is there any ending that isn’t trivial?”)

Netia Jones' new Die Zauberflöte opens Garsington Opera's 2018 season

“These portals, these columns prove/that wisdom, industry and art reside here.” So says Tamino, as he gazes up at the three imposing doors in the centre of Netia Jones’ replica of the 18th-century Wormsley Park House - in the grounds of which Garsington Opera’s ‘floating’ Pavilion makes its home each summer.


OPERA TODAY ARCHIVES »

Reviews

Isabeau
18 Jun 2018

Mascagni's Isabeau at Opera Holland Park: in conversation with David Butt Philip

Opera directors are used to thinking their way out of theatrical, dramaturgical and musico-dramatic conundrums, but one of the more unusual challenges must be how to stage the spectacle of a young princess’s naked horseback-ride through the streets of a city.  »

Recently in Reviews

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08 Dec 2006

The Deepest Desire

“In choosing the program for a debut recital disc, perhaps an artist should be overwhelmed by the enormity of the task: how in the world do I begin to sort through the wealth of masterpieces at my fingertips, daring to stamp a select few with my voice?” »

06 Dec 2006

MASSENET: Werther

Who is the most annoying character in opera? Preziosilla from Verdi’s Forza del Destino drives some to distraction, while others wish the conspirators in Ballo would assassinate Oscar in act one. »

06 Dec 2006

ENNA: Lille pige med svovlstikkerne
ZEMLINSKY: Die Seejungfrau

Walt Disney has colored our perception of fairy tales, turning them, whatever their source, into egalitarian morality plays: »

06 Dec 2006

Frederica von Stade sings Mozart and Rossini arias

Frederica von Stade was just about 30 years old in 1975, when she recorded these Mozart and Rossini arias with the Rotterdam Philharmonic Orchestra under Edo de Waart. »

06 Dec 2006

“Poppea” - Heartless in L.A.

After the successful première of Monteverdi’s “L’Incoronazione di Poppea” (Saturday, November 25th) at the Dorothy Chandler Pavilion, Los Angeles, General Director Placido Domingo spoke warmly and cogently about this early Italian masterpiece, about its free-flowing music and the perfect relevance of the text to today’s world with all its greed, ambition and self-seeking. »

05 Dec 2006

Houston “rescues” Hansel and Gretel

HOUSTON — “Hansel and Gretel” has taken a beating in recent seasons, as over-zealous directors — aping the excesses of Eurotrash Regieoper — have made Humperdink’s largely innocent retelling of the Grimms’ tale the victim of hyper-active imaginations. »

01 Dec 2006

Sweet was the Song

I doubt that this recital disc, recorded in 2004, could have been intended as a memorial to Arne Dorumsgaard, who died in March of 2006, but the composer’s centrality to the program, and the poetic themes of death, sleep, and mortality that recur in the Elizabethan texts, enable such an interpretation. »

29 Nov 2006

CHARPENTIER: Le Malade Imaginaire

On the 10th February 1673, only a few months after their first collaboration, Jean-Baptiste Poquelin, better known as Molière (1622-1673), and Marc-Antoine Charpentier (1643-1704) presented at the Palais Royal’s theater Le Malade Imaginaire, a comédie ballet (a comedy with incidental music in the form of interludes built around a secondary plot). »

29 Nov 2006

All the Ends of the Earth: Contemporary & Medieval Vocal Music

There is an often compelling relationship between early and contemporary music. The relationship grows out of many different things. »

29 Nov 2006

CHARPENTIER: Andromède; Ballet de Polyeucte

Conceived by Marc-Antoine Charpentier (1643-1704) to serve as musical interludes for a revival at the Jesuit college of Harcourt in 1680 of Pierre Corneille’s play, Polyeucte Martyr (originally written in 1642), the ballet Le combat de l'amour divin was composed for string orchestra with trumpets, kettledrums and continuo. »

20 Nov 2006

Songs of Amy Beach

I can remember a time when Amy Beach was primarily known as a favorite among performers (largely female) whose mission was to present the work of neglected women composers. »

20 Nov 2006

LASSUS: Lamentationes Jeremiæ Prophetæ; Requiem

Lassus’s long tenure in Munich in the employ of Duke Albrecht V resulted in an unusually prolific and diverse output. »

20 Nov 2006

MAHLER: Symphony no. 3

Originally recorded in Carnegie Hall on 15 April 1956, Dimitri Mitropoulos’s performance of Mahler’s Third Symphony dates from a time when this particular score was rarely heard in concert. »

19 Nov 2006

BEETHOVEN: Fidelio

While undated, this performance of Beethoven’s Fidelio is a solid performance of the opera that has all the earmarks of a radio broadcast. »

16 Nov 2006

MOZART: Idomeneo

After an apparently successful premiere in 1781, Mozart’s Idomeneo fell out of favor, not being revived in the composer’s lifetime and staying dormant in the 19th century and first half of the 20th. »

15 Nov 2006

The Grove Book of Operas (2nd ed.)

The New Grove Dictionary of Music and Musicians (the “New Grove”) stands as the definitive encyclopedia on music in the English language.1 »

15 Nov 2006

GIORDANO: Andrea Chénier

A socially conscious artist, caught in the violent gyrations of a country in revolution and war, awaits execution. »

15 Nov 2006

Handel Unwrapped by Scottish Opera: “Tamerlano” at tea-time

On a cold, wet and dark Glasgow evening in November, some 500 brave souls received what was possibly their first taste of baroque opera. »

14 Nov 2006

BELLINI: I Capuleti e i Montecchi

It only takes a few moments for the overture to Vincenzo Bellini's I Capuleti e i Montecchi to establish that this opera takes a very different approach to the classic story than does Shakespeare's play. »

12 Nov 2006

PUCCINI: Manon Lescaut

This beautiful production premièred in 1980 and was the first live-telecast from the Met internationally relayed. »

12 Nov 2006

MERCURIO: Many Voices

Conductor Steven Mercurio appears to have made a highly favorable impression on singers in his career so far (some of the following info comes from his website, http://stevenmercurio.com/). »

12 Nov 2006

PUCCINI: Edgar

I’m surprised that such an eminent musicologist as Julian Budden, in his interesting essay accompanying the recording, still lays the blame for the relative failure of Edgar at the librettist’s feet. »

12 Nov 2006

ROSSINI: La Cenerentola

Putting the “grim” into a classic fairy tale (whether the Brothers Grimm's or not), this Glyndebourne La Cenerentola from the 2005 festival season establishes a drab, dark mood in its first scenes. »

11 Nov 2006

Triumph over Adversity

LONDON – the fledgling Independent Opera Company takes on Orlando. »

10 Nov 2006

VIVALDI: Sacred Music 2

A recording of the complete sacred music of Antonio Vivaldi is a welcome prospect, not least because it offers an opportunity to go beyond the fame and familiarity of Vivaldi’s concertos and the ubiquitous “Gloria.” »

09 Nov 2006

Franco Corelli: The 1971 Tokyo Concert

A friend who bought this issue grumbled that Dynamic had swindled him out off his money as the whitewashed, less than sharp picture quality is not much better than the pirate issue he once received from a correspondent. »

09 Nov 2006

MOZART: Die Zauberflöte

The back of this DG set relates that the company made the recording "in Modena in conjunction with a series of performances in Italy and Germany." »

29 Oct 2006

Placido Domingo — Be My Love

Decca/London was somewhat earlier with their series ‘Classic Recitals’ and now Deutsche Gramophon is following without that title. »

29 Oct 2006

SPONTINI: La Vestale

Though this La Vestale is sung in its original French, it strikes me as rather odd that the contents in the sleeve notes nevertheless still employs the Italian names Licinio and Giulia. »

29 Oct 2006

GOUNOD: Faust

As rare as it may be to hear Gounod’s Faust in Bulgarian, the language differences soon pass in a good performance, especially one that includes a live performance of the bass Nicolai Ghiaurov from the prime of his performing career. »

28 Oct 2006

LEHAR: Eva

My father was a small bit player in an amateur operetta company from 1947 till 1963 when the company folded. »

28 Oct 2006

Brewer makes Isolde hers in stage debut

SAN FRANCISCO — Christine Brewer took her time mastering Isolde before making her stage debut in the role with the San Francisco Opera in October. »

26 Oct 2006

Opera Arias - Wojciech Drabowicz

Those familiar with Antoni Wit’s fine recording of Mahler’s Eighth Symphony will have encountered some Polish singers in the solo parts, and among them is the baritone Wojtek Drabowicz. »

26 Oct 2006

Hans Hotter & Birgit Nilsson sing Wagner & Schubert

Two of the most famous Wagner interpreters of the twentieth century, Hans Hotter and Birgit Nilsson, are always worth hearing in their studio recordings, and the live recordings capture the spontaneity of an actual performance with such accomplished singers. »

26 Oct 2006

WEBER: Der Freischütz; Oberon

The demise of Tower Records adds another hurdle to the collector's challenge in acquiring rare performances on obscure labels. »

22 Oct 2006

HANDEL: An Ode for St. Cecilia’s Day

“Cecilia, cast a glance upon the land of Britain, and you will see that in sonorous strains it renews on this day the pleasing memory of your name so dear. . . .” »

21 Oct 2006

Salvatore Licitra — Forbidden Love

As the careers of the “three tenors” drew to a close, it became more and more obvious that replacements would have to be found, if not for all of them, then certainly for one or two. »

19 Oct 2006

DONIZETTI: Alahor in Granata

A yellow banner in the lower right hand corner of the slip case cover (identical to that of the jewel box and booklet) proclaims this CD as the "first world recording" of Gaetano Donizetti's Alahor in Granata. »

19 Oct 2006

Rossini By The Sea 2006 Enjoying The Unexpected

The Rossini Opera Festival in Pesaro, Italy, had as many surprises on the stage inside as the weather had outside. »

17 Oct 2006

STRAUSS: Lieder

Virtuosic, expressive, subtle evocative – these words can be used to describe various aspects of the Lieder of Richard Strauss. »

16 Oct 2006

HANDEL: Hercules

From the 2004 Aix en Provence Festival comes this Luc Bondy staging of Handel's oratorio Hercules, an achingly serious and sober portrayal of Olympian rage and jealousy. »

16 Oct 2006

Homage — The Age of the Diva

In the 1890s, the term “diva” was first used in print to refer to an opera singer or stage star. »

08 Oct 2006

KILAR: Piano Concerto

Among the exciting new releases in Naxos’s series of 21st Century Classics is a compilation of four works by Wojciech Kilar (b. 1932), which include two symphonic compositions and two vocal pieces. »

08 Oct 2006

The Art of Elaine Bonazzi

This is a recital disc notable for the compelling presence and intimacy of the vocal performance. »

08 Oct 2006

Settling the Score — An Interview with Philip Gossett

Introduction: Philip Gossett is one of those rarities in academia: a scholar of the first order and a consummate teacher. »

05 Oct 2006

MAHLER: Symphonie no. 2

Among the outstanding interpreters of Mahler’s music, Pierre Boulez stands out for his recent recordings of the composer’s symphonies. Having worked with various international orchestras, Boulez has been preserving on CD some finely shaped performances, and if he intends to create a cycle akin to those of other conductors, he is wisely recording the works one by one and not necessarily in the order in which they were composed. »

02 Oct 2006

The Psalms of David

The daily Anglican liturgies of Morning and Evening Prayer feature the recitation of the complete Psalter (apportioned in a monthly cycle), and in cathedrals and collegiate chapels, the chanting of the psalms has been cultivated to a degree of great refinement and beauty. »

29 Sep 2006

VERDI: Un ballo in maschera

Of late opera stagings often seem to be slotted into one of two categories: the "traditional," with sets as the original libretto detailed and singers in period costumes; and "non-traditional," "regie theater," or "Eurotrash," what you will. »

29 Sep 2006

STRAUSS: Salome

Having spent the better part of its life at full-price, the Solti/Nilsson Salome now appears as a mid-priced re-issue. »

29 Sep 2006

CHERUBINI: Le Sposo di tre marito di nessuna

This 250th anniversary year of Mozart's birth must be heaven not only Amadeus lovers but also for those with a general inclination toward classical era music. »

29 Sep 2006

ZEISL: Lieder

While most of the familiar Lieder repertoire stems from the nineteenth century, the powerful attraction the artform spurred composition in this genre through the mid-twentieth century. »