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Elsewhere

Florencia in el Amazonas Makes Triumphant Return to LA

On November 22, 2014, Los Angeles Opera staged Francesca Zambello’s updated version of Florencia in el Amazonas.

John Adams: The Gospel According to the Other Mary

John Adams and his long-standing collaborator Peter Sellars have described The Gospel According to the Other Mary as a ‘Passion oratorio’.

A new Yevgeny Onegin in Zagreb — Prince Gremin’s Fabulous Pool Party

Superb conducting from veteran Croatian maestro Nikša Bareza makes up for an absurd waterlogged new production of Tchaikovsky’s masterpiece.

Nabucco in Novi Sad

After the horrors of Jagoš Marković’s production of Le Nozze di Figaro in Belgrade, I was apprehensive lest Nabucco in Serbia’s second city of Novi Sad on 27th October would be transplanted from 6th century BC Babylon to post-Saddam Hussein Tikrit or some bombed-out kibbutz in Beersheba.

La Bohème in San Francisco

First Toronto, then Houston and now San Francisco, the third stop of a new production of Puccini's La bohème by Canadian born, British nurtured theater director John Caird.

Radvanovsky Sings Recital in Los Angeles

Every once in a while Los Angeles Opera presents an important recital in the three thousand seat Dorothy Chandler Pavilion.

L’elisir d’amore, Royal Opera

This third revival of Laurent Pelly’s production of Donizetti’s L’elisir d’amore needed a bit of a pep up to get moving but once it had been given a shot of ‘medicinal’ tincture things spiced up nicely.

Samling Showcase, Wigmore Hall

Founded in 1996, Samling describes itself as a charity which ‘inspires musical excellence in young people’.

La cenerentola in San Francisco

The good news is that you don’t have to go all the way to Pesaro for great Rossini.

Rameau: Maître à danser — William Christie, Barbican London

Maître à danser: William Christie and Les Arts Florissants at the Barbican, London, presented a defining moment in Rameau performance practice, choreographed with a team of dancers.

Le Nozze di Figaro — or Sex on the Beach?

The most memorable thing (and definitely not in a good way) about this performance of Le Nozze di Figaro at the Serbian National Theatre in Belgrade was the self-serving, infantile, offensive and just plain wrong production by celebrated Serbian theatre director Jagoš Marković.

The Met mounts a well sung but dramatically unconvincing ‘Carmen’

Should looks matter when casting the role of the iconic temptress for HD simulcast?

Maurice Greene’s Jephtha

Maurice Greene (1696-1755) had a highly successful musical career. Organist of St. Paul’s Cathedral, a position to which he was elected when he was just 22 years-old, he later became organist of the Chapel Royal, Professor of Music at the University of Cambridge and, from 1735, Master of the King’s Music.

Tosca in San Francisco

Yet another Tosca is hardly exciting news, if news at all. The current five performances have come just two years after SFO alternated divas Angela Gheorghiu and Patricia Racette in the title role.

Antonin Dvořák: The Cunning Peasant (Šelma Sedlák)

What an enjoyable opportunity to encounter Dvořák’s sixth opera, Šelma Sedlák¸or The Cunning Peasant!

Idomeneo, Royal Opera

Whether biblical parable or mythological moralising, it’s all the same really: human hubris, humility, sacrifice and redemption.

Donizetti’s Les Martyrs — Opera Rara, London

Opera Rara brought a rare performance of Donizetti’s first opera for the Paris Opera to the Royal Festival Hall on 4 November 2014, following recording sessions for the opera.

Luca Pisaroni in San Diego

Bass baritone, Luca Pisaroni, known to opera lovers throughout the world for his excellence in Mozart roles, offered San Diego vocal aficionados a double treat on October 28th: his mellifluous voice, and a recital of German songs.

La bohème, ENO

Jonathan Miller’s production of La bohème for ENO, shared with Cincinnati Opera, sits uneasily, at least as revived by Natascha Metherell, between comedy and tragedy.

Florian Boesch, Wigmore Hall - Liszt, Strauss and Schubert

Any Florian Boesch and Malcolm Martineau performance is superb, but this Wigmore Hall recital surprised, too. Boesch's Schubert is wonderful, but this time, it was his Liszt and Strauss songs which stood out. This year at the Wigmore Hall, we've heard a lot of Liszt and a lot of Richard Strauss everywhere, establishing high standards, but this was special.


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Reviews

Verónica Villarroel  as Florencia Grimaldi [Photo by Craig T. Mathew /LA Opera]
28 Nov 2014

Florencia in el Amazonas Makes Triumphant Return to LA

On November 22, 2014, Los Angeles Opera staged Francesca Zambello’s updated version of Florencia in el Amazonas.  »

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19 Jul 2013

Don Pasquale, Glyndebourne

Donizetti’s late comedy Don Pasquale debuted in Paris in 1843 and has been popular ever since. It was produced at the Glyndebourne Festival in 1938 but, rather surprisingly, Mariame Clement’s 2013 production, refreshingly set in the 18th century rather than being update, was the first festival production since 1938.  »

19 Jul 2013

Prom 8: Adès’ Totentanz

This remarkably cohesive programme of works by Britten, Lutoslawski and Adès was underpinned by a dark intensity; tragic realism interwoven with transient intimations of hope. »

18 Jul 2013

Adriana Lecouvreur from Decca

Known principally for its two concert show-pieces for the leading lady, the success of Francesco Cilea’s Adriana Lecouvreur relies upon finding a soprano willing to take on, and able to pull off, the eponymous role.  »

17 Jul 2013

Cléopâtre and Les Troyens in Marseille

There are forces to be reckoned with at l’Opéra de Marseille — a first class orchestra, a first class chorus, first class casts (with notable exception, see below) who inhabit an extraordinarily fine old opera house. »

17 Jul 2013

L’elisir d’amore, Opera Holland Park

Pia Furtado’s production of Donizetti’s gentle rom-com, L’elisir d’amore, opens in the greenhouse-laboratory of a sunflower factory — all steel trolleys and agronomic apparatus.  »

17 Jul 2013

Glimmerglass Festival’s ‘The Flying Dutchman’ a voyage to remember

Excellent staging and strong vocal efforts put wind in the sails of this legendary ghost ship »

16 Jul 2013

Opera from Cambridge University Press

Although part of a series entitled Cambridge Introductions to Music, Robert Cannon’s wide-ranging, imaginative and thought-provoking survey of opera is certainly not a ‘beginners’ guide’.  »

13 Jul 2013

Ermonela Jaho — Singing and Character

Ermonela Jaho caused a sensation at Covent Garden in London five years ago, when she took over Violetta at short notice from Anna Netrebko.  »

11 Jul 2013

Britten: The Canticles

First performed at this year’s Brighton Festival and originally designed for the Theatre Royal Brighton, this multi-media staging of Benjamin Britten’s five Canticles by long-standing collaborators Neil Bartlett and Paule Constable, also had an outing at Snape Maltings Aldeburgh in May this year, and has now arrived on the austere stage of the Linbury Studio at the Royal Opera House. »

10 Jul 2013

Central City Opera: Rocky Mountain High

Central City Opera’s meticulous staging of Our Town makes as good a case as is likely possible for Ned Rorem’s operatic version of that classic play.  »

10 Jul 2013

Macbeth, Blackheath Halls

Since its inception in 2006, the annual community opera at Blackheath Halls has become a favourite fixture in the local summer calendar.  »

08 Jul 2013

Lawrence Brownlee’s Spiritual Sketches

It would be condescending and perhaps even offensive to suggest that singing traditional Spirituals is a rite a passage for artists of color, but the musical heritage of the United States has been greatly enriched by the performances and recordings of Spirituals by important artists such as Paul Robeson, Marian Anderson, Leontyne Price, Martina Arroyo, Shirley Verrett, Grace Bumbry, Jessye Norman, Barbara Hendricks, Florence Quivar, Kathleen Battle, Harolyn Blackwell, and Denyce Graves.  »

08 Jul 2013

Britten’s Curlew River and The Prodigal Son

Poised between ritual and drama, between East and West, between Zen-Buddhist symbolism and Christian medieval morality play, Britten’s three church parables pose some tricky problems — including a deliberately objectivised framing device which can distance the work from the audience, and, unusually for Britten, some less than effective musico-dramatic pacing.  »

08 Jul 2013

Musical Fireworks in Iowa

‘Tis the season for aerial starbursts, and for my money more than a few rockets could be sent up to laud Des Moines Metro Opera.  »

07 Jul 2013

La Rondine, Royal Opera House

La Rondine isn’t Puccini’s finest moment. As drama it’s a retread of La Bohème. The music resembles out-takes from Madama Butterfly. What holds it together is Magda. »

05 Jul 2013

Great Wagner Conductors from DG

As a companion to their excellent Great Wagner Singers boxed set compiled and released in celebration of the Wagner Bicentennial, Deutsche Grammophon have also released Great Wagner Conductors, a selection of orchestral music conducted by five of the most iconic Wagnerian conductors of the Twentieth Century, extracted from Deutsche Grammophon’s extensive archives.  »

02 Jul 2013

Rameau Hippolyte et Aricie, Glyndebourne

Glyndebourne revitalizes Rameau's Hippolyte et Aricie. Baroque tastes were extravagant. Louis XIV, Le Roi Soleil, and his successor Louis XV, epitomized the aesthetic: audacity, not gentility, vigour, not timidity.  »

30 Jun 2013

Bizet : Pearl Fishers, Opera Holland Park London

Bizet’s The Pearl Fishers confirms the composer’s deftness in penning a good tune and spinning a faux-Oriental orchestral fabric. But, opera is more than simply a catchy melody or two, and if it wasn’t for the tenor-baritone friendship duet ‘Au Fond du Temple Saint’, the opera’s one-dimensional characters and dramatic stiltedness would probably see it consigned to the drawer marked ‘lesser-known, justly neglected’. »

29 Jun 2013

Thomas Hampson Simon Boccanegra, Royal Opera House London

Thomas Hampson's first Simon Boccanegra at the Royal Opera House makes this revival of Verdi's great opera worthwhile. It's a role which suits a singer of Hampson's intelligence.  »

28 Jun 2013

Händel’s First Opera at the Boston Early Music Festival

We’ll never know exactly how Handel’s first opera, Almira, Königin von Castilien, appeared at its 1705 premiere in Hamburg. »

24 Jun 2013

Hänsel und Gretel - Garsington Opera at Wormsley

Engelbert Humperdinck and his sister Adelheid Wette rather softened the story when they came to write the opera Hansel und Gretel, though sufficient undercurrents remain to allow a director scope for exploration of the more psychological aspects of the story.  »

22 Jun 2013

Britten’s Gloriana, Covent Garden

A glance at the ROH programme which accompanies this new production of Benjamin Britten’s Gloriana reveals a striking number of ‘role débuts’; evidence that, since its Coronation-commissioned revelation in 1953, this opera has had a relatively quiet 60 years - hyperbolically announced as ‘one of the great disasters of operatic history’ at its troubled opening.  »

21 Jun 2013

Great Wagner Singers from DG

There could be no greater gift to the Wagnerian celebrating the Master’s Bicentennial than this compilation from Deutsche Grammophon, aptly entitled Great Wagner Singers.  »

20 Jun 2013

St. Louis: Winner and Still Champion

With the world premiere of Champion, the enterprising Opera Theatre of Saint Louis set the bar very high indeed for the summer festival season. »

20 Jun 2013

James Melton: The Tenor of His Times

Those of us of a certain age have fond memories of James Melton, who entertained our parents starting in the 1930s and the rest of us in the 1940s and beyond on recordings, the radio, and films.  »

18 Jun 2013

The Importance of Being Earnest, Covent Garden

The Importance of Being Earnest , Gerald Barry’s fifth opera, was commissioned by the Los Angeles Philharmonic Orchestra and the Barbican, and was first performed in concert, Thomas Adès conducting the London premiere. »

17 Jun 2013

Death in Venice by ENO

‘Beauty is the one form of spirituality that we experience through the senses.’ In Thomas Mann’s, Death in Venice, Plato’s axiom stirs the hopes of the aging, intellectually stale poet, Gustav von Aschenbach, that he may rekindle his creativity.  »

16 Jun 2013

Adding Movie Magic to The Magic Flute

What better way for Masonic brothers, Wolfgang Amadeus Mozart and Emmanuel Shikaneder to disseminate Masonic virtues, than through the most popular musical entertainment of their age, a happy ending folktale that features a dragon, enchanting flutes and bells, mixed-up parentage, and a beautiful young princess in distress?  »

14 Jun 2013

Madama Butterfly, Opera Holland Park

There is a sense in which it all began in London, Puccini having been seized in 1900 with the idea of an opera on this subject after watching David Belasco’s play here.  »

13 Jun 2013

An Evening of Zarzuela and Latin American Music at Los Angeles Opera

The tenor that the audience most wanted to hear, Plácido Domingo, opened the vocal program with “Junto al puente de la peña” (Next to the rock bridge) from La Canción del Olvido (The song of Oblivion) by José Serrano. He sounded rested and his voice soared majestically over the orchestra. »

12 Jun 2013

Così fan tutte in San Francisco

Tucked away somewhere in the San Francisco Opera warehouse was an old John Cox production of Così fan tutte from Monte Carlo. Well, not that old by current standards at San Francisco Opera.  »

12 Jun 2013

Rossini Maometto Secondo Garsington Opera at Wormsley

Rossini's Maometto Secondo is a major coup for Garsington Opera at Wormsley, confirming its status as the leading specialist Rossini house in Britain. Maometto Secondo is a masterpiece, yet rarely performed because it's formidably difficult to sing. It's a saga with some of the most intense music Rossini ever wrote, expressing a drama so powerful that one can understand why early audiences needed "happy endings" to water down its impact »

11 Jun 2013

Peter Grimes in Concert

I suppose it was inevitable that, in this Britten Centenary year, the 66th Aldeburgh Festival would open with Peter Grimes.  »

10 Jun 2013

Die Entführung aus dem Serail, Garsington Opera at Wormsley

Die Entführung aus dem Serail at Garsington Opera at Wormsley isn’t Mozart as you’d expect but it’s true to the spirit of Mozart who loved witty, madcap japes. »

09 Jun 2013

Le nozze di Figaro, Glyndebourne

What a pity! On a glorious — well, by recent English standards — summer’s day, there can be few more beautiful English countryside settings than Glyndebourne, with the added bonus, as alas much of the audience appears to understand it, of an opera house attached.  »

09 Jun 2013

Queens, Heroines and Ladykillers

Described by one critic as “cosmically gifted”, during her tragically short career, American mezzo-soprano Lorraine Hunt Lieberson amazed and delighted audiences with the spellbinding beauty of her singing and the astonishing honesty of her performances.  »

09 Jun 2013

L’Incoronazione di Poppea from Virgin Classics

Since its first performance at the Teatro Santi Giovanni e Paolo during Venice’s 1643 Carnevale, Monteverdi’s L’Incoronazione di Poppea has been one of the most important milestones in the genesis of modern opera despite its 250 years of unmerited obscurity.   »

09 Jun 2013

Alzira by Chelsea Opera Group

“I wrote it almost without noticing.” So Verdi declared when reminded of his eighth — and perhaps least frequently performed, opera, Alzira. One might say that, since he composed the work, no-one else has much noticed either.  »

09 Jun 2013

Les Contes d’Hoffmann in San Francisco

Just when you thought the protagonist was Hoffmann! Who, rather what stole the show? »

05 Jun 2013

La Tosca in Los Angeles

When is verismo verily veristic? Or what is a virginal girl dressed in communion white doing in the two murderous acts of the Los Angeles Opera’s current production of Tosca? And why does she sing the shepherd's song? »

04 Jun 2013

Saverio Mercadante: I due Figaro

Though 2013 is the bicentennial of the births of Giuseppe Verdi and Richard Wagner, the releases of Cecilia Bartoli’s recording of Bellini’s Norma on DECCA, a new studio recording of Donizetti’s Caterina Cornaro from Opera Rara, and this première recording of Saverio Mercadante’s forgotten I due Figaro, suggest that this is the start of a summer of bel canto.  »

03 Jun 2013

Lohengrin, Welsh National Opera

Wagner’s Lohengrin is not an unfamiliar visitor to the UK thanks, in the main, to Elijah Moshinsky’s perennial production at Covent Garden. »

02 Jun 2013

Philip Glass: The Perfect American

Philip Glass's The Perfect American at the ENO in London is a visual treat, but the libretto is mind-numbingly anodyne.  »