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Elsewhere

Poliuto, Glyndebourne

Donizetti’s Poliuto at Glyndebourne could well become one of of the great Glyndebourne classics.

Carmen by ENO

Dystopic vision of Carmen, brought to life by vibrantly gripping performances

Jac van Steen in Conversation

Last year’s Strauss anniversary year — 150 years since his birth — offered, at least in the United Kingdom, a typical number of opportunities and frustrations.

Jonathan Dove’s Flight, Opera Holland Park

On 6 June, Jonathan Dove’s Flight touches down in Kensington, west London. Opera Holland Park is to stage the first London production of Dove’s operatic presentation of the real-life story of Mehran Karimi Nasseri, the Iranian exile who, lacking residency rights or refugee status, was forced to live in the departure lounge of Terminal One at Charles de Gaulle Airport for 18 years.

Pacific Opera Project Presents Ariadne auf Naxos

Pacific Opera Project, a small Los Angeles company, presented a production of Richard Strauss's Ariadne auf Naxos at the Ebell Club with an excellent group of young singers at the beginning of what should be good careers.

Varispeed pushes the possibilities of opera forward with Robert Ashley’s Crash

Six people, dressed in ordinary clothing, sitting in a row at desks adorned only with microphones and glasses of water, and talking for ninety minutes: is it opera?

Rising Stars in Concert, Lyric Opera of Chicago

The spring concert of Rising Stars in Concert, sponsored by and featuring current members of the Patrick G. and Shirley W. Ryan Opera Center at Lyric Opera of Chicago, showcased a number of talents that will no doubt continue to grace the stages of the world’s operatic theaters.

The Singers Sparkle in New York Opera Exchange’s Carmen

New York Opera Exchange’s production of Carmen from May 8th to 10th highlighted that which opera devotees have been saying for years: Opera, far from being dead, is vibrant and evolving.

‘Where’er You Walk’: Handel’s Favourite Tenor

I have sometimes lamented the preference of Ian Page’s Classical Opera for concert performances and recordings over staged productions, albeit that their renditions of eighteenth-century operas and vocal works are unfailingly stylish, illuminating and supported by worthy research.

The Pirates of Penzance, ENO

Topsy Turvy, Mike Leigh’s 1999 film starring Timothy Spall and Jim Broadbent, dramatized the fraught working relationship of William Gilbert and Arthur Sullivan; it won four Oscar nominations (garnering two Academy Awards, for costume and make-up) and is a wonderful exploration of the creative process of bringing a theatrical work to life.

Manitoba Opera: Turandot

There’s little doubt that Puccini’s Turandot is a flawed, illogical fairytale. Yet it continues to resonate today with its undying “love shall conquer all” ethos, where even the most heinous crimes may be forgiven by that which makes the world go ‘round.

Mariachi Opera El Pasado Nunca se Termina Comes to San Diego

On April 25, 2015, San Diego Opera presented it’s second Mariachi opera: El Pasado Nunca se Termina (The Past is Never Finished) by Jose “Pepe” Martinez, Leonard Foglia and Mariachi Vargas de Tecalitlán.

Antonio Pappano: Royal Opera House Orchestral Concerts

Ambition achieved! Antonio Pappano brought the Orchestra of the Royal Opera House out of the pit and onto the stage, the centre of attention in their own right.

Bedřich Smetana: Dalibor, Barbican Hall

Jiří Bělohlávek’s annual Czech opera series at the Barbican, London, with the BBC SO continued with Bedřich Smetana’s Dalibor.

Orlando Explores Art Without Boundaries

R.B. Schlather’s production of Handel’s Orlando asks the enigmatic question: Where do the boundaries of performance art begin, and where do they end?

The Virtues of Things

A good number of recent shorter operas, particularly those performed in this country, made a stronger impression with their libretti than their scores.

Król Roger, Royal Opera

It has taken almost 89 years for Karol Szymanowski’s Król Roger to reach the stage of Covent Garden.

San Diego Opera Celebrates 50 Years of Great Singing

San Diego Opera, the company that General Manager Ian Campbell had scheduled for demolition, proved that it is alive and singing as beautifully as ever. Its 2015 season was cut back slightly and management has become a bit leaner, but the company celebrated its fiftieth season in fine style with a concert that included many of the greatest arias ever written.

Hercules vs Vampires: Film Becomes Opera!

In the early sixties, Italian film director Mario Bava was making pictures with male body builders whose well oiled physiques appeared spectacular on the screen.

Kathleen Ferrier Awards, Wigmore Hall

Kathleen Ferrier may have been one of the world’s finest contraltos but this year’s Kathleen Ferrier Awards Final, held at the Wigmore Hall, was all about lyric sopranos.


OPERA TODAY ARCHIVES »

Reviews

Michael Fabiano as Poliuto [Photo by Tristram Kenton]
22 May 2015

Poliuto, Glyndebourne

Donizetti’s Poliuto at Glyndebourne could well become one of of the great Glyndebourne classics.  »

Recently in Reviews

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02 Dec 2013

Fat Knight in Los Angeles

In its ongoing celebration of Verdi’s centennial year, the Los Angeles Opera offered a new production of Falstaff, the composer’s last and most brilliant opera — brilliant in every scintillating, sparkling sense of the word. »

02 Dec 2013

Weber’s Euryanthe, London

Poor Weber: opera companies, especially in England, do him anything but proud.  »

29 Nov 2013

Early Opera Company: Acis and Galatea

Acis and Galatea was one of Handel’s most popular works, frequently revived in his life time and beyond.  »

27 Nov 2013

Werner Güra Lieder recital, Wigmore Hall

German tenor Werner Güra, who has made a speciality of the German lieder repertoire, opened this recital at the Wigmore Hall with Beethoven’s An Die Ferne Geliebte, the composer’s only song cycle and the first significant example of the form.  »

22 Nov 2013

Porgy and Bess in San Francisco

It’s been renamed “The Gershwins' Porgy and Bess,” it hails itself as “The American Musical” and further qualifies itself as “The Porgy and Bess for the Twenty-First Century.”  »

19 Nov 2013

Arizona Opera Presents a Fine Flying Dutchman

Richard Wagner wrote: "The voyage through the Norwegian reefs made a wonderful impression on my imagination; the legend of the Flying Dutchman, which the sailors verified, took on a distinctive, strange coloring that only my sea adventures could have given it.” »

18 Nov 2013

The Rape of Lucretia, Glyndebourne Touring Opera

‘If she is adulterous, why is she praised? If chaste, why was she put to death?’  »

17 Nov 2013

The Barber of Seville in San Francisco

San Francisco Opera wraps up its fall season of five operas with what it insists is a new production of Rossini’s comic masterpiece. »

11 Nov 2013

Britten’s Atmospheric War Requiem, London

On Remembrance Sunday, Semyon Bychkov conducted Benjamin Britten's War Requiem at the Royal Albert Hall with Roderick Williams, Allan Clayton, Sabrina Cvilak, the BBC Symphony Orchestra, the BBC Symphony Chorus, Crouch End Festival Chorus and choristers of Westminster Abbey.  »

09 Nov 2013

Barbican Britten

The mantle of tenor Peter Pears’ legacy hung heavily over his immediate ‘successors’, as they performed music that had been composed by Benjamin Britten for the man to whom he avowed, ‘I write every note with your heavenly voice in my head’.  »

08 Nov 2013

Exaudi: O tenebroso giorno — Gesualdo then and now

One year since the launch of their project to create a contemporary book of Italians madrigals, vocal ensemble Exaudi returned to the Wigmore Hall to present an intermingling of old and new madrigals which was typically inventive, virtuosic and compelling.  »

08 Nov 2013

The Magic Flute, ENO, London

Mozart’s The Magic Flute at the Coliseum could give the ENO a welcome boost.  »

07 Nov 2013

Madama Butterfly, Chicago

Lyric Opera of Chicago’s current new production of Giacomo Puccini’s Madama Butterfly, an effort shared with Houston Grand Opera and the Grand Théâtre de Genève, tends to emphasize emotional involvements against a backdrop of spare sets.  »

07 Nov 2013

The (Amazing) Nose

Dmitri Shostakovich’s opera, The Nose, based on Gogol’s short story of the same name, was a smash hit for the Metropolitan Opera company in 2010 and once again, this season. »

05 Nov 2013

Death in Venice, Festival of Britten

There might not be much ‘Serenissima’ about Yoshi Oida’s 2007 production of Death in Venice — it’s more Japanese minimalism than Venetian splendour — but there is still plenty to admire, as this excellent revival by Opera North as part of its centennial celebration, Festival of Britten, underlines.  »

05 Nov 2013

“T” as in “Terrific Toronto”

With an absorbing production of Peter Grimes and a freshly spontaneous La bohème, Canadian Opera Company has set the bar very high indeed for its current season. »

02 Nov 2013

Two Boys at the Brave New Met

Whatever you think of some of the Metropolitan Opera’s recent productions, you cannot fault the Gelb administration for fearing to take risks.  »

01 Nov 2013

Wozzeck, Royal Opera

The lustreless white tiles of the laboratory which forms the set of Keith Warner’s pitiless staging of Alban Berg’s Wozzeck offer little respite — cold, hard, rigid and severe, they are a material embodiment of the bleakness and barrenness of the tragic events which will be played out within the workshop walls (sets by Stefanos Lazaridis).  »

31 Oct 2013

Wexford Festival 2013

At this year’s Wexford Festival — the 62nd operatic gathering in this small south-eastern Irish town - the trio of operas on show present many a wretched battle between duty and desire.  »

29 Oct 2013

Florilegium, Wigmore Hall

At the heart of this Wigmore Hall recital were two sacred vocal works for solo countertenor and small instrumental forces, recently recorded by Florilegium and Robin Blaze to considerable critical acclaim: J.S. Bach’s cantata ‘Vergnügte Ruh, beliebte Seelenlust’ and Giovanni Battista Pergolesi’s ‘Salve Regina’. »

24 Oct 2013

Der Fliegende Holländer in San Francisco

Train wrecks are fascinating events, huge forces collide, brutal destruction results. Investigators rush to the scene to explain how and why it happened. »

23 Oct 2013

Mark-Anthony Turnage, Greek

After the bitter disappointment of  »

23 Oct 2013

Armide, Amsterdam

There is a cornucopia of ideas on display in Gluck’s Armide at Amsterdam’s Het Muziektheater, but sadly only a few of them seemed to serve the piece.  »

23 Oct 2013

London’s Vespers Ring the Right Bells

Even before it opened, Royal Opera’s Les vêpres siciliennes was the must-see production of the season. »

23 Oct 2013

Verdi’s Otello at Lyric Opera of Chicago

Lyric Opera of Chicago has opened the season with a revival of its 2001 production of Giuseppe Verdi’s Otello.  »

23 Oct 2013

Angel Blue, Wigmore Hall

Having impressed UK audiences in La Boheme (for ENO) and American Lulu (for the Opera Group/Scottish Opera),  »

22 Oct 2013

Madame Butterfly at ENO

First seen in 2005, and since feted in London (several times), New York and Lithuania, Anthony Minghella’s cinematic production of Madame Butterfly remains a breath-taking visual banquet.  »

15 Oct 2013

Fun Loving H.M.S. Pinafore Opens Arizona Opera

The star of the show was the agile Robert Orth as Sir Joseph Porter, the First Lord of the Admiralty. A fine operatic baritone, Orth’s patter was machine gun fast, crisp, and completely understandable.  »

13 Oct 2013

Intriguing Duo in San Francisco

Venerable San Francisco Opera kicked off its fall season with a wholly pleasing revival of a landmark production, complemented by an engrossing world premiere.  »

13 Oct 2013

The Tragedy of Carmen, Syracuse Opera

Carmen Lite: Singing shines in Syracuse Opera’s pocket-sized The Tragedy of Carmen »

13 Oct 2013

Carmen, Yet Again

No matter how or where Carmen is produced, or by whom directed, costumed and performed, its promise of free wheeling sex and exciting rhythmic music, has made it one of the most popular operas in the world. »

13 Oct 2013

L’Arpeggiata: Mediterraneo

What do you get if you cross the sultry folk melodies of Greece, Spain and Italy with the formal repetitions of Baroque instrumental structures, and add a dash of the shady timbres and rhythmic litheness of jazz?  »

13 Oct 2013

Toby Spence, Wigmore Hall

‘All Life death does end and each day dies with sleep.’ The sentiments of the closing lines of Gerald Manley Hopkins’ sonnet, ‘No worst, there is none.  »

13 Oct 2013

Benjamin Britten: War Requiem

Britten’s War Requiem is one of the defining artistic works of the twentieth century. Consummate artwork, religious ritual and prayer, ceremonial commemoration, ideological political statement, public expression of mourning, and private avowal of faith,  »

11 Oct 2013

The Coronation of Poppea, ETO

James Conway’s production of Monteverdi’s final masterpiece, L’incoronazione di Poppea was  »

10 Oct 2013

Eugene Onegin disappoints

The company’s new production of the Tchaikovsky masterpiece is cramped and cheap, leaving the listener longing for a return of the 1997 version »

09 Oct 2013

Falstaff in San Francisco

A rambunctious ensemble on the stage and in the pit. A star conductor. Falstaff showed its stuff as one of the repertory’s greatest masterpieces.  »

09 Oct 2013

Verdi’s Macbeth in Concert at the Chicago Symphony Orchestra

Performances of Verdi’s Macbeth take shape and leave an overall impression from both individual and collective emphases.  »

09 Oct 2013

Robert Schumann: A Life in Song

Miah Persson and Florian Boesch sang Schumann with Malcolm Martineau at the Wigmore Hall for the latest of his Songlives series.  »

07 Oct 2013

Roberto Devereux, WNO

For the final instalment of Welsh National Opera’s Tudor trilogy, Donizetti’s Roberto Devereux, director  »

07 Oct 2013

Maria Stuarda, WNO

The second installment of Welsh National Opera’s Tudor trilogy, Donizetti’s Maria Stuarda saw  »

07 Oct 2013

Giasone, ETO

Once again, one can only applaud English Touring Opera’s sense of adventure — and commitment. Its autumn season comprises three Venetian operas: L’incoronazione di Poppea, Giasone, and Agrippina, all in translation.  »

07 Oct 2013

Die Fledermaus, ENO

‘Chacun à son goût!’ cries the inebriated Prince Orlovsky, invigorated by champagne and high-living. An indifferent ‘each to his own’?  »

06 Oct 2013

Stephen King in San Francisco

Coincidentally last Friday night was the closing night of San Francisco Opera’s Dolores Claiborne and the opening night of Ray of Light Theatre’s Carrie The Musical. »

05 Oct 2013

Fidelio, ENO

More than two centuries on, Fidelio may well remain the most misunderstood opera of all. »

05 Oct 2013

Anna Bolena, Welsh National Opera

Welsh National Opera's new production of Donizetti's Anna Bolena is the first part of their trilogy of Donizetti's Tudor operas, Anna Bolena, Maria Stuarda and Roberto Devereux.  »

30 Sep 2013

Peter Grimes, Vladimir Jurowski

Vladimir Jurowski conducted a fascinating Peter Grimes with the London Philharmonic Orchestra at the Royal Festival Hall. Fascinating, because Jurowski finds things in Britten other conductors don't get in the first place. Jurowski approaches Britten as a composer, without the usual baggage of Britishness and Brittenish.  »

30 Sep 2013

La Traviata, Hamburg

Johannes Erath's production of Verdi's La Traviata opened at the Staatsoper Hamburg in February this year, with Ailyn Perez in the title role. Perez returned with Stephen Costello as Alfredo for three performances in September 2013  »

29 Sep 2013

Elektra, Royal Opera

Charles Edwards’s production of Elektra, first seen in 2003, »

29 Sep 2013

Die Schuldigkeit Des Ersten Gebots

Last week I enjoyed the opportunity to see Bampton Classical Opera’s light-hearted, witty production of Mozart’s earliest opera — La finta semplice — a work which, despite lacking the melodic variety and texture dynamism of the later operas, is still a remarkably accomplished achievement for a boy of merely twelve years of age.  »

29 Sep 2013

Lyric Opera of Chicago Introduces its Season

In its annual concert presented to the city at Millennium Park, Lyric Opera of Chicago introduced its 2013-14 season on a recent weekend evening with a program of selections featuring several present, past, and future stars of the company.  »

28 Sep 2013

Matthias Goerne: Hugo Wolf and Franz Liszt

Matthias Goerne and Andreas Haefliger’s recital at the Wigmore Hall was eagerly anticipated. Goerne and Haefliger are a Dream Team, who have worked together for over 15 years. »

26 Sep 2013

Schubert Songs with Harp: Matthias Goerne, Wigmore Hall

In the first of his two recitals at the Wigmore Hall this week, Matthias Goerne sang Schubert, but Schubert with a difference.  »

26 Sep 2013

Opera Theater Around San Francisco

Opera in San Francisco is what occurs at the War Memorial Opera House. Every so often though you can think outside the box and find some interesting performances nearby. »