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Elsewhere

Kathleen Ferrier Awards 2016

Having enjoyed superb singing by a young cast of soloists in Classical Opera’s UK premiere of Jommelli’s Il Vogoleso the previous evening, I was delighted that the 2016 Kathleen Ferrier Awards Final at the Wigmore Hall confirmed the strength and depth of talent possessed by the young singers studying in and emerging from our academies and conservatoires.

A Conversation with Sir Nicholas Jackson

With its merry-go-round exchange of deluded and bewitched lovers, an orphan-turned-princess, a usurped prince, a jewel and a flower with magical properties, a march to the scaffold and a meddling ‘mistress-of-ceremonies’ who encourages the young lovers to disguise and deceive, William Makepeace Thackeray’s The Rose and the Ring has all the ingredients of an opera buffa.

Pacific Opera Project Recreates Mozart and Salieri Contest

On February 7, 1786, Emperor Joseph II of Austria had brand new one-act operas by Wolfgang Amadeus Mozart and Antonio Salieri performed in the Schönbrunn Palace’s Orangery.

Powerful chemistry in La Cenerentola in Cologne

Those poor opera lovers in Cologne have a never ending problem with the city’s opera house. Together with the rest of city, the construction of the new opera house is mired in political incompetence.

Tannhäuser: Royal Opera House, London

London remains starved of Wagner. This season, its major companies offer but two works, Tannhäuser from the Royal Opera and Tristan from ENO.

The Golden Cockerel in Düsseldorf

Dmitry Bertman’s hilarious staging of Rimsky-Korsakov’s political sex-comedy The Golden Cockerel in Düsseldorf.

San Diego Opera Presents a Tragic Madama Butterfly

On April 16, 2016, San Diego Opera presented Giacomo Puccini’s sixth opera, Madama Butterfly, in an intriguing production by Garnett Bruce. Roberto Oswald’s scenery included the usual Japanese styled house with many sliding doors and walls. On either side, however, were blooming cherry trees with rough trunks and gnarled branches that looked as though they had been growing on the property for a hundred years.

Simon Rattle conducts Tristan und Isolde

New Co-Production Tristan und Isolde with Metropolitan: Simon Rattle and Westbroek electrify Treliński’s Opera-Noir.

San Jose’s Smooth Streetcar Ride

In an operatic world crowded with sure-fire bread and butter repertoire, Opera San Jose has boldly chosen to lavish a new production on a dark horse, Andre Previn’s A Streetcar Named Desire.

Roméo et Juliette: Dutch National Opera and Ballet seal merger with leaden Berlioz

Choral symphony, oratorio, symphonic poem — Berlioz’s Roméo et Juliette does not fit into any mould. It has the potential to work as an opera-ballet, but incoherent storytelling and uninspired conducting undermined this production.

Donizetti : Lucia di Lammermoor, Royal Opera House

When Kasper Holten took the precaution of pre-warning ticket-holders that the Royal Opera House’s new production of Lucia di Lammermoor featured scene portraying ‘sexual acts’ and ‘violence’, one assumed that he was aiming to avert a re-run of the jeering and hectoring that accompanied last season’s Guillaume Tell. He even went so far as to offer concerned patrons a refund.

Five Reviews of Regina at Maryland Opera Studio

These are five very different reviews by students at the University of Maryland on its Opera Studio production of Regina — an interesting, informative and entertaining read . . .

Three Cheers for the English Touring Opera

‘Remember me, the one who is Pia;/ Siena made me, Maremma undid me.’ The speaker is Pia de’ Tolomei. She appears in a brief episode of Dante’s Divine Comedy (Purgatorio V, 130-136) which was the source for Gaetano Donizetti’s Pia de’ Tolomei - by way of Bartolomeo Sestini’s verse-novella of 1825.

Andriessen's De Materie at the Park Avenue Armory

"The large measure of formalism which forms the basis of De Materie does not in itself offer any guarantee that the work will be beautiful," says Dutch composer Louis Andriessen of his four-movement opera.

Falstaff Makes a Big Splash in Phoenix

On April 1, 2016, Arizona Opera presented Falstaff by Giuseppe Verdi (1813-1901) and Arrigo Boito (1842-1918) in Phoenix. Although Boito based most of his libretto on Shakespeare’s The Merry Wives of Windsor, he used material from Henry IV as well. Verdi wrote the music when he was close to the age of eighty. He was concerned about his ability at that advanced age, but he was immensely pleased with Boito’s text and decided to compose his second comedy, despite the fact that his first, Un giorno di regno, had not been successful.

Svadba in San Francisco

The brand new SF Opera Lab opened last month with artist William Kentridge’s staged Schubert Winterreise. Its second production just now, Svadba-Wedding — an a cappella opera for six female voices — unabashedly exposes the space in a different, non-theatrical configuration.

Benvenuto Cellini in Rome

One may think of Tosca as the most Roman of all operas, after all it has been performed at the Teatro Costanzi (Rome’s opera house) well over a thousand times since 1900. Though equally, maybe even more Roman is Hector Berlioz’ Benvenuto Cellini that has had only a dozen or so performances in Rome since 1838.

New from Opera Rara : Gounod La Colombe and Donizetti Le Duc d'Albe

Two new recordings from highly acclaimed specialists Opera Rara - Gounod La Colombe and Donizetti Le Duc d'Albe.

Handel : Elpidia - Opera Settecento

Roll up! A new opera by Handel is to be performed, L’Elpidia overo li rivali generosi. It is based upon a libretto by Apostolo Zeno with music by Leonardo Vinci - excepting a couple of arias by Giuseppe Orlandini and, additionally, two from Antonio Lotti’s Teofane (which the star bass, Giuseppe Maria Boschi , on bringing with him from the Dresden production of 1719).

Roberto Devereux in Genova

Radvanovsky in New York, Devia in Genoa — Donizetti queens are indeed in the news! Just now in Genoa Mariella Devia was the Elizabeth I for her beloved Roberto Devereux in a new trilogy of Donizetti queens (Maria Stuarda and Anne Bolena) directed by baritone Alfonso Antoniozzi.


OPERA TODAY ARCHIVES »

Reviews

From left to right: James Newby, Alessandro Fisher, Bianca Andrew and Ashok Gupta [Photo by Robert Piwko]
02 May 2016

Kathleen Ferrier Awards 2016

Having enjoyed superb singing by a young cast of soloists in Classical Opera’s UK premiere of Jommelli’s Il Vogoleso the previous evening, I was delighted that the 2016 Kathleen Ferrier Awards Final at the Wigmore Hall confirmed the strength and depth of talent possessed by the young singers studying in and emerging from our academies and conservatoires. »

Recently in Reviews

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19 Apr 2012

Wolfgang Rihm’s Jakob Lenz by ENO

When the ENO does really innovative work, it does so with style. Wolfgang Rihm’s Jakob Lenz may have taken 34 years to reach London fully staged, but this ENO production made such a strong impression that it might be years before it will be forgotten.  »

19 Apr 2012

Folk songs that aren’t folk songs

The Wigmore Hall Dvořák series culminated in a concert by Bernarda Fink and Roger Vignoles.  »

19 Apr 2012

Armide, Opera Atelier

I have to rethink my week, because somehow I have to get to see Opera Atelier’s production of Jean-Baptiste Lully’s Armide again.  »

19 Apr 2012

Il Sogno di Scipione

It’s unclear whether Mozart composed this highly undramatic “dramatic action” when he was fifteen, for his kindly master Prince-Archbishop von Schrettenbach of Salzburg, or the following year for the newly-elected successor, Prince-Archbishop Colloredo, who, soon afterwards, had the young man literally kicked out of his service.  »

16 Apr 2012

The Dream of Gerontius, Barbican Hall

Edward Elgar was given a copy of Cardinal Newman’s ‘The Dream of Gerontius’ — a 900-line poem depicting the journey of an old man’s soul after death — as a wedding present in 1889.  »

15 Apr 2012

Opéra Comique’s Muted Auber

Paris’ Opéra Comique has summoned forth a respectable (if spare) set design for Bluebeard’s Castle, but unfortunately the opera they were performing was Auber’s La Muette de Portici. »

13 Apr 2012

Alfredo Catalani — A new perspective on later Italian opera

Assumptions about later Italian opera are dominated by Puccini, but Alfredo Catalani, born in the same town and almost at the same time, was highly regarded by their contemporaries. Two new books on Catalani could change our perceptions. »

13 Apr 2012

Sandrine Piau, Wigmore Hall

Sandrine Paiu and Roger Vignoles teamed up for the latest concert in Vignoles’s “Perspectives” series at the Wigmore Hall, London. »

13 Apr 2012

Lulu by Gran Teatro del Liceu, Barcelona

Released in late 2011, Deutsche Grammophon’s DVD of the new staging of Berg’s Lulu at the Gran Teatro del Liceu, Barcelona is an excellent contribution to the discography of this fascinating opera.  »

13 Apr 2012

Lulu by the Metropolitan Opera

A recent release by the Metropolitan Opera, this two-disc set makes available on DVD the famous performance of Berg’s Lulu that was broadcast on 20 December 1980 as part of the PBS series “Live from the Met.”  »

13 Apr 2012

Sarasota Opera’s 2012 Winter Festival

Opera-goers have come to expect high quality opera as part of Sarasota Opera’s Winter Festival.  »

12 Apr 2012

International HD Broadcast of Rigoletto by Royal Opera House

The Royal Opera House started doing opera and ballet broadcasts before many other houses, and is now expanding its schedule. On April 17th, Verdi’s Rigoletto is being streamed live in over 600 cinemas in 21 countries.  »

02 Apr 2012

Rigoletto, Royal Opera House

How would a period instrument specialist like John Eliot Gardiner approach Rigoletto, Verdi’s sordid tale? This was his first Rigoletto (though not his first Verdi); but he created it with great insight. »

31 Mar 2012

Elmer Gantry the Opera

The novels of Sinclair Lewis once shot across the American literary skies like comets, alarming and fascinating readers of that era, but their tails didn’t extend far behind them.  »

28 Mar 2012

Historical Performances from Covent Garden: Barbiere, La traviata and Tosca

Once the province of only the most dedicated opera fanatics, mid-20th century recordings of privately taped live performances have become more widely available.  »

27 Mar 2012

La forza del destino by Chelsea Opera Group

For sixty years, the Chelsea Opera Group has adorned London opera life. It doesn’t do mass market, but focuses on unusual and obscure repertoire. This audience comes for the music!  »

24 Mar 2012

Lucia and the glass harmonica

Flute players in opera orchestra around the world must look forward to the frequent appearances of Donizetti’s Lucia di Lammermoor, knowing that while the stage spotlight in the mad scene will be on the soprano, the orchestral spotlight will be on their instrument.  »

24 Mar 2012

Florian Boesch at Wigmore Hall

The performance at the Wigmore Hall of Schubert’s Die schöne Müllerin by Florian Boesch and Malcolm Martineau was outstanding. Over several decades, I’ve heard hundreds of performances, but this was exceptionally perceptive. »

24 Mar 2012

A Child of Our Time, Barbican Hall

The Barbican’s English oratorio series now reaches the twentieth century, with Tippett’s A Child of Our Time, though it will step back to The Dream of Gerontius next month.  »

22 Mar 2012

Albert Herring, LA

The Los Angeles Opera, anticipating Benjamin Britten’s centennial gave the composer, as well as its patrons, an early birthday present of performances of his charming comic opera, Albert Herring.  »

19 Mar 2012

Metropolitan Opera National Council Grand Finals Concert

A major part of the rejuvenation of opera in the 21st century is the cultivation of young singers.  »

19 Mar 2012

Levine conducts at the Metropolitan Opera: 1978 to 2006

Since his debut at the Metropolitan Opera in 1971, conductor James Levine has come to represent the house’s commitment to artistic excellence — reliable, professional, and immaculately presented.  »

19 Mar 2012

Don Pasquale, San Diego

You can’t keep a good opera buffa down. And Gaetano Donizetti’s Don Pasquale is about as good as opera buffa gets.  »

19 Mar 2012

Aida in Arizona

Two live camels with trainers in Egyptian garb were stationed in front of Phoenix’s Symphony Hall to publicize the opening of Arizona Opera’s new production of Aida.  »

13 Mar 2012

Miss Fortune mis-fires, Royal Opera House

An absurd plot has never stood in the way of a good opera. Unfortunately, Judith Weir’s Miss Fortune at the Royal Opera House isn’t much of an opera. »

12 Mar 2012

Netrebko and Garanča in Donizetti’s Anna Bolena

The cinema world has given us “star vehicle,” a term used to describe a movie that may not have the best script or direction but which suits a popular actor’s persona so well the film can fairly be called a successful entertainment.  »

12 Mar 2012

A Physical Barber by ETO

For an operatic masterpiece The Barber of Seville is surprisingly tricky to do well, it is not one of those pieces which plays itself.  »

09 Mar 2012

Byrd: The Englishman

In this stimulating and uplifting performance, The Cardinall’s Musick, led by director Andrew Carwood, continued their comprehensive project to examine the works of one of England’s greatest composers — William Byrd (c.1540—1623).  »

08 Mar 2012

Elijah, Barbican Hall, London

The Barbican’s six-month series celebrating the English oratorio, has now reached Mendelssohn’s Elijah — or perhaps we should follow the Victorians and refer to it as ‘the Elijah’, given that it was performed in English, in William Bartholomew’s translation.  »

06 Mar 2012

Abduction from the Seraglio, Philadelphia

Abduction from the Seraglio contains not a single ironic or cynical moment. Enlightened mercy and sincere love triumph totally over revenge, slavery and tyranny.  »

05 Mar 2012

Paris: Tenors Trump Befuddled Productions

Two recent outings at the Paris Opéra might have been subtitled: “Max Bialystock is Alive and Well and Living in Paris.” »

05 Mar 2012

Zurich’s Magnificent ‘Other’ Moor

Right to the musical ‘score’ board: Zurich Opera stared down the mighty challenge posed by Rossini’s Otello ossia il moro di Venezia, and knocked it out of the ballpark. »

04 Mar 2012

Mazeppa in Monte-Carlo

Tchaikovsky’s Mazeppa is not everyday repertory, nonetheless here in the south of France the Monaco production follows fairly closely (a couple of years) on the heels of the Peter Stein Mazeppa in Lyon. »

04 Mar 2012

Previn conducts the LSO in the 1970s

André Previn’s leadership of the London Symphony Orchestra in the early 1970s resulted in some highly regarded recordings, including one of the classic accounts of Rachmaninov’s Second Symphony.  »

01 Mar 2012

A Midsummer Night’s Dream, GSMD

There were high hopes for the 2012 debut production of A Midummer Night’s Dream by the Guildhall School of Music and Drama’s Opera programme . »

01 Mar 2012

Giuseppe Verdi: Aida

A perennial favorite among opera enthusiasts since its 1871 premiere in Cairo, Aida remains a popular work, and its strengths are apparent in the recent Decca DVD from the Metropolitan Opera, New York.  »

29 Feb 2012

Simon Boccanegra, LA

Sometime everything seems to go right. Just as the Los Angeles Opera Company did last fall, it opened its spring season with a baritonal eponymous opera; this time, Giuseppe Verdi’s Simon Boccanegra.  »

28 Feb 2012

Rusalka, Royal Opera

It is a truth universally acknowledged that an interesting opera production will be met with incomprehension and lazy, philistine hostility by vast swathes of the audience in many, perhaps most, of the world’s ‘major’ houses, a truth that renders one all the more grateful for the Royal Opera showing the courage to stage this new — to London — production of Rusalka. »

28 Feb 2012

Beatrice and Benedict at the Wales Millennium Centre

Welsh National Opera presented a rather undercooked account of Berlioz’s tricky opera, in a revival of Elijah Moshinsky’s classic production »

27 Feb 2012

Mahler: Symphony No. 9

Based on performances given on 2 and 3 March 2011 (at the Barbican, London), Valery Gergiev’s recording of Mahler’s Ninth Symphony is an engaging and persuasive reading of the score.  »

27 Feb 2012

John Adams — Death of Klinghoffer, London

John Adams’s The Death of Klinghoffer is on at the English National Opera, London. »

27 Feb 2012

“Figures from the Antique”, Wigmore Hall

Modern and historic responses to classical tragedy and myth formed the unifying focus for this latest stage of Ian Bostridge’s year-long ‘Ancient and Modern’ project at the Wigmore Hall.  »

24 Feb 2012

Moby-Dick, San Diego

When Captain Ahab sailed the Pequod into San Diego this week, he brought a new American opera with him. Jake Heggie’s Moby-Dick is a stunning work likely to have universal appeal.  »

24 Feb 2012

Fleming in Strauss’s Capriccio

Is there somewhere in Italian opera repertory where, as a comic interlude, the portentous clichés of German opera come in for a skewering amid the luscious sunshine of Italianate lyricism?  »

24 Feb 2012

Michael Spyres — A Fool for Love

Tenor Michael Spyres’ star is on the rise and his highly enjoyable debut recital disc offers ample proof as to why. »

24 Feb 2012

La clemenza di Tito — Barbican

The last opera seria — Mozart’s late, austere masterpiece, and vividly brought it to life. »

24 Feb 2012

Amsterdam’s Invisible, Risible Kitezh

A breath-taking stage picture at curtain rise of Netherlands Opera's The Legend of the Invisible City of Kitezh and the Maiden Fevronia indeed made us involuntarily gasp as one.  »

20 Feb 2012

The Veronica Dunne International Singing Competition: Showcase Concert

Inaugurated in 1995, the Veronica Dunne International Singing Competition is a triennial competition, held in the National Concert Hall in Dublin, which takes place over a week in January.  »

20 Feb 2012

Berlioz’s Roméo et Juliette — Opera with few words

Mark Elder and the Orchestra of the Age of Enlightenment brought Berlioz’s Roméo et Juliette to the Royal Festrival Hall. »

20 Feb 2012

La Traviata, NYCO

In his memoirs, Five Thousand Nights at the Opera, Sir Rudolph Bing, general manager of the Met from 1950 to 1972, discusses the Met’s move from 39th street to its current home at Lincoln Center.  »

20 Feb 2012

Erwin Schrott’s Don Giovanni, ROH

Erwin Schrott triumphed as Don Giovanni in the Mozart/da Ponte series at the Royal Opera House, overcoming the limitations of the staging.  »