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Elsewhere

As One a Haunting Success in San Diego

San Diego Opera has mined solid gold with its mesmerizing and affecting production of As One, a part of their innovative ‘Detour Series.’

OLF: Songs by Tchaikovsky, Anton Rubinstein, Rachmaninov and Georgy Sviridov

Compared to the oft-explored world of German lieder and French chansons, the songs of Russia are unfairly neglected in recordings and in the concert hall. The raw emotion and expansive lyricism present in much of this repertoire was clearly in evidence at the Holywell Music Room for the penultimate day of the celebrated Oxford Lieder Festival.

Stockhausen’s STIMMUNG and COSMIC PULSES at the Barbican.

This concert was an event on several levels - marking a decade since the death of Stockhausen, the fortieth anniversary (almost to the day) since Singcircle first performed STIMMUNG (at the Round House), and their final public performance of the piece. It was also a rare opportunity to hear (and see) Stockhausen’s last completed purely electronic work, COSMIC PULSES - an overwhelming visual and aural experience that anyone who was at this concert will long remember.

Bampton Classical Opera Young Singers’ Competition 2017 - Winner Announced

Bampton Classical Opera is pleased to announce that the winner of the 2017 Young Singers’ Competition is mezzo-soprano Emma Stannard and the runner-up is tenor Wagner Moreira. The winner of the accompanists’ prize, a new category this year, is Keval Shah.

Il sogno di Scipione: a new recording from Classical Opera

With this recording of Mozart’s 1771 opera, Il sogno di Scipione (Sicpio’s Dream), Classical Opera continue their progress through the adolescent composer’s precocious achievements and take another step towards the fulfilment of their complete Mozart opera series for Signum Classics.

Nico Muhly's Marnie at ENO

Winston Graham’s 1961 novel Marnie was bold for its time. Its themes of sexual repression, psychological suspense and criminality set within the dark social fabric of contemporary Britain are but outlier themes of the anti-heroine’s own narrative of deceit, guilt, multiple identities and blackmail.

TOSCA: A Dramatic Sing-Fest

On November 12, 2017, Arizona Opera presented Giacomo Puccini’s verismo opera, Tosca, in a dramatic production directed by Tara Faircloth. Her production utilized realistic scenery from Seattle Opera and detailed costumes from the New York City Opera. Gregory Allen Hirsch’s lighting made the set look like the church of St. Andrea as some of us may have remembered it from time gone by.

The Lighthouse: Shadwell Opera at Hackney Showroom

‘Only make the reader’s general vision of evil intense enough … and his own experience, his own imagination, his own sympathy … and horror … will supply him quite sufficiently with all the particulars. Make him think the evil, make him think it for himself, and you are released from weak specifications.’

Julian Prégardien : Schubert, Wigmore Hall, London

The Wigmore Hall's complete Schubert song series continued with Julian Prégardien and Christoph Schnackertz, in a recital deferring from May. Well worth the wait, because Prégardian is good, his singing enhanced by very strong musical instincts. In Lieder, sensitivity and musical intelligence are as important as voice. A good recital, is one where you come away feeling you've gone deeper into the repertoire thanks to the performer, as opposed to watching celebrity for celebrity sake

Elisabeth Kulman sings Mahler's Rückert-Lieder with Sir Mark Elder and the Britten Sinfonia

Austrian singer Elisabeth Kulman has had an interesting career trajectory. She began her singing life as a soprano but later shifted to mezzo-soprano/contralto territory. Esteemed on the operatic stage, she relinquished the theatre for the concert platform in 2015, following an accident while rehearsing Tristan.

Tremendous revival of Katie Mitchell's Lucia at the ROH

The morning sickness, miscarriage and maundering wraiths are still present, but Katie Mitchell’s Lucia di Lammermoor, receiving its first revival at the ROH, seems less ‘hysterical’ this time round - and all the more harrowing for it.

Manon in San Francisco

Nothing but a wall and a floor (and an enormous battery of unseen lighting instruments) and two perfectly matched artists, the Manon of soprano Ellie Dehn and the des Grieux of tenor Michael Fabiano, the centerpiece of Paris’ operatic Belle Époque found vibrant presence on the War Memorial stage.

Garsington Opera’s Silver Birch on BBC Arts Digital

Audiences will have the chance to feel part of a new opera inspired by Siegfried Sassoon’s poems with an innovative 360-degree simulated experience of Garsington Opera’s Silver Birch on BBC Arts Digital from midday, Wednesday 8th November.

Mozart’s Requiem: Pierre-Henri Dutron Edition

The stories surrounding Mozart’s Requiem are well-known. Dominated by the work in the final days of his life, Mozart claimed that he composed the Requiem for himself (Landon, 153), rather than for the wealthy Count Walsegg’s wife, the man who had commissioned it in July 1791.

A beguiling Il barbiere di Siviglia from GTO

I had mixed feelings about Annabel Arden’s production of Il barbiere di Siviglia when it was first seen at Glyndebourne in 2016. Now reprised (revival director, Sinéad O’Neill) for the autumn 2017 tour, the designs remain a vibrant mosaic of rich hues and Moorish motifs, the supernumeraries - commedia stereotypes cum comic interlopers - infiltrate and interact even more piquantly, and the harpsichords are still flying in, unfathomably, from all angles. But, the drama is a little less hyperactive, the characterisation less larger-than-life. And, this Saturday evening performance went down a treat with the Canterbury crowd on the final night of GTO’s brief residency at the Marlowe Theatre.

Brett Dean's Hamlet: GTO in Canterbury

‘There is no such thing as Hamlet,’ says Matthew Jocelyn in an interview printed in the 2017 Glyndebourne programme book. The librettist of Australian composer Brett Dean’s opera based on the Bard’s most oft-performed tragedy, which was premiered to acclaim in June this year, was noting the variants between the extant sources for the play - the First, or ‘Bad’, Quarto of 1603, which contains just over half of the text of the Second Quarto which published the following year, and the First Folio of 1623 - no one of which can reliably be guaranteed superiority over the other.

Schumann and Mahler Lieder : Florian Boesch

Schumann and Mahler Lieder with Florian Boesch and Malcolm Martineau, now out from Linn Records, following their recent Schubert Winterreise on Hyperion. From Boesch and Martineau, excellence is the norm. But their Mahler Lieder eines fahrenden Gesellen takes excellence to even greater levels

WNO's Russian Revolution series: the grim repetitions of the house of the dead

‘We lived in a heap together in one barrack. The flooring was rotten and an inch deep in filth, so that we slipped and fell. When wood was put into the stove no heat came out, only a terrible smell that lasted through the winter.’ So wrote Dostoevsky, in a letter to his brother, about his experiences in the Siberian prison camp at Omsk where he was incarcerated between 1850-54, because of his association with a group of political dissidents who had tried to assassinate the Tsar. Dostoevsky’s ‘house of the dead’ is harrowingly reproduced by Maria Björsen’s set - a dark, Dantesque pit from which there is no possibility of escape - for David Pountney’s 1982 production of Janáček’s final opera, here revived as part of Welsh National Opera’s Russian Revolution series.

The 2017 Glyndebourne Tour arrives in Canterbury with a satisfying Così fan tutte

A Così fan tutte set in the 18th century, in Naples, beside the sea: what, no meddling with Mozart? Whatever next! First seen in 2006, and now on its final run before ‘retirement’, Nicholas Hytner’s straightforward account (revived by Bruno Ravella) of Mozart’s part-playful, part-piquant tale of amorous entanglements was a refreshing opener at the Marlowe Theatre in Canterbury where Glyndebourne Festival Opera arrived this week for the first sojourn of the 2017 tour.

Richard Jones's Rodelinda returns to ENO

Shameless grabs for power; vicious, self-destructive dynastic in-fighting; a self-righteous and unwavering sense of entitlement; bruised egos and integrity jettisoned. One might be forgiven for thinking that it was the current Tory government that was being described. However, we are not in twenty-first-century Westminster, but rather in seventh-century Lombardy, the setting for Handel’s 1725 opera, Rodelinda, Richard Jones’s 2014 production of which is currently being revived at English National Opera.


OPERA TODAY ARCHIVES »

Reviews

Scene from <em>As One</em> [Photo by Karli Cadel courtesy of San Diego Opera]
22 Nov 2017

As One a Haunting Success in San Diego

San Diego Opera has mined solid gold with its mesmerizing and affecting production of As One, a part of their innovative ‘Detour Series.’ »

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10 Dec 2004

A Month in the Country

We previously reported on the Manhattan School of Music production of Lee Hoiby's A Month in the Country. Here is Anne Midgette's review. A Russian Play, Reimagined by an American Composer By ANNE MIDGETTE "We've lost a few people," said... »

10 Dec 2004

A Double Bill at Juilliard

Prodigal Son and a Brat, a Whimsical Pairing By BERNARD HOLLAND The Juilliard Opera Center's double bill on Wednesday made more nonmusical than musical sense. "L'Enfant Prodigue" by Debussy and "L'Enfant et les Sortilèges" by Ravel fit nicely into an... »

10 Dec 2004

Salieri's Europa Riconosciuta A Wise Choice

Salieri promu chantre de l'Europe [09 décembre 2004] Le Napolitain Riccardo Muti a fait le bon choix avec cette Europa Riconosciuta de Salieri pour rouvrir le théâtre dont il est directeur musical depuis le départ d'Abbado en 1986. L'ouvrage avait,... »

08 Dec 2004

Handel in Paris: A Review of Hercules

Paris Palais Garnier 12/04/2004 - et 6, 8, 11, 14, 16, 19, 22, 27 décembre 2004 Georg Friedrich Haendel : Hercules Joyce DiDonato (Dejanira), William Shimell (Hercules), Malena Ernman (Lichas), Toby Spence (Hyllus), Indela Bohlin (Iole), Simon Kirkbridge (Pretre de... »

08 Dec 2004

Der Rosenkavalier at Helsinki

A triumphant 'Rosenkavalier' By George Loomis International Herald Tribune Wednesday, December 8, 2004 HELSINKI Far be it from me to foment rivalry between sopranos, but Finland has another who is fully worthy of the international acclaim already lavished on the... »

07 Dec 2004

Rigoletto at Amsterdam (and an appraisal of tenor Joseph Calleja)

How does it come about that "modern" productions date so quickly while "traditional" ones can go on for ages ? Probably, because ideas that once were fresh and innovative are immediately picked up by everybody in the business, copied (sometimes... »

07 Dec 2004

RAUTAVAARA: The House of the Sun

The House of the Sun Einojuhani Rautavaara, music and libretto Ondine 1032-2D Oulu Symphony orchestra Mikko Franck, conductor The recording company Ondine, based in Helsinki, has built itself an international reputation, at least arguably, by dedicating itself to the works... »

07 Dec 2004

VERDI: A Masked Ball

A Masked Ball Giuseppe Verdi, music and Antonio Somma, libretto English translation by Amanda Holden Chandos 3116 (2) London Philharmonic Orchestra David Parry, conductor In an era where major record companies seldom produce complete opera sets (and those they do... »

06 Dec 2004

Los Angeles Philharmonic Tristan Project

I spent a spectacular three days in Walt Disney Concert Hall taking in the magnificent music of Richard Wagner in what has been entitled The Tristan Project. At first, when this three day event was announced as part of... »

04 Dec 2004

Berlioz in Boston

Not strictly opera, but so full of the usual suspects . . . My experience of Berlioz's Dramatic Symphony Romeo et Juliette (R&J) came full circle last night at Boston's Symphony Hall. I had first heard the work live in... »

03 Dec 2004

Anne Sofie von Otter at Théâtre du Châtelet, Paris

Troubadour des temps modernes Avec toujours un meme gout pour l'éloquente clarté, Anne Sofie von Otter sait tout faire. Bete de scène inespérée, elle est récitaliste sans appret ni pose. Ballades ou mélodies, Lieder et songs, l'éclectisme du programme n'est... »

03 Dec 2004

Praises for Rodelinda at the Met

Review: 'Rodelinda' at Met Is Masterpiece MIKE SILVERMAN Associated Press NEW YORK - George Frideric Handel's "Rodelinda" was a huge success at its London premiere in 1725, but it soon vanished from the stage and - like the composer's three... »

01 Dec 2004

WARRACK: German Opera — From the Beginnings to Wagner

Writing a history of an important and complex operatic repertory spanning three dynamic centuries is a daunting task, one that is perhaps better suited to several specialists than a single author. While an individual rarely possesses the scholarly breadth to write with expertise and authority on so much music, he or she can impart a unifying perspective and a consistent set of goals. But this advantage can also prove to be a limitation. »

01 Dec 2004

Who Said Wagner Didn't Have a Sense of Humor?

Australia forges a 'Ring' with confidence By Shirley Apthorp Published: November 30 2004 Where do the Valkyries meet between battles? At the Wunder Bar, of course. Schwertleite, Grimgerde and sisters are leather-clad punks with a crass sense of humour,... »

30 Nov 2004

Pierre Jourdan Resurrects Haÿdée at Compiègne

OPéRA "Hayedée" à Compiègne Auber sort de l'oubli Jacques Doucelin [Le Figaro] [30 novembre 2004] Et de cinq ! Après Manon Lescaut, Gustave III, Le Domino noir et Les Diamants de la couronne entre 1990 et 1999, Pierre Jourdan vient... »

30 Nov 2004

Opera North Presents Kurt Weill's One Touch of Venus

On the Weill side of Venus Robert Thicknesse Opera North is reviving a "lost" work by the composer THINK of Kurt Weill and what do you get? Cigarettes, dim lights, fishnets; Lotte Lenya or Ute Lemper; Berlin, Brecht, Communism, cabaret... »

29 Nov 2004

Izvestia Reviews

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29 Nov 2004

Neue Zürcher Zeitung Reviews Angels in America

Eine neue Oper von Peter Eötvös in Paris uraufgeführt Peter Eötvös, der ungarische Komponist und Dirigent, heuer sechzig geworden, fühlt sich schon seit je zum Theater hingezogen. Seine Musik hat dieses narrative, körperlich-gestische Element, das Bildhafte und Kommunikative, das guter... »

29 Nov 2004

Another View of The Inner Voice

Fleming gives what young singers need By Sarah Bryan Miller Post-Dispatch Classical Music Critic Sunday, Nov. 28 2004 "The Inner Voice: The Making of a Singer" By Renee Fleming Published by Viking; 222 pages; $24.95 This is the book I... »

29 Nov 2004

Don Pasquale at Covent Garden

Opera: Don Pasquale Robert Thicknesse at Covent Garden JONATHAN MILLER certainly has it in for Covent Garden. A few weeks ago he hilariously described the crowd here as "Harrods Food Hall gives up its dead", and to continue the metaphor... »

27 Nov 2004

Angels in America at Theatre du Chatelet, Paris

Clipping the wings of an apocalyptic epic (Filed: 27/11/2004) Rupert Christiansen reviews Angels in America at Theatre du Chatelet, Paris There are plenty of wonderful operas taken from good plays, and a few (Otello and Wozzeck, for example) taken from... »

27 Nov 2004

LA Opera Presents Vanessa

A fully American grand opera Los Angeles Opera stages the seldom-produced "Vanessa" By John Farrell Special to U-Entertainment Thursday, November 25, 2004 - Los Angeles Opera has been steering its productions the last few months right down the middle of... »

27 Nov 2004

Eugene Onegin at SFO

Soaring Opera hits new heights in Tchaikovsky's 'Eugene Onegin' Joshua Kosman, Chronicle Music Critic Friday, November 26, 2004 Tchaikovsky's "Eugene Onegin" is a story of strong emotion accommodating itself, painfully but with resigned acceptance, to external reality. Dreams of romantic... »

25 Nov 2004

Review of Renée Fleming's Memoir

THE INNER VOICE: The Making of a Singer Renée Fleming Viking Memoir ISBN: 0670033510 Renee Fleming evidently started out determined to write a different sort of opera singer's memoir. She calls her book "the autobiography of my voice" and tries... »

24 Nov 2004

OONY Presents La Fanciulla del West

Superb, if mixed, Fanciulla at OONY Last night's La Fanciulla del West at Carnegie Hall was the classic case of the whole being much better than the sum of its parts. It was a thrilling performance of Puccini's score and... »

23 Nov 2004

Performance Note: Helikon Opera of Moscow Performs Nabucco at Dijon

The Helikon Opera of Moscow is in residence for three weeks at Dijon. Its first production was Verdi's Nabucco. In ResMusica.com, Edouard Bailly reviews this production with lavish praise for its costumes and sets, as well as, for the most... »

22 Nov 2004

Verdi's Macbeth at Madrid

Macbeth and the darkness Madrid Teatro Real 11/10/2004 - Giuseppe Verdi: Macbeth Carlos álvarez (Macbeth), Paoletta Marrocu (Lady Macbeth), Aquiles Machado (Macduff), Guillermo Orozco (Malcolm), Carlo Colombara (Banquo). Orchestra and Chorus of the Teatro Real, Jesus Lopez Cobos (Musical Conductor),... »

19 Nov 2004

Handel's Semele at the ENO

Semele Robert Thicknesse at the Coliseum [Times Online, 20 November 2004] IT HAS to be the Prince of Wales's favourite opera. "Nature to each allots his proper sphere," avers Congreve's coolly brilliant libretto, and proceeds to itemise the results of... »

19 Nov 2004

Tosca at Graz

Boris Trajanov, Evan Bowers and Marquita Lister Opernhaus Graz's new production of Tosca is a hit. According to Larry Lash of the Financial Times, A stage direction in my score of Tosca has Scarpia making a cup of coffee... »

19 Nov 2004

The Cunning Little Vixen at the Chicago Lyric

If 'Vixen' can find its balance, it'll be a charmer November 19, 2004 BY WYNNE DELACOMA Classical Music Critic Somewhere amid the nonstop bustle onstage and the flood of highly colored orchestral music from the pit, a charming production of... »

18 Nov 2004

Le Monde Reviews La Traviata at La Fenice: High Praise for Cast — Carsen's Production a Cliché

La Fenice refaite à neuf lance sa saison avec une "Traviata" façon années 1970 LE MONDE | 17.11.04 | 18h19 Le théâtre vénitien, rénové après l'incendie de 1996, présente l'œuvre de Verdi dans sa version originale de 1853, transformée en... »

17 Nov 2004

WSJ Reviews Le Grande Macabre and The Flying Dutchman at the SFO

Waiting for the End of the World By HEIDI WALESON [WSJ] November 17, 2004 San Francisco Many listeners know Gyorgy Ligeti from the creepily futuristic orchestral music in the soundtrack of the 1968 movie “2001: A Space Odyssey.” His opera “Le Grand Macabre” (1978, revised in 1996), given its American premiere this month by the San Francisco Opera, is a thoroughly different creature, yet it is just as much an artifact of its time. Though carefully crafted and full of compositional references, the score is mostly an elbow-in-the-ribs accompaniment to a nihilistic black comedy. Beginning with an opening fanfare for car horns that sounds like Harpo Marx multiplied and continuing with a parody of the “Dies Irae,” the prophecy of the Day of Judgment, the opera is a soulless and often scatological joke. »

16 Nov 2004

I Puritani at Baltimore Opera

More than meeting Bellini's demands Baltimore company sings 'I Puritani' with polish, precision and control By Tim Smith Sun Music Critic November 15, 2004 Bel canto - "beautiful singing." It's more common to hear that term spoken of than to... »

15 Nov 2004

Le Figaro Reviews La Traviata at La Fenice: Praises Ciofi, But Not Much Else

Verdi à Las Vegas Venise : de notre envoyé spécial Jacques Doucelin [15 novembre 2004] Un de ces chats comme Venise en a le secret, trone impérial et méprisant au beau milieu d'une place ensoleillée, manteau mité, mais noeud papillon... »

15 Nov 2004

STRAUSS: Der Liebe der Danae

STRAUSS Der Liebe der Danae, op. 83 * Ulrich Windfuhr, cond; Franz Grundheber (Jupiter); Manuela Uhl (Danae); Hans-Jürgen Schöpflin (Mercury); Robert Chafin (Midas); Paul McNamara (Pollux); Cornelia Zach (Xanthe, Europa); Daniel Behle, Martin Fleitmann, Simon Pauly, Hans Georg Ahrens (Vier... »

15 Nov 2004

A Review of Martin

MARTIN... »

15 Nov 2004

Myto Releases Spontini's Agnese di Hohenstaufen

SPONTINI: Agnese di Hohenstaufen Lucille Udovick (Agnese), Dorothy Dow (Irmengarda), Franco Corelli (Enrico il Palatino), Francesco Albanese (Filippo), Enzo Mascherini (Re di Francia), Anselmo Colzani (Enrico il Leone), Gian Giacomo Guelfi (L'Imperatore); Florence Teatro Communale/ Vittorio Gui Myto 42084 [2CD]... »

14 Nov 2004

Myto Releases Ernani

VERDI:Ernani with Giovanna d'Arco excerpts Georgio Merighi (Ernani), Piero Cappuccilli (Don Carlo), Augusto Ferrin (De Silva), Mara Zampieri (Elvira) Trieste Teatro Communale/ MolinariPradelli; Mara Zampieri (Giovanna), Renato Francesconi (Carlo), Ettore Nova (Giacomo) San Remo Symphony/ Buenza-Delil Myto 41288 [2CD] 148... »