Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

Hugo Wolf, Italienisches Liederbuch

Nationality is a complicated thing at the best of times. (At the worst of times: well, none of us needs reminding about that.) What, if anything, might it mean for Hugo Wolf’s Italian Songbook? Almost whatever you want it to mean, or not to mean.

Mortal Voices: the Academy of Ancient Music at Milton Court

The relationship between music and money is long-standing, complex and inextricable. In the Baroque era it was symbiotically advantageous.

Glyndebourne Opera Cup 2018: semi-finalists announced

The semi-finalists for the first Glyndebourne Opera Cup have been announced. Following a worldwide search that attracted nearly 200 entries, and preliminary rounds in Berlin, London and Philadelphia, 23 singers aged 21-28 have been chosen to compete in the semi-final at Glyndebourne on 22 March.

ENO announces Studio Live casts and three new Harewood Artists

English National Opera (ENO) has announced the casts for Acis and Galatea and Paul Bunyan, 2018’s two ENO Studio Live productions. ENO Studio Live forms part of ENO Outside which takes ENO’s work to arts-engaged audiences that may not have considered opera before, presenting the immense power of opera in more intimate studio and theatre environments.

Handel in London: 2018 London Handel Festival

The 2018 London Handel Festival explores Handel’s relationship with the city. Running from 17 March to 16 April 2018, the Festival offers four weeks of concerts, talks, walks & film screenings explore masterpieces by Handel, from semi-staged operas to grand oratorio and lunchtime recitals.

Dartington International Summer School & Festival: 70th anniversary programme

Internationally-renowned Dartington Summer School & Festival has released the course programme for its 70th Anniversary Summer School and Festival, curated by the pianist Joanna MacGregor, that will run from 28th July to 25th of August 2018.

I Puritani at Lyric Opera of Chicago

What better evocation of bel canto than an opera which uses the power of song to dispel madness and to reunite the heroine with her banished fiancé? Such is the final premise of Vincenzo Bellini’s I puritani, currently in performance at Lyric Opera of Chicago.

Iolanthe: English National Opera

The current government’s unfathomable handling of the Brexit negotiations might tempt one to conclude that the entire Conservative Party are living in the land of the fairies. In Gilbert & Sullivan’s 1882 operetta Iolanthe, the arcane and Arcadia really do conflate, and Cal McCrystal’s new production for English National Opera relishes this topsy-turvy world where peris consort with peri-wigs.

Il barbiere di Siviglia in Marseille

Any Laurent Pelly production is news, any role undertaken by soprano Stephanie d’Oustrac is news. Here’s the news from Marseille.

Riveting Maria de San Diego

As part of its continuing, adventurous “Detour” series, San Diego Opera mounted a deliciously moody, proudly pulsating, wholly evocative presentation of Astor Piazzolla’s “nuevo tango” opera, Maria de Buenos Aires.

La Walkyrie in Toulouse

The Nicolas Joel 1999 production of Die Walküre seen just now in Toulouse well upholds the Airbus city’s fame as Bayreuth-su-Garonne (the river that passes through this quite beautiful, rich city).

Barrie Kosky's Carmen at Covent Garden

Carmen is dead. Long live Carmen. In a sense, both Bizet’s opera and his gypsy diva have been ‘done to death’, but in this new production at the ROH (first seen at Frankfurt in 2016) Barrie Kosky attempts to find ways to breathe new life into the show and resurrect, quite literally, the eponymous temptress.

Candide at Arizona Opera

On Friday February 2, 2018, Arizona Opera presented Leonard Bernstein’s Candide to honor the 100th anniversary of the composer’s birth. Although all the music was Bernstein’s, the text was written and re-written by numerous authors including Lillian Hellman, Richard Wilbur, Stephen Sondheim, John La Touche, and Dorothy Parker, as well as the composer.

Satyagraha at English National Opera

The second of Philip Glass’s so-called 'profile' operas, Satyagraha is magnificent in ENO’s acclaimed staging, with a largely new cast and conductor bringing something very special to this seminal work.

Mahler Symphony no 8—Harding, Swedish Radio Symphony Orchestra

From the Berwaldhallen, Stockholm, a very interesting Mahler Symphony no 8 with Daniel Harding and the Swedish Radio Symphony Orchestra. The title "Symphony of a Thousand" was dreamed up by promoters trying to sell tickets, creating the myth that quantity matters more than quality. For many listeners, Mahler 8 is still a hard nut to crack, for many reasons, and the myth is part of the problem. Mahler 8 is so original that it defies easy categories.

Wigmore Hall Schubert Birthday—Angelika Kirchschlager

At the Wigmore Hall, Schubert's birthday is always celebrated in style. This year, Angelika Kirchschlager and Julius Drake, much loved Wigmore Hall audience favourites, did the honours, with a recital marking the climax of the two-year-long Complete Schubert Songs Series. The programme began with a birthday song, Namenstaglied, and ended with a farewell, Abschied von der Erde. Along the way, a traverse through some of Schubert's finest moments, highlighting different aspects of his song output : Schubert's life, in miniature.

GLUCK: Alceste

Alceste. Tragedia in three acts (Italian version). Alceste. Tragédie opéra in three acts (French version).

A Splendid Italian Spoken-Dialogue Opera: De Giosa’s Don Checco

Never heard of Nicola De Giosa (1819-85), a composer who was born in Bari (a town on the Adriatic, near the heel of Italy), but who spent most of his career in Naples? Me, neither!

Winterreise by Mark Padmore

Schubert's Winterreise is almost certainly the most performed Lieder cycle in the repertoire. Thousands of performances and hundreds of recordings ! But Mark Padmore and Kristian Bezuidenhout's recording for Harmonia Mundi is proof of concept that the better the music the more it lends itself to re-discovery and endless revelation.

Ilker Arcayürek at Wigmore Hall

The first thing that struck me in this Wigmore Hall recital was the palpable sincerity of Ilker Arcayürek’s artistry. Sincerity is not everything, of course; what we think of as such may even be carefully constructed artifice, although not, I think, here.


OPERA TODAY ARCHIVES »

Reviews

Jonas Kaufmann and Diana Damrau perform Wolf’s Italienisches Liederbuch as part of the Barbican Presents 2017-18 season in the Barbican Hall on 16th February 2018.
18 Feb 2018

Hugo Wolf, Italienisches Liederbuch

Nationality is a complicated thing at the best of times. (At the worst of times: well, none of us needs reminding about that.) What, if anything, might it mean for Hugo Wolf’s Italian Songbook? Almost whatever you want it to mean, or not to mean.  »

Recently in Reviews

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32  |  33  |  34  |  35  |  36  |  37  |  38  |  39  |  40  |  41  |  42  |  43  |  44  |  45  |  46  |  47  |  48  |  49  |  50  |  51  |  52  |  53  |  54  |  55  |  56  |  57  |  58  |  59  |  60  |  61  |  62  |  63  |  64  |  65  |  66  |  67  |  68  |  69  |  70  |  71  |  72  |  73  |  74  |  75  |  76  |  77  |  78  |  79  |  80  |  81  |  82  |  83  |  84  |  85  |  86  |  87  |  88  |  89  |  90  |  91  |  92  |  93  |  94  |  95  |  96  |  97  |  98  |  99  |  100  |  101  |  102  |  103  |  104  |  105  |  106  |  107  |  108  |  109  |  110  |  111  |  112 
07 Apr 2016

Falstaff Makes a Big Splash in Phoenix

On April 1, 2016, Arizona Opera presented Falstaff by Giuseppe Verdi (1813-1901) and Arrigo Boito (1842-1918) in Phoenix. Although Boito based most of his libretto on Shakespeare’s The Merry Wives of Windsor, he used material from Henry IV as well. Verdi wrote the music when he was close to the age of eighty. He was concerned about his ability at that advanced age, but he was immensely pleased with Boito’s text and decided to compose his second comedy, despite the fact that his first, Un giorno di regno, had not been successful.  »

06 Apr 2016

Svadba in San Francisco

The brand new SF Opera Lab opened last month with artist William Kentridge’s staged Schubert Winterreise. Its second production just now, Svadba-Wedding — an a cappella opera for six female voices — unabashedly exposes the space in a different, non-theatrical configuration. »

05 Apr 2016

Benvenuto Cellini in Rome

One may think of Tosca as the most Roman of all operas, after all it has been performed at the Teatro Costanzi (Rome’s opera house) well over a thousand times since 1900. Though equally, maybe even more Roman is Hector Berlioz’ Benvenuto Cellini that has had only a dozen or so performances in Rome since 1838. »

02 Apr 2016

New from Opera Rara : Gounod La Colombe and Donizetti Le Duc d'Albe

Two new recordings from highly acclaimed specialists Opera Rara - Gounod La Colombe and Donizetti Le Duc d'Albe.  »

02 Apr 2016

Handel : Elpidia - Opera Settecento

Roll up! A new opera by Handel is to be performed, L’Elpidia overo li rivali generosi. It is based upon a libretto by Apostolo Zeno with music by Leonardo Vinci - excepting a couple of arias by Giuseppe Orlandini and, additionally, two from Antonio Lotti’s Teofane (which the star bass, Giuseppe Maria Boschi , on bringing with him from the Dresden production of 1719).  »

02 Apr 2016

Roberto Devereux in Genova

Radvanovsky in New York, Devia in Genoa — Donizetti queens are indeed in the news! Just now in Genoa Mariella Devia was the Elizabeth I for her beloved Roberto Devereux in a new trilogy of Donizetti queens (Maria Stuarda and Anne Bolena) directed by baritone Alfonso Antoniozzi. »

31 Mar 2016

The Importance of Being Earnest, Royal Opera

‘All men become like their mothers. That is their tragedy. No man does. That is his.’ ‘Is that clever?’ ‘It is perfectly phrased!’ »

26 Mar 2016

Mahler’s Third, Concertgebouw

Evolving in Mahler’s Third: Dudamel and L.A. Philharmonic’s impressive adaption to the Concertgebouw »

22 Mar 2016

La Juive in Lyon

Though all big opera is called grand opera, French grand opera itself is a very specific genre. It is an ephemeral style not at all easy to bring to life. For example . . . »

21 Mar 2016

Benjamin, Dernière Nuit in Lyon

That’s Walter Benjamin of the Frankfort School [philosophers in the interwar period (WW’s I and II) who were at home neither with capitalism, fascism or communism]. »

21 Mar 2016

Handel’s Berenice, London

1737 was Handel’s annus horribilis. His finances were in disarray and his opera company was struggling in the face of the challenge presented by the rival Opera of the Nobility. The strain and over-work led to a stroke, as the Earl of Shaftesbury reported: »

20 Mar 2016

Nocturnal Visions and Reveries at the Barbican

Nocturnal visions and reveries dominated this concert by the BBC Symphony Orchestra at the Barbican Hall, part of a two-day celebration of the music of George Benjamin which also includes a concert performance of the composer’s opera Written on Skin.  »

18 Mar 2016

Ferruccio Furlanetto at San Diego

On March 5, 2016, San Diego Opera presented it’s star bass, Ferruccio Furlanetto, in a concert of arias with the San Diego Symphony Orchestra at the orchestra’s home, Copley Symphony Hall. »

18 Mar 2016

Madama Butterfly, LA Opera

On March 12, 2016, Los Angeles Opera presented the local premiere of Lee Blakeley’s staging of Giacomo Puccini’s Madama Butterfly which had been seen in 2010 at Santa Fe Opera. When Blakeley’s Geisha, played magnificently by Ana Maria Martinez, forsakes her traditional religion and breaks the rules of her culture, she eventually faces a choice between total loss of honor and suicide. Everything that happened on the stage Saturday night pointed toward the tragedy. Puccini’s unforgettable music and exquisite singing by Los Angeles Opera’s top-notch cast kept audience members on the edges of their seats all evening. »

16 Mar 2016

Boris Godunov, Covent Garden

‘And therefore never send to know for whom the bell tolls; it tolls for thee.’ John Donne’s metaphysical meditation might have made a fitting sub-title for Richard Jones’s new production of Musorgky’s Boris Godunov at the Royal Opera House — the first performance in the house of the original 1869 score. »

14 Mar 2016

Ariodante, London Handel Festival

By the time that he composed Ariodante, which was first performed in January 1735, Handel had more than three decades of opera-composing experience behind him. It’s surely one of his greatest music dramas not least because, adapted from Ludovico Ariosto’s epic poem Orlando Furioso, it is a very ‘human’ drama, telling of love and lust, betrayal and healing. »

14 Mar 2016

AZ Opera Presents Young Singers in Memorable Don Giovanni

Don Giovanni is Mozart at his mature zenith. He makes his musical statements directly with optimum economy and, even after more than two centuries, the dramatic scope of his work remains a source of wonder to operagoers. Charles Gounod called Don Giovanni “an unequalled and immortal masterpiece, the pinnacle of lyrical drama.” »

10 Mar 2016

Rimsky-Korsakov’s May Night, London

Descending into the concrete cavern that is Ambika P3, at the University of Westminster, I reflected that the bunker-like milieu was a fitting venue for Royal Academy Opera’s production of Rimsky-Korsakov’s May Night, which updated the original early-19th century locale to the beginning of the Soviet era. »

10 Mar 2016

Entrancing Orlando at the Concertgebouw

The English Concert’s travelling Orlando has been collecting rave reviews. Here’s another one from Amsterdam, the last stop on their tour before Carnegie Hall. »

03 Mar 2016

Orlando at the Barbican

In 1728 Handel was down on his luck, following the demise of his ‘Royal Academy’. Ever the entrepreneur, the following year he made a scouting tour of Italy in search of the best singing talent and, returning with seven new virtuosos — including the castrato Senesino.  »

02 Mar 2016

Heroique flashes at Wigmore Hall

Bryan Hymel, Irene Roberts & Julius Drake at Rosenblatt Recitals »

02 Mar 2016

Il trittico, Royal Opera

Strong revival for Richard Jones 2011 production with cast mixing returnees and débutantes »

02 Mar 2016

A trip with Captain Haitink into Bruckner’s Cosmos

Last year for his 60th anniversary as conductor, Bernard Haitink celebrated with one of his first orchestra’s the Dutch Radio Philharmonic. That performance of Mahler’s Fourth turned out such a success, he returned for another round at the NTR Saturday Matinee at the Concertgebouw.  »

02 Mar 2016

Félicien David: Herculanum

It is not often that a major work by a forgotten composer gets rediscovered and makes an enormously favorable impression on today’s listeners. That has happened, unexpectedly, with Herculanum, a four-act grand opera by Félicien David, which in 2014 was recorded for the first time.  »

01 Mar 2016

Music and the Exotic from the Renaissance to Mozart

In Musical Exoticism (Cambridge 2011) Ralph P. Locke undertook an extensive appraisal of the portrayal of the ‘Other’ in works dating from 1700 to the present day, an enquiry that embraced a wide range of genres from Baroque opera to Algerian rap, and which was at once musical, cultural, historical, political and ethical.  »

29 Feb 2016

Khovanshchina at Dutch National Opera convinces musically, less so theatrically

Dutch National Opera’s Khovanshchina’s finest asset was Anita Rachvelishvili’s vocally ravishing Marfa. The darkly opalescent Netherlands Philharmonic Orchestra came in a close second. »

29 Feb 2016

Sophie Bevan, Wigmore Hall

The meaning of the term cantata (literally, ‘sung’ from the Italian verb, cantare) may have changed over time, but whether sacred or secular, the form — with its combination of declamatory narration and emotive arias — is undoubtedly a dramatic one, as this performance by Dunedin at the Wigmore Hall of cantatas by J.S. Bach and Handel confirmed. »

29 Feb 2016

Extraordinary Pelléas et Mélisande

With its City of Light presentations, honoring Paris and French inspired music, the Los Angeles Philharmonic offered its public an extraordinary concert performance of a unique opera — Pelléas et Mélisande by Claude Debussy. »

29 Feb 2016

Fascinating Magic Flute in Los Angeles

Barrie Kosky, intendant of the Komische Oper in Berlin, initially thought of combining live performance with animation when he saw British theater company 1927’s production of Between the Devil and the Deep Blue Sea. For that presentation, Suzanne Andrade and Paul Barritt mixed the worlds of silent film and music hall theater, a combination that Kosky wanted for his production of Mozart’s The Magic Flute.  »

24 Feb 2016

Theatre of the Ayre, Wigmore Hall

In the 17th century, sacred vocal music was not just for public worship in church but also for private devotion within a secular setting, and this concert at the Wigmore Hall by Theatre of the Ayre under its director Elizabeth Kenny transported us from Chapel Royal to domestic chamber. »

22 Feb 2016

HOT Dream in Honolulu

In a world opera schedule packed with safe bread-and-butter warhorses, Hawaii Opera Theatre gambled on a Britten rarity and came up smelling as sweet as a tuberose lei. »

19 Feb 2016

Arizona Opera Presents an Interesting Carmen

Henri Meilhac and Ludovic Halévy, based their libretto for Georges Bizet’s opera Carmen on a novella of the same title by Prosper Mérimée. On March 3, 1875, Carmen was premiered at the Opéra-Comique in Paris.  »

19 Feb 2016

L'Aiglon in Marseille

Napoleon I (Bonaparte) was known as the Aigle (eagle), his son by Marie Louise (of the Hapsburgs) later became called the Aiglon (eaglet). At birth he was dubbed the King of Rome by his father. Unofficially and very briefly he was Napoleon II. Exiled in Austria he was officially titled the Duke of Reichstadt and the Prince of Parma. »

18 Feb 2016

Norma , ENO

Notable first performance of Bellini's opera by ENO, with a striking assumption of the title role from the young American soprano »

18 Feb 2016

Schubert: The Complete Songs

The Wigmore Hall’s chronological journey through the complete lieder of Franz Schubert continued with this recital by tenor Ian Bostridge and pianist Graham Johnson. The duo gave a thought-provoking performance which was notable for the searching dialectic between simplicity and complexity which it illuminated. »

17 Feb 2016

M is for Man, Music and Mystery

Peter Greenaway’s short film M is for Man, Music and Mozart, for which the Dutch composer Louis Andriessen composed the score, was commissioned to mark the bicentenary anniversary of Mozart’s death in 1791. »

17 Feb 2016

San Diego Opera Presents an Exciting Tosca

Together with fellow playwrights Émile Augier and Alexandre Dumas fils, Victorien Sardou dominated the French stage in the late nineteenth century. Although Sardou was an excellent craftsman who was elected to the Académie Francaise in 1877, his reliance on theatrical devices caused his plays to go out of style after the turn of the twentieth century.  »

15 Feb 2016

Nabucco with a Rare Cast at Lyric Opera of Chicago

The background of Giuseppe Verdi’s Nabucco, currently being presented at Lyric Opera of Chicago, draws on the struggle between Babylonian and Hebrew forces, emphasized in this production graphically by alternating scripts in cuneiform and Hebrew projections.  »