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Elsewhere

Adriana Lecouvreur Opera Holland Park

Twelve years after Opera Holland Park's first production of Francesco Cilea's Adriana Lecouvreur, the opera made a welcome return.

Back to the Beginnings: Monteverdi’s Il ritorno d’Ulisse in patria at Iford Opera.

The Italianate cloister setting at Iford chimes neatly with Monteverdi’s penultimate opera The Return of Ulysses, as the setting cannot but bring to mind those early days of the musical genre. The world of commercial public opera had only just dawned with the opening of the Teatro San Cassiano in Venice in 1637 and for the first time opera became open to all who could afford a ticket, rather than beholden to the patronage of generous princes. Monteverdi took full advantage of the new stage and at the age of 73 brought all his experience of more than 30 years of opera-writing since his ground-breaking L’Orfeo (what a pity we have lost all those works) to the creation of two of his greatest pieces, Ulysses and then his final masterpiece, Poppea.

Schoenberg : Moses und Aron, Welsh National Opera, London

Once again, we find ourselves thanking an unrepresentable being for Welsh National Opera’s commitment to its mission. It is a sad state of affairs when a season that includes both Boulevard Solitude and Moses und Aron is considered exceptional, but it is - and is all the more so when one contrasts such seriousness of purpose with the endless revivals of La traviata which, Die Frau ohne Schatten notwithstanding, seem to occupy so much of the Royal Opera’s effort. That said, if the Royal Opera has not undertaken what would be only its second ever staging of Schoenberg’s masterpiece - the first and last was in 1965, long before most of us were born! - then at least it has engaged in a very welcome ‘WNO at the Royal Opera House’ relationship, in which we in London shall have the opportunity to see some of the fruits of the more adventurous company’s endeavours.

Rossini is Alive and Well and Living in Iowa

If you don’t have the means to get to the Rossini festival in Pesaro, you would do just as well to come to Indianola, Iowa, where Des Moines Metro Opera festival has devised a heady production of Le Comte Ory that is as long on belly laughs as it is on musical fireworks.

Gergiev : Janáček Glagolitic Mass, BBC Proms

Composed during just a few weeks of the summer of 1926, Janáček’s Slavonic-text Glagolitic Mass was first performed in Brno in December 1927. During the rehearsals for the premiere - just 3 for the orchestra and one 3-hour rehearsal for the whole ensemble - the composer made many changes, and such alterations continued so that by the time of the only other performance during Janáček’s lifetime, in Prague in April 1928, many of the instrumental (especially brass) lines had been doubled, complex rhythmic patterns had been ‘ironed-out’ (the Kyrie was originally in 5/4 time), a passage for 3 off-stage clarinets had been cut along with music for 3 sets of pedal timpani, and choral passages were also excised.

Donizetti and Mozart, Jette Parker Young Artists Royal Opera House, London

With the conclusion of the ROH 2013-14 season on Saturday evening - John Copley’s 40-year old production of La Bohème bringing down the summer curtain - the sun pouring through the gleaming windows of the Floral Hall was a welcome invitation to enjoy a final treat. The Jette Parker Young Artists Summer Showcase offered singers whom we have admired in minor and supporting roles during the past year the opportunity to step into the spotlight.

Glyndebourne's Strauss Der Rosenkavalier, BBC Proms

Many words have already been spent - not all of them on musical matters - on Richard Jones’s Glyndebourne production of Der Rosenkavalier, which last night was transported to the Royal Albert Hall. This was the first time at the Proms that Richard Strauss’s most popular opera had been heard in its entirety and, despite losing two of its principals in transit from Sussex to SW1, this semi-staged performance offered little to fault and much to admire.

Il turco in Italia at the Aix Festival

Twenty years ago stage director Christopher Alden introduced Rossini’s then forgotten comedy to Southern California audiences in a production that is still remembered. In Aix Alden has revisited this complex work that many critics now consider Rossini’s greatest comedy.

First Night of the BBC Proms : Elgar The Kingdom

The BBC Proms 2014 season began with Sir Edward Elgars The Kingdom (1903-6). It was a good start to the season,which commemorates the start of the First World War. From that perspective Sir Andrew Davis's The Kingdom moved me deeply.

Le nozze di Figaro, Munich

One is unlikely to come across a cast of Figaro principals much better than this today, and the virtues of this performance indeed proved to be primarily vocal.

Winterreise and Trauernacht at the Aix Festival

That’s A Winter’s Journey and A Night of Mourning for metteurs-en-scène William Kentridge (South Africa) and Katie Mitchell (Great Britain), completing the clean sweep of English language stage directors for the Aix Festival productions this year.

James Gilchrist at Wigmore Hall

Assured elegance, care and thoughtfulness characterised tenor James Gilchrist’s performance of Schubert’s Schwanengesang at the Wigmore Hall, the cycles’ two poets framing a compelling interpretation of Beethoven’s An die ferne Geliebte.

Music for a While: Improvisations on Henry Purcell

‘Music for a while shall all your cares beguile.’ Dryden’s words have never seemed as apt as at the conclusion of this wonderful sequence of improvisations on Purcell’s songs and arias, interspersed with instrumental chaconnes and toccatas, by L’Arpeggiata.

Nabucco at Orange

The acoustic of the gigantic Théâtre Antique Romain at Orange cannot but astonish its nine thousand spectators, the nearly one hundred meter breadth of the its proscenium inspires awe. There was excited anticipation for this performance of Verdi’s first masterpiece.

Richard Strauss: Notturno

Richard Strauss may be most closely associated with the soprano voice but this recording of a selection of the composer’s lieder by baritone Thomas Hampson is a welcome reminder that the rapt lyricism of Strauss’s settings can be rendered with equal beauty and character by the low male voice.

Saint Louis: A Hit is a Hit is a Hit

Opera Theatre of Saint Louis has once again staked claim to being the summer festival “of choice” in the US, not least of all for having mounted another superlative world premiere.

La Flûte Enchantée (2e Acte)
at the Aix Festival

In past years the operas of the Aix Festival that took place in the Grand Théâtre de Provence began at 8 pm. The Magic Flute began at 7 pm, or would have had not the infamous intermittents (seasonal theatrical employees) demanded to speak to the audience.

Ariodante at the Aix Festival

High drama in Aix. Three scenarios in conflict — those of G.F. Handel, Richard Jones and the intermittents (disgruntled seasonal theatrical employees). Make that four — mother nature.

Lucy Crowe, Wigmore Hall

The programme declared that ‘music, water and night’ was the connecting thread running through this diverse collection of songs, performed by soprano Lucy Crowe and pianist Anna Tilbrook, but in fact there was little need to seek a unifying element for these eclectic works allowed Crowe to demonstrate her expressive range — and offered the audience the opportunity to hear some interesting rarities.

The Turn of the Screw, Holland Park

‘Only make the reader’s general vision of evil intense enough … and his own experience, his own imagination, his own sympathy … will supply him quite sufficiently with all the particulars.


OPERA TODAY ARCHIVES »

Reviews

28 Jul 2014

Adriana Lecouvreur Opera Holland Park

Twelve years after Opera Holland Park's first production of Francesco Cilea's Adriana Lecouvreur, the opera made a welcome return. »

Recently in Reviews

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22 Apr 2008

A Cut Too Far…..the new Giulio Cesare in Lausanne

With what might (if one were risking facetiousness) be termed a “false-set” of four countertenors in the cast, this was always going to be an intriguing production of Handel’s Giulio Cesare for aficionados of a voice type which has revolutionised the perception (and popularity) of baroque opera over the past 15 years. »

21 Apr 2008

The Minotaur — Royal Opera, Covent Garden

Harrison Birtwistle’s new full-scale opera, commissioned by the Royal Opera House, Covent Garden, is a study of isolation and imprisonment. »

21 Apr 2008

OONY Performs Puccini's Edgar

It was one of Queler’s good nights. »

21 Apr 2008

BELLINI: Norma

This production offers a different view of Norma. As Stage Director Guy Joosten explains in the introduction on the first of a 2-disc set, he wanted to give the audience “more” of what he believes the modern audience expects. »

21 Apr 2008

Berlin’s “other” opera often stellar

It is, you might say, the little opera that can. True, if it’s size of the budget, the price of tickets and the number of seats that concerns you, the Komische Oper is clearly the third of Berlin’s opera houses. »

21 Apr 2008

(Mostly) Pretty Poison

What to make of "Lucrezia Borgia"? I have always felt that, some lovely arias notwithstanding, this Donizetti work never really gets going until the slam-bang soprano-baritone duet in Act II. »

09 Apr 2008

Prokofiev's The Gambler at the MET

That Fed Dostoevsky – sure plays a mean pinball! »

08 Apr 2008

KUMMER: Cello Duets

If Friedrich August Kummer is not a household word in your home, no reason for concern — he is one of the prolific Kleinmeistern of the post-Beethoven generation, a generation for which the cost of printing had dropped so much that it was financially possible for a composer to produce hundreds of published opuses. »

08 Apr 2008

Frankurt Opera — The Rape of Lucretia

Plainly put, Frankfurt Opera’s “The Rape of Lucretia” could be offered as a textbook example of just how great a performance can be when everything goes right. »

07 Apr 2008

Barenboim and Berlin — beauty and brilliance

BERLIN — Which car-rental agency was it that was once No. 2 and “trying harder?” »

06 Apr 2008

ANNA BOLENA – English Touring Opera

In a climate in which bel canto opera seems to be enjoying a steady and welcome revival, ETO opened their current season with a welcome production of Donizetti's historically dubious account of the latter days of Anne Boleyn. The company's... »

06 Apr 2008

SUSANNAH – English Touring Opera

The most interesting opera on ETO's Spring 2008 tour was Carlisle Floyd's 1950s tale of religious hypocrisy in the rural Deep South, based on the Apocryphal tale of Susannah and the Elders. »

06 Apr 2008

DON GIOVANNI – English Touring Opera

The last of the three operas on ETO's Spring 2008 tour was sung in English, and updated to a Spain of the mid-twentieth century under Franco. »

06 Apr 2008

Johann Sebastian Bach Cantatas [BWV 64, 151, 57 and 133]

This installment of John Eliot Gardiner’s impressive Bach Cantata Pilgrimage comes from close to the end of his millennial Wanderjahr, presenting cantatas for Christmas week. »

06 Apr 2008

San Diego Opera: Cavalleria Rusticana & Pagliacci

Opera companies often tout new productions as a major attraction of their seasons. »

06 Apr 2008

Serafin: Overtures and Preludes

Timeless values of great opera conducting fill this disc of overtures and preludes, all conducted by Tullio Serafin. »

30 Mar 2008

William Byrd. Laudibus in sanctis.

William Byrd’s affinity for the Latin motet found various outlets. »

30 Mar 2008

HANSON: Merry Mount

A frequent complaint about contemporary operas — or most any after Puccini's Turandot — is the lack of that memorable lyricism found in the standard repertory. »

30 Mar 2008

Verdi: La Forza del Destino

From a relatively obscure label — Osteria — comes this 1962 live recording of Verdi's La Forza del Destino, featuring a relatively obscure soprano, Gré Brouwenstijn. »

30 Mar 2008

Classics for Pleasure opera highlights: Puccini

With single CD versions of full-length operas, isn't the term "highlights" presumptuous? »

23 Mar 2008

Lalo's Fiesque — University College Opera

UC Opera's reputation for showcasing rare large-scale works has been boosted this year with the UK premiere of this 1846 opera by Edouard Lalo after a Schiller play. »

17 Mar 2008

Frankfurt's Ship of Fools

As Anna Russell might say: "The three operas of Puccini's 'Il Trittico' take place on a luxury cruise liner. . . . . On it." »

17 Mar 2008

Heggie's "Last Acts"

Let me say up front that I like Jake Heggie's work. I feel he has a true gift for soaring and meaningful melody, a great ear for orchestral effects, a talent for picking good source material, and a knack for crafting affecting melodrama (in the best sense of that word) that can move an audience to tears. »

17 Mar 2008

Heggie faces family dilemma in new work

Do dysfunctional families outnumber the ones that move through life untroubled, or is it — to paraphrase Tolstoy — that every dysfunctional family is dysfunctional in its own way and thus of greater interest to writers and composers? »

16 Mar 2008

Tristan und Isolde — The Metropolitan Opera

I bet this doesn't happen at the movies: »

16 Mar 2008

Handel's Riccardo primo, Re d’Inghilterra (HWV 23) and Tolomeo, Re d’Egitto (HWV 25) from Bärenreiter

Published in 2007, Riccardo primo, Re d’Inghilterra (HWV 23) and Tolomeo, Re d’Egitto (HWV 25) mark two of the latest installments of vocal-score editions of Handel’s operas based upon Bärenreiter’s Urtext editions. »

16 Mar 2008

Peter Grimes at the MET

Let us, for one example among many, take the capstan song in Act I. »

16 Mar 2008

MOZART: Don Giovanni

This an intriguing two-disc DVD set. The primary disc is the opera itself, while the other disc is a film called “Adieu Mozart” that tells us about the unique relationship Mozart had with the City of Prague. »

16 Mar 2008

Zarzuelas — Arrieta: Marina; Bretón: La verbena de la paloma; Vives: Bohemios and Doña Francisquita

The Spanish comical lyric genre of the zarzuela has long been considered the stepchild of opera. »

16 Mar 2008

Best of British from the BBC Proms 2007

The BBC Proms webcasts all of its performances, and many are available for extended periods through BBC Radio's archives. »

16 Mar 2008

The Opera Gala — Live from Baden-Baden

As evidence of Deutsche Grammophon's proud status as a classical record label of the "old school," there appears this CD document of a typical opera gala affair, from July of 2007 in Baden-Baden. »

16 Mar 2008

MAHLER: Symphony no. 8.

While a number of fine recordings of Gustav Mahler’s Eighth Symphony have been released in recent years, the prospect of a performance conducted by Pierre Boulez is attractive for many reasons. »

03 Mar 2008

Los Angeles Opera: March 1 & 2, 2008

James Conlon has become the artistic heart and soul of Los Angeles Opera in his second season as music director. »

02 Mar 2008

Johann Sebastian Bach. H-moll-Messe, BWV 232.

The large number of recordings of Bach’s Mass in B minor predispose one to look for distinctions between them. »

02 Mar 2008

Cyrano at The Opera Company of Philadelphia

The Opera Company of Philadelphia’s February production is the second staging of David DiChiera’s new opera Cyrano, a co-production with Michigan Opera Theater and Florida Grand Opera. »

02 Mar 2008

Peter Grimes by Opera North

Opera North is one of the most innovative opera companies in Britain. »

02 Mar 2008

Miles Davis, Miles Smiles and the Invention of Post-Bop

It is a measure of the classic status that the music of Miles Davis has acquired in American culture that a single LP produced for Columbia in the 1960s (Miles Smiles) is the focus of a short monograph from Indiana University Press. »

02 Mar 2008

Short on the sides and Full On Top

Perhaps the most beloved comic opera, Rossini’s Il barbière di Siviglia has never left the repertoire. »

02 Mar 2008

The Sea Hawk and Deception

A typical film soundtrack today might not fill the length of a CD, while being padded with any pop music hits for which the producers would cough up the money for the rights. As often as not the scoring would... »

02 Mar 2008

Juan Diego Florez: Voce D'Italia - Arias for Rubini

The handsome face of tenor Juan Diego Florez naturally gets the cover of his latest CD, and his arguably unusually slim physique is on view too: on the inside cover of the booklet, on both the interior and rear of the jewel case, and on the back of the booklet. »

02 Mar 2008

Mary, Queen of Scots (Maria Stuarda)

San Diego Opera apparently has raided the vaults of Lincoln Center opera companies, circa the 1970s. »

25 Feb 2008

Puccini Gold

Many an anthology of Puccini's "greatest hits" has found its way to market, and many more will follow this latest from Decca, Puccini Gold. »

25 Feb 2008

Salome at Covent Garden

The Royal Opera's new Salome is set roughly in the 1930s, in surroundings which refer overtly to Pasolini's Salò or the 120 Days of Sodom, populated by uniformed soldiers and naked whores. »

22 Feb 2008

Carmen, The Metopolitan Opera

Dread and disgruntle are the emotions natural to the fan of any special singer when he arrives at the opera house to learn she has withdrawn from the performance and been replaced by an unknown. »

22 Feb 2008

Leonie Rysanek Live Recordings 1955-1991

With the tenth anniversary of her death approaching, Orfeo has released a double-CD box set tribute to Leonie Rysanek in their Wiener Staatsoper Live series. »

20 Feb 2008

Anna Christy Triumphs in Lucia di Lammermoor at ENO

ENO doesn’t really go in for bel canto opera. Other than a Maria Stuarda back in the mid 1990s, the only Donizetti opera in the company’s repertoire in the recent past has been the popular L’elisir d’amore. »

19 Feb 2008

SALIERI: Prima la musica e poi le parole

In 1786, Habsburg Emperor Joseph II commissioned a pair of short operas from two of the biggest names in Viennese musical theater: Salieri and Mozart. »

18 Feb 2008

Jonas Kaufmann—Romantic Arias

Jonas Kaufmann’s debut album is a treat to the ears of opera lovers. »

17 Feb 2008

ENO's The Mikado

Director Jonathan Miller was there at the curtain call to greet the first night of this latest revival of a production which has now been in ENO's repertoire for twenty years. »

17 Feb 2008

LA Opera: Tristan und Isolde

My Valentine’s Day gift came a bit early courtesy of Los Angeles Opera. Of course, it is to be hoped that your own celebration has a happier outcome than that of opera’s most famous Love Couple, “Tristan und Isolde.” »

17 Feb 2008

Rodelinda at Portland

Valentine’s Day may not quite be in the same major holiday league with the Fourth of July or New Year’s Eve, but you wouldn’t have known it from the fireworks emanating from the stage of Portland Opera, in the form of some dazzling Valentine’s night vocalizing in quite a fine production of Handel’s “Rodelinda.” »

17 Feb 2008

Navajo oratorio a triumph in Phoenix

A sound designer? Isn’t that merely a euphemistic upgrade of “sound engineer?” »

17 Feb 2008

Tosca at COC

An air of anticipation filled the Four Seasons Centre as the announcer walked across the stage to say that soprano Ester Sümegi was ill and would not be performing. »