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Elsewhere

Nabucco in Novi Sad

After the horrors of Jagoš Marković’s production of Le Nozze di Figaro in Belgrade, I was apprehensive lest Nabucco in Serbia’s second city of Novi Sad on 27th October would be transplanted from 6th century BC Babylon to post-Saddam Hussein Tikrit or some bombed-out kibbutz in Beersheba.

La Bohème in San Francisco

First Toronto, then Houston and now San Francisco, the third stop of a new production of Puccini's La bohème by Canadian born, British nurtured theater director John Caird.

Radvanovsky Sings Recital in Los Angeles

Every once in a while Los Angeles Opera presents an important recital in the three thousand seat Dorothy Chandler Pavilion.

L’elisir d’amore, Royal Opera

This third revival of Laurent Pelly’s production of Donizetti’s L’elisir d’amore needed a bit of a pep up to get moving but once it had been given a shot of ‘medicinal’ tincture things spiced up nicely.

Samling Showcase, Wigmore Hall

Founded in 1996, Samling describes itself as a charity which ‘inspires musical excellence in young people’.

La cenerentola in San Francisco

The good news is that you don’t have to go all the way to Pesaro for great Rossini.

Rameau: Maître à danser — William Christie, Barbican London

Maître à danser: William Christie and Les Arts Florissants at the Barbican, London, presented a defining moment in Rameau performance practice, choreographed with a team of dancers.

Le Nozze di Figaro — or Sex on the Beach?

The most memorable thing (and definitely not in a good way) about this performance of Le Nozze di Figaro at the Serbian National Theatre in Belgrade was the self-serving, infantile, offensive and just plain wrong production by celebrated Serbian theatre director Jagoš Marković.

The Met mounts a well sung but dramatically unconvincing ‘Carmen’

Should looks matter when casting the role of the iconic temptress for HD simulcast?

Maurice Greene’s Jephtha

Maurice Greene (1696-1755) had a highly successful musical career. Organist of St. Paul’s Cathedral, a position to which he was elected when he was just 22 years-old, he later became organist of the Chapel Royal, Professor of Music at the University of Cambridge and, from 1735, Master of the King’s Music.

Tosca in San Francisco

Yet another Tosca is hardly exciting news, if news at all. The current five performances have come just two years after SFO alternated divas Angela Gheorghiu and Patricia Racette in the title role.

Antonin Dvořák: The Cunning Peasant (Šelma Sedlák)

What an enjoyable opportunity to encounter Dvořák’s sixth opera, Šelma Sedlák¸or The Cunning Peasant!

Idomeneo, Royal Opera

Whether biblical parable or mythological moralising, it’s all the same really: human hubris, humility, sacrifice and redemption.

Donizetti’s Les Martyrs — Opera Rara, London

Opera Rara brought a rare performance of Donizetti’s first opera for the Paris Opera to the Royal Festival Hall on 4 November 2014, following recording sessions for the opera.

Luca Pisaroni in San Diego

Bass baritone, Luca Pisaroni, known to opera lovers throughout the world for his excellence in Mozart roles, offered San Diego vocal aficionados a double treat on October 28th: his mellifluous voice, and a recital of German songs.

La bohème, ENO

Jonathan Miller’s production of La bohème for ENO, shared with Cincinnati Opera, sits uneasily, at least as revived by Natascha Metherell, between comedy and tragedy.

Florian Boesch, Wigmore Hall - Liszt, Strauss and Schubert

Any Florian Boesch and Malcolm Martineau performance is superb, but this Wigmore Hall recital surprised, too. Boesch's Schubert is wonderful, but this time, it was his Liszt and Strauss songs which stood out. This year at the Wigmore Hall, we've heard a lot of Liszt and a lot of Richard Strauss everywhere, establishing high standards, but this was special.

Wexford Festival 2014

The weather was auspicious for Wexford Festival Opera’s first-night firework display — mild, clear and calm. But, as the rainbow rockets exploded over the River Slaney, even bigger bangs were being made down at the quayside.

The Met’s ‘Le Nozze di Figaro’ a happy marriage of ensemble singing and acting

The cast of supporting roles was especially strong in the company’s new production of Mozart’s matchless masterpiece

Syracuse Opera’s ‘Die Fledermaus’ bubbles over with fun, laughter and irresistible music

The company uncorks its 40th Anniversary season with a visually and musically satisfying production of Johann Strauss Jr.’s farcical operetta


OPERA TODAY ARCHIVES »

Reviews

A scene from Nabucco [Photo courtesy of Serbian National Theatre, Novi Sad]
22 Nov 2014

Nabucco in Novi Sad

After the horrors of Jagoš Marković’s production of Le Nozze di Figaro in Belgrade, I was apprehensive lest Nabucco in Serbia’s second city of Novi Sad on 27th October would be transplanted from 6th century BC Babylon to post-Saddam Hussein Tikrit or some bombed-out kibbutz in Beersheba.  »

Recently in Reviews

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17 Aug 2008

SMETANA: Dvě vdovy (The Two Widows)

Bedrich Smetana (1824-1884) is, perhaps known best for his opera The Bartered Bride (1863, rev. 1870), a touchstone of comic opera fused with eastern-European nationalism and, as much as that work has much to offer, his other efforts deserve attention. »

17 Aug 2008

HINDEMITH: Mathis der Mahler

Premiered in 1938 in Zurich, Mathis der Maler was then the most recent of Paul Hindemith’s provocative operas. »

17 Aug 2008

Medieval Christmas

The festal days of Christmas, New Year’s, St. Stephen and St. Thomas Becket are rich in musical celebration, and this recording from the Orlando Consort brings together a wide range of organa, motets, chansons, and carols to remind us of that fact. »

30 Jul 2008

Don Carlo at Wiener Staatsoper

Star-studded casts graced end of the season performances at the Wiener Staatsoper, with two versions of Verdi’s Don Carlo on its menu. »

30 Jul 2008

Grant Park Music Festival: Sibelius, Szymanowski, Tchaikovsky

For its ninth program of the Summer 2008 season the Grant Park Music Festival offered a balance of vocal, choral, and orchestral works from the late nineteenth and first half of the twentieth centuries. »

30 Jul 2008

Foxy Chautauqua

I discovered many delights in my first ever visit to the Chautauqua Opera, not least of which was the lovely environment of the hilly Chautauqua Institution grounds which are dotted with picturesque and inviting old frame houses. »

30 Jul 2008

All That Glimmers. . .

The novelty feature drawing veteran opera enthusiasts in general, and Richard Wagnerites in particular to Glimmerglass Opera this summer is that composer’s “Das Liebesverbot,” in what is touted as the North American fully staged premiere of this seldom-talked-about-and-even-less-performed early piece. »

30 Jul 2008

Baroque Oratorio Premieres in New Jersey

For two years, the subdued rumble of anticipation had been building to a forte. »

30 Jul 2008

The Pilgrim's Progress at Sader's Wells

The Philharmonia Orchestra has made a far more comprehensive effort than any other British ensemble to celebrate the 50th anniversary of the death of Ralph Vaughan Williams, with concerts taking place over the course of seven months in London, Leicester and Bedford including a complete symphony cycle. »

29 Jul 2008

Donizetti on Dynamic DVD

Dynamic now offers most of its product in CD and DVD formats, the latter in High Definition, no less. »

29 Jul 2008

Verdi on Classics for Pleasure, Opera Highlights

With these three CDs of highlights from three Verdi operas - Nabucco, Il Trovatore, and Aida — Classics for Pleasure gives a snapshot of the arc of his career. »

28 Jul 2008

Along the Roaring River

Chinese bass Hao Jiang Tian was 30, when he enrolled as an undergraduate at the University of Denver 1983. »

23 Jul 2008

First Night of the Proms

It’s not so long ago that the opening night of the Proms was given over to a single major choral work, but in more recent times it has become more of an overt opener to the season, presenting a taster menu of the themes running through the season’s subsequent 70-plus concerts. »

22 Jul 2008

Gordon creates masterpiece in “Green Sneakers”

Eugenia Zukerman asked for a 10-minute chamber work — a piano quintet, perhaps — and she got Green Sneakers for Baritone, String Quartet and Empty Chair, which lasts exactly an hour. »

20 Jul 2008

Geez, Louise

“Quelle plaisir” to encounter Gustave Charpentier’s seldom performed “Louise” at the Paris Opera in a production where most everything went spectacularly right. »

20 Jul 2008

Idomeneo and Doktor Faust at München Opernfestspiele

The Bayerische Staatsoper, based in three spectacular houses where Mozart, Wagner and many other composers premiered their works, presents over 300 annual performances to a discerning public. »

20 Jul 2008

Villazón on Deutsche Grammophon

The opera world, always ravenous for talented, charismatic tenors, felt desperate hunger pains last summer, when Rolando Villazón canceled dates with an explanation that a health crisis necessitated a sabbatical from singing. »

20 Jul 2008

Mozart’s La Finta Giardiniera x2

With a composer as widely beloved as Wolfgang Amadeus Mozart, for an opera to be all but forgotten suggests the work has problems beyond redemption. »

20 Jul 2008

Der Rosenkavalier highlights on Classics for Pleasure

For the opera of average length, a decent highlights disc can feature as much as half the score. »

13 Jul 2008

Die Soldaten

Bernd Alois Zimmermann was a sensitive, none too healthy 21-year-old music prodigy in 1939, when he was drafted into the German army. »

13 Jul 2008

Troilus triumphant in Saint Louis …..

For Sir William Walton, the protracted genesis of Troilus and Cressida must have seemed more akin to the agonies of Sisyphus than to the composition of an opera. »

13 Jul 2008

CANDIDE – English National Opera, London Coliseum

Originating at the Châtelet, where the narration was given in French, Robert Carsen's staging of Bernstein's unique satire worked rather well in its television broadcast from the Parisian house late in 2006. »

13 Jul 2008

A Brescian Butterfly and a bewildering Hoffman at Opera Theatre of Saint Louis

The disastrous 1904 La Scala premiere of Giacomo Puccini’s Madame Butterfly is one of those famous annals of opera which tend to leave today’s audiences perplexed about all the uproar. »

13 Jul 2008

Rossini Opera Festival on Dynamic

At the Rossini Festival held in Pesaro, Italy, Dynamic recorded two Rossini rarities in August 2006. »

13 Jul 2008

Grant Park Music Festival: “20th-Century Masters.”

The concert “20th-Century Masters,” presented by the Grant Park Music Festival, Chicago on 27 and 28 June 2008 featured several pieces performed for the first time under the auspices of the Festival. »

13 Jul 2008

Gustav Mahler: Symphony no. 9; Richard Strauss: Tod und Verklärung

The late Guiseppe Sinopoli (1946-2001) became established as an estimable conductor of nineteenth-century music, and his legacy includes a number of fine recordings. »

06 Jul 2008

San Francisco Opera summer season, 2008

David Gockley heard the cries of many an opera fan that Pamela Rosenberg had denied them their 'stars,' so for his summer season, 2008, he brought them Natalie Dessay, Susan Graham, Ruth Ann Swenson, and Stefan Margita. »

06 Jul 2008

BELLINI: Norma

The best thing about this set, a Norma recorded live at the Teatro delle Muse di Ancona in late 2004, is the booklet essay by Marco Beghelli, offered in both English and Italian (no credit to any translator). »

06 Jul 2008

Unusual Fare at Opera Festival of St. Louis

My visit to two rarely mounted pieces at the Opera Festival of St. Louis brought to mind the little girl with the curl, for when it was good, it was very very good and when it was bad, it was, um. . .er. . . »

06 Jul 2008

Two Aida’s from TDK

At one time, Verdi’s Aida figured as the most performed opera. »

23 Jun 2008

Don Carlo at Royal Opera House

In the latter part of last year, the casting for Nicholas Hytner’s new production of Don Carlo — in the five-act Italian version — looked to be on shaky ground. »

23 Jun 2008

Don Giovanni. No, the other one

No one has ever called Gazzaniga’s Don Giovanni an overlooked masterpiece. »

22 Jun 2008

MEYERBEER: Semiramide

This Dynamic recording of Meyerbeer's Semiramide, an opera title more familiar with Rossini's name appended, mixes the pleasure of a modestly appealing surprise with regret at key aspects of the performance. »

22 Jun 2008

A rare treasure in Saint Louis. . .

Pink flamingos, sheep on wheels, and a queen crowned with giant antlers all inhabit the zany world of Opera Theatre of Saint Louis’s Una cosa rara, where the artificial 18th century pastoral commingles with cutesy country colors and 1950s yard art. »

22 Jun 2008

Choral Music by Dvořák and Brahms

Among the choral music of Anton [Antonin] Dvorak, the familiar Stabat Mater, Op. 58, is known to modern audiences through various live performances and recordings. »

19 Jun 2008

Mozart and Lortzing from Hamburg Opera on film

A nostalgic charm permeates these filmed productions from the early 1970s of Lortzing's Zar und Zimmerman and Mozart's Die Zauberflöte, collaborations between the Hamburg State Opera and German TV director Joachim Hess. »

19 Jun 2008

Karajan opera highlights on Classics for Pleasure

The opera highlights series from Classics for Pleasure continues its recycling of the EMI catalogue with selections from two of Herbert von Karajan's recordings. »

15 Jun 2008

Plácido Domingo’s miraculous autumn

On the barren stage: a few chairs, a dark-gold hectoplasm projected on the wood panels of the acoustic chamber - nothing more. »

15 Jun 2008

See Venice and then die

For the belated Spanish premiere of Britten’s Death in Venice, 35 years after its creation in Aldeburgh, Barcelona seems a felicitous choice. »

09 Jun 2008

Songs by Henry & William Lawes

With this recording of songs by Henry & William Lawes, musical brothers who flourished in Caroline England, countertenor Robin Blaze with lutenist Elizabeth Kenny continue their exploration of early English song for Hyperion, and the results are stunning. »

09 Jun 2008

Star Power in Paris “Capuleti”

For Bellini’s “I Capuleti e i Montecchi,” Paris Opera peopled its revival with plenty of star power. »

09 Jun 2008

Opera with a human heart

When the Ringling Brothers folded their tents, opera took over. Aïda with elephants, and Walküre with real horses. »

09 Jun 2008

St. Francis in Amsterdam

It is a bit hard to know what to make of Olivier Messiaen’s colossal piece “Saint François d’Assise,” beautifully mounted by Netherlands Opera. »

08 Jun 2008

Zurich Has Malibran to Thank

If you are going to produce Jacques Fromental Halevy’s forgotten opera “Clari,” I urge you to first make sure you have a signature on the contact from a superstar with the firepower of Cecilia Bartoli. »

04 Jun 2008

Joye: Les plaintes de Gilles de Bins dit Binchois

The title of this recording “Joy: the Laments of Gilles Binchois” introduces a seeming contradiction, one that plays on a contemporaneous description of the composer as "pére de joyeusetè"—the father of joy—in tension with an affinity for melancholy in his works. »

04 Jun 2008

SCHOENBERG: Moses und Aron

Even though it is one of the important operas of the twentieth century, Arnold Schoenberg’s Moses und Aron is, perhaps, more esteemed than performed. »

04 Jun 2008

Der Rosenkavalier at ENO

It is worth remembering that prior to the première of Strauss’s opera in 1911, the working title was ‘Ochs auf Lerchenau’. »

04 Jun 2008

Il Matrimonio Segreto in Brooklyn

Opera producers in quest of headlines, unable to make them from the limited number of Mozart operas available (all of them far too familiar) but equipped with the flood of attractive young singers trained to sing Mozart in conservatories (because singing Mozart does not harm young voices, and singing Verdi and Wagner before 30 — better yet, 40 — often will), sometimes turn to Mozart’s contemporary, Cimarosa, and his Il Matrimonio Segreto, to get attention. »

04 Jun 2008

Handel's Rodrigo — Ensemble San Felice, St John’s Smith Square, London

Handel’s Rodrigo, subtitled ‘Vincer se stesso è la maggior vittoria’ (Self-conquest is the greater victory) is one of the composer’s earliest operatic works, and rarely heard. »

28 May 2008

Tree-mendous in Chicago

Chicago Opera Theater scored a resounding success with its area premiere of John Adams’ newest stage piece, “A Flowering Tree.” »

28 May 2008

Revised Amistad makes its mark

Upon its premiere at Chicago’s Lyric Opera in 1997 Anthony Davis’ Amistad found little critical favor. Its undisciplined excesses led one writer to compare it to a high-school pageant. »