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Elsewhere

Cold Mountain, Philadelphia

Opera Philadelphia deserves congratulations on yet another coup. The company co-commissioned Cold Mountain, an opera by Jennifer Higdon based on Gene Scheer’s adaptation of Charles Frazier’s celebrated Civil War epic.

Christian Gerhaher Wolfgang Rihm Wigmore Hall

For their first of two recitals at the Wigmore Hall, Christian Gerhaher and Gerold Huber devised an interesting programme - popular Schubert mixed with songs by Wolfgang Rihm and by Huber himself.

Götterdämmerung in Palermo

There are not many opera productions that you would cross oceans to see. Graham Vick’s Götterdämmerung in Sicily however compelled such a voyage.

Emmanuel Chabrier L’Étoile — Royal Opera House London

Premièred in 1877 at Offenbach’s own Théâtre des Bouffes Parisiens, Emmanuel Chabrier’s L’Étoile has a libretto, by Eugène Leterrier and Albert Vanloo, which stirs the blackly comic, the farcical and the bizarre into a surreal melange, blending contemporary satire with the frankly outlandish.

Robert Ashley’s Quicksand at the Kitchen

Robert Ashley’s opera-novel Quicksand makes for a novel experience

Premiere of Raskatov’s Green Mass

One of the leading Russian composers of his generation, Alexander Raskatov’s reputation in the UK and western Europe derives from several, recent large-scale compositions, such as his reconstruction of Alfred Schnittke’s Ninth Symphony from a barely legible manuscript (the work was first performed in 2007 in the Dresden Frauenkirche by the Dresden Philharmonic under Dennis Russell Davies), and his 2010 opera A Dog’s Heart, based on Mikhail Bulgakov’s satire (which was directed by Simon McBurney at English National Opera in 2010, following the opera’s premiere at Netherlands Opera earlier that year).

Orpheus in the Underworld, Opera Danube

I’m not sure that St John’s Smith Square was the most appropriate venue for Opera Danube’s latest production: Jacques Offenbach’s satirical frolic, Orpheus in the Underworld.

Lady Macbeth of Mtsensk in Lyon

This nasty little opera evening in Lyon lived up to the opera’s initial reputation as pure pornophony. This is the erotic Shostakovich of the D minor cello sonata, it is the sarcastic and complicated Shostakovich of The Nose . . .

Bel Canto: A World Premiere at Lyric Opera of Chicago

During December 2015 and presently in January Lyric Opera of Chicago has featured the world premiere of the opera Bel Canto, with music by Jimmy López and libretto by Nilo Cruz, based on the novel by Ann Patchett.

Tosca, Royal Opera

Christmas at the Royal Opera House is all about magic, mystery and miracles: as represented by the conjuror’s exploits in The Nutcracker — with its Kingdom of Sweets and Sugar Plum Fairy — or, as in the Linbury Theatre this year, the fantastical adventures of the Firework-Maker’s Daughter, Lila, and her companions — a lovesick elephant, swashbuckling pirates, tropical beasts and Fire-Fiends.

Lianna Haroutounian resplendent in Madama Butterfly at the Concertgebouw

The title role is a deciding factor in Madama Butterfly. Despite a last-minute conductor cancellation, last Saturday’s concert performance at the Concertgebouw was a resounding success, thanks to Lianna Haroutounian’s opulent, heart-stealing Cio-Cio-San.

Classical Opera: MOZART 250 — 1766: A Retrospective

With this performance of vocal and instrumental works composed by the 10-year-old Mozart and his contemporaries during 1766, Classical Opera entered the second year of their 27-year project, MOZART 250, which is designed to ‘contextualise the development and influences of [sic] the composer’s artistic personality’ and, more audaciously, to ‘follow the path that subsequently led to some of the greatest cornerstones of our civilisation’.

Benjamin Appl — Schubert, Wigmore Hall London

Luca Pisaroni and Wolfram Rieger were due to give the latest installment in the Wigmore Hall's complete Schubert songs series, but both had to cancel at short notice. Fortunately, the Wigmore Hall rises to such contingencies, and gave us Benjamin Appl and Jonathan Ware. Since there's a huge buzz about Appl, this was an opportunity to hear more of what he can do.

Ferrier Awards Winners’ Recital

The phrase ‘Sunday afternoon concert’ may suggest light, post-prandial entertainment, but soprano Gemma Lois Summerfield and her accompanist, Simon Lepper, swept away any such conceptions in this demanding programme at St. John’s Smith Square.

Pelléas et Mélisande at the Barbican

When, o when, will someone put Peter Sellars and his compendium of clichés out of our misery?

A Chat With Up-and-Coming Conductor Kathleen Kelly

Kathleen Kelly is an internationally renowned pianist, coach, conductor, and master teacher. She was the first woman and first American named Director of Musical Studies at the Vienna State Opera.

Samuel Barber: Choral Music

This recording, made in the Adrian Boult Hall at the Birmingham Conservatoire of Music in June 2014, is the fourth disc in SOMM’s series of recordings with Paul Spicer and the Birmingham Conservatoire Chamber Choir.

L'Arpeggiata: La dama d’Aragó, Wigmore Hall

Having recently followed some by-ways through the music of Purcell, Monteverdi and Cavalli, L’Arpeggiata turned the spotlight on traditional folk music in this characteristically vibrant and high-spirited performance at the Wigmore Hall.

Tippett : A Child of Our Time, London

Edward Gardner brought all his experience as a choral and opera conductor to bear in this stirring performance of Michael Tippett’s A Child of Our Time at the Barbican Hall, with a fine cast of soloists, the BBC Symphony Orchestra and BBC Symphony Chorus.

Taverner and Tavener, Fretwork, London

‘Apt for voices or viols’: eager to maximise sales among the domestic market in Elizabethan England, publishers emphasised that the music contained in collections such as Thomas Morley’s First Book of Madrigals to Four Voices of 1594 was suitable for performance by any combination of singers and players.


OPERA TODAY ARCHIVES »

Reviews

Ada (Isabel Leonard) recalls saying goodbye to Inman
08 Feb 2016

Cold Mountain, Philadelphia

Opera Philadelphia deserves congratulations on yet another coup. The company co-commissioned Cold Mountain, an opera by Jennifer Higdon based on Gene Scheer’s adaptation of Charles Frazier’s celebrated Civil War epic.  »

Recently in Reviews

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20 May 2007

Anonymous 4: Gloryland

The quality packaging of Anonymous 4’s latest recording indicates the group’s importance to their label, Harmonia Mundi. »

09 May 2007

LEONCAVALLO: Pagliacci

In the countless performances of Leoncavallo’s masterpiece Pagliacci since its 1892 premiere, there must have been times when the light tenor singing Beppe watched the other tenor, of heavier voice, in the lead role of Canio and wondered if someday he (the Beppe) would take on the dramatic role of the homicidal clown. »

09 May 2007

Audrey Stottler Sings Wagner

Audrey Stottler’s Wagner recital provides ample evidence of a voice with the range and heft for the challenging roles of Brünnhilde and Isolde, as well as Sieglinde, a role often sung by a vocalist with less firepower. »

09 May 2007

Alison Balsom: Caprice

Dare one assume that with this disc, Alison Balsom becomes the first artist to bring her lung power to both Norma’s “Casta Diva” and Die Zauberflöte’s “Der hölle rache” in the same recital? »

09 May 2007

Porgy and Bess at Los Angeles Opera

Premiered at Washington National Opera, director Francesca Zambello’s Porgy and Bess arrived in Los Angeles May 4th, for a run of 12 performances in just 17 days. »

09 May 2007

On The Town – English National Opera

In a season that will conclude with a new production of Kismet, ENO has once again come under criticism for the number of non-operatic works on the bill. »

03 May 2007

Franco Corelli: His Early Cetra Records

I often wonder who decides what records will be used to produce historical vocal issues. »

03 May 2007

Cesare Siepi: The Salzburg Recital of 1956; Arias from Norma, Faust, Don Carlo

For those who didn’t long ago purchased or exchanged this Salzburg recital via the pirate connections, this is a fine opportunity to get maybe the best testimonial of this artist. »

03 May 2007

American Choral Music

The commitment of Naxos to American music is substantial and admirable. »

02 May 2007

OFFENBACH: Orpheus in der Unterwelt (Orphée aux enfers)

Filmed for television in 1971, this performance of the German translation of Orphée aux enfers (1858) as Orpheus in der Unterwelt breaks the conventional wisdom that some espouse about the weaknesses of opera or opera when conceived for the small screen. »

02 May 2007

BACH: Cantatas, Vol. 26 (Whit Sunday and Whit Monday)

Among the virtues of hearing Bach cantatas performed in liturgical order—one of the hallmarks of John Eliot Gardiner’s stunning Cantata Pilgrimage of 2000—is the chance to savor Bach’s range of approach to unified text themes. »

02 May 2007

Delightful Organ at St Margaret’s Palm Desert

Who says an organ recital cannot be jolly good fun? »

01 May 2007

ROSSINI: Bianca e Falliero

Dynamic brought its cameras to the Rossini Opera Festival in Pesaro, Italy, in August 2005 to record Bianca e Falliero, one of Rossini's so-called “serious” operas, and one that had only been rescued from many decades of neglect by the festival itself, in 1986. »

01 May 2007

Miami “Karenina” a dream come true

Colin Graham’s dream of an opera based on Tolstoi’s “Anna Karenina” extends far into the past. »

01 May 2007

In Barcelona, a Wagner debut without scandals for Àlex Rigola, the rising star in the Catalan school of direction

At Barcelona’s Gran Teatre del Liceu, a sold-out house marked, for two nights in a row, the weekend introducing la diada de Sant Jordi, the big fiesta celebrated on April 23 in honor of the city’s patron St George. »

01 May 2007

Tristan und Isolde: Total Immersion

The Los Angeles Philharmonic in April and May brought back its Tristan Project for the benefit of audiences in California and New York City. »

25 Apr 2007

MAHLER: Symphony no. 2

Over a century after its premiere, Mahler's Second Symphony continues to be a compelling work and is as relevant now as it was when the work was conceived. »

25 Apr 2007

Beverly Sills & Placido Domingo

More than ever, compilations of previously released material fill the shelves of those stores still selling classical music. »

25 Apr 2007

Handel Singing Competition Final – London April 23rd

Once again, George Frederick Handel’s old stamping ground of St. George’s Hanover Square, London, resounded last night to the sound of his music as aspiring young singers from all over the world fought out the Final of the London Handel Singing Competition. »

23 Apr 2007

Wozzeck at San Diego Opera

“What drives a man to insanity and murder?” asks the poster for San Diego Opera’s new production of Wozzeck, which closed this Sunday after a run of four performances. »

22 Apr 2007

Satyagraha at ENO

Philip Glass’s 1980 work, new to the London stage, gives an illustrated account of Mahatma Gandhi’s early years in South Africa, viewed through the eyes of his satyagraha philosophy of peaceful resistance. »

19 Apr 2007

PENDERECKI: Symphony no. 7

Krzyzstof Penderecki (b. 1933) has contributed a body of works to the modern repertoire, and his Symphony no. 7, which he composed 1996 (premiere 1997 in Jerusalem), is an impressive composition. »

16 Apr 2007

MAHLER: Des Knaben Wunderhorn

The orchestral songs of Gustav Mahler remain an important contribution to the genre, and stand well alongside similar works by Berlioz, Wolf, and Strauss. »

16 Apr 2007

City Opera Presents La Donna del Lago

The New York City Opera continued its tradition of championing works that are less frequently performed with this season’s production of La Donna del Lago. »

15 Apr 2007

RIMSKY-KORSAKOV: Sadko

This sumptuous 2006 release was recorded live in the Mariinsky Theater in St. Petersburg in late 1993 for European TV broadcast the following year. »

15 Apr 2007

Handel's Flavio at NYCO

Incongruity was the rule of the day in the New York City Opera’s production of Handel’s Flavio, which opened on Wednesday, April 4. »

12 Apr 2007

Passion, pain paired in Berlin

It was, of course, a coincidence; on the other hand, on Berlin’s vital, vibrant and all-encompassing arts scene one is continually overwhelmed by new perspectives on the creative process and its product. »

11 Apr 2007

L’invitation au voyage: Mélodies from La belle époque

“Linvitation au voyage” is an appropriate title for this collection of French song, which makes available a number of fine performances of both familiar and rare works. »

11 Apr 2007

WAGNER: Lohengrin

With a label such as Gala, a purveyor of live recordings of various provenance, some adjustment to compromised sound quality can be expected. »

07 Apr 2007

A bride for sale at the Baltimore Lyric

The latest offering from the Baltimore Lyric Opera was Bedrich Smetana’s sparkling comedy Prodana Nevesta (“Bartered Bride”), a little gem of Czech Romantic nationalism that one does not see live very often these days. »

07 Apr 2007

BERNSTEIN: Fancy Free; Dybbuk

This excellent disc brings together two ballet scores from the far ends of Leonard Bernstein’s compositional career. »

06 Apr 2007

Kurt Weill on Broadway: Songs and Orchestrations by Kurt Weill

Kurt Weill’s perennial appeal can be attributed to various factors, not the least of which is the genuine craft of his stage works. »

06 Apr 2007

Perfume: The Story of a Murderer

Film music has become a sort of refuge for some music lovers turned off by the work of those serious music composers who have turned increasingly away from attempting an encounter with a broader public, retreating into an insular word of academic composition. »

04 Apr 2007

The Metropolitan Opera on DVD: Elektra, Luisa Miller and Tosca

With some deliberation the Metropolitan Opera releases DVD versions of live television broadcasts from its heyday as a PBS mainstay. »

02 Apr 2007

San Diego Opera — Il Trovatore

Verdi's magnificent melodrama Il Trovatore may be the most masculine of his creations, but the production that San Diego Opera presented as the third opera of its 2007 season was a triumph for the ladies. »

30 Mar 2007

José Carreras Collection

A classic Seinfeld episode revolved around a brush with the “third” of the Three Tenors - the one whom no one could quite put a name to. »

30 Mar 2007

HANDEL: Poro, Re dell’Indie

Let’s face it, Handel’s “Poro, Re dell’Indie” (in English “Porus, King of India”) isn’t exactly a household name in any but the most dedicated baroque opera circles. »

28 Mar 2007

Camacho’s Wedding (Die Hochzeit des Camacho)

UC Opera now have a half-century’s reputation to live up to; they were responsible for the UK premieres of such works as Das Liebesverbot, The Maid of Orleans, Alzira, Oberto and the 1847 version of Macbeth. »

27 Mar 2007

BRUCKNER: Lateinische Motetten — Latin Motets

Known almost iconically for his symphonies, Anton Bruckner devoted a great deal of his compositional output to vocal music, including choral works in both German and Latin. »

26 Mar 2007

RAMEAU: Platée, Pigmalion, Dardanus Ballet Suites

In the seventeenth and eighteenth centuries, French instrumental music was closely identified with dance and dance suites. »

26 Mar 2007

GRÉTRY: Pierre le Grand

Although milestones in the history of opéra-comique, Grétry’s operas are infrequently revived and rarely recorded. »

25 Mar 2007

MOZART: Die Entführung aus dem Serail

With the trials and tribulations of a multicultural society currently at the forefront of the British media, Gavin Quinn’s production placed a light-hearted focus on the bizarreness of a group of foreigners being thrown together in an unfamiliar situation. »

25 Mar 2007

MOZART: Don Giovanni

This 2005 production of the Mozart-Da Ponte masterpiece Don Giovanni makes for a frustrating experience. »

25 Mar 2007

Eugene Onegin — English Touring Opera

London is fortunate to have played host to several productions of Tchaikovsky’s best-known opera in the last three years alone, most recently British Youth Opera’s heartbreakingly fresh account last September – so it was a risky decision on ETO’s part to stage yet another. »

21 Mar 2007

ROSSINI: Matilde di Shabran

When Matilde di Shabran was premiered in Rome on Feb. 24, 1821, it was billed as a “melodrama giocoso” (which is the equivalent of an opera semiseria), somewhere between an opera buffa and an opera seria in character. »

21 Mar 2007

DONIZETTI: Roberto Devereux

Asked in an interview by Opera News on his opinion on updating, James Levine replied that it often intensified one or another aspect of the story but that in general it was not possible to update without distorting the story and the equilibrium in the whole opera. »

21 Mar 2007

TELEMANN: Komm Geist des Herrn — Late Cantatas

Our modern sense of the eighteenth-century Lutheran cantata derives in large part from the works of J. S. Bach—works that have been foundational in the early music movement, works that have much shaped our understanding of Bach, and works that we now know in an impressive array of different recordings. »

21 Mar 2007

DONIZETTI: Linda di Chamounix

I am surely not the only one who doesn’t understand why this sparkling score is not performed more often. »

21 Mar 2007

Große Opernchöre — Great Opera Choirs

In setting the scene or furthering the action on stage, the opera chorus often provides some memorable aural scenery in works by composers from Claudio Monteverdi to Arnold Schoenberg, and this collection offers a representative selection of examples from both those composers, and well as a number of others. Recorded on 14 January 2004, this concert of the Stuttgart Staatsopernchor and Staatsorchester offered a program devoted to memorable choruses. »

21 Mar 2007

MAHLER: Symphony no. 6

Based from concerts given on 22 August, 7 September, and 8 September 2005, this recording of Mahler’s Sixth Symphony is the latest release of the Concertgebouw’s own RCO Live label. »