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Elsewhere

Green: Mélodies françaises sur des poèmes de Verlaine

Philippe Jaroussky lends poetry and poise to the sounds of nineteenth- and twentieth-century France

J. C. Bach: Adriano in Siria

At this start of the year, Classical Opera embarked upon an ambitious project. MOZART 250 will see the company devote part of its programme each season during the next 27 years to exploring the music by Mozart and his contemporaries which was being written and performed exactly 250 years previously.

Bethan Langford, Wigmore Hall

The Concordia Foundation was founded in the early 1990s by international singer and broadcaster Gillian Humphreys, out of her ‘real concern for building bridges of friendship and excellence through music and the arts’.

Tansy Davies: Between Worlds (world premiere)

An opera dealing with — or at least claiming to deal with — the events of 11 September 2001? I suppose it had to come, but that does not necessarily make it any more necessary.

Arizona Opera Ends Season in Fine Style with Fille du Régiment

On April 10, 2015, Arizona Opera ended its season with La Fille du Régiment at Phoenix Symphony Hall. A passionate Marie, Susannah Biller was a veritable energizer bunny onstage. Her voice is bright and flexible with a good bloom on top and a tiny bit of steel in it. Having created an exciting character, she sang with agility as well as passion.

Il turco in Italia, Royal Opera

This second revival of Patrice Caurier and Moshe Leiser’s 2005 production of Rossini’s Il Turco in Italia seems to have every going for it: excellent principals comprising experienced old-hands and exciting new voices, infinite gags and japes, and the visual éclat of Agostino Cavalca’s colour-bursting costumes and Christian Fenouillat’s sunny sets which evoke the style, glamour and ease of La Dolce Vita.

The Siege of Calais
——
The Wild Man of the West Indies

English Touring Opera’s 2015 Spring Tour is audacious and thought-provoking. Alongside La Bohème the company have programmed a revival of their acclaimed 2013 production of Donizetti’s The Siege of Calais (L’assedio di Calais) and the composer’s equally rare The Wild Man of the West Indies (Il furioso all’isola di San Domingo).

The Met’s Lucia di Lammermoor

Mary Zimmerman’s still-fresh production is made fresher still by Shagimuratova’s glimmering voice, but the acting disappoints

Voices, voices in space, and spaces: Thoughts on 50 years of Meredith Monk

When WNYC’s John Schaefer introduced Meredith Monk’s beloved Panda Chant II, which concluded the four-and-a-half hour Meredith Monk & Friends celebration at Carnegie’s Zankel Hall, he described it as “an expression of joy and musicality” before lamenting the fact that playing it on his radio show could never quite compete with a live performance.

St. John Passion by Soli Deo Gloria, Chicago

This year’s concert of the Chicago Bach Project, under the aegis of the Soli Deo Gloria Music Foundation, was a presentation of the St. John Passion (BWV 245) at the Harris Theater in Millennium Park.

Fedora in Genoa

It is not an everyday opera. It is an opera that illuminates a larger verismo history.

The Marriage of Figaro, LA Opera

On March 26, 2015, Los Angeles Opera presented Mozart’s Le nozze di Figaro (The Marriage of Figaro). The Ian Judge production featured jewel-colored box sets by Tim Goodchild that threw the voices out into the hall. Only for the finale did the set open up on to a garden that filled the whole stage and at the very end featured actual fireworks.

The Tempest Songbook, Gotham Chamber Opera

Gotham Chamber Opera’s latest project, The Tempest Songbook, continues to explore the possibilities of unconventional spaces and unconventional programs that the company has made its hallmark. The results were musically and theatrically thought-provoking, and left me wanting more.

San Diego Opera presents Adams’ Riveting Nixon in China

Nixon in China is a three-act opera with a libretto by Alice Goodman and music by John Adams that was first seen at the Houston Grand Opera on October 22, 1987. It was the first of a notable line of operas by the composer.

Ars Minerva presents Castrovillari’s La Cleopatra in San Francisco

It is thanks to Céline Ricci, mezzo-soprano and director of Ars Minerva, that we have been able to again hear Daniele Castrovillari’s exquisite melodies because she is the musician who has brought his 1662 opera La Cleopatra to life.

World Premiere of Jennifer Higdon’s opera Cold Mountain at Santa Fe Opera this August

East Coast Premiere at Opera Philadelphia next season. Performances from Cold Mountain at the Guggenheim in New York this Monday, March 30.

An Ideal Cast in Chicago’s Tannhäuser

Lyric Opera of Chicago, in association with the Royal Opera House, Covent Garden, has staged a production of Richard Wagner’s Tannhäuser with an estimable cast.

Winners of the Metropolitan Opera National Council Auditions Announced

Five Young Singers Named Winners of the 2015 Met National Council Auditions, America’s Most Prestigious Vocal Competition

A Chat with Julia Noulin-Mérat

Julia Noulin-Mérat is the principal designer for the Noulin-Merat Studio, an intrepid New York City production design firm that works in theater, film, and television, but emphasizes opera and immersive site-specific theatre.

Madame Butterfly, Royal Opera

Puccini and his fellow verismo-ists are commonly associated with explosions of unbridled human passion and raw, violent pain, but in this revival (by Justin Way) of Moshe Leiser’s and Patrice Caurier’s 2003 production of Madame Butterfly, directorial understatement together with ravishing scenic beauty are shown to be more potent ways of enabling the sung voice to reveal the emotional depths of human tragedy.


OPERA TODAY ARCHIVES »

Reviews

Green: Mélodies françaises sur des poèmes de Verlaine
16 Apr 2015

Green: Mélodies françaises sur des poèmes de Verlaine

Philippe Jaroussky lends poetry and poise to the sounds of nineteenth- and twentieth-century France »

Recently in Reviews

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08 Sep 2006

VERDI: La Traviata

Callas fans better skip this review, as they won’t like the tone, the words, or whatever slights real or imagined they may perceive. »

08 Sep 2006

MAHLER: Symphony no. 7

At the expense of stating a truism, the music of Gustav Mahler, like that of other composers, is best experienced live in the concert hall. »

08 Sep 2006

PUCCINI: La Fanciulla del West

This Fanciulla is such a wonderful issue because, for once, none of the three protagonists ever recorded their role commercially, so that one is spared the many doublings often met in live recordings. »

07 Sep 2006

MAHLER: Symphony no. 8

During the last few years Antoni Wit has recorded Mahler’s symphonies one by one, such that he is building a fine cycle for the Naxos label. »

31 Aug 2006

BRAHMS: Missa Canonica
RHEINBERGER: Mass

The program for this recent recording from the choir of Westminster Cathedral presents sacred choral works by Brahms and Rheinberger, anchored at one end by Brahms’s youthful Missa Canonica and at the other by Rheinberger’s Mass for Double Choir in E-flat, Op. 109. with a handful of motets by Brahms in between. »

29 Aug 2006

VERDI: La Forza del Destino

This cast looks quite promising on paper. However, I cannot honestly say these big names keep their promise, except for the comprimario-singers. »

29 Aug 2006

WAGNER: Rienzi

I can readily understand why Bayreuth refuses to perform Richard Wagner’s third opera. »

29 Aug 2006

VERDI: Missa da Requiem

Verdi responded to the death of Rossini in 1868 by planning a collaborative Requiem Mass, drawing on the contributions of thirteen “distinguished” composers. »

28 Aug 2006

POULENC: Figure Humaine and Dialogues des Carmelites

Francis Poulenc is well known for the religious works that comprise much of his oeuvre after he was traumatized by the accidental and premature death of his friend Pierre-Octave Ferroud in 1936. »

28 Aug 2006

DUNSTABLE: Sweet Harmony — Masses and Motets

The music of John Dunstable embodies many of the characteristics that so dramatically set the music of the emerging Renaissance apart from its Medieval forebears. »

28 Aug 2006

HANDEL: Giulio Cesare in Egitto

Sometimes an invidious comparison cannot be avoided, and such is the case with two recent DVD versions of Georg Frederic Handel's masterpiece, Giulio Cesare. »

25 Aug 2006

MENDELSSOHN: Sacred Choral Music

The English “Oxbridge” choral tradition tends to be a cohesive one, most often with choirs of men and boys receiving similar training, singing a largely shared repertory in similar venues and in similar contexts. »

25 Aug 2006

Ikon

Harry Christophers and The Sixteen have a particular affinity for pre-modern polyphony, as their long discography, teeming with the music of the Eton Choirbook, assorted Renaissance masters, Handel, Bach, and others, amply shows. »

25 Aug 2006

WAGNER: Die Meistersinger von Nürnberg

Some argue that Bayreuth ushered in the modern era of regietheatre in opera productions with its now-legendary centennial Der Ring des Nibelungen, directed by Patrice Chereau. »

25 Aug 2006

Children’s Songs of the World

In Turkey recently, we visited a second-grade classroom, where our guide invited the children to sing songs for us. »

25 Aug 2006

Mozart — Airs Sacrés

It seems only natural that the quality of radiance should quickly come to mind in contemplating the twelfth-century Basilica of Saint Denis, where luminous stained glass creates colored walls of mystical light. »

25 Aug 2006

Bolshoi Russian opera highlights

Pentatone Classics joins some smaller recording companies staking out niche markets as the biggest labels continue their enforced retreat from the classical marketplace. »

25 Aug 2006

Verdi Gala 2004 Teatro Regio di Parma

In recent European reviews, Teatro Regio di Parma’s DVD of their 2004 Verdi Gala was generally labeled as worthless. »

25 Aug 2006

VERDI: La Traviata x 2

Tower Records online DVD page shows eleven available incarnations of Verdi's classic La Traviata, four of which have appeared in the last year, including one filmed at the reopening of La Fenice in Venice, and a Zurich production reviewed recently for Opera Today by yours truly. »

25 Aug 2006

BACH: Cantatas, Vol. 19

This installment of the estimable Bach Cantata Pilgrimage recordings brings together cantatas from the middle of the Epiphany season, along with a “refugee” from Trinity XXIV), and the well-known motet, “Jesu, meine Freude.” »

25 Aug 2006

RIMSKY-KORSAKOV: Snegurochka

This is a most sympathetic performance, though perhaps being a Fleming helps. In my small country on the frontier of Northern and Southern European influences, many musical styles made their entrance and became popular. »

25 Aug 2006

Erwartung — Lieder by Schoenberg, Wagner, Strauss et al.

Internationally acclaimed soprano, Solveig Kringelborn, now has recorded a delightful selection of late nineteenth-century German Lieder on the NMA label. »

25 Aug 2006

REIMANN: Lieder

In making words sing, to use a phrase from a recent study of the poetics of vocal composition, Aribert Reimann (b. 1936) does not emulate another composer as much as he makes fashions his own lines and punctuates them with accompaniments that serve as a means of accentuating the text. »

25 Aug 2006

BACH: Musical Offering

We can easily imagine the pleasure that Bach must have taken in presiding over a household that was both large and talented enough to form its own complete ensemble. »

25 Aug 2006

VERDI: Don Carlos and Don Carlo

Had Plato been a 19th century opera fan, would the philosopher have been so sure that there exists an ideal version of each and every opera, in the way that all chairs come from one immutable concept of "chair"? »

13 Aug 2006

VERDI: Don Carlo

Myto is always generous with its timings, usually producing very full CD’s and thus of necessity offering a bonus if a performance doesn’t fill the whole of the record. »

13 Aug 2006

SCHUBERT: Der Graf von Gleichen

Most of us who listen to opera often chose a work to relax us on a quiet evening; perhaps lighting some candles, and opening that bottle of good vino you’ve been saving for a special occasion. »

10 Aug 2006

OFFENBACH: Les Contes d'Hoffmann

When the Ring theater burned in Vienna, on December 8, 1881,1 Richard Wagner commented that it left him “cold” to know that a number of patrons should die while at a performance of Jacques Offenbach’s music. »

09 Aug 2006

SANTA FE OPERA: Golden Oldies

Carmen and The Magic Flute have finally made it onto my calendar, a nice way to end the summer opera festival at Santa Fe. »

03 Aug 2006

A Night of Rhythm and Dance

The Waldbühne in Berlin is a large copy of ancient Greek theatres. Originally it was the ‘Reichssportfeld’, built for the Olympic Games of 1936. »

02 Aug 2006

Mirella Freni and Cesare Siepi Live in Concert

In summer doldrums? Spend a delightful hour with two great artists in a rare joint appearance, as Fabula Classics has resurrected for DVD a 1985 Cesare Siepi and Mirelle Freni televised recital. »

02 Aug 2006

Haitink conducts Elgar and Britten

Commemorating some of its outstanding concerts of the 1980s and Bernard Haitink, its principal conductor (from 1967-1979), the London Philharmonic Orchestra has released on its own label a single CD that includes several pieces that brought notice to the ensemble. »

02 Aug 2006

Ann Murray and Malcolm Martineau: Schumann, Mahler, Britten

Recorded in early May 2005 at Crear, an artists’ community in Argyll, Scotland, this CD contains selections of Lieder and songs that fit well the supple voice of the mezzo-soprano Ann Murray, who is accompanied facilely by the Scottish pianist Malcolm Martineau. »

01 Aug 2006

Morricone Conducts Morricone

Connoisseurs of pretentious booklet essay verbiage will delight in the prose style of  Matthias Kellerin his musings for this EuroArts DVD of Ennio Morricone conducting his film scores with the Munich radio orchestra. »

31 Jul 2006

Strong Tempest at Santa Fe

The news from Santa Fe Opera last week-end is good, unexpectedly so. The British composer Thomas Ades’ new (2004) opera, a riff on Shakespeare’s The Tempest, has been rumored hard to perform and harder to hear. »

27 Jul 2006

BUXTEHUDE: Membra Jesu nostri

Dietrich Buxtehude’s Membra Jesu nostri is a large-scale Passion work dedicated to the Swedish chapelmaster, Gustav Dübin, in whose notable collection, now at Uppsala, it holds a prominent place. »

27 Jul 2006

WAGNER: Das Rheingold

Was it so many years ago that lovers of Wagner's titanic multi-part opus, Der Ring Des Nibelung, focused their passion principally on audio versions? »

24 Jul 2006

WAGNER: Siegfried, The 100th Covent Garden performance

“These probably unique documents may well owe their existence to the presence of Joan Sutherland in the cast and represent the earliest recordings of the great diva. »

24 Jul 2006

MOZART: Don Giovanni (Highlights)

Naxos reinforces its status as the classical recording world's bargain leader by releasing a single CD highlights disc from its complete Don Giovanni, recorded in 2000 and originally released in 2001. »

24 Jul 2006

PHILLIPS-MATZ: Washington National Opera 1956-2006

This is a highly impressive coffee-table table book, loaded with stunning photographs of productions, singers, composers, and even our nation’s glorious capital. »

24 Jul 2006

SHORT ON SALOME

Richard Strauss’ 1905 neurotic shocker Salome has long been a favorite Santa Fe Opera repertory piece, having enjoyed ten productions over the years. »

24 Jul 2006

SHOSTAKOVICH: The Execution of Stepan Razin

This new Naxos recording offers a rare opportunity to hear three little-known works by one of the 20th century's greatest composers - The Execution of Stepan Razin op. 119, October op. 131, and Five Fragments for orchestra op. 42, by Dmitri Shostakovich (1906-75). »

24 Jul 2006

CHAPI: Margarita la tornera

Is this the application of Peter’s Principle on Ruperto Chapi’s music as Chris Webber, editor of www.zarzuela.net preaches, or is this proof of Chapi being “undoubtedly the most important Spanish composer of stage music of all time” as the sleeve notes tell us? »

24 Jul 2006

The Italian Dramatic Lament

Its foundational interest in affective response made the early Baroque era a time rich in the nurture of highly impassioned music and text. Little surprise then that laments, with their characteristic emotional intensity, were particularly at home on the early seventeenth-century stage and in the chambers of the nobility. »

24 Jul 2006

DEBUSSY: Pélleas et Mélisande

Whatever its flaws - and it has them - this Zurich Opera production of Debussy's Pelléas and Mélisande boasts qualities that carry it very far from the standard view of those opera goers who considers the work dry, dull, and depressingly long. »

24 Jul 2006

MAHLER: Symphony no. 8

Recorded approximately 35 years ago in September 1971, Bernard Haitink’s performance of Gustav Mahler’s Eighth Symphony remains a classic account of the composer’s demanding score. »

24 Jul 2006

BURKHARD: Lieder

Refreshingly modern and familiar at the same time, the Lieder of Willy Burkhard (1900-55) are better known in his native Switzerland than anywhere else. »

23 Jul 2006

MENOTTI : Concerto for Violin and Orchestra / Cantilena e Scherzo / Canti Della Lontanza / Five Songs

Most Opera Today readers are probably familiar with Gian Carlo Menotti largely through his operas (The Medium, The Consul, Amahl and the Night Visitors, The Telephone, and others), and, if they teach or coach voice, may be more familiar than they’d like to be with pieces like “This is my box” and “Monica’s Waltz”, which have long been mainstays of the “American aria” branch of repertoire for young singers. »

19 Jul 2006

Leyla Gencer in Concert

There are lieder-recitals and there are lieder-recitals. In my experience Lucia Popp, Dietrich Fischer-Dieskau and Margaret Price stuck to their Lieder-guns till the last item, sometimes offering Strauss’ Zueignung as an encore. »