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Elsewhere

Lyric Opera of Chicago’s 2020 Ring Cycle

Lyric Opera of Chicago has announced both schedules and cast-lists for is Spring 2020 performances of Richard Wagner’s Ring Cycle. Given the series of individual productions already staged by the company since Fall 2016, that pave the way for the complete cycle, lyric Opera of Chicago’s complete production should affirm the artistic might of the great composer.

Irish soprano Paula Murrihy on Salzburg, Sellars and Singing

For Peter Sellars, Mozart’s Idomeneo is a ‘visionary’ work, a utopian opera centred on a classic struggle between a father and a son written by an angry 25-year-old composer who wanted to show the musical establishment what a new generation could do.

A riveting Rake’s Progress from Snape Maltings at the Aldeburgh Festival

Based on Hogarth’s 18th-century morality tale in eight paintings and with a pithy libretto by W.H. Auden and Chester Kallman, Stravinsky’s operatic farewell to Neo-classicism charts Tom Rakewell’s ironic ‘progress’ from blissful ignorance to Bedlam.

The Gardeners: a new opera by Robert Hugill

‘When war shall cease this lonely unknown spot,/ Of many a pilgrimage will be the end,/ And flowers will shine in this now barren plot/ And fame upon it through the years descend:/ But many a heart upon each simple cross/ Will hang the grief, the memory of its loss.’

Richard Jones's Boris Godunov returns to Covent Garden

There are never any real surprises with a Richard Jones production and Covent Garden’s Boris Godunov, first seen in 2016, is typical of Jones’s approach: it’s boxy, it’s ascetic, it’s over-bright, with minimalism turned a touch psychedelic in the visuals.

An enchanting Hansel and Gretel at Regent's Park Theatre

If you go out in the woods today, you’re sure of a big surprise. And, it will be no picnic! For, deep in the broomstick forest that director Timothy Sheader and designer Peter McKintosh have planted on the revolving stage at Regent’s Park Theatre is a veritable Witches’ Training School.

First staged production of Offenbach's Fantasio at Garsington

Offenbach's Fantasio is one of the works where, replacing the mad-cap satire of his earlier operettas with a more romantic melancholy, he paved the way for Les contes d'Hoffmann. Unpopular during his lifetime, Fantasio disappeared and only work by the musicologist Jean-Christophe Keck brought the score together again.

Rusalka in San Francisco

It must be a dream. Though really it is a nightmare. The water sprite Rusalka tortures herself if she is telling the story, or tortures the man who has imagined her if he is telling the story. Either way the bizarrely construed confusion of Czech fairy tales has no easily apparent meaning or message.

Orlando in San Francisco

George Frederic Handel was both victim and survivor of the San Francisco Opera’s Orlando seen last night on the War Memorial stage.

London Bel Canto Festival 2019: an interview with Ken Querns-Langley

“Physiognomy, psychology and technique.” These are the three things that determine the way a singer’s sound is produced, so Ken Querns-Langley explains when we meet in the genteel surroundings of the National Liberal Club, where the training programmes, open masterclasses and performances which will form part the third London Bel Canto Festival will be held from 5th-24th August.

Anthony Negus conducts Das Rheingold at Longborough

There are those in England who decorate their front lawns with ever-smiling garden gnomes, but in rural Gloucestershire the Graham family has gone one better; their converted barn is inhabited, not by diminutive porcelain figures, but fantasy creatures of Norse mythology - dwarves, giants and gods.

Carmen in San Francisco

A razzle-dazzle, bloodless Carmen at the War Memorial, further revival of Francesca Zambello’s 2006 Covent Garden production already franchised to Oslo, Sidney and Washington, D.C.

Weimar Berlin - Bittersweet Metropolis: Esa-Pekka Salonen conducts the Philharmonia Orchestra

Strictly speaking, The Weimar Republic began on 11th August 1919 when the Weimar Constitution was announced and ended with the Enabling Act of 23rd March 1933 when all power to enact laws without the involvement of the Reichstag was disbanded.

A superb Un ballo in maschera at Investec Opera Holland Park

Investec Opera Holland Park’s brilliantly cast new production of Un ballo in maschera reunites several of the creative team from last year’s terrific La traviata, with director Rodula Gaitanou, conductor Matthew Kofi Waldren and lighting designer Simon Corder being joined by the designer, takis.

A Classy Figaro at The Grange Festival

Where better than The Grange’s magnificent grounds to present Mozart’s Le nozze di Figaro. Hampshire’s neo-classical mansion, with its aristocratic connections and home to The Grange Festival, is the perfect setting to explore 18th century class structures as outlined in Lorenzo da Ponte’s libretto.

A satisfying Don Carlo opens Grange Park Opera 2019

Grange Park Opera opened its 2019 season with a revival of Jo Davies fine production of Verdi's Don Carlo, one of the last (and finest) productions in the company's old home in Hampshire.

Ernst von Siemens Music Prize, 2019

The first woman composer to receive the Ernst von Siemens Music Prize could not have been a worthier candidate.

Josquin des Prez and His Legacy: Cinquecento at Wigmore Hall

The renown and repute of Josquin des Prez (c.1450-1521) both during his lifetime and in the years following his death was so extensive and profound that many works by his contemporaries, working in Northern France and the Low Countries, were mis-attributed to him. One such was the six-part Requiem by Jean Richafort (c.1480-c.1550) which formed the heart of this poised concert by the vocal ensemble Cinquecento at Wigmore Hall, in which they gave pride of place to Josquin’s peers and successors and, in the final item, an esteemed forbear.

Symphonie fantastique and Lélio United – F X Roth and Les Siècles, Paris

Symphonie fantastique and Lélio together, as they should be, with François-Xavier Roth and Les Siècles livestreamed from the Philharmonie de Paris (link below). Though Symphonie fantastique is heard everywhere, all the time, it makes a difference when paired with Lélio because this restores Berlioz’s original context.

Ivo van Hove's The Diary of One Who Disappeared at the Linbury Theatre

In 1917 Leoš Janáček travelled to Luhačovice, a spa town in the Zlín Region of Moravia, and it was here that he met for the first time Kamila Stösslová, the young married woman, almost 40 years his junior, who was to be his muse for the remaining years of his life.


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Reviews

24 Jun 2019

Irish soprano Paula Murrihy on Salzburg, Sellars and Singing

For Peter Sellars, Mozart’s Idomeneo is a ‘visionary’ work, a utopian opera centred on a classic struggle between a father and a son written by an angry 25-year-old composer who wanted to show the musical establishment what a new generation could do.  »

Recently in Reviews

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29 Jul 2018

Götterdämmerung in Munich

What I am about to write must be taken with the proviso that I have not seen, this year or any other, the rest of Andreas Kriegenburg’s Munich Ring. Friends tell me that would have made little difference, yet I cannot know for certain.  »

28 Jul 2018

A celebration of Parry at the BBC Proms

For Prom 17, Martyn Brabbins, the BBC National Orchestra of Wales and the BBC National Chorus of Wales brought together English music written either side of the First World War. »

26 Jul 2018

Oxford Lieder Festival 2018: The Grand Tour - A European Journey in Song

A celebration of European song will be the focus of the 2018 Oxford Lieder Festival (12th - 27th October) and will showcase the familiar masterpieces of the song repertoire while exploring wider cultural influences from Finland to the south... »

25 Jul 2018

Angelika Kirchschlager's first Winterreise

In the opera house and on the concert platform, we are accustomed to ‘women being men’, as it were. From heroic knights to adolescent youths, women don the armour and trousers, and no-one bats an eyelid. »

25 Jul 2018

John Storgårds takes the BBC Philharmonic on a musical journey at the BBC Proms

Fascinating programming from the BBC Philharmonic under their Finnish Chief Guest Conductor, John Storgårds. The mix of vocal music, arrangements and multiple pieces per half felt like a flashback to the early days of the Proms, offering eclectic mixes of vocal and instrumental soloists. »

24 Jul 2018

Heavenly choruses - Mahler 8th at the BBC Proms

BBC Prom 11 Mahler Symphony no 8 in E flat major at the Royal Albert Hall, London, with Thomas Søndergård conducting the BBC National Orchestra of Wales and a huge cast. The nickname "Symphony of a Thousand" wasn't Mahler's choice but the invention of promoters eager to market it as a showpiece. »

22 Jul 2018

Beyond Gilbert and Sullivan: Edward Loder’s Raymond and Agnes and the Apotheosis of English Romantic Opera

Mention ‘nineteenth-century English opera’ to most people, and they will immediately think ‘Gilbert and Sullivan’. If they really know their Gilbert and Sullivan, they’ll probably remember that Sullivan always wanted to compose more serious operas, but that Gilbert resisted this, believing they should ‘stick to their last’: light, comic, tuneful satire. »

19 Jul 2018

A Donizetti world premiere: Opera Rara at the Royal Opera House

There may be sixty or so operas by Donizetti to choose from, but if you’ve put together the remnants of another one, why not give everyone a chance to hear it? And so, Opera Rara brought L’Ange de Nisida to the concert stage last night, 180 years after it was composed for the Théâtre de la Renaissance in Paris, conductor Sir Mark Elder leading a team of bel canto soloists and the Choir and Orchestra of the Royal Opera House in a committed and at times stirring performance. »

18 Jul 2018

A stellar Ariadne auf Naxos at Investec Opera Holland Park

Strauss’s Ariadne auf Naxos is a strange operatic beast. Originally a Molière-Hofmannsthal-Strauss hybrid, the 1916 version presented in Vienna ditched Le bourgeois gentilhomme, which had preceded an operatic telling of the Greek myth of Ariadne and Theseus, and replaced it with a Prologue in which buffa met seria as competing factions prepared to present an entertainment for ‘the richest man in Vienna’. He’s a man who has ordered two entertainments, to follow an epicurean feast, and he wants these dramatic digestifs served simultaneously. »

18 Jul 2018

PROM 5: Debussy’s Pelléas et Mélisande

Stefan Herheim’s production of Debussy’s magnificent 1902 opera for Glyndebourne has not been universally acclaimed. The Royal Albert Hall brought with it, in this semi-staged production, a different set of problems - and even imitated some of the production’s original ones, notably the vast shadow of the organ which somewhat replicates Glyndebourne’s 1920’s Organ Room, and by a huge stretch of the imagination the forest in which so much of the opera’s action is set. »

17 Jul 2018

Thought-Provoking Concert in Honor of Bastille Day

Sopranos Elise Brancheau and Shannon Jones, along with pianists Martin Néron and Keith Chambers, presented a thrilling evening of French-themed music in an evening entitled: “Salut à la France,” at the South Oxford Space in Brooklyn this past Saturday, July 14th. »

17 Jul 2018

Dido in Deptford: Blackheath Halls Community Opera

Polly Graham’s vision of Dido and Aeneas is earthy, vigorous and gritty. The artistic director of Longborough Festival Opera has overseen a production which brings together professional soloists, students from Trinity Laban Conservatoire of Music and Dance, and a cast of more than 80 south-east London adults and children for this, the 12th, annual Blackheath Halls Community Opera. »

16 Jul 2018

Summer madness and madcap high jinxs from the Jette Parker Young Artists

The operatic extracts which comprised this year’s Jette Parker Young Artists Summer Performance seemed to be joined by a connecting thread - madness: whether that was the mischievousness of Zerbinetta’s comedy troupe, the insanity of Tom Rakewell, the metaphysical distress of Hamlet, or the mayhem prompted by Isabella’s arrival at Mustafà’s Ottoman palace, the ‘insanity’ was equally compelling. »

16 Jul 2018

Mefistofele at Orange’s Chorégies

This is the one where a very personable devil tells God that mankind is so far gone it isn’t worth his time to bother corrupting it further. »

15 Jul 2018

Mascagni's Isabeau rides again at Investec Opera Holland Park

There seemed to me to be something distinctly Chaucerian about Martin Lloyd-Evans’ new production of Mascagni’s Isabeau (the first UK production of the opera) for Investec Opera Holland Park. »

15 Jul 2018

The 2018 BBC Proms opens in flamboyant fashion

Anniversaries and commemorations will, as usual, feature significantly during the 2018 BBC Proms, with the works of Leonard Bernstein, Claude Debussy and Lili Boulanger all prominently programmed during the season’s myriad orchestral, vocal and chamber concerts. »

13 Jul 2018

Banff’s Hell of an Orphée+

Against the Grain Theatre brought its award winning adaptation of Gluck’s opera to the Banff Festival billed as “an electronic baroque burlesque descent into hell.” »

12 Jul 2018

A Choral Trilogy at the Aix Festival

What Seven Stones (the amazing accentus / axe 21), and Dido and Aeneas (the splendid Ensemble Pygmalion) and Orfeo & Majnun (the ensemble [too many to count] of eleven local amateur choruses) share, and virtually nothing else, is spectacular use of chorus. »

11 Jul 2018

Vintage Audi — Parsifal, Kaufmann, Pape

From the Bayerisches Staatsoper Munich, Wagner Parsifal with a dream cast - René Pape, Jonas Kaufmann and Nina Stemme, Christian Gerhaher and Wolfgang Koch, conducted by Kirill Petrenko, directed by Pierre Audi. The production is vintage Audi - stylized, austere, but solidly thought-through.  »

10 Jul 2018

Flight Soars High in Des Moines

Jonathan Dove’s innovative opera Flight is being lavished with an absolutely riveting new production at Des Moines Metro Opera’s resoundingly successful 2018 Festival.  »

09 Jul 2018

Fledermaus Pops the Cork in Iowa

Like a fizzy bottle of champagne, Des Moines Metro Opera uncorked a zesty tasting of Johan Strauss’s vintage Die Fledermaus (The Bat).  »

09 Jul 2018

A spritely summer revival of Falstaff at the ROH

Robert Carson’s 2012 ROH Falstaff is a bit of a hotchpotch, but delightful nevertheless. The panelled oak, exuding Elizabethan ambience, of the first Act’s gravy-stained country club reeks of the Wodehouse-ian 1930s, but has also has to serve as the final Act’s grubby stable and the Forest of Windsor, while the central Act is firmly situated in the domestic perfection of Alice Ford’s 1950s kitchen. »

08 Jul 2018

Down on the Farm with Des Moines’ Copland

Ingenious Des Moines Metro Opera continued its string of site-specific hits with an endearing production of Aaron Copland’s The Tender Land on the grounds of the Maytag Dairy farm. »

08 Jul 2018

Des Moines’ Ravishing Rusalka

Let me get right to the point: This is the Rusalka I have been waiting for all my life. »

07 Jul 2018

L'Ange de feu (The Fiery Angel)
in Aix

Prokofiev’s Fiery Angel is rarely performed. This new Aix Festival production to be shared with Warsaw’s Teatr Wielki exemplifies why. »

06 Jul 2018

Ariane à Naxos (Ariadne auf Naxos) in Aix

Yes, of course British stage director Katie Mitchell served up Richard Strauss’ uber tragic Ariadne on Naxos at a dinner table. Over the past few years Mme. Mitchell has staged quite a few household tragedies at the Aix Festival, mostly at dinner tables, though some on doorsteps. »

06 Jul 2018

The Skating Rink: Garsington Opera premiere

Having premiered Roxanna Panufnik’s opera Silver Birch in 2017 as part of its work with local community groups, Garsington Opera’s 2018 season included its first commission for the main opera season. David Sawer's The Skating Rink premiered at Garsington Opera this week; the opera is based on the novel by Chilean writer Roberto Bolano with a libretto by playwright Rory Mullarkey. »

05 Jul 2018

Madama Butterfly at the Princeton Festival

The Princeton Festival brings a run of three high-quality opera performances to town each summer, alternating between a modern opera and a traditional warhorse. John Adams’ Nixon in China has been announced for next summer. So this year Princeton got Giacomo Puccini’s Madama Butterfly, for which the Festival assembled an impressive cast and delivered a polished performance. »

05 Jul 2018

‘Schiff’s Surprise’: Haydn

Many of the ingredients for a memorable concert were there, or so they initially seemed to be. Alas, ultimately what we learned more clearly than anything else was that the Orchestra of the Age of Enlightenment’s new Principal Artist, András Schiff, is no conductor.  »

05 Jul 2018

Recital of French song from Véronique Gens and Susan Manoff

It came as quite a surprise throughout much of the first half of this recital of French song, that it was the piano-playing of Susan Manoff that made the greater impression upon me than the singing of Véronique Gens.  »

03 Jul 2018

Pelléas et Mélisande: Glyndebourne Festival Opera

What might have been? Such was a thought that came to my mind more than once during this, the premiere of Glyndebourne’s new Pelléas et Mélisande. What might have been if Stefan Herheim had not changed his Konzept so late in the day? (I had actually forgotten about that until reminded during the interval, yet had already began to wonder whether the production had been, especially for him, unusually rushed.) »

01 Jul 2018

Mozart: Don Giovanni, Royal Opera House

There is something very Danish about this Don Giovanni. It isn’t just that the director, Kasper Holten is a Dane, it’s also that the existential, moral and psychological questions Holten asks point to Kierkegaard who wrote of the fusion of the erotic and demonic in this opera in his work Either/Or (1843). However, I’ve rarely, if ever, encountered a production of Don Giovanni - even Bieito’s notorious one for ENO - where Mozart comes off as second best.  »

01 Jul 2018

Superb Schoenberg Gurrelieder - Salonen, Philharmonia, London

Schoenberg Gurrelieder at the Royal Festival Hall, with Esa-Pekka Salonen, demonstrating how well the Philharmonia Orchestra has absorbed Schoenberg's idiom. A blazing performance, formidably dramatic, executed with stunning assurance. Salonen has made his mark on the Philharmonia through in-depth explorations of the 20th century repertoire he loves so well. »

30 Jun 2018

An ambitious double-bill by the Royal College of Music

London may have been basking in the golden glow of summer sunshine this week, but things have been darkly gothic on the capital’s opera scene. »

29 Jun 2018

POP Uncorks Bubbly Rossini Vintage

There was a palpable anticipatory buzz in the audience well before one note was heard of Pacific Opera Project’s adventurous take on Rossini’s seldom staged La Gazzetta (The Newspaper). »