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Elsewhere

Temple Winter Festival: The Tallis Scholars

Hodie Christus natus est. Today, Christ is born! A miracle: and one which has inspired many a composer to produce their own musical ‘miracle’: choral exultation which seems, like Christ himself, to be a gift to mankind, straight from the divine.

A new Hänsel und Gretel at the Royal Opera House

Fairy-tales work on multiple levels, they tell delightful yet moral stories, but they also enable us to examine deeper issues. With its approachably singable melodies, Engelbert Humperdinck's Märchenoper Hänsel und Gretel functions in a similar way; you can take away the simple delight of the score, but Humperdinck's discreetly Wagnerian treatment of his musical material allows for a variety of more complex interpretations.

Bohuslav Martinů – What Men Live By

World premiere recording from Supraphon of Bohuslav Martinů What Men Live By (H336,1952-3) with Jiří Bělohlávek and the Czech Philharmonic Orchestra from a live performances in 2014, with Martinů's Symphony no 1 (H289, 1942) recorded in 2016. Bělohlávek did much to increase Martinů's profile, so this recording adds to the legacy, and reveals an extremely fine work.

Berlioz: Harold en Italie, Les Nuits d'été

Hector Berlioz Harold en Italie with François-Xavier Roth and Les Siècles with Tabea Zimmermann, plus Stéphane Degout in Les Nuits d’été from Hamonia Mundi. This Harold en Italie, op. 16, H 68 (1834) captures the essence of Romantic yearning, expressed in Byron's Childe Harold’s Pilgrimage where the hero rejects convention to seek his destiny in uncharted territory.

Rouvali and the Philharmonia in Richard Strauss

It so rarely happens that the final concert you are due to review of any year ends up being one of the finest of all. Santtu-Matias Rouvali’s all Richard Strauss programme with the Philharmonia Orchestra, however, was often quite remarkable - one might quibble that parts of it were somewhat controversial, and that he even lived a little dangerously, but the impact was never less than imaginative and vivid. This was a distinctly young man’s view of Strauss - and all the better for that.

‘The Swingling Sixties’: Stravinsky and Berio

Were there any justice in this fallen world, serial Stravinsky – not to mention Webern – would be played on every street corner, or at least in every concert hall. Come the revolution, perhaps.

Le Bal des Animaux : Works by Chabrier, Poulenc, Ravel, Satie et al.

Belgian soprano Sophie Karthaüser’s latest song recital is all about the animal kingdom. As in previous recordings of songs by Wolf, Debussy and Poulenc, pianist Eugene Asti is her accompanist in Le Bal des Animaux, a delightful collection of French songs about creatures of all sizes, from flea to elephant and from crayfish to dolphin.

The Pity of War: Ian Bostridge and Antonio Pappano at the Barbican Hall

During the past four years, there have been many musical and artistic centenary commemorations of the terrible human tragedies, inhumanities and utter madness of the First World War, but there can have been few that have evoked the turbulence and trauma of war - both past and present, in the abstract and in the particular - with such terrifying emotional intensity as this recital by Ian Bostridge and Antonio Pappano at the Barbican Hall.

First revival of Barrie Kosky's Carmen at the ROH

Charles Gounod famously said that if you took the Spanish airs out of Carmen “there remains nothing to Bizet’s credit but the sauce that masks the fish”.

Stanford's The Travelling Companion: a compelling production by New Sussex Opera

The first performance of Charles Villiers Stanford’s ninth and final opera The Travelling Companion was given by an enthusiastic troupe of Liverpudlian amateurs at the David Lewis Theatre - Liverpool’s ‘Old Vic’ - in April 1925, nine years after it was completed, eight after it won a Carnegie Award, and one year after the composer’s death.

Russian romances at Wigmore Hall

The songs of Tchaikovsky and Rachmaninov lie at the heart of the Romantic Russian art song repertoire, but in this duo recital at Wigmore Hall it was the songs of Nikolay Medtner - three of which were framed by sequences by the great Russian masters - which proved most compelling and intriguing.

Wolfgang Rihm: Requiem-Strophen

The world premiere recording of Wolfgang Rihm's Requiem-Strophen (2015/2016) with Mariss Jansons conducting the Symphonieorchester des Bayerischen Rundfunks and the Chor des Bayerischen Rundfunks with Mojca Erdmann, Anna Prohaska and Hanno Müller-Brachmann, from BR Klassik NEOS.

Don Giovanni: Manitoba Opera

Manitoba Opera turned the art of seduction into bloodsport with its 2018/19 season-opener of Mozart’s dramma giocoso, Don Giovanni often walking a razor’s edge between hilarious social commentary and chilling battles for the soul.

Jonathan Miller's La bohème returns to the Coliseum

And still they come. No year goes by without multiple opportunities to see it; few years now go by without my taking at least one of those opportunities. Indeed, I see that I shall now have gone to Jonathan Miller’s staging on three of its five (!) outings since it was first seen at ENO in 2009.

Sir Thomas Allen directs Figaro at the Royal College of Music

The capital’s music conservatoires frequently present not only some of the best opera in London, but also some of the most interesting, and unusual, as the postgraduate students begin to build their careers by venturing across diverse operatic ground.

Unknown, Remembered: in conversation with Shiva Feshareki

It sounds like a question from a BBC Radio 4 quiz show: what links Handel’s cantata for solo contralto, La Lucrezia, Samuel Beckett’s Krapp’s Last Tape, and the post-punk band Joy Division?

Old Bones: Iestyn Davies and members of the Aurora Orchestra 'unwrap' Time at Kings Place

In this contribution to Kings Place’s 2018 Time Unwrapped series, ‘co-curators’ composer Nico Muhly and countertenor Iestyn Davies explored the relationship between time past and time present, and between stillness and motion.

Cinderella goes to the panto: WNO in Southampton

Once upon a time, Rossini’s La Cenerentola was the Cinderella among his operatic oeuvre.

It's a Wonderful Life in San Francisco

It was 1946 when George Bailey of Bedford Falls, NY nearly sold himself to the devil for $20,000. It is 2018 in San Francisco where an annual income of ten times that amount raises you slightly above poverty level, and you’ve paid $310 for your orchestra seat to Jake Heggie and Gene Scheer’s It’s a Wonderful Life.

Des Moines: Glory, Glory Hallelujah

A minor miracle occurred as Des Moines Metro Opera converted a large hall on a Reserve Army Base to a wholly successful theatrical venue, and delivered a stunning rendition of Tom Cipullo’s compelling military-themed one act opera, Glory Denied.


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Reviews

14 Dec 2018

Temple Winter Festival: The Tallis Scholars

Hodie Christus natus est. Today, Christ is born! A miracle: and one which has inspired many a composer to produce their own musical ‘miracle’: choral exultation which seems, like Christ himself, to be a gift to mankind, straight from the divine. »

Recently in Reviews

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11 Apr 2007

L’invitation au voyage: Mélodies from La belle époque

“Linvitation au voyage” is an appropriate title for this collection of French song, which makes available a number of fine performances of both familiar and rare works. »

11 Apr 2007

WAGNER: Lohengrin

With a label such as Gala, a purveyor of live recordings of various provenance, some adjustment to compromised sound quality can be expected. »

07 Apr 2007

A bride for sale at the Baltimore Lyric

The latest offering from the Baltimore Lyric Opera was Bedrich Smetana’s sparkling comedy Prodana Nevesta (“Bartered Bride”), a little gem of Czech Romantic nationalism that one does not see live very often these days. »

07 Apr 2007

BERNSTEIN: Fancy Free; Dybbuk

This excellent disc brings together two ballet scores from the far ends of Leonard Bernstein’s compositional career. »

06 Apr 2007

Kurt Weill on Broadway: Songs and Orchestrations by Kurt Weill

Kurt Weill’s perennial appeal can be attributed to various factors, not the least of which is the genuine craft of his stage works. »

06 Apr 2007

Perfume: The Story of a Murderer

Film music has become a sort of refuge for some music lovers turned off by the work of those serious music composers who have turned increasingly away from attempting an encounter with a broader public, retreating into an insular word of academic composition. »

04 Apr 2007

The Metropolitan Opera on DVD: Elektra, Luisa Miller and Tosca

With some deliberation the Metropolitan Opera releases DVD versions of live television broadcasts from its heyday as a PBS mainstay. »

02 Apr 2007

San Diego Opera — Il Trovatore

Verdi's magnificent melodrama Il Trovatore may be the most masculine of his creations, but the production that San Diego Opera presented as the third opera of its 2007 season was a triumph for the ladies. »

30 Mar 2007

José Carreras Collection

A classic Seinfeld episode revolved around a brush with the “third” of the Three Tenors - the one whom no one could quite put a name to. »

30 Mar 2007

HANDEL: Poro, Re dell’Indie

Let’s face it, Handel’s “Poro, Re dell’Indie” (in English “Porus, King of India”) isn’t exactly a household name in any but the most dedicated baroque opera circles. »

28 Mar 2007

Camacho’s Wedding (Die Hochzeit des Camacho)

UC Opera now have a half-century’s reputation to live up to; they were responsible for the UK premieres of such works as Das Liebesverbot, The Maid of Orleans, Alzira, Oberto and the 1847 version of Macbeth. »

27 Mar 2007

BRUCKNER: Lateinische Motetten — Latin Motets

Known almost iconically for his symphonies, Anton Bruckner devoted a great deal of his compositional output to vocal music, including choral works in both German and Latin. »

26 Mar 2007

RAMEAU: Platée, Pigmalion, Dardanus Ballet Suites

In the seventeenth and eighteenth centuries, French instrumental music was closely identified with dance and dance suites. »

26 Mar 2007

GRÉTRY: Pierre le Grand

Although milestones in the history of opéra-comique, Grétry’s operas are infrequently revived and rarely recorded. »

25 Mar 2007

MOZART: Die Entführung aus dem Serail

With the trials and tribulations of a multicultural society currently at the forefront of the British media, Gavin Quinn’s production placed a light-hearted focus on the bizarreness of a group of foreigners being thrown together in an unfamiliar situation. »

25 Mar 2007

MOZART: Don Giovanni

This 2005 production of the Mozart-Da Ponte masterpiece Don Giovanni makes for a frustrating experience. »

25 Mar 2007

Eugene Onegin — English Touring Opera

London is fortunate to have played host to several productions of Tchaikovsky’s best-known opera in the last three years alone, most recently British Youth Opera’s heartbreakingly fresh account last September – so it was a risky decision on ETO’s part to stage yet another. »

21 Mar 2007

ROSSINI: Matilde di Shabran

When Matilde di Shabran was premiered in Rome on Feb. 24, 1821, it was billed as a “melodrama giocoso” (which is the equivalent of an opera semiseria), somewhere between an opera buffa and an opera seria in character. »

21 Mar 2007

DONIZETTI: Roberto Devereux

Asked in an interview by Opera News on his opinion on updating, James Levine replied that it often intensified one or another aspect of the story but that in general it was not possible to update without distorting the story and the equilibrium in the whole opera. »

21 Mar 2007

TELEMANN: Komm Geist des Herrn — Late Cantatas

Our modern sense of the eighteenth-century Lutheran cantata derives in large part from the works of J. S. Bach—works that have been foundational in the early music movement, works that have much shaped our understanding of Bach, and works that we now know in an impressive array of different recordings. »

21 Mar 2007

DONIZETTI: Linda di Chamounix

I am surely not the only one who doesn’t understand why this sparkling score is not performed more often. »

21 Mar 2007

Große Opernchöre — Great Opera Choirs

In setting the scene or furthering the action on stage, the opera chorus often provides some memorable aural scenery in works by composers from Claudio Monteverdi to Arnold Schoenberg, and this collection offers a representative selection of examples from both those composers, and well as a number of others. Recorded on 14 January 2004, this concert of the Stuttgart Staatsopernchor and Staatsorchester offered a program devoted to memorable choruses. »

21 Mar 2007

MAHLER: Symphony no. 6

Based from concerts given on 22 August, 7 September, and 8 September 2005, this recording of Mahler’s Sixth Symphony is the latest release of the Concertgebouw’s own RCO Live label. »

20 Mar 2007

Teseo — Handel by the Sea

Nice Opera, on the French Cote d’Azur, seemed a most suitable place for this early work by Handel. »

20 Mar 2007

Das Gänsebuch (The Geesebook): German Medieval Chant

In their attempt to recreate a combination of musical styles typical of fifteenth- and sixteenth-century Nürnberg, Schola Hungarica and its directors László Dobszay & Janka Szendrei have chosen selections from the Gänsebuch, described as the “only complete extant source for the pre-Reformation liturgy of the mass in Nürnberg.” [CD liner-notes, p. 3] »

20 Mar 2007

PAISIELLO: Gli Astrologi immaginari

I never heard the 1966 live recording with Margherita Rinaldi and Paolo Montarsolo and I don’t have a clue what the sound picture is like. »

19 Mar 2007

Angela Gheorghiu, Los Angeles

A near-capacity audience, expectant and enthusiastic, streamed into the Dorothy Chandler for an old-fashioned evening of operatic glamour, as Angela Gheorghiu, with the Los Angeles Opera Orchestra in support, flew into town for a one night concert. »

19 Mar 2007

The Tempest at Covent Garden

This year is Thomas Adés’ annus mirabilis. He’s the subject of a major, six-week retrospective at the Barbican, and, of course, will be a major presence at the Aldeburgh Festival. »

13 Mar 2007

The Gondoliers — English National Opera

Speaking to a trusted chorus-member friend after this performance, I was told that I had benefited from not having seen this production when new three months ago. »

13 Mar 2007

LA Opera “Recovered Voices”

Just about halfway though his first season as music director of Los Angeles Opera, James Conlon has already made himself an endearing and appreciated figure. »

13 Mar 2007

Native-American Drama at Opera Omaha

Perhaps the gestation period for “Wakonda’s Dream,” premiered by Opera Omaha on March 7, was too long. »

13 Mar 2007

WAGNER: Die Walküre; Götterdämmerung

Two weeks before viewing these DVD’s, I attended a performance of the same opera at De Vlaamse Opera in a new production by Ivo van Hove; Flemish boss of the most important Amsterdam theatre company. »

08 Mar 2007

PUCCINI: La Bohème

With the distance of time, is it allowable to feel affection for Herbert von Karajan, beyond any respect — grudging or otherwise — for his long, starry career? »

08 Mar 2007

WAGNER: Die Meistersinger von Nürnberg

Recorded between 18 and 29 June 1984 at the Bayreuth Festspielhaus, this production of Richard Wagner's Die Meistersinger von Nűrnberg makes a classic presentation of the opera available in a two-DVD set issued in 2006 by Deutsche Grammophon. »

08 Mar 2007

Verdi Gala from Berlin

This concert was given on New Year’s eve in the year 2000, and the frail Claudio Abbado who comes out to conduct makes for an alarming sight. »

08 Mar 2007

Berlin “Ring” remains a sterling achievement

It was in the “Orwell year” 1984 that Götz Friedrich, general manager — Intendant — of the Deutsche Oper Berlin (DOB) from 1983 until his death in 2000, staged the first half of Wagner’s “Ring des Nibelungen” in the 1900-seat house on Berlin’s Bismarckstrasse. »

06 Mar 2007

OONY Performs Cilèa’s L’Arlesiana

It is well known that the Opera Orchestra of New York’s performances are required events for opera aficionados to hear the the most exciting performances of the season. »

06 Mar 2007

Adams/Sellars “Tree” blossoms sublimely at SFS

Compared with Pamina and Tamino, Kumudha and her Prince, the central figures in “A Flowering Tree,” the John Adams and Peter Sellars collaboration given its American premiere on March 1 by the San Francisco Symphony, walk a rock-strewn road. »

28 Feb 2007

La Bohème – English National Opera

The death this month of director Stephen Pimlott could have cast a shadow over this revival of his 1993 production, but a hugely affectionate pre-show tribute by colleague Nicholas Hytner ensured that the performance only served to do great honour to the memory of a man who was clearly loved and cherished by many. »

28 Feb 2007

KÁLMÁN : Die Csárdásfürstin

The booklet essay writer effuses passionately about this filmed Kalman operetta, Die Csárdásfürstin. Jürgen Otten gushes over the "immortal melodies," Anna Moffo's "precious jewel" of a voice, and Rene Kollo's "innate nobility." »

28 Feb 2007

Nicole Cabell, St John’s Smith Square, London

The Rosenblatt Recital Series, which presents concerts around London from artists ranging from the well-known to the brand-new, last week showcased Nicole Cabell, the glamorous 29-year-old winner of the 2005 Cardiff Singer of the World competition. »

27 Feb 2007

Rachmaninov and Glinka: Lieder • Songs • Chants

Originally released by Deutsche Grammophon in 1976, this recording of selected songs by Sergei Rachmaninov (1873-1943) and Mikhail Glinka (1804-57) make available some fine examples of Russian art song to Western audiences. »

27 Feb 2007

ADAM: Le Postillon de Longjumeau

Why should anyone buy a German language broadcast of a delicious French opéra-comique? »

27 Feb 2007

Bach Cantatas, Volume 21

John Eliot Gardiner’s Bach Cantata Pilgrimage continues to echo with the release of concert recordings of this historic millennial tour. »

27 Feb 2007

WAGNER: Tannhäuser

As familiar Richard Wagner’s Tannhäuser is, the opera benefits from solid performances that bring together fine singing, exquisite orchestral playing, and effective staging, and the Metropolitan Opera’s 1982 production conducted by James Levine gave audiences an exemplary performance that remains a touchstone for this work. »

27 Feb 2007

Matthias Goerne at the Wigmore Hall

This wasn’t an “easy” program for dilettantes. »

26 Feb 2007

Cori Spezzati: Venetian Polychoral Music

If there ever was a moment where architecture and music became passionately tied to one another, it would be when the polychoral music of the 16th century was tied to St. Mark’s cathedral in Venice. »

22 Feb 2007

MUSSORGSKY: Khovanshchina

At the curtain call for the first night of WNO’s new production of the infrequently performed Khovanshchina director David Pountney wore a simple Russian shirt. »