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Elsewhere

Il turco in Italia at the Aix Festival

Twenty years ago stage director Christopher Alden introduced Rossini’s then forgotten comedy to Southern California audiences in a production that is still remembered. In Aix Alden has revisited this complex work that many critics now consider Rossini’s greatest comedy.

First Night of the BBC Proms : Elgar The Kingdom

The BBC Proms 2014 season began with Sir Edward Elgars The Kingdom (1903-6). It was a good start to the season,which commemorates the start of the First World War. From that perspective Sir Andrew Davis's The Kingdom moved me deeply.

Le nozze di Figaro, Munich

One is unlikely to come across a cast of Figaro principals much better than this today, and the virtues of this performance indeed proved to be primarily vocal.

Winterreise and Trauernacht at the Aix Festival

That’s A Winter’s Journey and A Night of Mourning for metteurs-en-scène William Kentridge (South Africa) and Katie Mitchell (Great Britain), completing the clean sweep of English language stage directors for the Aix Festival productions this year.

James Gilchrist at Wigmore Hall

Assured elegance, care and thoughtfulness characterised tenor James Gilchrist’s performance of Schubert’s Schwanengesang at the Wigmore Hall, the cycles’ two poets framing a compelling interpretation of Beethoven’s An die ferne Geliebte.

Music for a While: Improvisations on Henry Purcell

‘Music for a while shall all your cares beguile.’ Dryden’s words have never seemed as apt as at the conclusion of this wonderful sequence of improvisations on Purcell’s songs and arias, interspersed with instrumental chaconnes and toccatas, by L’Arpeggiata.

Nabucco at Orange

The acoustic of the gigantic Théâtre Antique Romain at Orange cannot but astonish its nine thousand spectators, the nearly one hundred meter breadth of the its proscenium inspires awe. There was excited anticipation for this performance of Verdi’s first masterpiece.

Richard Strauss: Notturno

Richard Strauss may be most closely associated with the soprano voice but this recording of a selection of the composer’s lieder by baritone Thomas Hampson is a welcome reminder that the rapt lyricism of Strauss’s settings can be rendered with equal beauty and character by the low male voice.

Saint Louis: A Hit is a Hit is a Hit

Opera Theatre of Saint Louis has once again staked claim to being the summer festival “of choice” in the US, not least of all for having mounted another superlative world premiere.

La Flûte Enchantée (2e Acte)
at the Aix Festival

In past years the operas of the Aix Festival that took place in the Grand Théâtre de Provence began at 8 pm. The Magic Flute began at 7 pm, or would have had not the infamous intermittents (seasonal theatrical employees) demanded to speak to the audience.

Ariodante at the Aix Festival

High drama in Aix. Three scenarios in conflict — those of G.F. Handel, Richard Jones and the intermittents (disgruntled seasonal theatrical employees). Make that four — mother nature.

Lucy Crowe, Wigmore Hall

The programme declared that ‘music, water and night’ was the connecting thread running through this diverse collection of songs, performed by soprano Lucy Crowe and pianist Anna Tilbrook, but in fact there was little need to seek a unifying element for these eclectic works allowed Crowe to demonstrate her expressive range — and offered the audience the opportunity to hear some interesting rarities.

The Turn of the Screw, Holland Park

‘Only make the reader’s general vision of evil intense enough … and his own experience, his own imagination, his own sympathy … will supply him quite sufficiently with all the particulars.

Plenty of Va-Va-Vroom: La Fille du Regiment, Iford

It is not often that concept, mood, music and place coincide perfectly. On the first night of Opera della Luna’s La Fille du Regiment at Iford Opera in Wiltshire, England we arrived with doubts (rather large doubts it should be admitted)as to whether Donizetti’s “naive and vulgar” romp of militarism and proto-feminism, peopled with hordes of gun-toting soldiers and praying peasants, could hardly be contained, surely, inside Iford’s tiny cloister?

La finta giardiniera, Glyndebourne

‘Lovers and madmen have such seething brains,/ Such shaping fantasies, that apprehend/ More than cool reason ever comprehends.’

Sophie Karthäuser, Wigmore Hall

Belgian soprano Sophie Karthäuser has a rich range of vocal resources upon which to draw: she has power and also precision; her top is bright and glinting and it is complemented by a surprisingly full and rich lower register; she can charm with a flowing lyrical line, but is also willing to take musical risks to convey emotion and embody character.

Ariadne auf Naxos, Royal Opera

‘When two men like us set out to produce a “trifle”, it has to become a very serious trifle’, wrote Hofmannsthal to Strauss during the gestation of their opera about opera.

Leoš Janáček : The Cunning Little Vixen, Garsington Opera at Wormsley

Janáček started The Cunning Little Vixen on the cusp of old age in 1922 and there is something deeply elegiac about it.

La Traviata in Marseille

It took only a couple of years for Il trovatore and Rigoletto to make it from Italy to the Opéra de Marseille, but it took La traviata (Venice, 1853) sixteen years (Marseille, 1869).

Madama Butterfly in San Francisco

Gesamtkunstwerk, synthesis of fable, sound, shape and color in art, may have been made famous by Richard Wagner, and perhaps never more perfectly realized than just now by San Francisco Opera.


OPERA TODAY ARCHIVES »

Reviews

Sir Edward Elgar
20 Jul 2014

First Night of the BBC Proms : Elgar The Kingdom

The BBC Proms 2014 season began with Sir Edward Elgars The Kingdom (1903-6). It was a good start to the season,which commemorates the start of the First World War. From that perspective Sir Andrew Davis's The Kingdom moved me deeply.  »

Recently in Reviews

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11 Jan 2011

Simon Boccanegra, Bologna 2007

This beautifully realized production of Verdi’s somber masterpiece of political intrigue and father/daughter reconciliation could be a complete success except for one missing element — memorable singing.  »

11 Jan 2011

Il barbiere di Siviglia in Montpellier

There is more than one way to skin a cat.  »

09 Jan 2011

King Roger at Bregenz Festival 2009

Long-dormant operas sometimes rise to meet a new dawn only to then slink away like the creatures of the night they were doomed to be — seductive but dangerous to approach.  »

09 Jan 2011

Operatic Advice and Counsel…A Welcome New Reference Book

Vincent Giroud’s valuable new French Opera, a Short History, is in hand and very welcome it is.  »

07 Jan 2011

Rienzi on DVD

Wagner and Verdi were born within 6 months of each other. Rienzi, der letzte der Tribunen comes from 1840, and could in some ways be Wagner’s Simon Boccanegra. »

05 Jan 2011

Un ballo in maschera at its roots

In its production this season of Verdi’s Un ballo in maschera Lyric Opera of Chicago has staged the work in its original locale at the royal court of Sweden.  »

31 Dec 2010

Aida at Bregenz Festival 2009

Some years ago a witty soul coined the term “jumping the shark” to identify the point at which any long-running television program had exploited all its innate story/character development possibilities and had to resort to ridiculous plot contrivances and spectacle to keep the episodes — and paychecks — coming.  »

31 Dec 2010

Adriana Lecouvreur at Teatro Regio Torino 2009

The Royal Opera at Covent Garden just made something of a splash in international opera news with a star-encrusted revival of an opera once quite popular and yet in recent years — Francesco Cilea’s Adriana Lecouvreur.  »

31 Dec 2010

December at Los Angeles Opera: Lohengrin and Rigoletto

At the end of November Los Angeles Opera brought two productions to the stage of the Dorothy Chandler Pavilion.  »

31 Dec 2010

Pelléas et Mélisande, New York

Pelléas et Mélisande, Debussy’s impressionist drama closely based on Maeterlinck’s eerie, symbolist play, is not a terribly vocal opera; it calls more for the subtlety of art song style than the belting of great divas and divos. »

28 Dec 2010

Mozart at Salzburg Festival: Don Giovanni and Così fan tutte

Once a preserve of opulent traditional productions, the summer Salzburg Festival has become a destination for viewing more cutting edge stagings.  »

27 Dec 2010

100 Best Verdi from EMI Classics

New recordings of classical music don’t appear from the “big labels” very often these days, but those companies have enormous libraries from which to extract selections for compilation discs.  »

19 Dec 2010

Susan Bullock, Wigmore Hall

It may have been five years since Susan Bullock last performed at the Wigmore Hall, as her prominence on the world operatic stage has taken her away from the recital hall, but she wasted no time getting into her stride in this charming and musically varied concert.  »

19 Dec 2010

La Fanciulla del West, New York

La Fanciulla del West is Puccini’s love letter to an America that had acclaimed him joyously on his triumphant visit of 1907 to attend the Met premieres of Manon Lescaut and Madama Butterfly.  »

15 Dec 2010

Karlsruhe Tosca: Guns ‘n’ Jesus

Badisches Staastheater’s production of Tosca starts off with a bang.  »

14 Dec 2010

Paris: ‘Maler’ or ‘Malheur’?

No one could accuse the Paris Opera of pinching pennies (or Euro cents) in their lavishly expansive (and expensive) staging of Hindemith’s Mathis der Maler.  »

14 Dec 2010

Wagner Tannhäuser: Royal Opera House, London

The Royal Opera House itself is the star of this new production of Richard Wagner Tannhäuser. An intriguing twist on an opera that pits orgiastic excess against purity, pleasure against morality.  »

12 Dec 2010

Johann Adolph Hasse: Antonio e Cleopatra

Johann Adolph Hasse (1699-1783) was arguably the most successful opera composer of the 18th century. Together with his favourite librettist, Pietro Metastasio, Hasse defined the genre of opera seria for an entire generation. »

11 Dec 2010

La Bohème, New York

Perhaps the most unexpected occurrence of the evening was the malfunction of the Act I-Act II set change.  »

11 Dec 2010

Die Walküre at La Scala

The opening night of the new season at Teatro alla Scala Milan is a gala event, the most glamorous in the entire Italian opera year.  »

11 Dec 2010

Magic Flute, Phoenix

Wolfgang Amadeus Mozart and Emmanuel Schikaneder had known each other for some time before they wrote The Magic Flute. »

11 Dec 2010

Cecilia Bartoli at the Barbican Centre, London

Cecilia Bartoli is something of a phenomenon, capable of attracting an enthusiastic capacity crowd.  »

06 Dec 2010

Handel’s Alcina at Barbican Centre, London

The Barbican’s Great Performers season often acts as a receiving house for continental opera productions, thus giving us in London a chance to hear interesting performances without actually having to travel.  »

06 Dec 2010

A Midsummer Night’s Dream, Opera Australia

Transplanting Britten’s Shakespeare opera to an Indian setting seems at first an illogical step by Hollywood director Baz Luhrmann.  »

03 Dec 2010

Die Entführung aus den Serail, Queen Elizabeth Hall, London

With its tricky ‘orientalist’ connotations, Singspiel-originating spoken dialogue, not to mention the problem of finding five outstanding singers who can cope with the considerable demands of the solo roles (and the commercial challenge presented by the need to pay a chorus who sing barely a few bars of music), Mozart’s Die Entführung aus den Serail does not receive as many stagings as it deserves. »

03 Dec 2010

Midsummer Night’s Dream, Lyric Opera of Chicago

In a seamless realization with an ideal cast Lyric Opera of Chicago celebrates the magical antics and foibles of both human and fairy in its premiere production of Benjamin Britten’s Midsummer Night’s Dream.  »

03 Dec 2010

Don Carlo, Metropolitan Opera

It may be as well to put matters in context by saying that Don Carlo is a favorite opera of mine (and of all Verdi lovers), and that I found the Met’s new staging highly satisfactory, vocally very good if less than top flight, orchestrally thrilling—and that I hope to catch it again this season. (Interesting rumors have been heard about the alternate tenor.) »

01 Dec 2010

Philip Glass: Itaipu and Three Songs for choir a cappella

Philip Glass has achieved a level of success that places him in a very select group of composers of serious music.  »

29 Nov 2010

Rigoletto, Opera Australia

Not revived too frequently this 1991 production by Elijah Moshinsky updates the story to the 1960s and the films of Federico Fellini inspire the sets and costumes.  »

29 Nov 2010

Le nozze di Figaro, Opera Australia

Neil Armfield’s insightful staging of Le nozze di Figaro is making a welcome return in the lead-up to his direction of the Ring Cycle for the Wagner bi-centenary 2013 (the first complete cycle staged in Melbourne in a century). »

23 Nov 2010

A Dog’s Heart, ENO

Three cheers — at the very least — for the English National Opera!  »

23 Nov 2010

Tosca, Manitoba Opera

What some people won’t do for a standing ovation! Saturday night at the opera was a showcase of excesses.  »

21 Nov 2010

Adriana Lecouvreur, Royal Opera

Two months into the current season, after a string of so-so revivals and a curiosity which deserved to be box-office dynamite but wasn’t, the Royal Opera has finally got round to a star-studded new production.  »

20 Nov 2010

The Makropulos Case in San Francisco

Just now in San Francisco Finnish soprano Karita Mattila kicked ass as Janáček’s 337 year old Elina Makropulos.* »

19 Nov 2010

Carmen, Arizona Opera

On Saturday November 13 and Sunday November 14, 2010, Arizona Opera presented Bernard Uzan’s rather different take on Bizet’s Carmen.  »

19 Nov 2010

Il Viaggio a Sicilia

As I strolled around the corner into Piazza Verdi, my first view of Palermo’s Teatro Massimo Vittorio Emanuele stopped me dead in my tracks and damn near took my breath away.  »

18 Nov 2010

Karita Mattila: Helsinki Recital

Ondine provides a nice bonus for fans of Karita Mattila in its recent DVD release of a 2006 Helsinki recital with accompanist Martin Katz.  »

18 Nov 2010

György Kurtág — Kafka Fragments, London

Can Haiku be improved by staging? György Kurtág's Kafka-Fragmente (op. 24), is a masterpiece of zen-like purity.  »

11 Nov 2010

El Nuevo Mundo: Folias Criollas

Our modern globalized perspective makes us alert to the cultural richness of difference, much as it ironically also seems to blur distinctions with ease of access.  »

10 Nov 2010

Mahler: The Complete Works

The commemorate the sesquicentennial of Mahler’s birth in 1860, EMI has released an exceptional set of its recordings in a single box.  »

08 Nov 2010

Jessye Norman — Roots: My Life, My Song

A career of the highest stature earns the professional the right to do as she or he pleases, after decades of dedicated achievement.  »

08 Nov 2010

Don Giovanni, ENO

There’s nothing wrong with updating an opera as long as the director, designer and conductor share an understanding of the work’s principal ideas and motivations, conflicts and contexts, and have a clear vision of how they intend to communicate these in a new setting. »

08 Nov 2010

Il Trovatore, Metropolitan Opera

It’s difficult to be reasonable about Il Trovatore. Reason is the last quality we expect from any of its characters or situations.  »

07 Nov 2010

La Cenerentola, Minnesota Opera

Minnesota Opera’s recent production of Rossini’s La Cenerentola certainly is a fantastical, comical portrayal of the classical fairy tale.  »

07 Nov 2010

Intermezzo, New York City Opera

Pace Tolstoy, happy marriages are not all alike, but they require a lot of work.  »

07 Nov 2010

Angelika Kirchschlager, German Lieder 1830-40 Wigmore Hall

Angelika Kirchschlager and Malcolm Martineau at the Wigmore Hall showed what real Lieder singing should be.  »

03 Nov 2010

Overture to London’s Handel Festival 2011

The small but perfectly formed Grosvenor Chapel in London’s exclusive Mayfair was the venue last Monday night for a programme of Handel vocal and instrumental music of considerable quality — if minimal quantity.  »

03 Nov 2010

A Carmen Cast to Strength: Lyric Opera of Chicago’s Revival

For its second production of the current season Lyric Opera of Chicago has staged a modified revival of its Carmen under the direction of Harvey Silverstein.  »

02 Nov 2010

Wexford Festival Opera 2010

After a rather lean 2009, the 59th Wexford Festival Opera season almost felt like a return to generous days of old.  »

02 Nov 2010

Cyrano de Bergerac in San Francisco

Franco Alfano’s Cyrano de Bergerac at the San Francisco Opera has little chance of measuring up to a Cyrano standard once set here in Fog City.  »

02 Nov 2010

Haydn: L’isola disabitata, London

Haydn’s L’isola disabitata is ideally suited to the modern taste for chamber opera. This is Haydn for those who think they don’t like his operas or even baroque form.  »

01 Nov 2010

Cervantino stages rare Graun opera — The Mexican national opera?

Clearly, there isn’t one. Yet, Carl Heinrich Graun’s 1755 rarely-performed Montezuma is of special importance in a country celebrating 200 years of Independence from Spanish rule and 100 years since the Revolution that ultimately toppled dictator Porfirio Díaz. »