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Elsewhere

The Marriage of Figaro, LA Opera

On March 26, 2015, Los Angeles Opera presented Mozart’s Le nozze di Figaro (The Marriage of Figaro). The Ian Judge production featured jewel-colored box sets by Tim Goodchild that threw the voices out into the hall. Only for the finale did the set open up on to a garden that filled the whole stage and at the very end featured actual fireworks.

The Tempest Songbook, Gotham Chamber Opera

Gotham Chamber Opera’s latest project, The Tempest Songbook, continues to explore the possibilities of unconventional spaces and unconventional programs that the company has made its hallmark. The results were musically and theatrically thought-provoking, and left me wanting more.

San Diego Opera presents Adams’ Riveting Nixon in China

Nixon in China is a three-act opera with a libretto by Alice Goodman and music by John Adams that was first seen at the Houston Grand Opera on October 22, 1987. It was the first of a notable line of operas by the composer.

Ars Minerva presents Castrovillari’s La Cleopatra in San Francisco

It is thanks to Céline Ricci, mezzo-soprano and director of Ars Minerva, that we have been able to again hear Daniele Castrovillari’s exquisite melodies because she is the musician who has brought his 1662 opera La Cleopatra to life.

World Premiere of Jennifer Higdon’s opera Cold Mountain at Santa Fe Opera this August

East Coast Premiere at Opera Philadelphia next season. Performances from Cold Mountain at the Guggenheim in New York this Monday, March 30.

An Ideal Cast in Chicago’s Tannhäuser

Lyric Opera of Chicago, in association with the Royal Opera House, Covent Garden, has staged a production of Richard Wagner’s Tannhäuser with an estimable cast.

Winners of the Metropolitan Opera National Council Auditions Announced

Five Young Singers Named Winners of the 2015 Met National Council Auditions, America’s Most Prestigious Vocal Competition

A Chat with Julia Noulin-Mérat

Julia Noulin-Mérat is the principal designer for the Noulin-Merat Studio, an intrepid New York City production design firm that works in theater, film, and television, but emphasizes opera and immersive site-specific theatre.

Madame Butterfly, Royal Opera

Puccini and his fellow verismo-ists are commonly associated with explosions of unbridled human passion and raw, violent pain, but in this revival (by Justin Way) of Moshe Leiser’s and Patrice Caurier’s 2003 production of Madame Butterfly, directorial understatement together with ravishing scenic beauty are shown to be more potent ways of enabling the sung voice to reveal the emotional depths of human tragedy.

Tosca in Marseille

Rarely, very rarely does a Tosca come around that you can get excited about. Sure, sometimes there is good singing, less often good conducting but rarely is there a mise en scène that goes beyond stock opera vocabulary.

Poetry beyond words — Nash Ensemble, Wigmore Hall

The Nash Ensemble’s 50th Anniversary Celebrations at the Wigmore Hall were crowned by a recital that typifies the Nash’s visionary mission. Above, the dearly-loved founder, Amelia Freeman, a quietly revolutionary figure in her own way, who has immeasurably enriched the cultural life of this country.

Arizona Opera Presents Magritte Style Magic Flute

On March 7, 2015, Arizona Opera presented Dan Rigazzi’s production of Die Zauberflöte in Tucson. Inspired by the works of René Magritte, designer John Pollard filled the stage with various sizes of picture frames, windows, and portals from which he leads us into Mozart and Schikaneder’s dream world.

Henry Purcell: A Retrospective

There are some concert programmes which are not just wonderful in their execution but also delight and satisfy because of the ‘rightness’ of their composition. This Wigmore Hall recital by soprano Carolyn Sampson and three period-instrument experts of arias and instrumental pieces by Henry Purcell was one such occasion.

Die Meistersinger and The Indian Queen
at the ENO

It has been a cold and gray winter in the south of France (where I live) made splendid by some really good opera, followed just now by splendid sunshine at Trafalgar Square and two exquisite productions at English National Opera.

Rise and Fall of the City of Mahagonny, Royal Opera

At long last, Rise and Fall of the City of Mahagonny has come to the Royal Opera House. Kurt Weill’s teacher, Busoni, remains scandalously ignored, but a season which includes house firsts both of this opera and Szymanowsi’s King Roger, cannot be all bad.

How to Write About Music: The RILM Manual of Style

RILM Abstracts of Music Literature is an international database for musicological and ethnomusicological research, providing abstracts and indexing for users all over the world. As such, RILM’s style guide (How to Write About Music: The RILM Manual of Style) differs fairly significantly from those of more generalized style guides such as MLA or APA.

Unsuk Chin: Alice in Wonderland, Barbican, London

Unsuk Chin’s Alice in Wonderland returned to the Barbican, London, shape-shifted like one of Alice’s adventures. The BBC Symphony Orchestra was assembled en masse, almost teetering off stage, creating a sense of tension. “Eat me, Drink me”. Was Lewis Carroll on hallucinogens or just good at channeling the crazy world of the subconscious?

Welsh National Opera: The Magic Flute and Hansel and Gretel

Dominic Cooke’s 2005 staging of The Magic Flute and Richard Jones’s 1998 production of Hansel and Gretel have been brought together for Welsh National Opera’s spring tour under the unifying moniker, Spellbound.

A worthy tribute for a vocal seductress of the ancient régime

Carolyn Sampson has long avoided the harsh glare of stardom but become a favourite singer for “those in the know” — and if you are not one of those it is about time you were.

Double bill at Guildhall

Gaetano Donizetti and Malcolm Arnold might seem odd operatic bedfellows, but this double bill by the Guildhall School of Music and Drama offered a pair of works characterised by ‘madness, misunderstandings and mistaken identity’ which proved witty, sparkling and imaginatively realised.


OPERA TODAY ARCHIVES »

Reviews

Roberto Tagliavini as Figaro and Pretty Yende as Susanna [Photo: Craig T. Mathew / LA Opera]
30 Mar 2015

The Marriage of Figaro, LA Opera

On March 26, 2015, Los Angeles Opera presented Mozart’s Le nozze di Figaro (The Marriage of Figaro). The Ian Judge production featured jewel-colored box sets by Tim Goodchild that threw the voices out into the hall. Only for the finale did the set open up on to a garden that filled the whole stage and at the very end featured actual fireworks. »

Recently in Reviews

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27 Jun 2012

Les Troyens, Royal Opera House London

A sensational Les Troyens at the Royal Opera House, London. Berlioz, who understood theatrical gestures so well, builds his opera around the most audacious dramatic device in ancient history: the Trojan Horse.  »

26 Jun 2012

Dr Dee, ENO

First staged at Manchester’s 2011 international festival, Dr Dee is a theatrical work based on the life of Renaissance cosmographer and charlatan, John Dee.  »

26 Jun 2012

Miah Persson, Wigmore Hall

At the Wigmore Hall, there’s long been a tradition of Swedish song. We’ve heard many of the greats, Anne Sofie von Otter, Barbara Bonney and others. Miah Persson and Roger Vignoles are in this constellation.  »

26 Jun 2012

Billy Budd, ENO

Billy Budd, foretopman — and self-styled ‘King of the Birds’ — may yearn for premonition to captain of the mizzen top, but there few spirits that fly afloat or soar in David Alden’s dark, oppressive new production of Benjamin Britten’s Billy Budd. »

15 Jun 2012

The Magic Flute in San Francisco

A feast for the eyes, a feast for the ears, a Flute from America’s heartland that goes directly to your heart. »

15 Jun 2012

Oliver Knussen’s Sendak operas launch the Aldeburgh Music festival

Oliver Knussen’s two operas based on books by Maurice Sendak opened this year’s Aldeburgh Music Festival in exuberant style.  »

13 Jun 2012

Attila in San Francisco

Fanfares that celebrate soldiers with plumed helmets by a composer who donned a helmet (metaphorically) — Verdi the operatic father of the Risorgimento! »

11 Jun 2012

Così fan tutte, Holland Park

Are my expectations too high when it comes to Mozart’s operas in general, and to Così fan tutte in general? Probably. Should they be? Certainly.  »

09 Jun 2012

Nixon in China, San Francisco

John Adams’ Nixon in China is an amazing, riveting piece of music, and compelling theater to boot.  »

09 Jun 2012

L’olimpiade, Venice Baroque Orchestra

Over 60 composers (including Beethoven) wrote music inspired by Metastasio’s L’olimpiade.  »

09 Jun 2012

Don Giovanni, Garsington Opera at Wormsley

The pavilion at Garsington Opera at Wormsley is stunningly beautiful. Just being there is an experience, which is why the social aspect is so rewarding. »

08 Jun 2012

Almira, operamission

There are many different ways to analyze the health of New York City. My personal measurements judge the town thus: How many aspiring artsy kids are forced to share a single apartment in an outer borough while they “find themselves” and how many small but immensely able opera companies are functional at any given time.  »

05 Jun 2012

Bluebeard’s Castle, New World Symphony

“I can guess what you are hiding. Bloodstain on your warrior’s weapons. Blood upon your crown of glory. Red the soil around your flowers. Red the shade your cloud was throwing. Now I know it all, oh, Bluebeard.” »

05 Jun 2012

La Bohème, LA Opera

The Los Angeles opera company ended its 2011-2012 season with Giacomo Puccini’s long-loved La Bohème, in a long-lived production. What is it about this opera that keeps old loves alive?  »

04 Jun 2012

Detlev Glanert’s Caligula, ENO

Detlev Glanert’s Caligula at the ENO shows how powerful modern opera can be. Caligula was a tyrant, but this opera isn’t sensationalist.  »

04 Jun 2012

Don Giovanni, LA Philharmonic

Kudos to the Los Angeles Philharmonic Association and Gustavo Dudamel for their courageous plan to present semi staged performances of the Mozart/Da Ponte trilogy of Italian operas with the assistance of outstanding set and costume designers and directors. »

04 Jun 2012

Salome, Royal Opera

In David McVicar’s staging of Strauss’s disturbing opera, first seen at Covent Garden in 2008 and now enjoying its second revival, Salome’s descent down the Stygian staircase is a literal drop into a subterranean slaughterhouse and an ethical fall into the delights and depravity of her of burgeoning yet deadly sexuality.  »

04 Jun 2012

Maria Padilla: Chelsea Opera Group

Donizetti’s Maria Padilla received a concert performance with the Chelsea Opera Group. »

04 Jun 2012

Handel and the Rival Queens: Lufthansa Baroque Festival

A fascinating evening of arias and readings on the theme of Handel’s “rival queens”, Francesca Cuzzoni and Faustina Bordoni.  »

04 Jun 2012

A Toronto Trilogy

Canadian Opera Company’s diverse May offerings included some superlatively sung Handel, a galvanizing star turn from a rising tenor talent, and a well-matched veristic double bill of tragedy and comedy. »

31 May 2012

Tristan und Isolde, Welsh National Opera

Yannis Kokkos originally directed and designed Tristan und Isolde as a co-production for Welsh National Opera and Scottish Opera nearly 20 years ago. The production’s latest revival, directed by Peter Watson, was premiered at the Wales Millennium Centre on 19 May 2012.  »

30 May 2012

Glyndebourne Janáček The Cunning Little Vixen

Glyndebourne’s 2012 season started in great style with Leoš Janáček’s The Cunning Little Vixen. Its rapturous reception would suggest that this could become a Glyndebourne perennial.  »

25 May 2012

Joan Sutherland and Richard Bonynge: Serate Musicali

Originally released on multiple discs in 1981 this reissue on two CDs is a comprehensive collection of art songs by Italian and French composers from the nineteenth and early twentieth centuries.  »

22 May 2012

History Repeating

Iestyn Davies’ Wigmore Hall recital, ‘History Repeating’, may have explored various composers’ engagement with, and reinterpretation and reinvigoration of, music of the past, but Davies himself is very much the countertenor of the moment, and undoubtedly an exciting and fulfilling future lies ahead. »

21 May 2012

Semele, Canadian Opera Company

You never can tell. I would never have predicted which opera would be my favourite of the seven operas programmed this season by the Canadian Opera Company.  »

19 May 2012

Billy Budd — Metropolitan Opera

The Met saved the best of the season for the end of it, revivals of their first-rate productions of two twentieth-century masterpieces, Jánaček’s Makropoulos Case and Britten’s Billy Budd.  »

19 May 2012

Damrau Dazzles in Geneva

It is not long into Act One of Mignon at Geneva’s Grand Theatre when Diana Damrau glides on stage as Philine, commands our rapt attention, and sweeps all before her. »

17 May 2012

Véronique Gens, Wigmore Hall, London

Véronique Gens’s recital at the Wigmore Hall, London, was an almost ideal distillation of the belle époque in song. »

12 May 2012

Bartók and Szymanowski, Barbican Hall

In this, the second of two LSO concerts in which Péter Eötvös replaced Pierre Boulez, one continued to feel the loss of the latter in his repertoire, yet one equally continued to value his replacement, very much his own man.  »

09 May 2012

My Big Fat American Moustache: A Wartime Così Fan Tutte

An energetic and exceptionally entertaining production of Così fan tutte sung in English and set during World War II, when the Americans often got the girls. »

09 May 2012

Philip Glass: Einstein on the Beach, Barbican, London

Any performance of Philip Glass’ epic Einstein on the Beach (1976) is a major event. The work’s duration is around five hours and it is directed to be performed without interval (although see below — we had one).  »

07 May 2012

The Barber of Seville, San Diego

Pierre Augustin Caron de Beaumarchais’ classic play The Barber of Seville, set by Rossini to perfectly paced and irresistibly comic music, was first performed in Rome in 1816, and remains one of the world’s favorite operas. »

02 May 2012

La bohème, Royal Opera House, London

A robust Mimì and a self-regarding Rodolfo impart a distinctive flavour to this full-throttled version of John Copley’s evergreen La bohème. »

02 May 2012

The Kathleen Ferrier Awards 2012

This year’s Kathleen Ferrier Awards final was both a competition and a celebration, marking as it did the centenary anniversary of the great singer’s birth. »

01 May 2012

Daughter of the Regiment, Manitoba Opera

Manitoba Opera laid aside all stereotypes about opera being stuffy and inaccessible with its feel-good production of Donizetti’s 1840 comic opera Daughter of the Regiment.  »

01 May 2012

Der fliegende Holländer, ENO

ENO’s peculiar decision not to stage any Wagner during its 2012-13 season, that is the season in which the greater part of Wagner’s bicentenary falls, is at least mitigated by a new production of The Flying Dutchman during this preceding season.  »

01 May 2012

Two from Florence

The double bill of Zemlinsky’s A Florentine Tragedy with Puccini’s Gianni Schicchi, currently being presented by the Canadian Opera Company, is a marriage made in heaven, a pair of complementary opposites who seem to belong together. »

26 Apr 2012

Manon, Metropolitan Opera

Massenet’s Manon succeeds in the theater when the soprano has a real sense of the role and how she wants to present it.  »

26 Apr 2012

Zagreb’s Wagner Casts Its Spell

Croatian National Opera, in collaboration with Würzburg’s (Germany) Mainfranken Theater has made quite a forceful case for Parsifal.  »

26 Apr 2012

Manon Lescaut, Philadelphia

It is Manon month in the Mid-Atlantic states. In New York, the Met is presenting Massanet’s take, while Opera Company of Philadelphia has just opened Puccini’s version: his first successful opera, Manon Lescaut. »

26 Apr 2012

Matthias Goerne, Los Angeles

Los Angeles lieder lovers were treated to two extraordinary Schubertian journeys on April 16th and 18th when bass-baritone Matthias Goerne partnered with Christian Eschenbach performed the song cycles, Die schöne Müllerin and Winterreise, as part of the Los Angeles Philharmonic’s celebration of the composer’s 215th birthday.  »

26 Apr 2012

Der Freischütz, London

The unfashionableness of Der Freischütz in England is a little baffling. In its day, not only was the opera celebrated across Germany, it soon conquered other European stages and indeed theatres worldwide.  »

25 Apr 2012

Richard Strauss: Salome

An exciting contribution to the discography of this popular opera, the live performance of Richard Strauss’s Salome from the Festspielhaus at Baden-Baden is a compelling DVD.  »

25 Apr 2012

La Fille du Regiment, Royal Opera

The regiment marches onwards!  »

19 Apr 2012

Show Boat at Lyric Opera of Chicago

Lyric Opera of Chicago has begun with the current season’s production of Show Boat a series of musicals of the American theater to be featured in coming years. »

19 Apr 2012

Wolfgang Rihm’s Jakob Lenz by ENO

When the ENO does really innovative work, it does so with style. Wolfgang Rihm’s Jakob Lenz may have taken 34 years to reach London fully staged, but this ENO production made such a strong impression that it might be years before it will be forgotten.  »

19 Apr 2012

Folk songs that aren’t folk songs

The Wigmore Hall Dvořák series culminated in a concert by Bernarda Fink and Roger Vignoles.  »

19 Apr 2012

Armide, Opera Atelier

I have to rethink my week, because somehow I have to get to see Opera Atelier’s production of Jean-Baptiste Lully’s Armide again.  »

19 Apr 2012

Il Sogno di Scipione

It’s unclear whether Mozart composed this highly undramatic “dramatic action” when he was fifteen, for his kindly master Prince-Archbishop von Schrettenbach of Salzburg, or the following year for the newly-elected successor, Prince-Archbishop Colloredo, who, soon afterwards, had the young man literally kicked out of his service.  »

16 Apr 2012

The Dream of Gerontius, Barbican Hall

Edward Elgar was given a copy of Cardinal Newman’s ‘The Dream of Gerontius’ — a 900-line poem depicting the journey of an old man’s soul after death — as a wedding present in 1889.  »

15 Apr 2012

Opéra Comique’s Muted Auber

Paris’ Opéra Comique has summoned forth a respectable (if spare) set design for Bluebeard’s Castle, but unfortunately the opera they were performing was Auber’s La Muette de Portici. »