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Elsewhere

Anna Caterina Antonacci, Wigmore Hall, London

Presenting a well-structured and characterful programme, Italian soprano Anna Caterina Antonacci demonstrated her prowess in both soprano and mezzo repertoire in this Wigmore Hall recital, performing European works from the early years of the twentieth century. Assuredly accompanied by her regular pianist Donald Sulzen, Antonacci was self-composed and calm of manner, but also evinced a warmly engaging stage presence throughout.

Il barbiere di Siviglia, Royal Opera

Bold, bright and brash, Moshe Leiser and Patrice Caurier’s Il barbiere di Siviglia tells its story clearly in complementary primary colours.

Gluck and Bertoni at Bampton

Bampton Classical Opera’s 2014 double bill neatly balanced drollery and gravity. Rectifying the apparent prevailing indifference to the 300th centenary of Christoph Willibald Gluck birth, Bampton offered a sharp, witty production of the composer’s Il Parnaso confuso, pairing this ‘festa teatrale’ with Ferdinando Bertoni’s more sombre Orfeo.

Purcell: A Retrospective

Harry Christophers and The Sixteen Choir and Orchestra launched the Wigmore Hall’s two-year series, ‘Purcell: A Retrospective’, in splendid style. Flexibility, buoyancy and transparency were the watchwords.

Mahler: Symphony no.3 — Prom 73

It would be unfair, but one could summarise this concert with the words, ‘Senator, you’re no Leonard Bernstein.’

Los Angeles Opera Opens with La traviata

On September 13, Los Angeles Opera opened its 2014-2015 season with a revival of Marta Domingo’s updated, Art Deco staging of Giuseppe Verdi’s La traviata. It starred Nino Machaidze as Violetta, Arturo Chácon-Cruz as Alfredo, and Plácido Domingo as Giorgio Germont. The conductor was Music Director James Conlon.

Stars of Lyric Opera at Millennium Park, 2014

In its annual concert previewing the forthcoming season Lyric Opera of Chicago presented its “Stars of Lyric Opera at Millennium Park” during the past weekend to a large audience of enthusiastic listeners.

Susannah in San Francisco

Come to think of it the 1950‘s were operatically rich years in America compared to other decades in the recent past. Just now the San Francisco Opera laid bare an example, Carlisle Floyd’s Susannah.

Xerxes, ENO

Nicholas Hytner’s production of Handel’s Xerxes (Serse) at English National Opera (ENO) is nearly 30 years old, and is the oldest production in ENO’s stable.

San Diego Opera Opens 2014-2015 Season

On Friday evening September 5, 2014, tenor Stephen Costello and soprano Ailyn Pérez gave a recital to open the San Diego Opera season. After all the threats to close the company down, it was a great joy to great San Diego Opera in its new vibrant, if slightly slimmed down form.

Otello at ENO

English National Opera’s 2014-15 season kicked off with an ear-piercing orchestral thunderbolt. Brilliant lightning spears sliced through the thick black night, fitfully illuminating the Mediterranean garret-town square where an expectant crowd gather to welcome home their conquering hero.

Anna Nicole, back with a bang!

It is now three and a half years since Anna Nicole was unleashed on the world at the Royal Opera House, Covent Garden.

Norma in San Francisco

It was a Druid orgy that overtook the War Memorial. Magnificent singing, revelatory conducting, off-the-wall staging (a compliment, sort of).

Joyce DiDonato starts Wigmore Hall new season

There was a quasi-party atmosphere at the Wigmore Hall on Monday evening, when Joyce DiDonato and Antonio Pappano reprised the recital that had kicked off the Hall’s 2014-15 season with reported panache and vim two nights previously. It was standing room only, and although this was a repeat performance there certainly was no lack of freshness and spontaneity: both the American mezzo-soprano and her accompanist know how to communicate and entertain.

Aida at Aspendos Opera and Ballet Festival

In strict architectural terms, the stupendous 2nd century Roman theatre of Aspendos near Antalya in southern Turkey is not an arena or amphitheatre at all, so there are not nearly as many ghosts of gored gladiators or dismembered Christians to disturb the contemporary feng shui as in other ancient loci of Imperial amusement.

St Matthew Passion, Prom 66

Simon Rattle and the Berlin Philharmonic Orchestra brought their staging of Bach's St Matthew Passion to the BBC Proms at the Royal Albert Hall on Saturday, 6 September 2014.

Glimmerglass: Butterfly Leads the Pack

Every so often an opera fan is treated to a minor miracle, a revelatory performance of a familiar favorite that immediately sweeps all other versions before it.

Operalia, the World Opera Competition, Showcases 2014 Winners

On August 30, Los Angeles Opera presented the finals concert of Plácido Domingo’s Operalia, the world opera competition. Founded in 1993, the contest endeavors to discover and help launch the careers of the most promising young opera singers of today. Thousands of applicants send in recordings from which forty singers are chosen to perform live in the city where the contest is being held. Last year it was Verona, Italy, this year Los Angeles, next year London.

Elektra at Prom 59

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role.

Powerful Mahler Symphony no 2 Harding, BBC Proms London

Triumphant! An exceptionally stimulating Mahler Symphony No 2 from Daniel Harding and the Swedish Radio Symphony Orchestra, BBC Prom 57 at the Royal Albert Hall. Harding's Mahler Tenth performances (especially with the Berliner Philharmoniker) are pretty much the benchmark by which all other performances are assessed. Harding's Mahler Second is informed by such an intuitive insight into the whole traverse of the composer's work that, should he get around to doing all ten together, he'll fulfil the long-held dream of "One Grand Symphony", all ten symphonies understood as a coherent progression of developing ideas.


OPERA TODAY ARCHIVES »

Reviews

30 Sep 2014

Anna Caterina Antonacci, Wigmore Hall, London

Presenting a well-structured and characterful programme, Italian soprano Anna Caterina Antonacci demonstrated her prowess in both soprano and mezzo repertoire in this Wigmore Hall recital, performing European works from the early years of the twentieth century. Assuredly accompanied by her regular pianist Donald Sulzen, Antonacci was self-composed and calm of manner, but also evinced a warmly engaging stage presence throughout.  »

Recently in Reviews

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06 Feb 2012

L’Enfant et les Sortilèges and La Navarraise in Monte-Carlo

The magic was in the pit, not that all Monaco was not magical — on January 25 a yellow Lamborghini, a red Ferrari, a vintage Jaguar among other magnificent machines stood before the entrance to Monte-Carlo’s resplendent Casino cum transplendent 500-seat opera house. »

03 Feb 2012

Werner Güra Sings Schubert, Wigmore Hall

Each year, the Wigmore Hall commemorates Franz Schubert’s birthday with a high profile recital. This year, Werner Güra and Roger Vignoles presented a recital which was a timely reminder of what Lieder performance should be. »

02 Feb 2012

Salome, San Diego

The San Diego Opera Company opened its 47th season on Saturday, January 26th with Richard Strauss’ Salome, a work that has something in it for everyone: lust, love, lasciviousness, homosexuality, heterosexuality, homicide, suicide, a voluptuous dance and quickie nudity.  »

02 Feb 2012

Mahler: Das Lied von der Erde

Released in 2011, this disc reproduces a performance of Mahler’s Das Lied von der Erde that was recorded on 10 November 1989 at the Grzegorz Fitelberg Concert Hall, Katowice [Poland].  »

02 Feb 2012

Mozart’s Die Zauberflöte at Lyric Opera of Chicago

Lyric Opera of Chicago’s recent revival of Mozart’s Die Zauberflöte offered a production with vocal pairs carefully matched and dramatic representation expressing the varying shades of Mozart’s score. »

02 Feb 2012

Jonathan Harvey’s Wagner Dream

British composer Jonathan Harvey’s Wagner Dream came to London four years after its premieres at the Holland Festival and in Luxembourg.  »

31 Jan 2012

Rienzi, OONY

For the first hour or so of the latest Opera Orchestra of New York venture, a concert performance of Wagner’s Rienzi, I often said to myself, This…isn’t so terrible.  »

31 Jan 2012

Così fan tutte, Royal Opera

Repeatedly revived since its final appearance in 1995, Jonathan Miller’s Così fan tutte returned yet again to the Covent Garden stage as the second part of the ‘Olympic’ cycle of Mozart-Da Ponte collaborations. »

31 Jan 2012

Le Roi et le Fermier

A year or two back, Opera Lafayette, the Washington-based company that specializes in eighteenth-century obscurités françaises, presented Pierre-Alexandre Monsigny’s Le Magnifique, an opéra-comique about a race horse.  »

27 Jan 2012

Don Giovanni, Royal Opera

Introducing the winter-spring season, ROH Chief Executive Tony Hall explains the (perhaps a tad spurious) Olympic ‘concept’ which has inspired the season’s programming, the five interlocking rings of the Olympic insignia motivating the performance of a series of works staged in ‘cycle form’. »

27 Jan 2012

Basel Chamber Orchestra, Wigmore Hall

Founded in 1984, the Basel Chamber Orchestra has developed a penchant for programmes which combine the modern and unfamiliar with the traditional and renowned. »

27 Jan 2012

La Bohème in Toulon, Marseille and Genoa

Three La Bohèmes in ten days, a critic’s nightmare that was more fun than a barrel of monkeys. »

25 Jan 2012

The Enchanted Island, Metropolitan Opera

This year is a big year for the Met. Of the seven new productions on the roster, two are the last two installments of a much-anticipated Robert Lepage Ring.  »

25 Jan 2012

Haydn’s The Seasons at Barbican Hall

This buoyant, refreshing performance of Haydn’s late oratorio, The Seasons, by Paul McCreesh’s superb Gabrieli Consort and Players conjured a calendric kaleidoscope of seasonal climes, from the warm bucolic breezes of spring to summer’s fierce suns and flashing storms, from autumnal harvests and hunts to the frozen mists and fiery hearth-sides of winter.  »

25 Jan 2012

Charpentier and Purcell by Early Opera Company

Composed during the spring hunting season of 1684, for a patron and performance venue unknown, Marc-Antoine Charpentier’s brief six-scene Opera de Chasse (‘Hunting Opera’), Actéon, has remained seldom performed and something of a mystery.  »

25 Jan 2012

Otello in Zürich

War and destruction is everywhere these days, not least in Pesaro where Graham Vick staged a lethal Mosé in Egitto last August, nor less so in San Francisco where baritone Thomas Hampson perished as Rick Rescorla in Heart of a Soldier last September. »

25 Jan 2012

Prégardien at the Wigmore Hall

Hugo Wolf is a hard sell. Technical expertise isn't enough. The secret to singing Wolf is expressing the unique personality in each song. Wolf, perhaps more than any other composer, creates miniatures that open out into mini-operas when performed well.  »

23 Jan 2012

A Noteworthy Ariadne auf Naxos, Chicago

Richard Strauss’s opera Ariadne auf Naxos presents challenges in casting not only because of the vocal line and identity associated with individual characters but also because of its nature as a self-comment on the musical stage and the requisite dramatic skills thus needed.  »

23 Jan 2012

Five Boroughs Songbook

What does it say about New York that, in the songs of the city commissioned by the Five Boroughs Music Festival and given performances in Brooklyn, Queens and, now, Manhattan, the poets (often the composers themselves) rarely refer to life in that central part of the city, Rodgers and Hart’s “isle of joy”?  »

05 Jan 2012

La Traviata: The 454th Performance at the Royal Opera House

This performance of La Traviata was the 454th at the Royal Opera House, and the first performance in the 3rd revival this season of Richard Eyre’s production.  »

28 Dec 2011

Leoncavallo’s I Medici

Ruggero Leoncavallo’s name is forever tied to that of Pietro Mascagni.  »

28 Dec 2011

“‘I Heard a Voice’: the Music of the Golden Age”

In contrast to much music-making on the continent, English composers born in the last quarter of the sixteenth century seem to have embraced a notable degree of stylistic continuity.  »

28 Dec 2011

Giovanni Pierluigi da Palestrina e la Compagnia dei Musici di Roma, Messa di Santa Cecilia

Homage could take diverse forms in Counter-Reformation Rome, and this excellent recording by ensemble officium, Messa di Santa Cecilia, focuses on a particular instance that was interestingly polyvalent.  »

23 Dec 2011

Die Meistersinger von Nürnberg, Royal Opera House

Perhaps it’s no accident that Graham Vick’s Die Meistersinger von Nürnberg returns to the Royal Opera House for the Christmas season. Red, green, gold, sumptuous colours that warm a long, grey evening. »

23 Dec 2011

The Bostridge Project: ‘Ancient and Modern’

This latest instalment of Ian Bostridge’s ‘Ancient and Modern’ series juxtaposed the tender melancholy of the Elizabethan age with the modernist anxieties of the early twentieth century, revealing both a sensitivity to textual nuance and profound human sensibilities which transcend temporal epochs. »

22 Dec 2011

Jonathan McGovern, Wigmore Hall

2011 has been a good year for baritone Jonathan McGovern: 2nd prize at the Kathleen Ferrier Awards, the Karaviotis Prise at the Les Azuriales Ozone Young Artists Competition, and the John Meikle Duo Prize at the Wigmore Hall/Kohn Foundation International Song Competition are just some of the awards he has garnered.  »

22 Dec 2011

Wilhelm Friedemann Bach Cantatas

In Wilhelm Weitsch’s well-known painting of Wilhelm Friedemann Bach, the eldest son of Johann Sebastian seems far distant from the cantorial world of his father.  »

19 Dec 2011

Operas of Jean-Philippe Rameau

Jean-Philippe Rameau, an organist and music theoretician, was active for much of his life in musical centers distant from the cultural juggernaut of Paris.  »

19 Dec 2011

San Marco in Hamburg: Motets by Hieronymus Praetorius

In the first part of the seventeenth century, the north German city of Hamburg spawned an unusually rich organ culture, with Jacob Praetorius, the younger, and Heinrich Scheidemann both pupils of the famous Dutch organist, Jan Pieterzoon Sweelinck, as leading figures.  »

18 Dec 2011

“A Year at King’s”

This recent recording of the men and boys from King’s College, Cambridge, is an anthology organized around the texts and themes of the liturgical year, a scheme that offers ample opportunity for diverse works—in that sense the recording feels something like a “sampler”—but a scheme that also reflects the real experience of the daily life of the choir which sings demanding choral services six days of the week in term time.  »

16 Dec 2011

Bernarda Fink, Wigmore Hall

The Wigmore Hall marks the 75th anniversary of the death of Maurice Ravel with a series of concerts that run through to June 2012. »

16 Dec 2011

Randal Turner Sings the Songs of Living American Composers

A self-published recording, baritone Randal Turner’s traversal of contemporary songs in English, Living American Composers, makes for a fine vocal calling card.  »

16 Dec 2011

Anne Schwanewilms, Wigmore Hall

Combining innate musicianship and superb technique, Anne Schwanewilms showed once again that she can run the emotional gamut from light-hearted joy to deep anguish in this flawless performance with pianist, Charles Spencer. »

16 Dec 2011

Karita Mattila at Carnegie Hall

In 1983, Karita Mattila was the first singer to win the Cardiff Singer of the World competition.  »

13 Dec 2011

Kurt Weill’s Magical Night, Linbury Studio Theatre, London

Buzz Lightyear Meets Hansel and Gretel! Most children who have grown up in the Toy Story era know that toys come alive when left to their own devices.  »

13 Dec 2011

Belshazzar’s Feast, London

The English Oratorio season at the Barbican Hall, London continued with Gerald Finley and two very different approaches to Belshazzar’s Feast — William Walton and Jean Sibelius.  »

13 Dec 2011

Drapes ‘n’ Drops in Paris Forza

Paris Opera has lavished quite a monumental staging on Verdi’s musically rich (and Piave’s dramatically vapid) La Forza del Destino. »

13 Dec 2011

Call Her Flott — Felicity Lott sings in English

Soprano Felicity Lott has concentrated her career in her UK homeland and in Europe, although she certainly has had her share of US appearances.  »

13 Dec 2011

Colossal Hercules in Essen

Apparently the Aalto Theater didn’t get the memo that oratorios often make weak theatre pieces, since the company presented such a gripping dramatic case for Handel’s Hercules.  »

13 Dec 2011

Amsterdam’s Adventurous Idomeneo

Straight to the point: Netherlands Opera has mounted as luminous and emotionally engaging an Idomeneo as is imaginable. »

13 Dec 2011

Grand Don Giovanni, La Scala, Milan

More than a gala for Milan and for Italy, this wonderful Don Giovanni at Teatro alla Scala, Milan, was a gala for all the world, broadcast live internationally. »

09 Dec 2011

Berlioz: L’Enfance du Christ, London

I have somehow managed to miss Sir Colin Davis’s London performances of L’Enfance du Christ, making it one of the final major Berlioz works I have heard in the flesh.  »

06 Dec 2011

Silent Night, Minnesota Opera

At the November 12, 2011 world premiere of Silent Night at the Ordway Theatre in St. Paul, a buzz of energy filled the audience.  »

05 Dec 2011

Anne Sofie von Otter and Brad Mehldau: Love Songs

Brad Mehldau seems to be the “go to” jazz pianist for classically trained singers who want to venture into other musical territory than opera and lieder.  »

02 Dec 2011

Faust, Metropolitan Opera

At one point in The Met’s history, Faust was performed so frequently that one critic in mocking reference to Wagner’s opera house at Bayreuth coined the theater Faustophilhaus.  »

02 Dec 2011

Antwerp’s Puzzling Tchaikovsky Rarity

From the moment the curtain rose to reveal a loony bin instead of the 15th Century Inn of the libretto, it seemed likely the Flemish Opera was going to raise more questions than it answered about Tchaikovsky’s rarely performed The Enchantress.  »

02 Dec 2011

Perceptive La Traviata, Royal Opera House

Richard Eyre’s 1994 staging of Verdi’s La Traviata may have been revived many times, but this production reveals striking new depths of interpretation.  »