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Elsewhere

Guillaume Tell, Covent Garden

It is twenty-three years since Rossini’s opera of cultural oppression, inspiring heroism and tender pathos was last seen on the Covent Garden stage, but this eagerly awaited new production of Guillaume Tell by Italian director Damiano Micheletto will be remembered more for the audience outrage and vociferous mid-performance booing that it provoked — the most persistent and strident that I have heard in this house — than for its dramatic, visual or musical impact.

Sara Gartland Takes on Jenůfa

Sara Gartland is an emerging singer who brings an enormous talent and a delightful personality to the opera stage. Having sung lighter soprano roles such as Juliette in Gounod’s Romeo et Juliette and Violetta in Verdi’s La traviata, Gartland is now taking on the title role in Leoš Janáček’s dramatic opera Jenůfa.

Aida, Opera Holland Park

With its outrageous staging demands, you sometimes wonder why opera companies want to produce Verdi’s Aida. But the piece is about far more than pharaohs, pyramids and camels.

Press Release: Welsh National Opera explores Madness for autumn season

Madness descends upon Welsh National Opera for its autumn 2015 season, with three new productions that will explore human turmoil through some of the finest musical expressions of madness and the human condition.

A Chat with Pulitzer Prize Winning Composer Jennifer Higdon

American composer Jennifer Higdon has won many awards for her imaginative music. Her percussion concerto received the 2009 Grammy Award for Best Contemporary Classical Composition.

Death in Venice, Garsington Opera

Given the enduring resonance and impact of the magnificent visual aesthetic of Visconti’s 1971 film of Thomas Mann’s novella, opera directors might be forgiven for concluding that Britten’s Death in Venice does not warrant experimentation with period and design, and for playing safe with Edwardian elegance, sweeping Venetian vistas and stylised seascapes.

La Rondine Swoops Into St. Louis

If La Rondine (The Swallow) is a less-admired work than rest of the mature Puccini canon, you wouldn’t have known it by the lavish production now lovingly staged by Opera Theatre of Saint Louis.

Emmeline a Stunner in Saint Louis

Few companies have championed new or neglected works quite as fervently and consistently as the industrious Opera Theatre of Saint Louis.

Luminous Handel in Saint Louis

For Opera Theatre of Saint Louis, “everything old is new again.”

Two Women in San Francisco

Why would an American opera company devote its resources to the premiere of an opera by an Italian composer? Furthermore a parochially Italian story?

Les Troyens in San Francisco

Berlioz’ Les Troyens is in two massive parts — La prise de Troy and Troyens à Carthage.

Dog Days at REDCAT

On Saturday evening June 13, 2015, Los Angeles Opera presented Dog Days, a new opera with music by David T. Little and a text by Royce Vavrek. In the opera adopted from a story of the same name by Judy Budnitz, thirteen-year-old Lisa tells of her family’s mental and physical disintegration resulting from the ravages of a horrendous war.

Opera Las Vegas Presents Exquisite Madama Butterfly

Audiences at the Teatro alla Scala in Milan first saw Madama Butterfly on February 17, 1904. It was not the success it is these days, and Puccini revised it before its scheduled performances in Brescia.

Yardbird, Philadelphia

Opera Philadelphia is a very well-managed opera company with a great vision. Every year it presents a number of well-known “warhorse” operas, usually in the venerable Academy of Music, and a few more adventurous productions, usually in a chamber opera format suited to the smaller Pearlman Theater.

Giovanni Paisiello: Il Barbiere di Siviglia

Written in 1783, Giovanni Paisiello’s Il Barbiere di Siviglia reigned for three decades as one of Europe’s most popular operas, before being overshadowed forever by Rossini’s classic work.

Princeton Festival: Le Nozze di Figaro

The Princeton Festival has established a reputation for high-quality summer opera. In recent years works by Handel, Britten, Rachmaninoff, Stravinsky, Wagner and Gershwin have been performed at Matthews Theater on Princeton University campus: a 1100-seat auditorium with good sight-lines though a somewhat dry and uneven acoustic.

Die Entführung aus dem Serail,
Glyndebourne

Die Entführung aus dem Serail was Mozart’s first great public success in Vienna, and it became the composer’s most oft performed opera during his lifetime.

German Lieder Is Given a Dramatic Twist by The Ensemble for the Romantic Century

The Ensemble for the Romantic Century offered a thoughtful and well-curated evening in their production of The Sorrows of Young Werther, which is part theatrical performance and part art song concert.

Hans Werner Henze: Ein Landarzt and Phaedra

This was an adventurous double bill of two ‘quasi-operas’ by Hans Werner Henze, performed by young singers who are studying on the postgraduate Opera Course at the Guildhall School of Music and Drama.

Dido and Aeneas, Spitalfields Festival

High brick walls, a cavernous space, entered via a narrow passage just off a London thoroughfare: Village Underground in Shoreditch is probably not that far removed from the venue in which Henry Purcell’s Dido and Aeneas was first performed — whether that was Josiah Priest’s girl’s school in Chelsea or the court of Charles II or James II.


OPERA TODAY ARCHIVES »

Reviews

Gerald Finley as Guillaume Tell [Photo: ROH / Clive Barda]
30 Jun 2015

Guillaume Tell, Covent Garden

It is twenty-three years since Rossini’s opera of cultural oppression, inspiring heroism and tender pathos was last seen on the Covent Garden stage, but this eagerly awaited new production of Guillaume Tell by Italian director Damiano Micheletto will be remembered more for the audience outrage and vociferous mid-performance booing that it provoked — the most persistent and strident that I have heard in this house — than for its dramatic, visual or musical impact.  »

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10 Oct 2012

I Due Foscari, LA Opera

Lucky Angeleno opera lovers! In anticipation of the Giuseppe Verdi’s bicentennial (it will occur in 2013) Los Angeles Opera treated its patrons to a unique and musically thrilling performance of I Due Foscari, the sixth of the composer’s twenty-six operas.  »

10 Oct 2012

Die Zauberflöte, ENO

‘The last-ever performances of Nicholas Hytner’s production of The Magic Flute,’ claims the programme.  »

09 Oct 2012

Don Giovanni, LA Opera

In our era of minimal cultural restraints Don Giovanni has been the opera of choice for presenting dissolution on stage. Rape, oral sex, drug use and urination have been portrayed to Mozart's melodies.  »

09 Oct 2012

I Capuleti e i Montecchi in San Francisco

Give me good verses, I’ll give you good music, said Bellini to his librettist Felice Romani. Give me a good director and I’ll give you good opera surely thought San Francisco Opera general director David Gockley. »

05 Oct 2012

Stockhausen’s Mittwoch, Birmingham Opera Company

The first performances of Stockhausen’s Mittwoch — the world premiere took place on Mittwoch 22 August, the composer’s birthday, whilst I attended the last of four performances on Samstag — could hardly have failed to be an ‘event’ of the highest order: the last of the Licht cycle, in duration roughly twice the length of Wagner’s Ring, to receive its first full performance, though it was the sixth of the seven days to be composed.  »

05 Oct 2012

Blaise le savetier and L’amant jaloux by Bampton Classical Opera

“Two classic French comedies, one wardrobe…” was Bampton Classical Opera’s billing for this amusing double bill and, with typically wry wit, director Jeremy Gray duly placed a shabby-chic armoire centre-stage and made it the location of some Cherubino-Countess-style confusions and Goldoni-esque farce. »

05 Oct 2012

Frank Bridge Song Focus

Frank Bridge (1879-1941) was a professional violinist and violist, a talented conductor, a versatile composer and skilled teacher; yet he remains something of an enigma and his music relatively unknown. »

05 Oct 2012

“Dreamers of Dreams”

During the years from 1890 to 1940, the so-called ‘land without music’ witnessed a remarkable outpouring of chamber and instrumental music.  »

05 Oct 2012

Mozart’s Ghost finds its Way through Das Labyrinth

W.A. Mozart, despite a historically antagonistic relationship with his city of birth, retains an omnipresence in Salzburg that emerges in full force with each iteration of the illustrious summer festival.  »

05 Oct 2012

Cecilia Bartoli Comes, Divides and Conquers

Cleopatra, one of few female seductresses in operatic history to emerge not only alive but empowered in the final act, is a fitting role for Cecilia Bartoli in her first season as artistic director of the Salzburg Whitsun Festival.  »

04 Oct 2012

Dmitri Hvorostovsky, Wigmore Hall

The Wigmore Hall 2012-3 season (see link below) started with a gala of glamour. Dmitri Hvorostovsky attracts patrons in jewels and designer gowns.  »

04 Oct 2012

Martinů : Julietta, ENO

The ENO gave the British premiere of Bohuslav Martinů's Julietta many years ago, so this new production was eagerly awaited. But what will audiences new to Martinů get from this production? It's a myth that the English language makes opera more accessible. That just means audiences focus on words, rather than really listening or understanding.  »

02 Oct 2012

Handel Jephtha, Welsh National Opera

Welsh National Opera have revived Katie Mitchell’s 2003 production of Handel’s Jephtha, with Robert Murray in the title role and a new focus for the drama.  »

28 Sep 2012

Rigoletto in San Francisco

Four Rigolettos in nine days (for this critic), of twelve Rigolettos in 24 days (are these world records?). »

28 Sep 2012

Nixon in China at the BBC Proms

John Adams’s Nixon in China has become one of the most successful operas in the late 20th/early 21st century wave of post-modernist attempts to revitalise the operatic tradition. It has even started its own sub-genre, the so-called CNN opera.  »

28 Sep 2012

Marriage of Figaro at the BBC Proms

Glyndebourne Festival Opera’s visit to the Proms has become a much anticipated annual event. This year on 28 August, they brought Michael Grandage’s new production of Mozart’s The Marriage of Figaro, with the Orchestra of the Age of Enlightenment conducted by Robin Ticciati, who takes over as musical director at Glyndebourne in 2014. »

28 Sep 2012

Peter Grimes BBC Prom 55

The ghost of Peter Pears may no longer hover in the wings, but in an age when ‘defining’ interpretations by the likes of Jon Vickers and Philip Langridge still linger powerfully in collective audience memories, Stuart Skelton’s interpretation of Crabbe’s problematic fisherman is assuming a striking individuality and impact.  »

27 Sep 2012

Santa Fe 2012

The venerable Santa Fe Opera served up a richly eclectic mix of high-caliber offerings that surely is one of their best festivals in recent seasons.  »

28 Aug 2012

Rossini Opera Festival, Pesaro 2012

Ciro in Babilonia Matilda di Shaban and Il signor Bruschino in Rossini land. »

28 Aug 2012

La bohème at the Salzburg Festival

It is difficult to speak with excessive enthusiasm of the programming of a Salzburg Festival that included both Carmen and La bohème, though it would subsequently be redeemed in part by a staging of Die Soldaten.  »

24 Aug 2012

Eternal Echoes: Songs and Dances for the Soul

Eternal Echoes is an album of khazones [Jewish cantorial music] for cantorial soloist, solo violin and a blended instrumental ensemble comprising a small orchestra and the Klezmer Conservatory Band.  »

24 Aug 2012

James MacMillan’s “Since it was the day of Preparation…” Premieres at Edinburgh International Festival

It was fitting that in this Year of Creative Scotland, the Edinburgh International Festival should honour James MacMillan’s contribution to Scottish musical life with the premiere of a new work. »

20 Aug 2012

Glimmerglass Gambles and Wins

Impresaria Francesca Zambello kept up her seemingly tireless process of rejuvenating the Glimmerglass Opera Festival with an ambitious, nay downright risky repertoire choice.  »

20 Aug 2012

Ariadne auf Naxos, Salzburg Festspiele

When announced in November, this was trailed as the original version of Ariadne auf Naxos, a rare treat indeed.  »

20 Aug 2012

Berlioz and Liszt at the Salzburg Festival

At the Salzburg Festival, Riccardo Muiti conducted Liszt’s Von der Wiege bis zum Grabe and Berlioz’s Messe solonnelle. »

14 Aug 2012

Mahler: Symphony no. 3 / Kindertotenlieder

Michael Tilson Thomas’s recording of Mahler’s Third Symphony is an outstanding contribution to the composer’s discography.  »

14 Aug 2012

Schoenberg’s Gurrelieder — BBC Proms 2012

Arnold Schoenberg’s Gurrelieder is conceived as cosmic panorama. King Waldemar curses God and is himself cursed, doomed to ride the skies forever, inspiring awe and horror.  »

13 Aug 2012

Berlioz’s Requiem (Grande messe des morts) — BBC Prom 39

The massed forces of the 600+ singers and players assembled for this exciting performance of Berlioz’s gargantuan Requiem (Grande messe des morts) made for an impressive visual spectacle in the vast high Victorian Royal Albert Hall.  »

12 Aug 2012

The Makropulos Case at Edinburgh International Festival

The Edinburgh International Festival, in partnership with Opera North, presented Janáček’s The Makropulos Case at the Edinburgh Festival Theatre. »

11 Aug 2012

Edinburgh International Festival - Delius, A Mass of Life

The Edinburgh International Festival got off to a rousing start with Frederick Delius, A Mass of Life, rarely heard because it's scored for huge forces.  »

10 Aug 2012

Oliver Knussen’s Symphonies from NMC

Oliver Knussen burst into British music with an unprecedented flourish. In 1967, the London Symphony Orchestra premiered Knussen’s First Symphony, with István Kertész scheduled to conduct.  »

05 Aug 2012

Glyndebourne : Ravel Double Bill L'enfant et les sortilèges, L'heure espagnole

Surrealist fantasy with wit and style! L'heure espagnole and L'enfant et les sortilèges, the Ravel Double Bill at Glyndebourne, mixes charm, intelligence and nightmare. »

03 Aug 2012

Bach Mass in B minor, BBC Prom 26

Bach probably never intended the full Mass in B Minor to be performed, so it is tricky to talk about what forces he meant it to be performed by. But the Kyrie and Gloria certainly were sent by Bach to the Royal Court at Dresden (which was Roman Catholic), and these movements could be used in the Lutheran Church as well.  »

02 Aug 2012

Tippett : A Child of Our Time BBC Prom 25

In November 1938 a young Polish Jew, Herschel Grynsban, driven to desperation and despair by the Nazi persecution of his mother, shot a minor German diplomat in Paris. The Nazis retaliated with one of the most savage, vicious pogroms experienced up to that time. A Child of our Time, composed during 1938-41, was Michael Tippett’s musical response to this contemporary tragedy and his attempt to comprehend its universal and eternal relevance.  »

02 Aug 2012

Santa Fe Opera convinces : Rossini Maometto II

Santa Fe, NM : It is not unusual for Santa Fe Opera to produce little known or rarely heard operas in their enduring devotion to both unusual and ‘lost’ repertory, as well as commissioned and contemporary works. But is it unusual - very - for two such mountings in one season to be smash hits. Santa Fe lately enjoyed two such successes, graced by elevated musical and performance quality, and strong audience acceptance.  »

02 Aug 2012

Santa Fe Opera, Karol Szymanowski : King Roger

The gifted Polish composer Karol Szymanowski wrote his three-act King Roger, in the 1920's. It is an allegorical tale of honor vs. pleasure set to quite beautiful music, especially in the orchestral writing, which Santa Fe chose to play in the same season as the Rossini in a wide tip of the hat to unknown but worthy repertory.  »

01 Aug 2012

Tchaikovsky: Eugene Onegin, Opera Holland Park, London

This was unquestionably the best all-round performance I have yet seen from Opera Holland Park, staging and musical performances alike often putting august metropolitan houses from around the world to shame.  »

30 Jul 2012

Exquisite Juxtapositions : Ian Bostridge, Wigmore Hall

Although John Cage’s Seven Haiku for piano are all about chance and accident, this final concert in Ian Bostridge’s Ancient and Modern series was a masterpiece of meticulous planning and execution. »

30 Jul 2012

Beethoven Ninth Symphony, Daniel Barenboim, BBC Prom 18

Few composers seem as remote and yet as necessary to our age as Beethoven, and perhaps the symphonic Beethoven in particular. Irony is a foreign word to him; blazing affirmation and indeed intensity of struggle seem too much for us.  »

27 Jul 2012

Pierre Boulez : Le marteau sans maître BBC Proms

Pierre Boulez Le marteau sans maître is important as Stravinsky's Rite of Spring and Schoenberg's Pierrot Lunaire, says conductor François-Xavier Roth, who conducted it with members of the West-Eastern Divan Orchestra in BBC Prom 17.  »

23 Jul 2012

Hector Berlioz, Les Troyens (concert performance, BBC Proms)

Hearing The Trojans in concert at the Royal Albert Hall as part of the Proms was, for me at least, a much happier experience than when it laboured under the crowd-pleasing would-be-musical-comedy served up by David McVicar’s production for the Royal Opera. »

22 Jul 2012

Verdi Falstaff Opera Holland Park

“It is as sunny as the composer’s garden at Busetto, clear as crystal in construction, tender and explosive by turns, humorous and witty without a touch of extravagance or a note of vulgarity.” So wrote Charles Stanford on the occasion of the first performance of Verdi’s final opera, in 1893. »

20 Jul 2012

Rossini Il viaggio a Reims, Royal Opera House

The Royal Opera House’s Jette Parker Young Artists programme is celebrating the 10th anniversary of their annual Summer Performance.  »