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Elsewhere

Santa Fe: Secondary Mozart in First Rate Staging

Impresario Boris Goldovsky famously referred to La finta giardiniera as The Phony Farmerette.

Regimented Daughter in Santa Fe

At Santa Fe Opera, Donizetti’s effervescent The Daughter of the Regiment can’t quite decide what it wants to be when it grows up.

Santa Fe’s Celebratory Jester

Santa Fe Opera noted a landmark two-thousandth performance in their distinguished history with a stylish new production of Rigoletto.

Sibelius Kullervo, BBC Proms, London

Why did Jean Sibelius suppress Kullervo (Op7, 1892)? There are many theories why he didn't allow it to be heard after its initial performance, though he referred to it fondly in private.

Aïda at Aspen

Most opera professionals, including the individuals who do the casting for major houses, despair of finding performers who can match historical standards of singing in operas such as Aïda. Yet a concert performance in Aspen gives a glimmer of hope. It was led by four younger singers who may be part of the future of Verdi singing in America and the world.

Prom 53: Shostakovich — Orango

One might have been forgiven for thinking that both biology and chronology had gone askew at the Royal Albert Hall yesterday evening.

Written on Skin at Lincoln Center

Three years ago I made what may have been my single worst decision in a half century of attending opera. I wasn’t paying close attention when some conference organizers in Aix-en-Provence offered me two tickets to the premiere of a new opera. I opted instead for what seemed like a sure thing: William Christie conducting some Charpentier.

La Púrpura de la Rosa

Advertised in the program as the first opera written in the New World, La Púrpura de la Rosa (PR) was premiered in 1701 in Lima (Peru), but more than the historical feat, true or not, accounts for the piece’s interest.

Pesaro’s Rossini Festival 2015

The 36th Rossini Opera Festival in Rossini’s Pesaro! La gazza ladra (1817), La gazzetta (1816) and L'inganno felice (1812) — the little opera that made Rossini famous.

Santa Fe: Placid Princess of Judea

Unlike the brush fire in a distant neighborhood of the John Crosby Theatre, Santa Fe Opera’s Salome stubbornly failed to ignite.

Airy and Bucolic Glimmerglass Flute

As part of a concerted effort to incorporate local color and resonance into its annual festival, Glimmerglass has re-imagined The Magic Flute in a transformative woodland setting.

Glimmerglass Conquers Cato

Bravura singing and vibrant instrumental playing were on ample display in Glimmerglass Festival’s riveting Cato in Utica.

Energetic Glimmerglass Candide

Bernstein’s Candide seems to have more performance versions than Tales of Hoffmann.

Odyssey Opera Presents the Boston Premiere of Le Cid in One-­Night-­Only Concert Event

(Boston, MA) — Odyssey Opera, a Boston-based opera company dedicated to exploring the full spectrum of adventurous repertoire, presents the Boston premiere of one of France’s great operas, Le Cid (1885), composed by Jules Massenet (1842–1912).

Die Eroberung von Mexico in Salzburg

That’s The Conquest of Mexico, an historical music drama composed in 1991 by German composer Wolfgang Rihm (b. 1952). But wait. Wolfgang Rihm construed a few sentences of Artaud’s La Conquête du Mexique (1932) mixed up with bits of Aztec chant and bits of poem(s) by Mexico’s Octavio Paz (d. 1998) to make a libretto.

Scottish Sensation at Glimmerglass

Glimmerglass is celebrating its 40th Festival season with a stylish new production of Verdi’s Macbeth.

Norma in Salzburg

This Salzburg Norma is not new news. This superb production was first seen at the Salzburg Festival’s springtime Whitsun Festival in 2013 with this same cast. It will now travel to a few major European cities.

The power of music: a young cast in a semi-stage account of Monteverdi’s first opera

John Eliot Gardiner conducted a much anticipated performance of Monteverdi’s first opera L’Orfeo at the BBC Proms on 4 August 2015, with his own Monteverdi Choir and English Baroque Soloists.

Cold Mountain Wows Audience at Santa Fe World Premiere

On August 1, 2015, Santa Fe Opera presented the world premiere of Cold Mountain, a brand new opera composed by Pulizer Prize and Grammy winner Jennifer Higdon.

Review: You Promised Me Everything

Richard Taruskin entitled his 1988 polemical critique of the notion of ‘authenticity’ in the context of historically informed performance, ‘The Pastness of the Present and the Presence of the Past’.


OPERA TODAY ARCHIVES »

Reviews

Heidi Stober as Sandrina and William Burden as the Podesta [Photo by Ken Howard]
30 Aug 2015

Santa Fe: Secondary Mozart in First Rate Staging

Impresario Boris Goldovsky famously referred to La finta giardiniera as The Phony Farmerette. »

Recently in Reviews

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14 Dec 2012

Vienna: the window to modernity

This recital, which focused on a narrowly specific time and place — 1888-1933 Vienna — paradoxically illuminated not only the musical scope and richness of that epoch but also, as Renée Fleming notes in her prefatory programme article, the extraordinary extent of the diversity, transformation and flux, both historical and cultural, that characterised the era. »

14 Dec 2012

The Met’s Un Ballo in Maschera difficult to unmask

Director David Alden’s confusing production concepts in Verdi’s A Masked Ball may make you wonder whether you came to the right party »

10 Dec 2012

The Met’s La Clemenza di Tito blends inspired singing with dazzling wind obbligatos

The live HD simulcast of Mozart’s final operatic effort, set in ancient Rome, reached friends, Romans and countrymen the world over »

09 Dec 2012

Meyerbeer Robert le Diable, Royal Opera House

Why was Giacomo Meyerbeer's Robert le Diable an overwhelming success in its time ? The Royal Opera House production suggests why: it's a cracking good show! Extreme singing, testing the limits of vocal endurance, and extreme drama. Robert le Diable is Faust, after all, not history, and here its spirit is captured by audacious but well-informed staging. Listen with an open mind and heart and imagine how audiences in Meyerbeer's time might have imagined the madness and magic that is Robert le diable. »

07 Dec 2012

Rigoletto, Manitoba Opera

Manitoba Opera launched its celebratory, all-Verdi 40th anniversary season with the Italian master’s Rigoletto that still rattles the soul with its tale of revenge, murder, deceit and heart-wrenching pathos. »

07 Dec 2012

Britten’s Lachrymae at Wigmore Hall

The Nash Ensemble’s final contribution to the Wigmore Hall’s Britten centenary series, ‘Before Life and After’, presented works for soloists and strings. »

06 Dec 2012

Britten: The Canticles

‘Canticle’ is the term Britten used to denote an extended setting of a text of spiritual substance.  »

05 Dec 2012

WNO proves a point with Handel’s Jeptha

They say that there’s nothing worse than a musically-obtuse staging of any opera to put a rookie opera-goer off a composer (or even opera itself) for life.  »

29 Nov 2012

Vladimir Jurowski, LPO

Vladimir Jurowski said all the right things during a brief address at the opening of the concert. Beethoven’s Fifth Symphony should not be regarded as the climax of the performance, but as the fifth movement in a single work, whose theme was human suffering and the strength of the human spirit, never quashed by the former.  »

28 Nov 2012

Madame Butterfly, LA Opera

A beautiful, blingless Butterfly. How else to describe the pleasures of four glorious voices singing Puccini’s heart breaking, passionate melodies without igniting romantic sparks?  »

27 Nov 2012

Haydn and Strauss, LPO

Haydn’s settings of the Mass ought to be heard incessantly, in churches and in the concert hall.  »

24 Nov 2012

Bizet’s Carmen at ENO

Drawing on the dark viciousness and bitter malevolence of Prosper Mérimée’s ethnographical novella, Calixto Bieito’s Carmen rejects any notion of flamboyant exoticism and alluring eroticism, and presents us instead with a sordid twilight zone of sexual violence and brutal malice.  »

23 Nov 2012

Roméo et Juliette by Arizona Opera

French composer Charles Gounod wrote his five-act opera  Roméo et Juliette  to a libretto that Jules Barbier and Michel Carré based on William Shakespeare’s  Tragedy of Romeo and Juliet.  »

23 Nov 2012

Tosca (Postscript) in San Francisco

Extraordinary diva, Angela Gheorghiu pulled out of opening night after act one. It was news when she made it to the end of the second performance. Here is what happened at the third performance. »

21 Nov 2012

Joan of Arc as Atheist Heroine

Jeanne D’Arc—Szenen aus dem Leben der Heiligen Johanna, the last stage work of the German composer Walter Braunfels, documents a passage in music history that has only recently begun to break through the surface. »

21 Nov 2012

Wozzeck at Los Angeles

Wozzeck Wozzeck, Wozzeck: The Los Angeles Philharmonic’s Laureate Conductor, Esa-Pekka Salonen, now Principal Conductor and Artistic Advisor to the London’ Philharmonia Orchestra, is touring the United States with a program that includes three staged performances of Alban Berg’s opera, Wozzeck.  »

21 Nov 2012

Finzi Dies Natalis, Britten, Vaughan Williams, Wigmore Hall

The Nash Ensemble's series at the Wigmore Hall, "Dreamer of Dreams" continued its survey of British music in the first half of the 20th century with an intriguing programme. Many underlying themes, and thoughtful juxtapositions. »

18 Nov 2012

More Tosca in San Francisco

Who is Patricia Racette? Sexually ripe Nedda, maternal Cio-Cio-San, neurotic Sister Angelica? But now the jealous Tosca? And without question Mme. Racette has again proven herself the Puccini heroine par excellence of this moment. »

16 Nov 2012

Tosca in San Francisco

Operatic train wreck in San Francisco, hopes crushed for 3000 opera-goers, impresario’s grand scheme derailed. »

16 Nov 2012

Songs by Zemlinsky

While not unknown, the songs of Alexander von Zemlinsky (1871-1942) deserve to be heard more frequently.  »

16 Nov 2012

Gustav Mahler: Lieder eines fahrenden Gesellen, Rückert-Lieder, Kindertotenlieder.

Recorded on 5 and 6 May 2008 and 17 and 18 January 2009 at the Lisztzentrum (Raiding, Austria), this recent Bridge release makes available the piano-vocal versions of three song cycles by Gustav Mahler, Lieder eines fahrenden Gesellen, Rückert-Lieder, and Kindertotenlieder performed by mezzo-soprano Hermine Haselböck, accompanied by Russell Ryan. »

16 Nov 2012

Alagna sings Nemorino - L'elisir d'amore at the Royal Opera House, London,

One of the main reasons for interest in the Royal Opera’s latest revival of Donizetti’s L’elisir d’amore was that tenor Roberto Alagna had chosen to return to the role of Nemorino. Though he had sung Nemorino earlier in his career, he had never sung the role at Covent Garden. The other cast members were of a high order too, with Alexandra Kurzak as Adina, Ambrogio Maestri as Dulcamara and Fabio Capitanucci as Belcore. So plenty of reasons for seeing the revival, which I caught on opening night 13 November 2012.  »

16 Nov 2012

A Celebration of Mendelssohn Song

The Wigmore Hall Celebration of Mendelssohn Song series culminated in a recital of works by Felix and Fanny Mendelssohn and by Robert and Clara Schumann. The programme was very well chosen because Felix, Fanny, Robert and Clara knew each other.. »

14 Nov 2012

Wozzeck at UC Berkeley

At this famous bastion of intellect the biggest drama was the parking. Though the football stadium may have been stuffed, Zellerbach Hall was not. »

13 Nov 2012

Simon Boccanegra at Lyric Opera, Chicago

In its current production of Simon Boccanegra Lyric Opera of Chicago draws on vocal strengths as well as musical and stage direction that do honor to Giuseppe Verdi’s masterpiece of political and emotional intrigue in fourteenth-century Genoa.  »

10 Nov 2012

Kathleen Ferrier: A Film by Diane Perelsztejn

Contraltos rarely achieve the acclaim and renown of sopranos. Assigned few leading roles in opera, they are condemned to playing the villain or the grandmother, or to stealing the castrati’s trousers in en travesti roles.  »

10 Nov 2012

Wexford Festival Opera 2012

Wexford Opera’s 2012 trio of rarities, seen on the opening three nights of the Festival, spanned a mere twenty years but offered operatic idioms ranging from verismo to pantomime, operetta to Wagnerian love-death apotheosis. »

10 Nov 2012

1612 Italian Vespers

Following their 2011 Decca recording of Striggio’s Mass in 40 Parts (1566), I Fagiolini continue their quest to unearth lost treasures of the High Renaissance and early Baroque, with this collection of world-premiere recordings, ‘reconstructions’ and ‘reconstitutions’ of music by Giovanni and Andrea Gabrieli, Monteverdi, Palestrina, and their less well-known compatriots Viadana, Barbarino and Soriano.  »

10 Nov 2012

The Resurrection of Italo Montemezzi’s Epic La Nave

Italo Montemezzi’s great “lost” epic opera, La Nave, was heard on 31 October for the first time since 1938, leaving an enthusiastic New York audience wondering why on earth it had been neglected for so long. »

10 Nov 2012

Oliver Knussen: Where the Wild Things Are and Higglety Pigglety Pop!

Marking Oliver Knussen’s sixtieth birthday came a BBC Total Immersion weekend at the Barbican: a double-bill of Knussen’s two operas written in collaboration with Maurice Sendak, Where the Wild Things Are and Higgledy Piggledy Pop! on Saturday, followed by a day of two chamber concerts, a film, and an orchestral concert conducted by the composer himself on Sunday.  »

10 Nov 2012

Ralph Vaughan Williams: The Pilgrim’s Progress

After a slow, long period of gestation, commencing with a short dramatization at Reigate Priory in 1906 and spanning more than 40 years, the first performance of Vaughan Williams’ The Pilgrim’s Progress took place at Covent Garden on 26 April 1951, as part of the Festival of Britain. »

01 Nov 2012

Exaudi, Wigmore Hall

An intriguing blend of old and new marked the tenth anniversary of the British vocal group, Exaudi, juxtaposing the adventurous intricacies and affectations of the late-sixteenth century with the virtuosic refinements of today’s avant garde. »

28 Oct 2012

La bohème on Tour, WNO, Oxford

Every major opera company needs a production of La bohème. It is one of the operas which has the potential to attract everyone, the work which will tempt the occasional opera goer into the theatre.  »

27 Oct 2012

A New Production of Elektra at Lyric Opera of Chicago

The opening images of Richard Strauss’s Elektra in its new production at Lyric Opera of Chicago establish a tension persisting until the final chords of the score indeed signal a resolution of this familial tragedy. »

27 Oct 2012

Amsterdam’s Skin Show

Netherlands Opera is surely to be numbered among the world’s most adventurous international companies. »

27 Oct 2012

Lohengrin in San Francisco

Exquisite pianissimos, sumptuous climaxes, gigantic fortes, insistent horns, sugary winds, tremulous brass, blasting trumpets, whispering strings, pulsating oboes, more gigantic fortes, even more sumptuous climaxes. »

24 Oct 2012

Parsifal bears its own Cross

Parsifal, with its heavy dose of religiosity and strains of racial supremacy, remains at once the most mystical and historically burdened of Wagner’s operas.  »

23 Oct 2012

Don Giovanni at ENO

Some especially puerile, needlessly irritating, marketing, involving pictures of condom packets — oddly chosen in so many ways, since few people find contraceptive especially erotic, and Don Giovanni would seem an unlikely candidate to have employed them — had attended the run-up to this revival of Rufus Norris’s production of Don Giovanni.  »

21 Oct 2012

Mozart and Salieri — Young Artists at the Royal Opera House

Nikolai Rimsky-Korsakov’s opera Mozart and Salieri (1897) received its first ever performance at the Royal Opera House as the highlight of Meet The Young Artists Week at the Linbury Studio Theatre.  »

20 Oct 2012

Where the Wild Things Are, LA Philharmonic

An opera called Where the Wild Things Are based on a libretto by Maurice Sendak may sound like a mere treat for children, but when paired with the music of Oliver Knussen, as performed by the Los Angeles Philharmonic, in a new and unique production by Netia Jones, it makes for a forty minute joy ride into fantasy land for adults as well.  »

19 Oct 2012

To Rome With Love: A Woody Allen film

What might a Woody Allen treatment involving opera read like? Tosca, third act — the firing squad lets loose shrapnel from a malfunctioning prop carbine, verily cutting into the Cavaradossi.  »

19 Oct 2012

Lucia di Lammermoor at Arizona Opera

The role of Lucia in Donizetti’s Lucia di Lammermoor was written for Fanny Tacchinardi Persiani who lived from 1812 to 1867.  »

18 Oct 2012

Schumann: Under the influence

The first of four concerts in Jonathan Biss’s ‘Schumann: Under the influence’ series at the Wigmore Hall was a focused, intelligent and, at times, sensuous and illuminating, evening of music-making. »