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Elsewhere

Armida in Pesaro

Armida (1817) is the third of Rossini’s nine operas for the Teatro San Carlo in Naples, all serious. The first was Elisabetta, regina di Inghilterra (1815), the second was Otello (1816), the last was Zelmira (1822).

Santa Fe Opera Presents an Imaginative Carmen

Santa Fe opera has presented Carmen in various productions since 1961. This year’s version by Stephen Lawless takes place during the recent past in Northern Mexico near the United States border. The performance on August 6, 2014, featured Ana Maria Martinez as a monumentally sexy Gypsy who was part of a drug smuggling group.

Elgar Sea Pictures : Alice Coote, Mark Elder Prom 31

Sir Mark Elder and the Hallé Orchestra persuasively balanced passion and poetry in this absorbing Promenade concert. Elder’s tempi were fairly relaxed but the result was spaciousness rather than ponderousness, with phrases given breadth and substance, and rich orchestral colours permitted to make startling dramatic impact.

Berio Sinfonia, Shostakovich, BBC Proms

Although far from perfect, the performance of Berio’s Sinfonia in the first half of this concert was certainly its high-point; indeed, I rather wish that I had left at the interval, given the tedium induced by Shostakovich’s interminable Fourth Symphony. Still, such was the programme Semyon Bychkov had been intended to conduct. Alas, illness had forced him to withdraw, to be replaced at short notice by Vasily Petrenko.

Four countertenors : Handel Rinaldo Glyndebourne

Handel's Rinaldo was first performed in 1711 at London's King's Theatre. Handel's first opera for London was designed to delight and entertain, combining good tunes, great singing with a rollicking good story. Robert Carsen's 2011 production of the opera for Glyndebourne reflected this with its tongue-in-cheek Harry Potter meets St Trinian's staging.

Santa Fe Opera Presents The Impresario and Le Rossignol

On August 7, 2014, the Santa Fe Opera presented a double bill of Wolfgang Amadeus Mozart’s The Impresario and Igor Stravinsky’s Le Rossignol (The Nightingale). The Impresario deals with the casting of an opera and Le Rossignol tells the well-known fairy tale about the plain gray bird with an exquisite song.

Barber in the Beehive State

Utah Festival Opera and Musical Theatre has gifted opera enthusiasts with a thrilling Barber, and I don’t mean . . . of Seville.

Stravinsky : Oedipus Rex, BBC Proms

In typical Proms fashion, BBC Prom 28 saw Stravinsky's Oedipus Rex performed in an eclectic programme which started with Beethoven's Egmont Overture and also featured Electric Preludes by the contemporary Australian composer Brett Dean. Sakari Oramo,was making the first of his Proms appearances this year, conducting the BBC Symphony Orchestra, BBC Singers and BBC Symphony Chorus.

Santa Fe Opera Presents a Passionate Fidelio

Santa Fe Opera presented Beethoven’s Fidelio for the first time in 2014. Since the sides of the opera house are open, the audience watched the sun redden the low hanging clouds and set below the Sangre de Cristo mountains while Chief Conductor Harry Bicket led the Santa Fe Opera Orchestra in the rousing overture. At the same time, Alex Penda as the title character readied herself for the ordeal to come as she endeavored to rescue her unjustly imprisoned husband.

Die Entführung aus dem Serail @ Hangar-7

We see the characters first in two boxes at an opera house. The five singers share a box and stare at the stage. But Konstanze’s eye is caught by a man in a box opposite: Bassa Selim (actor Tobias Moretti), who stares steadily at her and broods in voiceover at having lost her, his inspiration.

Rameau Grand Motets, BBC Proms

Best of the season so far! William Christie and Les Arts Florissants performed Rameau Grand Motets at late night Prom 17.

Adriana Lecouvreur, Opera Holland Park

Twelve years after Opera Holland Park's first production of Francesco Cilea’s Adriana Lecouvreur, the opera made a welcome return.

Back to the Beginnings: Monteverdi’s Il ritorno d’Ulisse in patria at Iford Opera.

The Italianate cloister setting at Iford chimes neatly with Monteverdi’s penultimate opera The Return of Ulysses, as the setting cannot but bring to mind those early days of the musical genre.

Schoenberg : Moses und Aron, Welsh National Opera, London

Once again, we find ourselves thanking an unrepresentable being for Welsh National Opera’s commitment to its mission.

Count Ory, Dead Man Walking
and La traviata in Des Moines

If you don’t have the means to get to the Rossini festival in Pesaro, you would do just as well to come to Indianola, Iowa, where Des Moines Metro Opera festival has devised a heady production of Le Comte Ory that is as long on belly laughs as it is on musical fireworks.

Janáček’s Glagolitic Mass, BBC Proms

Composed during just a few weeks of the summer of 1926, Janáček’s Slavonic-text Glagolitic Mass was first performed in Brno in December 1927.

Donizetti and Mozart, Jette Parker Young Artists Royal Opera House, London

With the conclusion of the ROH 2013-14 season on Saturday evening - John Copley’s 40-year old production of La Bohème bringing down the summer curtain - the sun pouring through the gleaming windows of the Floral Hall was a welcome invitation to enjoy a final treat. The Jette Parker Young Artists Summer Showcase offered singers whom we have admired in minor and supporting roles during the past year the opportunity to step into the spotlight.

Glyndebourne's Strauss Der Rosenkavalier, BBC Proms

Many words have already been spent - not all of them on musical matters - on Richard Jones’s Glyndebourne production of Der Rosenkavalier, which last night was transported to the Royal Albert Hall. This was the first time at the Proms that Richard Strauss’s most popular opera had been heard in its entirety and, despite losing two of its principals in transit from Sussex to SW1, this semi-staged performance offered little to fault and much to admire.

Il turco in Italia at the Aix Festival

Twenty years ago stage director Christopher Alden introduced Rossini’s then forgotten comedy to Southern California audiences in a production that is still remembered. In Aix Alden has revisited this complex work that many critics now consider Rossini’s greatest comedy.

First Night of the BBC Proms : Elgar The Kingdom

The BBC Proms 2014 season began with Sir Edward Elgars The Kingdom (1903-6). It was a good start to the season,which commemorates the start of the First World War. From that perspective Sir Andrew Davis's The Kingdom moved me deeply.


OPERA TODAY ARCHIVES »

Reviews

21 Aug 2014

Il barbiere di Siviglia in Pesaro

Both by default and by merit Il barbiere di Siviglia is the hit of the thirty-fifth Rossini Opera Festival. But did anyone really want, and did the world really need yet another production of this old warhorse? »

Recently in Reviews

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07 Jun 2010

I Gioielli della Madonna, New York

Ermanno Wolf-Ferrari, son of an Italian mother and a German father, was born in Venice but acclaimed only when he took his operas to Germany, where he became quite popular during the first decades of the twentieth century.  »

07 Jun 2010

Bliss, Tosca and La Sonnambula at Opera Australia

Opera Australia regularly commission new work. Usually serious subjects drawn from notable Australian literature or dealing with an event or hero from Australian history. »

07 Jun 2010

La Damnation de Faust in Modern Guise at Lyric Opera of Chicago

During its recently concluded season Lyric Opera of Chicago presented two musical pieces based on the theme of “Faust.”  »

07 Jun 2010

First Opera in 3D — Carmen, Royal Opera House

Everyone knows the tunes from Bizet's Carmen even if they don't know it's an opera. Now the Royal Opera House, London, is making the world's best known opera into the world's first 3D opera film. »

07 Jun 2010

Tchaikowsky Trilogy in Lyon

In Europe only a few theater stage directors are operatically more famous than Peter Stein (pronounced Pay-tear), to mention Sir Peter Hall, Patrice Chereau and Giorgio Strehler as examples.  »

07 Jun 2010

Tosca, ENO

Seeing Tosca at the Coliseum brings back happy memories, as it was a performance of Tosca (in a revival of the Keith Warner production in the 1990s) which occasioned my very first trip to the ENO. That also happens to have been the first time I ever saw Tosca. »

06 Jun 2010

Bostridge and Pappano at Wigmore Hall

Bringing their recent recording of Schubert’s late songs to the concert stage, Ian Bostridge and Antonio Pappano swept through a sequence which ranged from bitter-sweet regret to angry self-reproach, from hesitant hope to turbulent despair, in this the second of two performances at the Wigmore Hall. »

05 Jun 2010

Lulu, New York

Alban Berg died in 1935, but his music was generations ahead of his time – as one could not help but conclude during the recent revival of Lulu at the Met whenever the vibraphone played “doorbell” music, reminding us of the intrusion of cell phones into theaters.  »

01 Jun 2010

Ian Bostridge at the Wigmore Hall

One very tall and gaunt,one short and stocky, one introspective, one effusive : Ian Bostridge and Antonio Pappano, Music Director of the Royal Opera house make an odd couple, but they've partnered each other musically for many years. It's a good relationship, as this recital at the Wigmore Hall demonstrated. »

27 May 2010

Valencia Ring: Die Walküre

The second of Zubin Mehta’s new Ring cycle on DVD, the staging of Die Walküre by La Fura dels Baus, is as engaging as the production of Das Rheingold in its innovative presentation and effective performance of one of Wagner’s most popular operas.  »

22 May 2010

Imbrailo stars as Billy Budd in Glyndebourne

Star born through stutter? It’s immediately obvious that Jacques Imbrailo’s Billy Budd at Glyndebourne is an extraordinary portrayal. His stammer is more expressive than speech. »

20 May 2010

Great Operatic Arias with Gerald Finley

Listeners who have appreciated Gerald Finley’s stylish and moving singing of baritone roles in operas by Mozart and other composers will be pleased with the recent CD release of Great Operatic Arias in English. »

20 May 2010

La Fille du régiment, Royal Opera

Expectations were running high for the opening night of Elaine Kidd’s revival of Laurent Pelly’s production of Donizetti’s mad-cap romp, La Fille du regiment — almost as high as Tonio’s infamous top Cs.  »

19 May 2010

Florian Boesch, Wigmore Hall

At the Wigmore Hall, performers can chose daring repertoire, because audiences there are unusually receptive.  »

18 May 2010

Bellini's Norma at Gran Teatre del Liceu

Some fortunate operas have any number of fine live versions available on DVD.  »

17 May 2010

Valencia Ring: Das Rheingold

Recorded live at the Palau de les Arts “Reina Sofia”, Valencia, this new video of Richard Wagner’s Das Rheingold is based on the staging of La Fura dels Baus, with Carlus Padrissa, stage director, and featuring an international cast conducted by Zubin Mehta.  »

17 May 2010

Mefistofele in Montpellier

Back in 1989 Ken Russell opened his Genovese Mefistofele with heavenly choirs contemplating the divinity of a praying mantis.  »

17 May 2010

Michel van der Aa : After Life at the Barbican, London

“If you could take any one memory with you to eternity, which one would you choose?” In Michel van der Aa’s After Life several people meet in a waiting room.  »

15 May 2010

Tristan und Isolde in Genoa

Tristan has been a fairly frequent visitor in Genoa over the past sixty years (post WW II). Tullio Serafin conducted the Isolde of Maria Callas there in 1948. »

12 May 2010

La traviata in May, Royal Opera House, London

Richard Eyre’s production of La traviata is so beautiful that it can be watched repeatedly, yet still yield pleasure. But appearances, however splendid, aren’t quite enough to make a completely satisfying evening.  »

10 May 2010

Heggie’s Moby-Dick a whale of an opera

It’s glorious and it’s gripping; it’s grand — and it’s good! Indeed, Jake Heggie’s Moby Dick, premiered by Dallas Opera in its handsome new Winspear Opera House on April 30, is a work that restores meaning to basic vocabulary made banal by overuse through the decades. »

10 May 2010

Modern English Song Alive and Well

London’s Wigmore Hall is one of the world’s great centres for art song. This recital, by Susan Bickley and Iain Burnside, specialists in the genre, showed that English language art song is alive and thriving. »

02 May 2010

Rossini’s Armida, New York

Armida is fabulous. That is to say, the story is a fable. Rinaldo, the very type of Christian warrior, is torn between his duty to lead the First Crusade and the sensual ecstasies offered by the beautiful sorceress Armida. »

02 May 2010

No Elephants — Aida at the Royal Opera House, London

It’s time Verdi got attention in Aida, not elephants. »

28 Apr 2010

The Power of Powder: Thomas Adès at the Royal Opera House, London

Thomas Adès’s Powder Her Face is back at the Linbury Studio Theatre at the Royal Opera House. It's a classic. Once again, Joan Rodgers sings the Duchess, supported by Alan Ewing, Iain Paton and the incomparable Rebecca Bottone, all in multiple roles. »

27 Apr 2010

Floyd’s Susannah in Boston

Fifty-five years after its premiere, composer and creator reunite for a new production at Boston University »

27 Apr 2010

Il barbiere di Siviglia, Arizona Opera

The story of Gioachino Rossini’s Il barbiere di Siviglia (The Barber of Seville) is based on Pierre-Augustin Caron de Beaumarchais’ 1775 play, Le barbier de Séville.  »

27 Apr 2010

Towards the light: Juilliard students present Poulenc’s Dialogues

It started with a bang and ended with a whimper. Juilliard’s production of Francis Poulenc’s opera Dialogues des Carmélites opened on Wednesday, April 21 and the performance started out strong.  »

26 Apr 2010

Der Fliegende Holländer, New York

Pick the word: soupçon? snippet? tidbit? quark? to describe the infinitesimal bite of Wagner bestowed upon us by the Met this year — and we had to wait till the end of April, to boot!  »

26 Apr 2010

Wagner’s Götterdämmerung and Schreker’s Die Gezeichneten

Chaos and disorder rule at Los Angeles Opera of late, and not just in the fervid imagination of director Achim Freyer, the artistic force behind the controversial staging of Richard Wagner’s four-evening glorification of chaos and disorder.  »

24 Apr 2010

Shadowboxer, the opera

The Clarice Smith Performing Arts Center at the University of Maryland — College Park is presenting Shadowboxer, an opera based on the life of Joe Louis, with music composed by Frank Proto to a libretto by John Chenault. »

24 Apr 2010

Shadowboxer — A Tormented Joe Louis

From the Maryland Opera Studio comes a riveting new opera that transforms the life of American boxing legend Joe Louis (“The Brown Bomber”) into an epic tale of human struggle, triumph, and failure.  »

24 Apr 2010

Shadowboxer’s Left Jab

This month, the Maryland Opera Studio (MOS) at the University of Maryland, College Park, marked its spot in opera history with the world premiere of Shadowboxer, a jazz-infused opera based on the life of iconic American boxer Joe Louis.  »

24 Apr 2010

Shadowboxer — The Rise and Fall of an American Hero

The Shadowboxer project, an opera about the life of heavyweight boxing champion Joe Louis, began as an idea in director Leon Major’s mind twenty years ago.  »

24 Apr 2010

A “CNN Opera” — Shadowboxer at UMD

The University of Maryland Opera Studio premiered a new commission this week: Shadowboxer, composed by Frank Proto, and based on the life of boxing champion Joe Louis.  »

24 Apr 2010

Shadowboxer — The Inner Life of Joe Louis

An opera about boxer Joe Louis might seem like a futile undertaking: according to 1930s New York Times reporter Meyer Berger, “Joe Louis avoids meeting people, hates conversation (even fight talk) and says less than any man in sports…”  »

23 Apr 2010

Christopher Maltman, Wigmore Hall, London

The abiding elegance and beauty of Christopher Maltman’s baritone, complemented by the interpretative wisdom and experience of Graham Johnson, one of the finest vocal accompanists of recent times, made this an evening of assured musicianship and expressive poise. »

20 Apr 2010

Lady Macbeth of Mtsensk on Blu-Ray

Previously released on DVD, the Netherlands Opera recording of Shostakovich’s Lady Macbeth of Mtsensk  »

20 Apr 2010

Aaron Copland's score for The City

This disc neatly captures a central dichotomy of the career of composer Aaron Copland.  »

19 Apr 2010

Christoph Prégardien, London

‘Come sweet death … for I am weary of the world’: thus, the opening lines of Bach’s aria, ‘Komm Süßer Tod’, from the Schemelli Liederbuch, led us into the realms of the afterlife, and encapsulated the central sentiment of this evening of songs meditating on, and calling for, release from toilsome human cares. »

19 Apr 2010

Tosca at Torre del Lago, 2007

Opera festival DVDs often seem to be produced as tempting advertisements meant to induce viewers to consider a trip to that festival for the next season.  »

19 Apr 2010

Mark Morris Dance Group: L’Allegro, il Penseroso ed il Moderato

‘Each action will derive new grace From order, measure, time and place;’ (Milton, Il Penseroso) »

17 Apr 2010

Why Can't a Girl Get a Head in Heidelberg?

Had John Carpenter come up with the “beheading” of John the Baptist, it might have not been too much different from the effect we endured in the new Salome produced by the Heidelberg City Theatre. »

11 Apr 2010

Ailish Tynan, Wigmore Hall

Thoughtfully devised by Iain Burnside, this recital juxtaposed ballad with art song, pastoral with love lyric, dark with light, mournful with carefree. An imaginative sequence of songs, woven together according to linking themes, confirmed that Ireland truly is a ‘land of song’. »

11 Apr 2010

Partenope, NYCO

One of the City Opera’s happiest ventures over the years has been their Handel series. »

11 Apr 2010

Covert resistance to Hitler — Hartmann’s Simplicius Simplicissimus

An anti-facist, anti-war opera written in Germany while the Nazis were in power? K A Hartmann’s Des Simplicius Simplicissimus Jugend was a brave act of conscience, even though the opera wasn't publicly performed until 1948. »

06 Apr 2010

LA Opera finishes formidable Ring

The boo’s were boisterous when director/designer Achim Freyer came on stage at the end of Götterdämmerung in Los Angeles’ Dorothy Chandler Pavilion on April 3. »