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Elsewhere

MOZART 250: the year 1767

Classical Opera’s MOZART 250 project has reached the year 1767. Two years ago, the company embarked upon an epic, 27-year exploration of the music written by Mozart and his contemporaries exactly 250 years previously. The series will incorporate 250th anniversary performances of all Mozart’s important compositions and artistic director Ian Page tells us that as 1767 ‘was the year in which Mozart started to write more substantial works - opera, oratorio, concertos … this will be the first year of MOZART 250 in which Mozart’s own music dominates the programme’.

Monteverdi, Masters and Poets - Imitation and Emulation

‘[T]hey moderated or increased their voices, loud or soft, heavy or light according to the demands of the piece they were singing; now slowing, breaking of sometimes with a gentle sigh, now singing long passages legato or detached, now groups, now leaps, now with long trills, now with short, or again, with sweet running passages sung softly, to which one sometimes heard an echo answer unexpectedly. They accompanied the music and the sentiment with appropriate facial expressions, glances and gestures, with no awkward movements of the mouth or hands or body which might not express the feelings of the song. They made the words clear in such a way that one could hear even the last syllable of every word, which was never interrupted or suppressed by passages or other embellishments.’

Visionary Wagner - The Flying Dutchman, Finnish National Opera

An exceptional Wagner Der fliegende Holländer, so challenging that, at first, it seems shocking. But Kasper Holten's new production, currently at the Finnish National Opera, is also exceptionally intelligent.

Don Quichotte at Chicago Lyric

A welcome addition to Lyric Opera of Chicago’s roster was its recent production of Jules Massenet’s Don Quichotte.

Written on Skin: Royal Opera House

800 years ago, every book was a precious treasure - ‘written on skin’. In George Benjamin’s and Martin Crimp’s 2012 opera, Written on Skin, modern-day archivists search for one such artefact: a legendary 12th-century illustrated vanity project, commissioned by an unnamed Protector to record and celebrate his power.

Madama Butterfly at Staatsoper im Schiller Theater

It was like a “Date Night” at Staatsoper unter den Linden with its return of Eike Gramss’ 2012 production of Puccini’s Madama Butterfly. While I entered the Schiller Theater, the many young couples venturing to the opera together, and emerging afterwards all lovey-dovey and moved by Puccini’s melodramatic romance, encouraged me to think more positively about the future of opera.

It’s the end of the world as we know it: Hannigan & Rattle sing of Death

For the Late Night concert after the Saturday series, fifteen Berliners backed up Barbara Hannigan in yet another adventurous collaboration on a modern rarity with Simon Rattle. I was completely unfamiliar with the French composer, but the performance tonight made me fall in love with Gérard Grisey’s sensually disintegrating soundscape Quatre chants pour franchir le seuil, or “Fours Songs to cross the Threshold”.

A Vocally Extravagant Saturday Night with Berliner Philharmoniker

One of the things I love about the Philharmonie in Berlin, is the normalcy of musical excellence week after week. Very few venues can pull off with such illuminating star wattage. Michael Schade, Anne Schwanewilms, and Barbara Hannigan performed in two concerts with two larger-than-life conductors Thielemann and Rattle. We were taken on three thrilling adventures.

Les Troyens at Lyric Opera of Chicago

Lyric Opera of Chicago’s original and superbly cast production of Hector Berlioz’s Les Troyens has provided the musical public with a treasured opportunity to appreciate one of the great operatic achievements of the nineteenth century.

Merry Christmas, Stephen Leacock

The Little Opera Company opened its 21st season by championing its own, as it presented the world premiere of Winnipeg composer Neil Weisensel’s Merry Christmas, Stephen Leacock.

Bampton Classical Opera 2017

In 2015, Bampton Classical Opera’s production of Salieri’s La grotta di Trofonio - a UK premiere - received well-deserved accolades: ‘a revelation ... the music is magnificent’ (Seen and Heard International), ‘giddily exciting, propelled by wit, charm and bags of joy’ (The Spectator), ‘lively, inventive ... a joy from start to finish’ (The Oxford Times), ‘They have done Salieri proud’ (The Arts Desk) and ‘an enthusiastic performance of riotously spirited music’ (Opera Britannia) were just some of the superlative compliments festooned by the critical press.

The nature of narropera?

How many singers does it take to make an opera? There are single-role operas - Schönberg’s Erwartung (1924) and Eight Songs for a Mad King by Peter Maxwell Davies (1969) spring immediately to mind - and there are operas that just require a pair of performers, such as Rimsky-Korsakov’s Mozart i Salieri (1897) or The Telephone by Menotti (1947).

A Christmas Festival: La Nuova Musica at St John's Smith Square

Now in its 31st year, the 2016 Christmas Festival at St John’s Smith Square has offered sixteen concerts performed by diverse ensembles, among them: the choirs of King’s College, London and Merton College, Oxford; Christchurch Cathedral Choir, Oxford; The Gesualdo Six; The Cardinall’s Musick; The Tallis Scholars; the choirs of Trinity College and Clare College, Cambridge; Tenebrae; Polyphony and the Orchestra of the Age of the Enlightment.

Fleming's Farewell to London: Der Rosenkavalier at the ROH

As 2016 draws to a close, we stand on the cusp of a post-Europe, pre-Trump world. Perhaps we will look back on current times with the nostalgic romanticism of Richard Strauss’s 1911 paean to past glories, comforts and certainties: Der Rosenkavalier.

Loft Opera’s Macbeth: Go for the Singing, Not the Experience

Ah, Loft Opera. It’s part of the experience to wander down many dark streets, confused and lost, in a part of Brooklyn you’ve never been. It is that exclusive—you can’t even find the performance!

A clipped Walküre in Amsterdam

Let’s start by getting a couple of gripes out of the way. First, the final act of Die Walküre does not constitute a full-length concert, even with a distinguished cast and orchestra, and with animated drawings fluttering on a giant screen.

A Leonard Bernstein Delight

When you combine two charismatic New York stage divas with the artistry of Los Angeles Opera, you have a mix that explodes into singing, dancing and an evening of superb entertainment.

An English Winter Journey

Roderick Williams’ and Julius Drake’s English Winter Journey seems such a perfect concept that one wonders why no one had previously thought of compiling a sequence of 24 songs by English composers to mirror, complement and discourse with Schubert’s song-cycle of love and loss.

History Repeating Itself: Prokofiev’s Semyon Kotko, Amsterdam Concertgebouw

A historical afternoon at the NTR Saturday Matinee occurred with an epic concert version of Prokofiev’s Soviet Opera Semyon Kotko.

L’amour de loin at the Metropolitan Opera

Opening night at the Metropolitan is a gleeful occasion even when the composer is long gone, but December 1st was an opening for a living composer who has been making waves around the world and is, gasp, a woman — the second woman composer ever to have an opera presented at the Met.


OPERA TODAY ARCHIVES »

Reviews

Classical Opera Company: MOZART 250
18 Jan 2017

MOZART 250: the year 1767

Classical Opera’s MOZART 250 project has reached the year 1767. Two years ago, the company embarked upon an epic, 27-year exploration of the music written by Mozart and his contemporaries exactly 250 years previously. The series will incorporate 250th anniversary performances of all Mozart’s important compositions and artistic director Ian Page tells us that as 1767 ‘was the year in which Mozart started to write more substantial works - opera, oratorio, concertos … this will be the first year of MOZART 250 in which Mozart’s own music dominates the programme’. »

Recently in Reviews

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08 Feb 2012

Dvořák’s The Jacobin, London

In advance of the new Rusalka at the Royal Opera House, the Barbican and the BBC Symphony Orchestra brought an electrifying performance of Dvořák's The Jacobin to London.  »

08 Feb 2012

Gustav Mahler: Symphony No. 4

If Mahler’s Fourth Symphony is arguably one of his more familiar pieces, live performances of the work can vary depending on the abilities of the performers to meet the various challenges of the piece.  »

08 Feb 2012

Der Rosenkavalier, ENO

English National Opera’s revival of Richard Strauss’s fin de siècle Figaro is a heart-warming treat for a cold winter’s night. »

08 Feb 2012

Weill: Die sieben Todsünden

I failed to discern any rationale behind programming the Brecht-Weill ballet chanté with various works by Debussy, one orchestrated by Robin Holloway.  »

06 Feb 2012

L’Enfant et les Sortilèges and La Navarraise in Monte-Carlo

The magic was in the pit, not that all Monaco was not magical — on January 25 a yellow Lamborghini, a red Ferrari, a vintage Jaguar among other magnificent machines stood before the entrance to Monte-Carlo’s resplendent Casino cum transplendent 500-seat opera house. »

03 Feb 2012

Werner Güra Sings Schubert, Wigmore Hall

Each year, the Wigmore Hall commemorates Franz Schubert’s birthday with a high profile recital. This year, Werner Güra and Roger Vignoles presented a recital which was a timely reminder of what Lieder performance should be. »

02 Feb 2012

Salome, San Diego

The San Diego Opera Company opened its 47th season on Saturday, January 26th with Richard Strauss’ Salome, a work that has something in it for everyone: lust, love, lasciviousness, homosexuality, heterosexuality, homicide, suicide, a voluptuous dance and quickie nudity.  »

02 Feb 2012

Mahler: Das Lied von der Erde

Released in 2011, this disc reproduces a performance of Mahler’s Das Lied von der Erde that was recorded on 10 November 1989 at the Grzegorz Fitelberg Concert Hall, Katowice [Poland].  »

02 Feb 2012

Mozart’s Die Zauberflöte at Lyric Opera of Chicago

Lyric Opera of Chicago’s recent revival of Mozart’s Die Zauberflöte offered a production with vocal pairs carefully matched and dramatic representation expressing the varying shades of Mozart’s score. »

02 Feb 2012

Jonathan Harvey’s Wagner Dream

British composer Jonathan Harvey’s Wagner Dream came to London four years after its premieres at the Holland Festival and in Luxembourg.  »

31 Jan 2012

Rienzi, OONY

For the first hour or so of the latest Opera Orchestra of New York venture, a concert performance of Wagner’s Rienzi, I often said to myself, This…isn’t so terrible.  »

31 Jan 2012

Così fan tutte, Royal Opera

Repeatedly revived since its final appearance in 1995, Jonathan Miller’s Così fan tutte returned yet again to the Covent Garden stage as the second part of the ‘Olympic’ cycle of Mozart-Da Ponte collaborations. »

31 Jan 2012

Le Roi et le Fermier

A year or two back, Opera Lafayette, the Washington-based company that specializes in eighteenth-century obscurités françaises, presented Pierre-Alexandre Monsigny’s Le Magnifique, an opéra-comique about a race horse.  »

27 Jan 2012

Don Giovanni, Royal Opera

Introducing the winter-spring season, ROH Chief Executive Tony Hall explains the (perhaps a tad spurious) Olympic ‘concept’ which has inspired the season’s programming, the five interlocking rings of the Olympic insignia motivating the performance of a series of works staged in ‘cycle form’. »

27 Jan 2012

Basel Chamber Orchestra, Wigmore Hall

Founded in 1984, the Basel Chamber Orchestra has developed a penchant for programmes which combine the modern and unfamiliar with the traditional and renowned. »

27 Jan 2012

La Bohème in Toulon, Marseille and Genoa

Three La Bohèmes in ten days, a critic’s nightmare that was more fun than a barrel of monkeys. »

25 Jan 2012

The Enchanted Island, Metropolitan Opera

This year is a big year for the Met. Of the seven new productions on the roster, two are the last two installments of a much-anticipated Robert Lepage Ring.  »

25 Jan 2012

Haydn’s The Seasons at Barbican Hall

This buoyant, refreshing performance of Haydn’s late oratorio, The Seasons, by Paul McCreesh’s superb Gabrieli Consort and Players conjured a calendric kaleidoscope of seasonal climes, from the warm bucolic breezes of spring to summer’s fierce suns and flashing storms, from autumnal harvests and hunts to the frozen mists and fiery hearth-sides of winter.  »

25 Jan 2012

Charpentier and Purcell by Early Opera Company

Composed during the spring hunting season of 1684, for a patron and performance venue unknown, Marc-Antoine Charpentier’s brief six-scene Opera de Chasse (‘Hunting Opera’), Actéon, has remained seldom performed and something of a mystery.  »

25 Jan 2012

Otello in Zürich

War and destruction is everywhere these days, not least in Pesaro where Graham Vick staged a lethal Mosé in Egitto last August, nor less so in San Francisco where baritone Thomas Hampson perished as Rick Rescorla in Heart of a Soldier last September. »

25 Jan 2012

Prégardien at the Wigmore Hall

Hugo Wolf is a hard sell. Technical expertise isn't enough. The secret to singing Wolf is expressing the unique personality in each song. Wolf, perhaps more than any other composer, creates miniatures that open out into mini-operas when performed well.  »

23 Jan 2012

A Noteworthy Ariadne auf Naxos, Chicago

Richard Strauss’s opera Ariadne auf Naxos presents challenges in casting not only because of the vocal line and identity associated with individual characters but also because of its nature as a self-comment on the musical stage and the requisite dramatic skills thus needed.  »

23 Jan 2012

Five Boroughs Songbook

What does it say about New York that, in the songs of the city commissioned by the Five Boroughs Music Festival and given performances in Brooklyn, Queens and, now, Manhattan, the poets (often the composers themselves) rarely refer to life in that central part of the city, Rodgers and Hart’s “isle of joy”?  »

05 Jan 2012

La Traviata: The 454th Performance at the Royal Opera House

This performance of La Traviata was the 454th at the Royal Opera House, and the first performance in the 3rd revival this season of Richard Eyre’s production.  »

28 Dec 2011

Leoncavallo’s I Medici

Ruggero Leoncavallo’s name is forever tied to that of Pietro Mascagni.  »

28 Dec 2011

“‘I Heard a Voice’: the Music of the Golden Age”

In contrast to much music-making on the continent, English composers born in the last quarter of the sixteenth century seem to have embraced a notable degree of stylistic continuity.  »

28 Dec 2011

Giovanni Pierluigi da Palestrina e la Compagnia dei Musici di Roma, Messa di Santa Cecilia

Homage could take diverse forms in Counter-Reformation Rome, and this excellent recording by ensemble officium, Messa di Santa Cecilia, focuses on a particular instance that was interestingly polyvalent.  »

23 Dec 2011

Die Meistersinger von Nürnberg, Royal Opera House

Perhaps it’s no accident that Graham Vick’s Die Meistersinger von Nürnberg returns to the Royal Opera House for the Christmas season. Red, green, gold, sumptuous colours that warm a long, grey evening. »

23 Dec 2011

The Bostridge Project: ‘Ancient and Modern’

This latest instalment of Ian Bostridge’s ‘Ancient and Modern’ series juxtaposed the tender melancholy of the Elizabethan age with the modernist anxieties of the early twentieth century, revealing both a sensitivity to textual nuance and profound human sensibilities which transcend temporal epochs. »

22 Dec 2011

Jonathan McGovern, Wigmore Hall

2011 has been a good year for baritone Jonathan McGovern: 2nd prize at the Kathleen Ferrier Awards, the Karaviotis Prise at the Les Azuriales Ozone Young Artists Competition, and the John Meikle Duo Prize at the Wigmore Hall/Kohn Foundation International Song Competition are just some of the awards he has garnered.  »

22 Dec 2011

Wilhelm Friedemann Bach Cantatas

In Wilhelm Weitsch’s well-known painting of Wilhelm Friedemann Bach, the eldest son of Johann Sebastian seems far distant from the cantorial world of his father.  »

19 Dec 2011

Operas of Jean-Philippe Rameau

Jean-Philippe Rameau, an organist and music theoretician, was active for much of his life in musical centers distant from the cultural juggernaut of Paris.  »

19 Dec 2011

San Marco in Hamburg: Motets by Hieronymus Praetorius

In the first part of the seventeenth century, the north German city of Hamburg spawned an unusually rich organ culture, with Jacob Praetorius, the younger, and Heinrich Scheidemann both pupils of the famous Dutch organist, Jan Pieterzoon Sweelinck, as leading figures.  »

18 Dec 2011

“A Year at King’s”

This recent recording of the men and boys from King’s College, Cambridge, is an anthology organized around the texts and themes of the liturgical year, a scheme that offers ample opportunity for diverse works—in that sense the recording feels something like a “sampler”—but a scheme that also reflects the real experience of the daily life of the choir which sings demanding choral services six days of the week in term time.  »

16 Dec 2011

Bernarda Fink, Wigmore Hall

The Wigmore Hall marks the 75th anniversary of the death of Maurice Ravel with a series of concerts that run through to June 2012. »

16 Dec 2011

Randal Turner Sings the Songs of Living American Composers

A self-published recording, baritone Randal Turner’s traversal of contemporary songs in English, Living American Composers, makes for a fine vocal calling card.  »

16 Dec 2011

Anne Schwanewilms, Wigmore Hall

Combining innate musicianship and superb technique, Anne Schwanewilms showed once again that she can run the emotional gamut from light-hearted joy to deep anguish in this flawless performance with pianist, Charles Spencer. »

16 Dec 2011

Karita Mattila at Carnegie Hall

In 1983, Karita Mattila was the first singer to win the Cardiff Singer of the World competition.  »

13 Dec 2011

Kurt Weill’s Magical Night, Linbury Studio Theatre, London

Buzz Lightyear Meets Hansel and Gretel! Most children who have grown up in the Toy Story era know that toys come alive when left to their own devices.  »

13 Dec 2011

Belshazzar’s Feast, London

The English Oratorio season at the Barbican Hall, London continued with Gerald Finley and two very different approaches to Belshazzar’s Feast — William Walton and Jean Sibelius.  »

13 Dec 2011

Drapes ‘n’ Drops in Paris Forza

Paris Opera has lavished quite a monumental staging on Verdi’s musically rich (and Piave’s dramatically vapid) La Forza del Destino. »

13 Dec 2011

Call Her Flott — Felicity Lott sings in English

Soprano Felicity Lott has concentrated her career in her UK homeland and in Europe, although she certainly has had her share of US appearances.  »

13 Dec 2011

Colossal Hercules in Essen

Apparently the Aalto Theater didn’t get the memo that oratorios often make weak theatre pieces, since the company presented such a gripping dramatic case for Handel’s Hercules.  »

13 Dec 2011

Amsterdam’s Adventurous Idomeneo

Straight to the point: Netherlands Opera has mounted as luminous and emotionally engaging an Idomeneo as is imaginable. »

13 Dec 2011

Grand Don Giovanni, La Scala, Milan

More than a gala for Milan and for Italy, this wonderful Don Giovanni at Teatro alla Scala, Milan, was a gala for all the world, broadcast live internationally. »

09 Dec 2011

Berlioz: L’Enfance du Christ, London

I have somehow managed to miss Sir Colin Davis’s London performances of L’Enfance du Christ, making it one of the final major Berlioz works I have heard in the flesh.  »

06 Dec 2011

Silent Night, Minnesota Opera

At the November 12, 2011 world premiere of Silent Night at the Ordway Theatre in St. Paul, a buzz of energy filled the audience.  »

05 Dec 2011

Anne Sofie von Otter and Brad Mehldau: Love Songs

Brad Mehldau seems to be the “go to” jazz pianist for classically trained singers who want to venture into other musical territory than opera and lieder.  »