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The Barber of Seville, ENO London

This may be the twelfth revival of Jonathan Miller’s 1987production of Rossini’s The Barber of Seville for English National Opera, but the ready laughter from the auditorium and the fresh musical and dramatic responses from the stage suggest that it will continue to amuse audiences and serve the house well for some time to come.

Monteverdi: Il ritorno d’Ulisse in patria, Bostridge, Barbican London

The third and final instalment of the Academy of Ancient Music’s survey of Monteverdi’s operas at the Barbican began and ended in darkness; the red glow of the single candle was an apt visual frame for a performance which was dedicated to the memory of the late Andrew Porter, the music critic and writer whose learned, pertinent and eloquent words did so much to restore Monteverdi, Cavalli and other neglected music-dramatists to the operatic stage.

English Touring Opera - Debussy, Massenet and Offenbach

English Touring Opera’s recent programming has been ambitious and inventive, and the results have been rewarding. We had two little-known Donizetti operas, The Siege of Calais and The Wild Man of the West Indies, in spring 2015, while autumn 2014 saw the company stage comedy by Haydn (Il mondo della luna) and romantic history by Handel (Ottone).

Boesch and Martineau Schubert Complete Songs, Wigmore Hall, London

The Wigmore Hall's complete Schubert Songs series of 40 concerts began with a recital by Florian Boesch and Graham Johnson. (Read my review here). If anything, though, the second concert, where Boesch was accompanied by Malcolm Martineau, was even better. The programme was beautifully planned, and the performance exceptional, even by the very high standards of the Wigmore Hall.

Shostakovich Lady Macbeth of Mtsensk - ENO London

It took artistic courage to choose Shostakovich Lady Macbeth of Mtensk to start the ENO's 2015-2016 season. Shostakovich isn't an easy sell, and so full of sex and violence that some minds - like Josef Stalin - would be aghast. But Mark Wigglesworth is passionate about Shostakovich , and as new Music Director of the ENO, he's making a point. Good opera needs artistic vision.

Berg Wozzeck Fabio Luisi Zurich Opera

Zurich Opera brought Alban Berg Wozzeck to the Royal Festival Hall, London . Fabio Luisi conducted Philharmonia Zurich and a very good cast in a concert performance. With all pretence at staging removed (apart from natural good acting) we could focus on the sheer musical audacity of Berg's writing, and pick up on the processes the music employs to create the drama.

“Nessun Dorma — The Puccini Album”

Sounds swirl with an urgent emotionality and meandering virtuosity on Jonas Kaufmann’s new Puccini album—the “real one”, according to Kaufmann, whose works were also released earlier this year on Decca records, allegedly without his approval.

Verismo Double Header in Los Angeles

LA Opera got its season off to an auspicious beginning with starry revivals of Gianni Schicchi and Pagliacci.

Viva Verdi at Opera Las Vegas

On September 9, 2015, Opera Las Vegas presented James Sohre’s production of Viva Verdi at the Smith Center’s Cabaret Jazz. It was a delightful evening of arias, duets and ensembles by Giuseppe Verdi (1813-1901). The program included many of the composer’s blockbuster arias and scenes from famous operas such as Aida, La traviata, and Macbeth.

Barbera Sings a Fascinating Recital in San Diego

On Saturday, September 19, San Diego Opera opened its 2015-2016 season with a recital by tenor René Barbera. This was the first Polly Puterbaugh Emerging Artist Award Recital and no artist could have been more deserving than the immensely talented Barbera.

Sweeney Todd at the San Francisco Opera

Did the iconic “off-beat” and “serious” American musical hold the stage of the War Memorial Opera House? The excited audience (standees three deep) thought so and roared their appreciation.

Sondra Radvanovsky Stars in the Title Role of Anna Bolena

The First of Three Donizetti Queens She Will Sing at the Met This Season

Wigmore Hall Complete Schubert Song Series begins with Boesch and Johnson

The Wigmore Hall, London, has launched Schubert : The Complete Songs, a 40-concert series to run through the 2015 and 2016 seasons. There have been Schubert marathons before, like BBC Radio 3's all-Schubert week and The Oxford Lieder Festival's Schubert series last year, but the Wigmore Hall series will be a major landmark because the Wigmore Hall is the Wigmore Hall, the epitome of excellence.

Honegger: Jeanne d’Arc au bûcher

Marion Cotillard and Marc Soustrot bring the drama to the sweeping score of Arthur Honegger’s Jeanne dArc au bûcher, an adaptation of the Trial of Joan of Arc

Luisa Miller in San Francisco

Luisa Miller sits on the fringes of the repertory, and since its introduction into the modern repertory in the 1970’s it comes around every 15 or so years. Unfortunately this 2015 San Francisco occasion has not bothered to rethink this remarkable opera.

Salieri: La grotta di Trofonio (Trofonio’s Cave)

Demonised by Pushkin and Peter Shaffer, Antonio Salieri lives in the public imagination as the embittered rival of Wolfgang Amadeus Mozart — whose genius he lamented and revered in equal measure, and against whom he schemed and plotted at the Emperor Joseph II’s Viennese court.

Chicago Lyric’s Stars Shine at Millennium Park

The annual concert given by Lyric Opera of Chicago as an outdoor event previewing the forthcoming season took place on 11 September 2015 at Millennium Park.

Far in the Heavens — Choral Music of Stephen Paulus

Stephen Paulus provided the musical world, and particularly the choral world, with music both provocative and pleasing through a combination of lyricism and a modern-Romantic tonal palette.

For Odyssey Opera, No Operatic Challenge is Too Great

For a company founded in 2013, Odyssey Opera has an astounding track record. To take on Korngold’s Die tote Stadt is ambitious enough, but to do so within only a year of the company’s founding seems almost single-minded.

Gluck: Orphée et Eurydice

Orpheus — that Greek hero whose songs could enchant both deities and beasts, whose lyre has become a metaphor for the power of music itself, and whose journey to the Underworld to rescue his wife, Eurydice, kick-started the art of opera in Mantua in 1607 — has been travelling far and wide around the UK in 2015.



05 Oct 2015

The Barber of Seville, ENO London

This may be the twelfth revival of Jonathan Miller’s 1987production of Rossini’s The Barber of Seville for English National Opera, but the ready laughter from the auditorium and the fresh musical and dramatic responses from the stage suggest that it will continue to amuse audiences and serve the house well for some time to come.  »

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29 Dec 2009

58th Wexford Festival Opera

David Agler must be feeling a trifle unlucky. Having in 2005 taken over the reins of a flourishing, internationally renowned opera festival, with a stylish new opera house in the planning and the Irish economy booming, his hopes must been high; but in the event the Canadian’s first few years as Artistic Director of the Wexford Festival Opera have been far from plain-sailing.  »

18 Dec 2009

Elektra at the Met

The roles Richard Strauss composed for his “chorus” of Five Serving Maids in Elektra — all that remains in the opera of the commentator chorus in Sophocles’ tragedy — are short but arduous. »

18 Dec 2009

Ernani: The Case for Early Verdi at Lyric Opera of Chicago

Productions of Giuseppe Verdi’s early opera Ernani have become relatively infrequent primarily because of the difficulties of casting the work requiring four demanding roles.  »

18 Dec 2009

Sergei Leiferkus at Wigmore Hall

Exchanging the stage of The Royal Opera House — where he is currently performing the role of His Highness in Tchaikovsky’s fairy-tale opera, The Tsarina's Slippers —  »

18 Dec 2009

Frankfurt’s ‘Medium’ Rarities

Encountering Frankfurt Opera’s staging of Leoni’s L’Oracolo and Puccini’s Le Villi, I was reminded of that old saw about the German weather. »

18 Dec 2009

Amsterdam: Minnie, Get Your Gun

It is hard to know where to start to adequately laud Netherlands Opera’s witty new La Fanciulla del West. »

18 Dec 2009

Pénélope in Manhattan

The one thing certain about the judgment of history is that history will change its mind.  »

15 Dec 2009

Zürich’s Riveting ‘Corsaro’

Il Corsaro, the Verdi rarity currently on display at Zürich Opera, is the best of both possible worlds. »

11 Dec 2009

Puccini Romance

This disc faces a marketplace already crowded with similar compilations from major companies who can raid their archives to offer competitive interpretations at bargain prices.  »

11 Dec 2009

Emma Matthews in Monte Carlo

Emma Matthews is an English born soprano currently resident in Australia where she has sung with the state based opera companies as well as the national company Opera Australia where she is currently a soloist.  »

11 Dec 2009

Les Contes d’Hoffmann at the MET

The Tales of Hoffmann is a cruel piece, for all the wit of the macabre tales on which it is based and the sparkle the dying Offenbach put into his last and grandest score.  »

11 Dec 2009

A Streetcar Named Desire at Opera Australia

Musically, Australia looks to Britain and Europe, especially for its operatic diet and America’s considerable operatic output has been overlooked.  »

10 Dec 2009

Der Rosenkavalier - Royal Opera House, London

In dark, damp December we need good cheer, and Der Rosenkavalier at the Royal Opera House, delivers colour and spectacle. in abundance. It's a revival of the John Schlesinger production from 1884, and somewhat antiquated, but that's no disadvantage, for the passage of time haunts Der Rosenkavalier.  »

08 Dec 2009

Tchaikovsky’s Sure-Footed ‘Slippers’

Spearheaded by a stunning design concept for The Tsarina’s Slippers, London’s Covent Garden served up as delectable a production as could be desired, and introduced its lucky patrons to a jewel of an under-performed comic opera in the bargain. »

06 Dec 2009

A Faust of Distinction at Lyric Opera of Chicago

For its second production of the 2009-10 season Lyric Opera of Chicago staged a revival of Charles Gounod’s Faust, last seen here in 2003-04.  »

04 Dec 2009

Le Nozze di Figaro at the MET

The best news about the Met’s eleven-year-old Jonathan Miller production of Le Nozze di Figaro is that it has been restaged by Gregory Keller, more tautly spun, many elegant jokes or character moments inserted, several idiocies discarded and with plenty of room remaining for singers with a flair for it (such as Luca Pisaroni and Isabel Leonard) to invent comic business of their own. »

02 Dec 2009

Otello in San Francisco

Sir Peter Hall created this production of Otello at Chicago Lyric Opera in 2001.  »

01 Dec 2009

No need to rise for this Hallelujah Chorus

ENO did not exactly ‘import a choir of Heathens’ to encourage the Shaws of this world to ‘hasten’ to its version of ‘Messiah’ ‘if only to witness the delight of the public and the discomfiture of the critics,’ the contribution of ‘Heathens’ in musical terms being limited to representing the populace of an initially grey Britain (or so I assume) but for every critic who was discomfited — most of us — there were hundreds of audience members who loved it, so it’s fairly safe to predict a considerable hit. »

30 Nov 2009

Mark Padmore at Wigmore Hall

Mark Padmore and The English Concert took us on a journey from the dark depths of melancholy to the ethereal transcendence of joy, in a display of consummate artistry at the Wigmore Hall. »

27 Nov 2009

Esther at NYCO

The question that puzzled me when attending Esther was Why.  »

24 Nov 2009

Musical Exoticism: Images and Reflections

Ralph Locke’s recent book on Musical Exoticism is both an historical survey of aspects of the exotic in Western musical culture and a discussion of paradigms of the exotic and their relevance for musicological understanding.  »

24 Nov 2009

Così fan tutte, Opera Australia

Like most opera companies, the Mozart/da Ponte trifecta of Figaro, Don Giovanni and Così fan tutte are central to Opera Australia’s repertoire.  »

24 Nov 2009

Iestyn Davies at Wigmore Hall

There was a certain inevitability about the build-up to Iestyn Davies’ recital at the Wigmore Hall in London last Wednesday.  »

17 Nov 2009

Lorin Maazel conducts Verdi and Puccini at La Scala

In the mid-1980s (just before the Riccardo Muti era began), Lorin Maazel often ruled the conductor's roost at La Scala.  »

17 Nov 2009

From the House of the Dead at the MET

Leoš Janáček’s From the House of the Dead is a very odd duck to find on the stage of a grand opera house.  »

15 Nov 2009

Die Rheinnixen by New Sussex Opera

London has long been spoiled in the operatic rarity department, thanks to companies like Opera Rara, Chelsea Opera Group and University College Opera populating various areas of the Venn diagram that is obscure repertoire.  »

12 Nov 2009

Hindemith’s Das Marienleben — Soile Isokoski

Hindemith’s Das Marienleben has a formidable reputation, but is rarely heard. Soile Isokoski could change all that. This cycle is a tour de force, but tours de force need singers capable of achieving them.  »

11 Nov 2009

Schubert: Fierrabras

The worlds of lieder and opera seem to share the same galaxy, while being countless light years apart.  »

11 Nov 2009

Lohengrin in Houston: A long-awaited return

Wagner was last on stage in Houston’s Wortham Theater Center in 2001, when the Houston Grand Opera staged Tannhäuser.  »

11 Nov 2009

Muti conducts Domingo in Verdi's Otello

The December opening of the La Scala season requires a notable production, and in 2001 a gorgeous new production of Verdi's Otello fit the bill.  »

10 Nov 2009

Duke Bluebeard’s Castle at ENO

This grueling production of Bartok’s operatic masterpiece, Duke Bluebeard’s Castle, clearly did not set out to retain any of the ambiguity and mystery of the fairytale which inspired it.  »

09 Nov 2009

Salome in San Francisco

If Herbert von Karajan conducted Madama Butterfly and Maria Callas sang Isolde it follows that Nicola Luisotti should conduct Salome.  »

09 Nov 2009

Philip Langridge at Wigmore Hall

As an interpreter of Benjamin Britten, Philip Langridge has long been esteemed as the natural successor to Peter Pears;  »

04 Nov 2009

A View from the Bridge by Vertical Player Repertory

Unlike many contemporary composers — who too often derive their operas from full-length novels — William Bolcom (whose first opera, to be fair, was the novel-based McTeague, which I do not know) based his second,  »

04 Nov 2009

The 18th Bienal of Contemporary Brazilian Music, 2009

Rio de Janeiro, which has had a string of winning luck in recent days — not only will it host the 2014 World Cup of soccer, but also the 2016 Olympic Games — continues a laudable and venerable tradition in the arts — the Biannual Festival of Contemporary Brazilian Music, now in its 18th edition.  »

03 Nov 2009

Flavio and Alcina by ETO

In celebration of their 25th birthday and the 250th anniversary of the death of Handel, English Touring Opera has devised Handelfest, an extravaganza of five operas (Flavio, Teseo, Tolomeo, Alcina and Ariodante) and a wide variety of masterclasses and workshops taking in several of the company’s usual touring venues.  »

03 Nov 2009

Thomas Arne’s Artaxerxes — Baroque Hyperbole

Thomas Arne's masterpiece, Artaxerxes, was a huge hit after its 1762 debut. Yet the work is now a rarity. This spectacular performance at the Linbury Studio Theatre, will certainly raise its public profile.  »

03 Nov 2009

Paris: Off and Running

The Paris Opera season started with ‘un boum,’ scoring decisive successes with two infrequently performed stage pieces. »

30 Oct 2009

Tancredi by Opera Boston

At the time of the premiere of Tancredi in 1813, Rossini, not quite twenty-one years old, had been composing works for the stage for three years and was still not world famous.  »

30 Oct 2009

Verdi's ”Trilogy“ at Parma

For Italy’s opera community, October is Verdi’s month. The composer was born near Busseto (now part of Parma Province) on October 10, 1813.  »

29 Oct 2009

Ned Rorem premiere at Oxford Lieder Festival

Ned Rorem's Evidence of Things Not Seen received its European premiere at the Oxford Lieder Festival.  »

26 Oct 2009

The Turn of the Screw at ENO

Shadows and reflections flicker and dart alarmingly across Tanya McCallin’s dark, gloomy sets for David McVicar’s The Turn of the Screw, first seen in 2007, in a disturbing production that chillingly conveys both infinite mystery and claustrophobic terror. »

26 Oct 2009

Ravel and L’Heure Espagnole at Covent Garden

Greed, lust and folly … Richard Jones’ comic double bill, first seen in 2007 and faithfully revived here by Elaine Kidd, certainly sharpens the spotlight on those eternal human foibles.  »

26 Oct 2009

Der Rosenkavalier at the MET

The Met’s production of Der Rosenkavalier still arouses gasps from audience members as the curtain rises on each set — and laughter at appropriate moments — and tears at others.  »

26 Oct 2009

Pascal Dusapin: Faustus, the Last Night

Pascal Dusapin (b. 1955) is an engaging composer, and his recent works includes a chamber opera entitled Faustus, the Last Night, a unique setting of the legend and a fine contribution to modern opera.  »

25 Oct 2009

Baldassare Galuppi: Jahel

Dr. Charles Burney, who in August 1770 heard Galuppi’s singing girls at the Incurabili, one of Venice’s four competing Ospedali or musical orphanages, admired both their excellent performing standard (“indeed all were such as would have merited and received great applause in the first operas of Europe”), and the quality of the music that the aging maestro was still able to write for them: “ it is generally allowed here that his last operas, and his last compositions for the church, abound with more spirit, taste, and fancy, than those of any other period of his life”. »

25 Oct 2009

La Fille du Régiment in San Francisco

There is a buzz of excitement in the War Memorial Opera House on Friday nights that is akin to the Saturday afternoon buzz at the Met.  »