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Elsewhere

History Repeating Itself: Prokofiev’s Semyon Kotko, Amsterdam Concertgebouw

A historical afternoon at the NTR Saturday Matinee occurred with an epic concert version of Prokofiev’s Soviet Opera Semyon Kotko.

L’amour de loin at the Metropolitan Opera

Opening night at the Metropolitan is a gleeful occasion even when the composer is long gone, but December 1st was an opening for a living composer who has been making waves around the world and is, gasp, a woman — the second woman composer ever to have an opera presented at the Met.

Battles administration neglects FLO’s assets by defunding the program

The college administration and President Denise Battles’ recent decision to defund the Finger Lakes Opera came as a shock to many and a concern to more. This decision reflects the administration’s blatant disregard for the arts and reveals a mindset that is counterproductive to the mission of the college.

Early Swedish opera - Stenhammer world premiere

The Feast at Solhaug : Henrik Ibsen's play Gildet paa Solhaug (1856) inspired Wilhelm Stenhammer's opera Gillet på Solhaug. The world premiere recording is now available via Sterling CD, in a 3 disc set which includes full libretto and background history.

La finta giardiniera at the Royal College of Music

For an opera that has never quite made it over the threshold into the ‘canonical’, the adolescent Mozart’s La finta giardiniera has not done badly of late for productions in the UK. In 2014, Glyndebourne presented Frederic Wake-Walker’s take on the eighteen-year-old’s dramma giocoso. Wake-Walker turned the romantic shenanigans and skirmishes into a debate on the nature of reality, in which the director tore off layers of theatrical artifice in order to answer Auden’s rhetorical question, ‘O tell me the truth about love’.

Lust for Revenge: Barenboim and Herlitzius fire up Strauss’s Elektra in Berlin

As the German language describes so beautifully, a “Schrei aus tiefstem Herzen” was felt as Evelyn Herlitzius channelled an Elektra from the depths of her soul.

Semyon Bychkov heading to NYC and DC with Glanert and Mahler

Heading to N.Y.C and D.C. for its annual performances, the Royal Concertgebouw Orchestra invited Semyon Bychkov to return for his Mahler debut with the Fifth Symphony. Having recently returned from Vienna with praise for their rendition, the orchestra now presented it at their homebase.

Lost Stravinsky re-united with Rimsky-Korsakov, Gergiev, Mariinsky

Igor Stravinsky's lost Funeral Song, (Chante funèbre) op 5 conducted by Valery Gergiev at the Mariinsky in St Petersburg This extraordinary performance was infinitely more than an ordinary concert, even for a world premiere of an unknown work.

Philippe Jaroussky at the Wigmore Hall: Baroque cantatas by Telemann and J.S.Bach

On Tuesday evening this week, I found myself at The Actors Centre in London’s Covent Garden watching a performance of Unknowing, a dramatization of Schumann’s Frauenliebe und Leben and Dichterliebe (in a translation by David Parry, in which Matthew Monaghan directed a baritone and a soprano as they enacted a narrative of love, life and loss. Two days later at the Wigmore Hall I enjoyed a wonderful performance, reviewed here, by countertenor Philippe Jaroussky with Julien Chauvin’s Le Concert de la Loge, of cantatas by Telemann and J.S. Bach.

The new Queen of the City of Birmingham Symphony Orchestra

Here is one of the next new great conductors. That’s a bold statement, but even the L.A. Times agrees: Mirga Gražinytė-Tyla’s appointment “is the biggest news in the conducting world.” But Ms. Mirga Gražinytė-Tyla will be getting a lot of weight on her shoulders.

Falstaff at Manitoba Opera

Manitoba Opera chose to open its 44th season by going for the belly laughs — literally — as it notably presented its inaugural production of Verdi’s Falstaff.

Gothic Schubert : Wigmore Hall, London

Macabre and moonstruck, Schubert as Goth, with Stuart Jackson, Marcus Farnsworth and James Baillieu at the Wigmore Hall. An exceptionally well-planned programme devised with erudition and wit, executed to equally high standards.

Rusalka, AZ Opera

On November 20, 2016, Arizona Opera completed its run of Antonín Dvořák’s fairy Tale opera, Rusalka. Loosely based on Hand Christian Andersen’s The Little Mermaid, Joshua Borths staged it with common objects such as dining room chairs that could be found in the home of a child watching the story unfold.

First new Ring Cycle in 40 Years, Leipzig

Consistently overshadowed by the neighboring Bayreuth, the far less stuffy Oper Leipzig (Wagner’s birthplace) programmed after forty years their first complete Ring Cycle.

San Jose’s Beta-Carotene Rich Barber

You didn’t have to know the Bugs Bunny oeuvre to appreciate Opera San Jose’s enchanting Il barbiere di Sivigila, but it sure enhanced your experience if you did.

Manon Lescaut at Covent Garden

If there was ever any doubt that Puccini’s Manon is on a road to nowhere, then the closing image of Jonathan Kent’s 2014 production of Manon Lescaut (revived here for the first time, by Paul Higgins) leaves no uncertainty.

Fierce in War, dazzling in Peace: Joyce DiDonato at the Concertgebouw

Many opera singers are careful to maintain an air of political neutrality. Not so mezzo-soprano Joyce DiDonato, who is outspoken about causes she holds dear. Her latest project, a very personal response to the 2015 terror attacks in Paris, puts her audience through the emotional wringer, but also showers them with musical rewards.

Walter Braunfels Orchestral Songs Vol 2

Honours yet again to Oehms Classics who understand the importance of excellence. A composer as good, and as individual, as Walter Braunfels deserves nothing less.

Simplicius Simplicissimus

I wonder if Karl Amadeus Hartmann saw something of himself in the young Simplicius Simplicissimus, the eponymous protagonist of his three-scene chamber opera of 1936. Simplicius is in a sort of ‘Holy Fool’ who manages to survive the violence and civil strife of the Thirty Years War (1618-48), largely through dumb chance, and whose truthful pronouncements fall upon the ears of the deluded and oppressive.

2017 Summer Festival at Lucerne

Lucerne Festival announces its 2017 Summer Festival.


OPERA TODAY ARCHIVES »

Reviews

Vladimir Jurowski [Photo by Drew Kelley courtesy of IMG Artists]
06 Dec 2016

History Repeating Itself: Prokofiev’s Semyon Kotko, Amsterdam Concertgebouw

A historical afternoon at the NTR Saturday Matinee occurred with an epic concert version of Prokofiev’s Soviet Opera Semyon Kotko.  »

Recently in Reviews

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29 Mar 2009

Farinelli — Il Castrato

Naïve re-releases the soundtrack to the film Farinelli here in a handsome “book” casing, appending a second disc of highlights from the discography of Christophe Rousset’s recordings with Les Talens Lyriques, the artists also responsible for the soundtrack. »

27 Mar 2009

In Sarasota the composer is king

In the world of opera it’s now the director who is the top banana.  »

25 Mar 2009

Jenůfa — English National Opera, London Coliseum

Janáček enthusiasts in London have been spoiled this month: opening the day before English Touring Opera’s Katya Kabanova, David Alden’s staging of Jenůfa made a welcome return to the Coliseum following its original double Olivier Award-winning run in 2006. »

25 Mar 2009

Paul Robeson: The Complete EMI Sessions 1928-1939

Seven discs, of 170 tracks, amounting to over eight hours of music - this EMI set somehow manages to be both voluminous and narrow in its portrait of Paul Robeson. »

25 Mar 2009

Venice's Variable “War Requiem”

I had been looking forward to it for weeks — really, for years. »

25 Mar 2009

La Sonnambula at the MET

In 1831, when Vincenzo Bellini composed this pastorale full of characters who never express any but sincere emotions (with the exception of Lisa, the calculating flirt), he certainly intended them, and their feelings, and therefore their story, to be taken seriously – or he would not have given them such seriously lovely music.  »

25 Mar 2009

Il Trovatore at the MET

For nearly a decade after its premiere, in 1853, Il Trovatore was the most popular opera, perhaps the most popular stage work on the planet — even more than Rigoletto or Ernani, and far more than Traviata, which had its premiere the following autumn.  »

24 Mar 2009

Franz Schubert: The Conspirators (Die Verschworenen)

Schubert was desperate to be an opera composer — or so one might surmise from the many (at least 18) attempts he made to make a name for himself as a man of the theatre.  »

24 Mar 2009

Katya Kabanova/The Magic Flute — English Touring Opera, Hackney Empire Theatre

English Touring Opera is 30 years old this year, and has never been more adventurous.  »

22 Mar 2009

Songs by Samuel Barber

Among the impressive contributions to the American song literature of the twentieth century are works by Samuel Barber (1910-81), whose efforts in this genre reflect his own musical training as a singer, as well as the influence of his aunt, Louise Homer, whose professional relationships put her nephew in contact with other vocalists of the day.  »

19 Mar 2009

TELEMANN: Brockes-Passion

Heinrich Brockes’s famous poetic setting of the Passion, Der für die Sünden der Welt gemarterte und sterbende Jesus (1712), was one of the most significant devotional texts of its day in Germany.  »

15 Mar 2009

Don Giovanni — Victorian Opera

Each Australia state maintains its own opera company. The dominant company is Opera Australia, a permanent ensemble based at the Sydney Opera House but which originated in the Melbourne based National Theatre Opera Company in the 1940s.  »

15 Mar 2009

LA “Ring” up and running

LOS ANGELES: On February 21 the capacity audience in the Dorothy Chandler Pavilion was overwhelmed by the staging of Das Rheingold that launched the Los Angeles Opera’s new production of Der Ring des Nibelungen. So was Wagner. »

15 Mar 2009

Haydn’s L’Isola Disabitata by Gotham Chamber Opera

Had a misunderstanding with your truelove lately? Tough job straightening things out?  »

15 Mar 2009

Elisabeth Schwarzkopf, Soprano

This DVD contains the contents of four televised recitals of Elisabeth Schwarzkopf, with no way of telling from the information provided whether the recitals are presented complete or not.  »

15 Mar 2009

Henze: Der junge Lord

Hey man, you wanna take a trip? Groovy!  »

15 Mar 2009

Domenico Sarro: Achille in Sciro

The birth and death dates of Domenico Sarro (1679 and 1744) are very close to those of his more illustrious contemporary, Antonio Vivaldi.  »

15 Mar 2009

Mayr Rediscovered

Apparently Opera Rara “discovered” Giovanni Simone Mayr some years ago when it included several excerpts from his operas in their multi-volume series, “A Hundred Years of Italian Opera.” »

15 Mar 2009

Tippett: A Child of Our Time

Although an ineffable aura of the 1960s emanates from Michael Tippett’s oratorio A Child of Our Time, its composition came at the start of WWII in Europe.  »

15 Mar 2009

Luciano Pavarotti: The EMI Recordings

A Decca recording artist for most of his career, Luciano Pavarotti did do a very few items with EMI, probably as part of those “artist-swapping” arrangements recording labels sometime arrange.  »

15 Mar 2009

Wagner’s Das Rheingold at Los Angeles Opera

There is some slim irony to an opera company pursuing the complicated business of staging Richard Wagner’s Der Ring des Nibelungen in the current economy — it entails the very sort of dubious compromises that get Wotan and crew into such hot water (if one assumes the cataclysmic fire at the end of Götterdämmerung heated the Rhine).  »

08 Mar 2009

Tristan und Isolde in Chicago

By the close of the first act of Richard Wagner’s Tristan and Isolde in its current production at Lyric Opera of Chicago the audience has been given a strong impression of the multi-faceted characters bound up in the musical drama unfolding on stage.  »

08 Mar 2009

Fidelio — London Lyric Opera, Cadogan Hall

After a problematic debut last Autumn with Der fliegende Holländer at the Barbican, London’s newest opera-in-concert outfit returned this month with Fidelio at the smaller Cadogan Hall. »

08 Mar 2009

Siegfried Wagner: Rainulf und Adelasia

A medieval tale of ill-starred love, in three very long acts, with questions of loyalty to a king and one title character urging another to drink from a cup of poison... »

08 Mar 2009

Korngold Thrills in Venice

It is not often that the team of stage director, set and costume designer get the biggest, most boisterously rowdy roar of approval at opera's end. »

05 Mar 2009

Dr Atomic lands on London with a bang

To say that Dr Atomic landed in London with a bang is shocking, but the subject it deals with is meant to be disturbing. Unlike the scientists at Los Alamos, we can’t live in denial of the wider implications. This isn’t history. It’s a universal dilemma, utterly relevant today.  »

05 Mar 2009

La bohème — English National Opera

Jonathan Miller's new production of Puccini's wintry opera was denied its planned opening night on Monday 2nd February by a bout of unusually heavy snow which brought most of London's transport services to a halt and turned it into a virtual ghost town (thus, up the road at Covent Garden, the cancellation of a performance of Korngold's 'Die tote Stadt' was equally ironic). »

05 Mar 2009

Mahler: Das Lied von der Erde (The Song of the Earth)

Recorded on 9 November 1959 at Symphony Hall (now Symphony Center), this recent issue of a classic performed of Gustav Mahler’s Das Lied von der Erde translates the then state-of-the-art RCA “Living Stereo” sound for the LP vinyl medium to the enhanced sound currently available in SACD format.  »

05 Mar 2009

Janáček's Šárka at Dicapo Opera

There is a visceral pleasure in hearing so many healthy sets of young lungs tearing into this music, and they do sing, they do not bellow. »

27 Feb 2009

A restrained Flying Dutchman at the Royal Opera House, London

This Der fliegende Holländer was eagerly awaited as it hasn’t been heard at the Royal Opera House, London, since 2000. With Bryn Terfel’s return to Covent Garden as the Dutchman guaranteed a full house. »

27 Feb 2009

Lucrezia Borgia at Munich

Donizetti’s Lucrezia Borgia, his 30th opera, is based on Victor Hugo’s play of the same name, and had its premiere at La Scala in 1833.  »

25 Feb 2009

Rigoletto at the MET

The Plague of Beautiful Sounds: Has Bel Canto gone too far? »

25 Feb 2009

Lehár's Die Lustige Witwe from Semperoper Dresden

Jérôme Savary, director of this December 2007 Semperoper Dresden production of Lehár's Die Lustige Witwe, expresses a view in the booklet essay that many others will probably share: "What I like most of all about The Merry Widow is its music, which is literally bursting with colours, gyrating movements and sensuality..." »

25 Feb 2009

Adriana Lecouvreur at the MET

There come nights in the opera season where gesamtkunstwerke won’t do — enough of epic masterpieces and supreme lyric outpourings of the human spirit!  »

25 Feb 2009

Frankfurt: Thinking Inside the Box

My heart didn't exactly leap in joyful anticipation as I entered the Frankfurt Opera and saw the Arabella pre-set on stage: a big, shallow, white box.  »

24 Feb 2009

No Home for Heroes at the Theater an der Wien, Vienna — Pierre Audi’s new production of Handel’s Partenope.

Handel operas are like London buses — you wait for ages and then 3 come along together.  »

22 Feb 2009

Massenet's Don Quichotte at San Diego Opera

Ferrucio Furlanetto apparently loves the temperate climes of San Diego in California's equivalent of late winter.  »

15 Feb 2009

Kurt Weill’s Der Kuhhandel at Volks Oper Wien

The Kurt Weill-composed operetta Arms and the Cow premiered in 1935 under the title A Kingdom for a Cow, according to Erwin Berger’s booklet essay for this DVD of a 2007 VolksOper Vien staging of David Pountney’s production. »

13 Feb 2009

Fritz Wunderlich — The Legend

Some opera aficionados who take a look at the contents of this two-CD Fritz Wunderlich collection from Profil might shake their heads in bemused wonder: the German lyric tenor as Turridu, let alone Pinkerton and Rodolfo? »

13 Feb 2009

Donizetti's Don Pasquale from the Ravenna Festival

The CEO of the Ravenna Festival, one Cristina Mazzavillano Muti, understandably takes top billing at the top of this DVD booklet's three - count 'em, 3! - pages of credits for the Festival, not counting the single page of credits for the production of Donizetti's Don Pasquale itself. »

10 Feb 2009

Chicago’s Lyric brings life to Tristan

Superlatives were in short supply when the curtain fell on Tristan und Isolde at Chicago Lyric Opera on January 27.  »

08 Feb 2009

Magic Flute at ENO

‘Back by popular demand’ claimed ENO’s publicity material for the 21-year-old production which had its supposed swan-song last season – though it remains questionable whether the company ever really intended to get rid of it.  »

08 Feb 2009

Die tote Stadt, Royal Opera House

Die tote Stadt is Korngold’s masterpiece in the old sense of the word, when a craftsman would produce a dazzling work to show the world what he could do. This is Korngold’s manifesto, so to speak.  »

08 Feb 2009

The Beggar’s Opera at Covent Garden

Entering the Linbury Studio for this production of The Beggar’s Opera, one might have been forgiven for thinking that one had wandered into the main house by mistake.  »

08 Feb 2009

Liber Evangeliorum: Verse and Music From the Age of Charlemagne

The emergence of a standardized western liturgy with a uniform chant repertory, while to a significant degree realized, neither completely silenced regional liturgies nor extinguished the additions to liturgical practice that comprise much medieval creativity.  »

08 Feb 2009

Eugene Onegin at the MET

Pushkin’s poem Eugene Onegin is the first of the great line of Russian novels, passionately loved by all the literate of that most literary nation.  »

08 Feb 2009

Poaching in Cologne

One definition of “poach” is “to take or appropriate something unfairly.” »