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Elsewhere

Médée in Salzburg

Though Luigi Cherubini long outlived the carnage of the French Revolution his 1797 opéra comique [with spoken dialogue] Médée fell well within the “horror opera” genre that responded to the spirit of its time. These days however Médée is but an esoteric and extremely challenging late addition to the international repertory.

Queen: A Royal Jewel at Glimmerglass

Tchaikovsky’s grand opera The Queen of Spades might seem an unlikely fit for the multi-purpose room of the Pavilion on the Glimmerglass campus but that qualm would fail to reckon with the superior creative gifts of the production team at this prestigious festival.

Blue Diversifies Glimmerglass Fare

Glimmerglass Festival has commendably taken on a potent social theme in producing the World Premiere of composer Jeanine Tesori and librettist Tazewell Thompson’s Blue.

Vibrant Versailles Dazzles In Upstate New York

From the shimmering first sounds and alluring opening visual effects of Glimmerglass Festival’s The Ghosts of Versailles, it was apparent that we were in for an evening of aural and theatrical splendors worthy of its namesake palace.

Gilda: “G for glorious”

For months we were threatened with a “feminist take” on Verdi’s boiling 1851 melodrama; the program essay was a classic mashup of contemporary psychobabble perfectly captured in its all-caps headline: DESTRUCTIVE PARENTS, TOXIC MASCULINITY, AND BAD DECISIONS.

Simon Boccanegra in Salzburg

It’s an inescapable reference. Among the myriad "Viva Genova!" tweets the Genovese populace shared celebrating its new doge, the pirate Simon Boccanegra, one stood out — “Make Genoa Great Again!” A hell of a mess ensued for years and years and the drinking water was poisonous as well.

Rigoletto at Macerata Opera Festival

In this era of operatic globalization, I don’t recall ever attending a summer opera festival where no one around me uttered a single word of spoken English all night. Yet I recently had this experience at the Macerata Opera Festival. This festival is not only a pure Italian experience, in the best sense, but one of the undiscovered gems of the European summer season.

BBC Prom 37: A transcendent L’enfance du Christ at the Albert Hall

Notwithstanding the cancellation of Dame Sarah Connolly and Sir Mark Elder, due to ill health, and an inconsiderate audience in moments of heightened emotion, this performance was an unequivocal joy, wonderfully paced and marked by first class accounts from four soloists and orchestral playing from the Hallé that was the last word in refinement.

Tannhäuser at Bayreuth

Stage director Tobias Kratzer sorely tempts destruction in his Bayreuth deconstruction of Wagner’s delicate Tannhäuser, though he was soundly thwarted at the third performance by conductor Christian Thielemann pinch hitting for Valery Gergiev.

Opera in the Quarry: Die Zauberflöte at St Margarethen near Eisenstadt, Austria

Oper im Steinbruch (Opera in the Quarry) presents opera in the 2000 quarry at St Margarethen near Eisenstadt in Austria. Opera has been performed there since the late 1990s, but there was no opera last year and this year is the first under the new artistic director Daniel Serafin, himself a former singer but with a degree in business administration and something of a minor Austrian celebrity as he has been on the country's equivalent of Strictly Come Dancing twice.

BBC Prom 39: Sea Pictures from the BBC National Orchestra of Wales

Sea Pictures: both the name of Elgar’s five-song cycle for contralto and orchestra, performed at this BBC Prom by Catriona Morison, winner of the Cardiff Singer of the World Main Prize in 2017, and a fitting title for this whole concert by the BBC National Orchestra of Wales conducted by Elim Chan, which juxtaposed a first half of songs of the sea, fair and fraught, with, post-interval, compositions inspired by paintings.

Odyssey Opera Resurrects Henry VIII

BOSTON, MA (For Release 07.18.19) — One of the nation’s most adventurous opera companies, Odyssey Opera, begins its seventh season with a concert performance of Henry VIII (1883) by French composer Camille Saint-Saëns based on El cisma en Inglaterra (The schism in England) by Pedro Calderón de la Barca.

BBC Prom 32: DiDonato spellbinds in Berlioz and the NYO of the USA magnificently scales Strauss

As much as the Proms strives to stand above the events of its time, that doesn’t mean the musicians, conductors or composers who perform there should necessarily do so.

Get Into Opera with this charming, rural L'elisir

Site-specific operas are commonplace these days, but at The Octagon Barn in Norwich, Genevieve Raghu, founder and Artistic Director of Into Opera, contrived to make a site persuasively opera-specific.

A disappointing Prom from Nathalie Stutzmann and BBCNOW

Nathalie Stutzmann really is an impressive conductor. The sheer elegance she brings to her formidable technique, the effortless drive towards making much of the music she conducts sound so passionate and the ability to shock us into hearing something quite new in music we think we know is really rather refreshing. Why then did this Prom sometimes feel weary, even disappointing at times?

Sandrine Piau: Si j’ai aimé

Sandrine Piau and Le Concert de la Loge (Julien Chauvin), Si j’ai aimé, an eclectic collection of mélodies demonstrating the riches of French orchestral song. Berlioz, Duparc and Massenet are included, but also Saint-Saëns, Charles Bordes, Gabriel Pierné, Théodore Dubois, Louis Vierne and Benjamin Godard.

Merola’s Striking If I Were You

Jake Heggie and Gene Scheer have become an indispensable presence in the contemporary opera world, and their latest premiere, If I Were You, found the duo at the very top of their game.

The Thirteenth Child: When She Was Good…

Santa Fe Opera continues its remarkable record for producing World (and American) Premieres with The Thirteenth Child, music by Poul Ruders, libretto by Becky and David Starobin.

The Sopranos at Tanglewood

Among classical music lovers, Wagner inspires equal measures of devotion and disdain. Some travel far and sit for hours to hear his operas live. Others eschew them completely.

Agrippina at the Bavarian State Opera

And still they come. The opera world’s obsession with Handel’s operas shows no sign of abating. The Bavarian State Opera has, since Peter Jonas’s Intendancy, stood at the forefront of Handel staging; this new production of Agrippina was dedicated to him. As ever, I was pleased to see one of these operas for the first time in the theatre – how could I not be pleased to see almost anything in Munich’s wonderful Prinzregententheater – but again, as ever, I was left unable ever quite to put to one side the dramaturgical difficulties/problems/flaws/inadequacies. (Call them what you will.)


OPERA TODAY ARCHIVES »

Reviews

Elena Stikhina as Médée [All photos copyright Salzburger Festspiele / Thomas Aurin]
20 Aug 2019

Médée in Salzburg

Though Luigi Cherubini long outlived the carnage of the French Revolution his 1797 opéra comique [with spoken dialogue] Médée fell well within the “horror opera” genre that responded to the spirit of its time. These days however Médée is but an esoteric and extremely challenging late addition to the international repertory.  »

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19 Mar 2012

Levine conducts at the Metropolitan Opera: 1978 to 2006

Since his debut at the Metropolitan Opera in 1971, conductor James Levine has come to represent the house’s commitment to artistic excellence — reliable, professional, and immaculately presented.  »

19 Mar 2012

Don Pasquale, San Diego

You can’t keep a good opera buffa down. And Gaetano Donizetti’s Don Pasquale is about as good as opera buffa gets.  »

19 Mar 2012

Aida in Arizona

Two live camels with trainers in Egyptian garb were stationed in front of Phoenix’s Symphony Hall to publicize the opening of Arizona Opera’s new production of Aida.  »

13 Mar 2012

Miss Fortune mis-fires, Royal Opera House

An absurd plot has never stood in the way of a good opera. Unfortunately, Judith Weir’s Miss Fortune at the Royal Opera House isn’t much of an opera. »

12 Mar 2012

Netrebko and Garanča in Donizetti’s Anna Bolena

The cinema world has given us “star vehicle,” a term used to describe a movie that may not have the best script or direction but which suits a popular actor’s persona so well the film can fairly be called a successful entertainment.  »

12 Mar 2012

A Physical Barber by ETO

For an operatic masterpiece The Barber of Seville is surprisingly tricky to do well, it is not one of those pieces which plays itself.  »

09 Mar 2012

Byrd: The Englishman

In this stimulating and uplifting performance, The Cardinall’s Musick, led by director Andrew Carwood, continued their comprehensive project to examine the works of one of England’s greatest composers — William Byrd (c.1540—1623).  »

08 Mar 2012

Elijah, Barbican Hall, London

The Barbican’s six-month series celebrating the English oratorio, has now reached Mendelssohn’s Elijah — or perhaps we should follow the Victorians and refer to it as ‘the Elijah’, given that it was performed in English, in William Bartholomew’s translation.  »

06 Mar 2012

Abduction from the Seraglio, Philadelphia

Abduction from the Seraglio contains not a single ironic or cynical moment. Enlightened mercy and sincere love triumph totally over revenge, slavery and tyranny.  »

05 Mar 2012

Paris: Tenors Trump Befuddled Productions

Two recent outings at the Paris Opéra might have been subtitled: “Max Bialystock is Alive and Well and Living in Paris.” »

05 Mar 2012

Zurich’s Magnificent ‘Other’ Moor

Right to the musical ‘score’ board: Zurich Opera stared down the mighty challenge posed by Rossini’s Otello ossia il moro di Venezia, and knocked it out of the ballpark. »

04 Mar 2012

Mazeppa in Monte-Carlo

Tchaikovsky’s Mazeppa is not everyday repertory, nonetheless here in the south of France the Monaco production follows fairly closely (a couple of years) on the heels of the Peter Stein Mazeppa in Lyon. »

04 Mar 2012

Previn conducts the LSO in the 1970s

André Previn’s leadership of the London Symphony Orchestra in the early 1970s resulted in some highly regarded recordings, including one of the classic accounts of Rachmaninov’s Second Symphony.  »

01 Mar 2012

A Midsummer Night’s Dream, GSMD

There were high hopes for the 2012 debut production of A Midummer Night’s Dream by the Guildhall School of Music and Drama’s Opera programme . »

01 Mar 2012

Giuseppe Verdi: Aida

A perennial favorite among opera enthusiasts since its 1871 premiere in Cairo, Aida remains a popular work, and its strengths are apparent in the recent Decca DVD from the Metropolitan Opera, New York.  »

29 Feb 2012

Simon Boccanegra, LA

Sometime everything seems to go right. Just as the Los Angeles Opera Company did last fall, it opened its spring season with a baritonal eponymous opera; this time, Giuseppe Verdi’s Simon Boccanegra.  »

28 Feb 2012

Rusalka, Royal Opera

It is a truth universally acknowledged that an interesting opera production will be met with incomprehension and lazy, philistine hostility by vast swathes of the audience in many, perhaps most, of the world’s ‘major’ houses, a truth that renders one all the more grateful for the Royal Opera showing the courage to stage this new — to London — production of Rusalka. »

28 Feb 2012

Beatrice and Benedict at the Wales Millennium Centre

Welsh National Opera presented a rather undercooked account of Berlioz’s tricky opera, in a revival of Elijah Moshinsky’s classic production »

27 Feb 2012

Mahler: Symphony No. 9

Based on performances given on 2 and 3 March 2011 (at the Barbican, London), Valery Gergiev’s recording of Mahler’s Ninth Symphony is an engaging and persuasive reading of the score.  »

27 Feb 2012

John Adams — Death of Klinghoffer, London

John Adams’s The Death of Klinghoffer is on at the English National Opera, London. »

27 Feb 2012

“Figures from the Antique”, Wigmore Hall

Modern and historic responses to classical tragedy and myth formed the unifying focus for this latest stage of Ian Bostridge’s year-long ‘Ancient and Modern’ project at the Wigmore Hall.  »

24 Feb 2012

Moby-Dick, San Diego

When Captain Ahab sailed the Pequod into San Diego this week, he brought a new American opera with him. Jake Heggie’s Moby-Dick is a stunning work likely to have universal appeal.  »

24 Feb 2012

Fleming in Strauss’s Capriccio

Is there somewhere in Italian opera repertory where, as a comic interlude, the portentous clichés of German opera come in for a skewering amid the luscious sunshine of Italianate lyricism?  »

24 Feb 2012

Michael Spyres — A Fool for Love

Tenor Michael Spyres’ star is on the rise and his highly enjoyable debut recital disc offers ample proof as to why. »

24 Feb 2012

La clemenza di Tito — Barbican

The last opera seria — Mozart’s late, austere masterpiece, and vividly brought it to life. »

24 Feb 2012

Amsterdam’s Invisible, Risible Kitezh

A breath-taking stage picture at curtain rise of Netherlands Opera's The Legend of the Invisible City of Kitezh and the Maiden Fevronia indeed made us involuntarily gasp as one.  »

20 Feb 2012

The Veronica Dunne International Singing Competition: Showcase Concert

Inaugurated in 1995, the Veronica Dunne International Singing Competition is a triennial competition, held in the National Concert Hall in Dublin, which takes place over a week in January.  »

20 Feb 2012

Berlioz’s Roméo et Juliette — Opera with few words

Mark Elder and the Orchestra of the Age of Enlightenment brought Berlioz’s Roméo et Juliette to the Royal Festrival Hall. »

20 Feb 2012

La Traviata, NYCO

In his memoirs, Five Thousand Nights at the Opera, Sir Rudolph Bing, general manager of the Met from 1950 to 1972, discusses the Met’s move from 39th street to its current home at Lincoln Center.  »

20 Feb 2012

Erwin Schrott’s Don Giovanni, ROH

Erwin Schrott triumphed as Don Giovanni in the Mozart/da Ponte series at the Royal Opera House, overcoming the limitations of the staging.  »

17 Feb 2012

Don Pasquale at the Théâtre des Champs Elysées

Critics. Can you get along without us? It is possible to reflect on this when the production of Donizetti’s Don Pasquale is shown on television tonight. »

17 Feb 2012

The Charterhouse of Parma in Marseille

Henri Sauguet is not entirely unknown in opera circles — divas Regine Crespin, Felicity Lott, Nathalie Dessay and Leontyne Price have included his arias in their solo albums. Plus there is a recording of his 1954 opera-comique Les Caprices de Marianne. »

17 Feb 2012

Verdi’s Aida at Lyric Opera, Chicago

In its current revival of Giuseppe Verdi’s Aida Lyric Opera of Chicago approaches the challenges of the ambitious score with a cast well suited to the music and to the drama.  »

16 Feb 2012

The Barber of Seville, Metropolitan Opera

It was a performance of Rossini’s The Barber of Seville in the late 90’s that marked my first visit to the Met.  »

16 Feb 2012

Pountney directs Verdi’s Forza for Vienna

One of the guiding principles of the revisionist (if not intervisionist) school of opera directing commonly called “regie-theater” is that certain outdated dramatic conventions in the librettos of many great operas can actually interfere with a contemporary audience’s ability to perceive the true artistic worth of the work of art.  »

15 Feb 2012

Le nozze di Figaro, Royal Opera

David McVicar’s production of The Marriage of Figaro, previously staged in 2006 (twice), »

13 Feb 2012

Ernani, Metropolitan Opera

Ernani accosts us with the charm and the gaucherie of a provincial youth without much experience as the host of a classy party.  »

11 Feb 2012

The Tales of Hoffmann, ENO

In many respects, The Tales of Hoffmann and Richard Jones would seem a good fit.  »

10 Feb 2012

Dido and Aeneas, Manitoba

Winnipeg music lovers were willingly transported back several centuries as Daniel Taylor and Montreal-based Theatre of Early Music graced Westminster United Church with a program of infrequently heard music.  »

08 Feb 2012

Gustav Mahler: Das Lied von der Erde

Recorded on 14 June 1964 at the Großer Saal of the Musikverein, Vienna, as part of the Wiener Festwochen, this legendary performance of Mahler’s Das Lied von der Erde was released in 2011 on Deutsche Grammophon.  »

08 Feb 2012

Il trittico in Lyon

All the important directors pass through Lyon, so it was just a matter of time before British director David Pountney would be invited to stage a production. It was Puccini’s triptych. »

08 Feb 2012

Dvořák’s The Jacobin, London

In advance of the new Rusalka at the Royal Opera House, the Barbican and the BBC Symphony Orchestra brought an electrifying performance of Dvořák's The Jacobin to London.  »

08 Feb 2012

Gustav Mahler: Symphony No. 4

If Mahler’s Fourth Symphony is arguably one of his more familiar pieces, live performances of the work can vary depending on the abilities of the performers to meet the various challenges of the piece.  »

08 Feb 2012

Der Rosenkavalier, ENO

English National Opera’s revival of Richard Strauss’s fin de siècle Figaro is a heart-warming treat for a cold winter’s night. »

08 Feb 2012

Weill: Die sieben Todsünden

I failed to discern any rationale behind programming the Brecht-Weill ballet chanté with various works by Debussy, one orchestrated by Robin Holloway.  »

06 Feb 2012

L’Enfant et les Sortilèges and La Navarraise in Monte-Carlo

The magic was in the pit, not that all Monaco was not magical — on January 25 a yellow Lamborghini, a red Ferrari, a vintage Jaguar among other magnificent machines stood before the entrance to Monte-Carlo’s resplendent Casino cum transplendent 500-seat opera house. »

03 Feb 2012

Werner Güra Sings Schubert, Wigmore Hall

Each year, the Wigmore Hall commemorates Franz Schubert’s birthday with a high profile recital. This year, Werner Güra and Roger Vignoles presented a recital which was a timely reminder of what Lieder performance should be. »

02 Feb 2012

Salome, San Diego

The San Diego Opera Company opened its 47th season on Saturday, January 26th with Richard Strauss’ Salome, a work that has something in it for everyone: lust, love, lasciviousness, homosexuality, heterosexuality, homicide, suicide, a voluptuous dance and quickie nudity.  »

02 Feb 2012

Mahler: Das Lied von der Erde

Released in 2011, this disc reproduces a performance of Mahler’s Das Lied von der Erde that was recorded on 10 November 1989 at the Grzegorz Fitelberg Concert Hall, Katowice [Poland].  »

02 Feb 2012

Mozart’s Die Zauberflöte at Lyric Opera of Chicago

Lyric Opera of Chicago’s recent revival of Mozart’s Die Zauberflöte offered a production with vocal pairs carefully matched and dramatic representation expressing the varying shades of Mozart’s score. »

02 Feb 2012

Jonathan Harvey’s Wagner Dream

British composer Jonathan Harvey’s Wagner Dream came to London four years after its premieres at the Holland Festival and in Luxembourg.  »