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Elsewhere

Christine Goerke - Strauss Elektra BBC Proms London

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role. Felicity Palmer was Clytemnestra, Gun-Brit Barkmin was Chrysothemis, Robert Kunzli was Aegisthus and Johan Reuter was Orestes. The concert staging was by Justin Way.

Christine Goerke - Strauss Elektra BBC Proms London

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role. Felicity Palmer was Clytemnestra, Gun-Brit Barkmin was Chrysothemis, Robert Kunzli was Aegisthus and Johan Reuter was Orestes. The concert staging was by Justin Way.

Powerful Mahler Symphony no 2 Harding, BBC Proms London

Triumphant! An exceptionally stimulating Mahler Symphony No 2 from Daniel Harding and the Swedish Radio Symphony Orchestra, BBC Prom 57 at the Royal Albert Hall. Harding's Mahler Tenth performances (especially with the Berliner Philharmoniker) are pretty much the benchmark by which all other performances are assessed. Harding's Mahler Second is informed by such an intuitive insight into the whole traverse of the composer's work that, should he get around to doing all ten together, he'll fulfil the long-held dream of "One Grand Symphony", all ten symphonies understood as a coherent progression of developing ideas.

Nina Stemme's stunning Strauss Salome, BBC Proms London

The BBC Proms continued its Richard Strauss celebrations with a performance of his first major operatic success Salome. Nina Stemme led forces from the Deutsche Oper, Berlin,at the Royal Albert Hall on Saturday 30 August 2014,the first of a remarkable pair of Proms which sees Salome and Elektra performed on successive evenings

Santa Fe Opera Presents Updated, at One Point Up-ended, Don Pasquale

On August 9, 2014, Santa Fe Opera presented a new updated production of Don Pasquale that set the action in the 1950s. Chantal Thomas’s Act I scenery showed the Don’s furnishing as somewhat worn and decidedly dowdy. Later, she literally turned the Don’s home upside down!

Dolora Zajick about her Institute for Young Dramatic Voices

"Although there are now more people on this planet than there have ever been before, there are fewer dramatic voices. Something is wrong with that equation. I thought there needs to be some sort of helping hand so that dramatic voices don’t fall through the cracks in the system as they advance through their various stages of development."

Dolora Zajick Premieres Composition

At a concert in the Cathedral of Saint Joseph in San Jose, California, on August 22, 2014, a few selections preceded the piece the audience had been waiting for: the world premiere of Dolora Zajick’s brand new composition, an opera scene entitled Roads to Zion.

Gluck: Orfeo ed Euridice

This elegant, smartly-paced film turns Gluck’s Orfeo into a Dostoevskian study of a guilt-wracked misanthrope, portrayed by American countertenor Bejun Mehta.

Aureliano in Palmira in Pesaro

Ossia Il barbiere di Siviglia. Why waste a good tune.

Santa Fe Opera Presents Huang Ruo's Sun Yat-sen

By emphasizing the love between Sun Yat-sen and Soong Ching-ling, Ruo showed us the human side of this universally revered modern Chinese leader. Writer Lindsley Miyoshi has quoted the composer as saying that the opera is “about four kinds of love.” It speaks of affection between friends, between parents and children, between lovers, and between patriots and their country.

Britten War Requiem - Andris Nelsons, CBSO, BBC Prom 47

In light of the 2012 half-centenary of the premiere in the newly re-built Coventry Cathedral of Benjamin Britten’s War Requiem, the 2013 centennial celebrations of the composer’s own birth, and this year’s commemorations of the commencement of WW1, it is perhaps not surprising that the War Requiem - a work which was long in gestation and which might be seen as a summation of the composer’s musical, political and personal concerns - has been fairly frequently programmed of late. And, given the large, multifarious forces required, the potent juxtaposition of searing English poetry and liturgical Latin, and the profound resonances of the circumstances of the work’s commission and premiere, it would be hard to find a performance, as William Mann declared following the premiere, which was not a ‘momentous occasion’.

Il barbiere di Siviglia in Pesaro

Both by default and by merit Il barbiere di Siviglia is the hit of the thirty-fifth Rossini Opera Festival. But did anyone really want, and did the world really need yet another production of this old warhorse?

Armida in Pesaro

Armida (1817) is the third of Rossini’s nine operas for the Teatro San Carlo in Naples, all serious. The first was Elisabetta, regina di Inghilterra (1815), the second was Otello (1816), the last was Zelmira (1822).

Santa Fe Opera Presents an Imaginative Carmen

Santa Fe opera has presented Carmen in various productions since 1961. This year’s version by Stephen Lawless takes place during the recent past in Northern Mexico near the United States border. The performance on August 6, 2014, featured Ana Maria Martinez as a monumentally sexy Gypsy who was part of a drug smuggling group.

Elgar Sea Pictures : Alice Coote, Mark Elder Prom 31

Sir Mark Elder and the Hallé Orchestra persuasively balanced passion and poetry in this absorbing Promenade concert. Elder’s tempi were fairly relaxed but the result was spaciousness rather than ponderousness, with phrases given breadth and substance, and rich orchestral colours permitted to make startling dramatic impact.

Berio Sinfonia, Shostakovich, BBC Proms

Although far from perfect, the performance of Berio’s Sinfonia in the first half of this concert was certainly its high-point; indeed, I rather wish that I had left at the interval, given the tedium induced by Shostakovich’s interminable Fourth Symphony. Still, such was the programme Semyon Bychkov had been intended to conduct. Alas, illness had forced him to withdraw, to be replaced at short notice by Vasily Petrenko.

Four countertenors : Handel Rinaldo Glyndebourne

Handel's Rinaldo was first performed in 1711 at London's King's Theatre. Handel's first opera for London was designed to delight and entertain, combining good tunes, great singing with a rollicking good story. Robert Carsen's 2011 production of the opera for Glyndebourne reflected this with its tongue-in-cheek Harry Potter meets St Trinian's staging.

Santa Fe Opera Presents The Impresario and Le Rossignol

On August 7, 2014, the Santa Fe Opera presented a double bill of Wolfgang Amadeus Mozart’s The Impresario and Igor Stravinsky’s Le Rossignol (The Nightingale). The Impresario deals with the casting of an opera and Le Rossignol tells the well-known fairy tale about the plain gray bird with an exquisite song.

Barber in the Beehive State

Utah Festival Opera and Musical Theatre has gifted opera enthusiasts with a thrilling Barber, and I don’t mean . . . of Seville.

Stravinsky : Oedipus Rex, BBC Proms

In typical Proms fashion, BBC Prom 28 saw Stravinsky's Oedipus Rex performed in an eclectic programme which started with Beethoven's Egmont Overture and also featured Electric Preludes by the contemporary Australian composer Brett Dean. Sakari Oramo,was making the first of his Proms appearances this year, conducting the BBC Symphony Orchestra, BBC Singers and BBC Symphony Chorus.


OPERA TODAY ARCHIVES »

Reviews

01 Sep 2014

Christine Goerke - Strauss Elektra BBC Proms London

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role. Felicity Palmer was Clytemnestra, Gun-Brit Barkmin was Chrysothemis, Robert Kunzli was Aegisthus and Johan Reuter was Orestes. The concert staging was by Justin Way. »

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28 Dec 2005

SPITZER & ZASLAW: The Birth of the Orchestra — History of an Institution, 1650-1815

At a time when the press has made the public aware of the difficult circumstances that exist for the symphony orchestra in the United States, it is refreshing to find a book that demonstrates unequivocally the nature of that institution and, as a consequence, its power in culture. »

27 Dec 2005

SCHUBERT: Winterreise

Franz Schubert’s song cycle Winterreise has been performed by many fine singers, who keep the work alive in the repertoire and in the imagination of audiences. In recent years the work has been subject to a variety of interpretations, and with this recording, the well-known tenor René Kollo offers his perspective on the work, accompanied by the young pianist Oliver Pohl. »

27 Dec 2005

A Trio of New Year's Concerts

The first thing I saw when I opened the La Scala DVD was a notice on the back that track 5 plays “Va! Pensiero da: I vespri siciliani (1855).” One wonders if there is nobody at the La Scala Bookshop who has at least a bit of knowledge of one of the most popular pieces in the operatic repertoire that served Italy for more than hundred years as an unofficial anthem — the Venice DVD has it right, of course. »

22 Dec 2005

LUTOSLAWSKI: Twenty Polish Christmas Carols

Witold Lutosławski (1913-94) composed vocal works throughout his career, and recording collects several pieces that involve female voices. His set of Twenty Polish Christmas Carols for soprano, women’s choir and orchestra is a late composition compiled between 1985 and 1989 and given its premiere in 1990. »

21 Dec 2005

Christmas with Renée and Bryn

Though singers have always recorded some of these arias and songs, it was young Leontyne Price who first started a trend by devoting a whole LP to the genre more than 45 years ago. »

21 Dec 2005

RACHMANINOV: The Miserly Knight

In its 2004 season Glyndebourne put on a double bill celebrating avarice — Puccini’s Gianni Schicchi and the much-lesser known The Miserly Knight. »

21 Dec 2005

Giulini Conducts Mozart and Mahler

With the passing of Carl Maria Giulini (1913-2005) in June 2005, the music world lost one of its finest conductors. Among his legacy are some critical recordings, which represent the literature that Giulini chose to preserve. »

21 Dec 2005

Two Super Audio CD re-releases of Elly Ameling performances for Philips

I admit I jumped at the chance to review these SACD re-releases of performances that were on the very first classical vocal LP’s that I owned and overplayed on under-maintained equipment, to the point where I frankly shudder to even try to compare my vinyl versions with the digital. »

18 Dec 2005

WAGNER, S.: Der Heidenkönig

What an unjust fate for an aspiring opera composer to be born the son of Richard Wagner! Imagine a child of Albert Einstein who dreams of greatness in science, or the son of William Shakespeare sitting down to sketch out his first sonnet. Doubtless you would have a nagging suspicion that you would likely never better your father’s titanic accomplishments. »

18 Dec 2005

The legendary Magda Olivero

What is the difference between a lady who becomes a prima-donna and a prima-donna who becomes a lady? The last one has to be begged as she thinks she has to behave according to her rank. The first one is sure of herself and doesn’t need, well let’s call it to behave somewhat capriciously. »

18 Dec 2005

RAUTAVAARA: Rasputin

In fall 2003, Los Angeles Opera opened its season with Deborah Dratell’s Nicholas and Alexandra, with libretto by Nicholas von Hoffman. At that time, company director Placido Domingo, who took on the juicy role of Rasputin, announced that the production would be filmed and prepared for eventual DVD release. »

15 Dec 2005

Malena Ernman, Simon Rattle and OAE at the Barbican — Three Reviews

On 9 December 2005, Malena Ernman stepped in for an ailing Magdalena Kožená at the Barbican in London. Here are three reviews. »

15 Dec 2005

Rigoletto at the Met — Three Reviews

THE METROPOLITAN OPERA: Verdi considered Victor Hugo’s play Le Roi s’amuse “one of the greatest creations of the modern theatre”, and jumped at the opportunity to adapt it for Venice in 1851. »

14 Dec 2005

Sherrill Milnes - An All Star Gala

The former TV-producer in me tells me the following conversation took place between producer and director (in German as this is a GDR (East-Germany) product). »

13 Dec 2005

Stravinsky in San Francisco — Two Reviews

SAN FRANCISCO SYMPHONY: The San Francisco Symphony and Michael Tilson Thomas present two semi-staged theatrical performances: a double-bill featuring Stravinsky's rarely heard operas The Nightingale and Oedipus Rex. »

12 Dec 2005

GAY: The Beggar’s Opera

Benjamin Britten’s identity as a decidedly “national” composer is formed in part by his well-known engagement of pre-existent English music, old English texts, and subjects rich in the English legacy, as a glance at works like the Purcellian The Young Person’s Guide to the Orchestra, the Chester mystery play, Noyes Fludde, or the Elizabethan opera, Gloriana, all confirm. »

11 Dec 2005

Gwyneth Jones - In Concert

Sorry my friends, but since I retired as a TV-reporter I forgot a lot of technical know-how, which to be fair never interested me very much. »

11 Dec 2005

Edita Gruberová — The Queen of Belcanto Volume I

There are countless artists whose legend survives on their supposed fame, others leave a substantial legacy of their achievements. »

11 Dec 2005

On Christmas Day

Tastes in music for Christmas are quite personal. One individual’s beloved tradition may be another’s annoying jangling that just won’t go away. »

11 Dec 2005

STRAVINSKY: The Rite of Spring; The Nightingale

So much has been written about the notorious scandal of May 29, 1913, the scandal of the reception of the premiere of Igor Stravinsky’s ballet Le Sacre du Printemps, that it is easy to forget that the music itself was less the cause of the riotous activities than the subject, the décor, and the dancing. »

11 Dec 2005

The Art of Gérard Souzay

If anyone had played the soundtrack of those first numbers of the 1955 telecast, I would have looked up in surprise at first and would have wondered if an electronic wizard had cleaned up the acoustic recordings of that giant of French singing: Jean-Emile Vanni-Marcoux. »

11 Dec 2005

DONIZETTI: Il Diluvio Universale

Originally issued in LP by Voce (100), this unfairly neglected work by Gaetano Donizetti is now available on the Bongiovanni (GB2386/87-2) label. »

11 Dec 2005

LEHÁR: Das Land des Lächelns

This version of Lehár’s second most popular operetta is not one for purists. By the mid-seventies, it was already clear that one of the biggest tragedies of Western classical music was taking place — the disappearance of operetta with its tons of wonderful music. »

10 Dec 2005

A Time of Tristans

We live in a time of Tristan & Isolde — recordings of the great Wagner opera, that is. »

06 Dec 2005

ROSSINI: Moise et Pharaon

Rossini's original Italian opera, Mose In Egitto, was re-adapted as Moise et Pharaon for Paris. A new libretto, the renaming of certain characters, some new music, a ballet and reordering of the original music make up the newer version. »

05 Dec 2005

Billy Budd at ENO — Two Reviews

ENGLISH NATIONAL OPERA: ‘Under no circumstances to be missed’ (The Guardian), Neil Armfield’s illuminating reading of Billy Budd receives its long-awaited London premiere. In the season in which Benjamin Britten becomes ENO’s House Composer, this engrossing WNO/Opera Australia production is the perfect salute to a great British masterpiece. »

05 Dec 2005

An American Tragedy — Three Reviews

THE METROPOLITAN OPERA: The American author Theodore Dreiser published An American Tragedy in 1925 and it quickly became a classic. Based on a true story of a man who was found guilty of murdering the woman who was carrying his baby, while he was simultaneously pursuing another woman of a higher social class, Dreiser’s novel tells the story of a mid-western preacher’s son who tasted a little sophistication on his way to death in the electric chair. »

04 Dec 2005

DONIZETTI: Lucia di Lammermoor

A superstar in Europe, Edita Gruberova can rest assured that future generations have the opportunity to appreciate her artistry: the record label Nightingale Classics exists primarily, it seems, to record her in her greatest roles. »

02 Dec 2005

FAURÉ: The Complete Songs, Vol. 2

As the second of four of the thematically organized recording of the Complete Songs of Gabriel Fauré (1845-1924), Un paysage choisi is an excellent offering of chansons that concern selected natural places, that is to say, the “chosen landscape” indicated in the title of this volume. »

02 Dec 2005

PROKOFIEV: Ivan the Terrible

Sergei Prokofiev’s Ivan the Terrible? Which one? Prokofiev composed music for Sergei Eisenstein’s film (part 1, 1942-44; part 2, 1945) about the sixteenth-century ruler, and the score is catalogued as op. 116. After the composer’s death, music for the film was arranged first into an oratorio (with speaker, soloists, chorus, and orchestra) by Alexander Stasevich (1961) and later into a concert scenario by Christopher Palmer (1990). »

02 Dec 2005

Songs of Vaughan Williams and Ives

Ralph Vaughan Williams and Charles Ives; both known more for their symphonic music than anything else, receive superb tributes in these recordings of some of their early songs. Only two years separate the birth dates of these composers; but the musical language each speaks seems to put far more distance than that between them. »

29 Nov 2005

BIZET: Carmen

Two recent releases document performances of Georges Bizet’s Carmen that took place within just a few months of each other. The casts share many of the same performers, most notably the conductor and the interpreter of the opera’s title role. »

29 Nov 2005

Michele Pertusi - Recital

Bass-baritone Michele Pertusi’s voice is captured in this recital disc after only two years of formal studies. Taking this into account one can forgive what he calls “imperfections: a few, slight musical errors, some invented or switched words, a Neapolitan pronunciation that is not quite perfect, an English one which could be improved on, a few marred notes.” »

28 Nov 2005

ROSSINI: Guillaume Tell

On 24 October 1998, the Vienna State Opera presented the opening night of its staging of Gioachino Rosssini’s Guillaume Tell. It was the first Staatsoper production in 91 years of Rossini’s final opera and masterpiece, as well as the Vienna premiere of the 1829 opera’s original French-language version. »

28 Nov 2005

MACMILLAN: Seven Last Words from the Cross

The compositions of John Tavener, Arvo Pärt, and Henryk Górecki have accustomed us to the degree that religious spirituality has found serious musical voice in the late twentieth century. In their works, a profound language of musical mysticism is wed to various liturgical evocations, creating compositions that seem both authentic in their expression and unusually personal in their genesis. »

28 Nov 2005

LANGGAARD: Antikrist

Watching this DVD, your reviewer suddenly recalled a brief exchange from the film Reversal of Fortune, when the Ron Silver/Alan Dershowitz character says to the Jeremy Irons/Claus von Bulow one, “You are a very strange man, “ and Irons, in the moment that may have won him the Academy Award, replies with eerie blandness, “You have no idea.” »

28 Nov 2005

Thomas Hampson in Recital

Monday evening, November 21, 2005, I was fortunate enough to attend a benefit recital given by Thomas Hampson in the Fox Theater in Spokane, Washington. »