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Elsewhere

Green: Mélodies françaises sur des poèmes de Verlaine

Philippe Jaroussky lends poetry and poise to the sounds of nineteenth- and twentieth-century France

J. C. Bach: Adriano in Siria

At this start of the year, Classical Opera embarked upon an ambitious project. MOZART 250 will see the company devote part of its programme each season during the next 27 years to exploring the music by Mozart and his contemporaries which was being written and performed exactly 250 years previously.

Bethan Langford, Wigmore Hall

The Concordia Foundation was founded in the early 1990s by international singer and broadcaster Gillian Humphreys, out of her ‘real concern for building bridges of friendship and excellence through music and the arts’.

Tansy Davies: Between Worlds (world premiere)

An opera dealing with — or at least claiming to deal with — the events of 11 September 2001? I suppose it had to come, but that does not necessarily make it any more necessary.

Arizona Opera Ends Season in Fine Style with Fille du Régiment

On April 10, 2015, Arizona Opera ended its season with La Fille du Régiment at Phoenix Symphony Hall. A passionate Marie, Susannah Biller was a veritable energizer bunny onstage. Her voice is bright and flexible with a good bloom on top and a tiny bit of steel in it. Having created an exciting character, she sang with agility as well as passion.

Il turco in Italia, Royal Opera

This second revival of Patrice Caurier and Moshe Leiser’s 2005 production of Rossini’s Il Turco in Italia seems to have every going for it: excellent principals comprising experienced old-hands and exciting new voices, infinite gags and japes, and the visual éclat of Agostino Cavalca’s colour-bursting costumes and Christian Fenouillat’s sunny sets which evoke the style, glamour and ease of La Dolce Vita.

The Siege of Calais
——
The Wild Man of the West Indies

English Touring Opera’s 2015 Spring Tour is audacious and thought-provoking. Alongside La Bohème the company have programmed a revival of their acclaimed 2013 production of Donizetti’s The Siege of Calais (L’assedio di Calais) and the composer’s equally rare The Wild Man of the West Indies (Il furioso all’isola di San Domingo).

The Met’s Lucia di Lammermoor

Mary Zimmerman’s still-fresh production is made fresher still by Shagimuratova’s glimmering voice, but the acting disappoints

Voices, voices in space, and spaces: Thoughts on 50 years of Meredith Monk

When WNYC’s John Schaefer introduced Meredith Monk’s beloved Panda Chant II, which concluded the four-and-a-half hour Meredith Monk & Friends celebration at Carnegie’s Zankel Hall, he described it as “an expression of joy and musicality” before lamenting the fact that playing it on his radio show could never quite compete with a live performance.

St. John Passion by Soli Deo Gloria, Chicago

This year’s concert of the Chicago Bach Project, under the aegis of the Soli Deo Gloria Music Foundation, was a presentation of the St. John Passion (BWV 245) at the Harris Theater in Millennium Park.

Fedora in Genoa

It is not an everyday opera. It is an opera that illuminates a larger verismo history.

The Marriage of Figaro, LA Opera

On March 26, 2015, Los Angeles Opera presented Mozart’s Le nozze di Figaro (The Marriage of Figaro). The Ian Judge production featured jewel-colored box sets by Tim Goodchild that threw the voices out into the hall. Only for the finale did the set open up on to a garden that filled the whole stage and at the very end featured actual fireworks.

The Tempest Songbook, Gotham Chamber Opera

Gotham Chamber Opera’s latest project, The Tempest Songbook, continues to explore the possibilities of unconventional spaces and unconventional programs that the company has made its hallmark. The results were musically and theatrically thought-provoking, and left me wanting more.

San Diego Opera presents Adams’ Riveting Nixon in China

Nixon in China is a three-act opera with a libretto by Alice Goodman and music by John Adams that was first seen at the Houston Grand Opera on October 22, 1987. It was the first of a notable line of operas by the composer.

Ars Minerva presents Castrovillari’s La Cleopatra in San Francisco

It is thanks to Céline Ricci, mezzo-soprano and director of Ars Minerva, that we have been able to again hear Daniele Castrovillari’s exquisite melodies because she is the musician who has brought his 1662 opera La Cleopatra to life.

World Premiere of Jennifer Higdon’s opera Cold Mountain at Santa Fe Opera this August

East Coast Premiere at Opera Philadelphia next season. Performances from Cold Mountain at the Guggenheim in New York this Monday, March 30.

An Ideal Cast in Chicago’s Tannhäuser

Lyric Opera of Chicago, in association with the Royal Opera House, Covent Garden, has staged a production of Richard Wagner’s Tannhäuser with an estimable cast.

Winners of the Metropolitan Opera National Council Auditions Announced

Five Young Singers Named Winners of the 2015 Met National Council Auditions, America’s Most Prestigious Vocal Competition

A Chat with Julia Noulin-Mérat

Julia Noulin-Mérat is the principal designer for the Noulin-Merat Studio, an intrepid New York City production design firm that works in theater, film, and television, but emphasizes opera and immersive site-specific theatre.

Madame Butterfly, Royal Opera

Puccini and his fellow verismo-ists are commonly associated with explosions of unbridled human passion and raw, violent pain, but in this revival (by Justin Way) of Moshe Leiser’s and Patrice Caurier’s 2003 production of Madame Butterfly, directorial understatement together with ravishing scenic beauty are shown to be more potent ways of enabling the sung voice to reveal the emotional depths of human tragedy.


OPERA TODAY ARCHIVES »

Reviews

Green: Mélodies françaises sur des poèmes de Verlaine
16 Apr 2015

Green: Mélodies françaises sur des poèmes de Verlaine

Philippe Jaroussky lends poetry and poise to the sounds of nineteenth- and twentieth-century France »

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03 Apr 2006

Don Pasquale at the Met

Don Pasquale is generally considered one of Donizetti's greatest works. Yet, "[o]f the three Donizetti operas being performed at The Met this season, the comedy Don Pasquale has been out of the repertoire for the longest time." This season the opera returns with bass Simone Alaimo (Don Pasquale), soprano Anna Netrebko (Norina) and tenor Juan Diego Flórez (Ernesto). Here are four reviews. »

01 Apr 2006

Gala Concert—50th Anniversary of the Reopening of the Vienna State Opera

Tuxes and gowns, a marathon of trotting on and offstage by renowned singers, a ritzy audience abusing their palms with ritual clapping—yes, EuroArts has another opera gala event available on DVD in this two-disc Vienna State Opera Gala concert. »

31 Mar 2006

RACHMANINOV: Piano concerti nos. 1 and 2

This is a wonderful, recent recording of these popular piano concertos by Rachmaninov. The Piano concerto no. 1 is a studio recording, while the Piano concerto no. 2 is a live version. »

31 Mar 2006

STRAUSS: Daphne

New recordings of complete operas lumber into view these days as the dinosaurs trod painfully into a dying sun in an animated depiction of their extinction. »

30 Mar 2006

OFFENBACH: La Grande-Duchesse de Gerolstein

Los Angeles Opera opened the 2005-6 season with a staging of Offenbach’s La Grande-Duchesse de Gerolstein, directed by Hollywood’s Garry Marshall. »

30 Mar 2006

Jumalaa kiittää sieluni—Hymns in Finnish

In 2001, Finland observed the 300th anniversary of the Finnish Hymnal. As a part of the celebration, YLE (the Finnish public broadcasting company) launched a project to record a substantial portion of the hymnal in performance by soloists or ensembles. »

30 Mar 2006

Darkling by American Opera Projects

The East Thirteenth Street Theatre is so unprepossessing that it would be easy to miss it altogether. From the street the entrance looks like an ice cream shop more so than a theatre. The crowded foyer has chairs around little tables and a food service counter. »

29 Mar 2006

Franz Schubert: The Trout • The Greatest Love and The Greatest Sorrow

In this compelling documentary, Christopher Nupen has captured rare and wondrous collaborations by some of the greatest twentieth century performers as they pay tribute to an early nineteenth century musical treasure, Franz Schubert. »

29 Mar 2006

The Jessye Norman Collection from Philips

Jessye Norman’s long-time label, Philips, celebrates the artist’s sizeable recorded heritage with an expansive series of double CDs of re-releases, under the sobriquet The Jessye Norman Collection. »

29 Mar 2006

Hit and miss in Amsterdam’s Cavalleria and Pagliacci

Guy Joosten, who recently directed the Met’s new Roméo et Juliette, reworked an attempt of Cav and Pag presented at the Essen Opera for the Nederlandse Opera in Amsterdam. I cannot say he succeeded or to put it more plainly: Cav was bad and Pagliacci suffered too. »

28 Mar 2006

"Lysistrata, Or the Nude Goddess" at NYC Opera

Having missed the first 10 minutes of Lysistrata, Or the Nude Goddess, I foolishly crept into my seat where I saw what appeared to be four raging Lainie Kazan’s protesting war by Athenian ruins. »

24 Mar 2006

PUCCINI: Turandot

Here is a Turandot to watch with the sound off—not because the singers misfire so badly, although no one really impresses. »

23 Mar 2006

FAURÉ: The Complete Songs 3 — Chanson d’amour.

The theme of the third volume of Hyperion’s set of the Complete Songs of Gabriel Fauré (1845-1924) is Chanson d’amour, which takes its name from a piece in the composer’s opus 27 set – a compilation devoted to the love song. »

22 Mar 2006

WHITACRE: Cloudburst and other choral works

There is little doubt about the popularity of Eric Whitacre’s music among North American choral ensembles. With the release of this Hyperion disc, the international choral scene may soon become enamored as well. »

21 Mar 2006

ROSSINI: Maometto Secondo

Before you watch this DVD, the best thing you can do is read the sleeve notes. They are brief but to the point; and they succinctly tell you the differences between this Venice version and the traditional one. »

21 Mar 2006

VERDI: La forza del destino

After issuing recordings of Les Vêpres Siciliennes, Simon Boccanegra, and Macbeth, Opera Rara continues it series of Verdi Originals—first versions of operas the composer later revised—with La forza del destino. »

21 Mar 2006

MOZART: Don Giovanni and Cosi fan tutte

This is an absolutely wonderful, live performance recording of two of Mozart’s best operas, Don Giovanni and Cosi fan tutte. »

21 Mar 2006

City Opera’s Production of The Most Happy Fella

The New York City Opera opened its spring 2006 season with a new production of Frank Loesser’s The Most Happy Fella, which premiered on Broadway fifty years ago in 1956. »

20 Mar 2006

SCHUBERT: Symphony no. 9

This is an absolutely fabulous recording of Schubert’s final symphony, which is often compared as his closest composition to the style of Beethoven. »

20 Mar 2006

MONTEVERDI: L'Orfeo

In the 1990’s Pierre Audi staged productions of Monteverdi’s three surviving operas (L’Orfeo, Il ritorno d’Ulisse in patria, and L’incoronazione di Poppea) with De Nederlandse Opera in Amsterdam. »

20 Mar 2006

Maria Callas — Three Remastered Releases from EMI

Of all opera singers of the last century, no one better dominated the genre’s star power than Maria Callas. During her thirty-four years onstage, she came to embody the essence of the term “diva,” both in her stormy personal life and her equally tempestuous stage career. »

17 Mar 2006

My Name is Barbara

Barbara Bonney’s discography is extensive and wide-ranging, including opera and oratorio, as well as lieder recitals from Mozart and Mendelssohn through the major Romantics to Zemlinsky. »

17 Mar 2006

Hercules at the Barbican — Five Reviews

Hercules (HWV 60) was first performed on 5 January 1745 at King's Theatre, Haymarket, London. Categorized as a drama, it traditionally has been performed in the oratorio style (i.e., a concert performance). Following its performance as an opera at the Brooklyn Academy of Music, this production by William Christie now appears at the Barbican in London. "This extraordinary opera recounts the tragic tale of a hero literally poisoned by the jealousy of his misguided wife. In this modern-dress production, punctuated by Greek references, the action takes place on a sand-covered, amphitheatre-style arena where the chorus is used as Handel originally intended, to embody the people of Trachis and comment on the action." Here are five reviews. »

16 Mar 2006

Songs for Ariel

Of the countertenors coming to the fore in the generation following Alfred Deller, few, if any, have achieved the prominence or performance longevity of James Bowman. »

16 Mar 2006

TCHAIKOVSKY: The Nutcracker

The Nutcracker is one of the most popular ballets. Tchaikovsky’s score alone is synonymous with Christmas—one can even say that it is what keeps this ballet alive. »

16 Mar 2006

MAHLER: Symphony no. 4
BERG: Sieben Frühe Lieder

A critical aspect of Mahler’s music is the way the composer often juxtaposed the familiar and the new, and this dichotomy is reflected strongly in his Fourth Symphony. »

14 Mar 2006

HIGH RISK “ORFEO” FROM CHICAGO LYRIC

Producer Robert Carsen, together with his set designer Tobias Hoheisel, is taking a big risk with their new production of Glück’s 1762 version for alto of “Orfeo ed Euridice” at Chicago Lyric Opera. »

13 Mar 2006

MEYERBEER: Dinorah

Some opera sets are meant to be an introduction to the work presented. They contain a booklet which tells you about the life of the composer, the history of the work, some analysis, a synopsis of the story, and maybe (if you're lucky) the libretto translated into your language. »

10 Mar 2006

Gabriela Montero — Piano Recital

This recording features piano works by the pillars of nineteenth-century Romantic piano composition (Chopin and Liszt), the Spanish-speaking musical nationalists (Granados, Ginastera, and de Falla), and the Russian composer-pianists (Scriabin and Rachmaninov) who reinterpreted the Romantic spirit in new and innovative ways for the piano. »

10 Mar 2006

MOZART: Requiem

Mozart’s Requiem has become widely-known and popular since the 1984 movie Amadeus. Left incomplete at his death, his student and assistant Franz Xaver Sussmayr (1766-1803) completed the work from Mozart’s notes. »

10 Mar 2006

VERDI: La Traviata

Could La Traviata be the opera with the most versions available on DVD? The appetite for the doomed heroine never wavers. »

09 Mar 2006

Wagnerian Songs

If Richard Wagner’s music may be seen to pervade the late nineteenth century, an area that is rarely discussed is his influence on song. »

09 Mar 2006

DOVE: Flight

For most of its 40 plus years the Adelaide Festival of Arts has had as its central attraction the Australian premieres of a landmark European opera like Wozzeck, Lady Macbeth of Mtsensk, The Fiery Angel or landmark contemporary works like Death in Venice, Nixon in China or El Nino presented within a few years of their world premieres. »

08 Mar 2006

Karajan Performs Strauss Waltzes and Polkas

Everyone is familiar with the waltzes and polkas of the “Waltz King,” Johan Strauss II, along with his father Johann I and his brother Josef. »

08 Mar 2006

VERDI: Ernani

Verdi’s smash hit of 1844 is a relative rarity these days. As Stefano Olcese notes in his booklet essay for a new Dynamic recording, the opera calls for daunting vocal display from tenor, soprano, baritone, and bass. »

08 Mar 2006

Mazeppa at the Met — Three Reviews

This season the Metropolitan Opera presents Tchaikovsky's infrequently performed opera, Mazeppa. Acording to the Met, "[a]lthough Tchaikovsky is best known for Eugene Onegin and several great ballet scores, he wrote many other wonderful operas including Mazeppa, which receives its premiere at The Met this season. Premiered in Moscow in 1884, it was first seen in St Petersburg just three days later, and has remained in the repertoire of The Mariinsky Theatre from that time. Based on a poem by Pushkin, it tells the story of a 17th century Ukrainian separatist, who falls in love with a friend’s daughter. The opera is full of tuneful episodes (similar to those in The Queen of Spades) and this is a very rare chance to see the opera in New York." Here are three reviews. »

05 Mar 2006

HILLIARD ENSEMBLE: Thy Kiss of a Divine Nature — The Contemporary Perotin

The richness of the Ars Antiqua flourishing in Paris in the twelfth and thirteenth centuries marks the time as one of high cultural achievement, drawing nurture from the contemporaneous rise of the Cathedral of Notre Dame and the University of Paris. »

05 Mar 2006

MOZART: The Magic Flute

It would be presumptuous of me to go through the entire plot of The Magic Flute, given its historical and popular significance with all classical music devotees. »

05 Mar 2006

GALLO: Opera — The Basics

Is it possible to say something new and fresh about opera? While many books have been written about the artform, it is rare to find an introductory text that serves its subject well. »

28 Feb 2006

Les Violons du Roy and Magdalena Kožená at Carnegie Hall

On Sunday, 28 February 2006, Carnegie Hall presented Les Violons du Roy, Bernard Labadie, Music Director and Conductor, with Magdalena Kožená, Mezzo-Soprano, featuring works by Rameau and Gluck. Here are two reviews. »

28 Feb 2006

BACH: Works for Trumpet

This recording is a grouping of various compositions by J.S. Bach, which are not solely dedicated to the trumpet, but provide some of the most demanding repertoire for the instrument prior to the nineteenth century. »

28 Feb 2006

Ewa Podles in New York — Two Reviews

On 26 February, Constantine Orbelian led the Moscow Chamber Orchestra, marking its 50th anniversary this season, in works by Haydn, Prokofiev, Rossini, Shostakovich, and Mussorgsky, with the renowned contralto Ewa Podlés. Here are two reviews. »