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Elsewhere

Santa Fe: Secondary Mozart in First Rate Staging

Impresario Boris Goldovsky famously referred to La finta giardiniera as The Phony Farmerette.

Regimented Daughter in Santa Fe

At Santa Fe Opera, Donizetti’s effervescent The Daughter of the Regiment can’t quite decide what it wants to be when it grows up.

Santa Fe’s Celebratory Jester

Santa Fe Opera noted a landmark two-thousandth performance in their distinguished history with a stylish new production of Rigoletto.

Sibelius Kullervo, BBC Proms, London

Why did Jean Sibelius suppress Kullervo (Op7, 1892)? There are many theories why he didn't allow it to be heard after its initial performance, though he referred to it fondly in private.

Aïda at Aspen

Most opera professionals, including the individuals who do the casting for major houses, despair of finding performers who can match historical standards of singing in operas such as Aïda. Yet a concert performance in Aspen gives a glimmer of hope. It was led by four younger singers who may be part of the future of Verdi singing in America and the world.

Prom 53: Shostakovich — Orango

One might have been forgiven for thinking that both biology and chronology had gone askew at the Royal Albert Hall yesterday evening.

Written on Skin at Lincoln Center

Three years ago I made what may have been my single worst decision in a half century of attending opera. I wasn’t paying close attention when some conference organizers in Aix-en-Provence offered me two tickets to the premiere of a new opera. I opted instead for what seemed like a sure thing: William Christie conducting some Charpentier.

La Púrpura de la Rosa

Advertised in the program as the first opera written in the New World, La Púrpura de la Rosa (PR) was premiered in 1701 in Lima (Peru), but more than the historical feat, true or not, accounts for the piece’s interest.

Pesaro’s Rossini Festival 2015

The 36th Rossini Opera Festival in Rossini’s Pesaro! La gazza ladra (1817), La gazzetta (1816) and L'inganno felice (1812) — the little opera that made Rossini famous.

Santa Fe: Placid Princess of Judea

Unlike the brush fire in a distant neighborhood of the John Crosby Theatre, Santa Fe Opera’s Salome stubbornly failed to ignite.

Airy and Bucolic Glimmerglass Flute

As part of a concerted effort to incorporate local color and resonance into its annual festival, Glimmerglass has re-imagined The Magic Flute in a transformative woodland setting.

Glimmerglass Conquers Cato

Bravura singing and vibrant instrumental playing were on ample display in Glimmerglass Festival’s riveting Cato in Utica.

Energetic Glimmerglass Candide

Bernstein’s Candide seems to have more performance versions than Tales of Hoffmann.

Odyssey Opera Presents the Boston Premiere of Le Cid in One-­Night-­Only Concert Event

(Boston, MA) — Odyssey Opera, a Boston-based opera company dedicated to exploring the full spectrum of adventurous repertoire, presents the Boston premiere of one of France’s great operas, Le Cid (1885), composed by Jules Massenet (1842–1912).

Die Eroberung von Mexico in Salzburg

That’s The Conquest of Mexico, an historical music drama composed in 1991 by German composer Wolfgang Rihm (b. 1952). But wait. Wolfgang Rihm construed a few sentences of Artaud’s La Conquête du Mexique (1932) mixed up with bits of Aztec chant and bits of poem(s) by Mexico’s Octavio Paz (d. 1998) to make a libretto.

Scottish Sensation at Glimmerglass

Glimmerglass is celebrating its 40th Festival season with a stylish new production of Verdi’s Macbeth.

Norma in Salzburg

This Salzburg Norma is not new news. This superb production was first seen at the Salzburg Festival’s springtime Whitsun Festival in 2013 with this same cast. It will now travel to a few major European cities.

The power of music: a young cast in a semi-stage account of Monteverdi’s first opera

John Eliot Gardiner conducted a much anticipated performance of Monteverdi’s first opera L’Orfeo at the BBC Proms on 4 August 2015, with his own Monteverdi Choir and English Baroque Soloists.

Cold Mountain Wows Audience at Santa Fe World Premiere

On August 1, 2015, Santa Fe Opera presented the world premiere of Cold Mountain, a brand new opera composed by Pulizer Prize and Grammy winner Jennifer Higdon.

Review: You Promised Me Everything

Richard Taruskin entitled his 1988 polemical critique of the notion of ‘authenticity’ in the context of historically informed performance, ‘The Pastness of the Present and the Presence of the Past’.


OPERA TODAY ARCHIVES »

Reviews

Heidi Stober as Sandrina and William Burden as the Podesta [Photo by Ken Howard]
30 Aug 2015

Santa Fe: Secondary Mozart in First Rate Staging

Impresario Boris Goldovsky famously referred to La finta giardiniera as The Phony Farmerette. »

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19 Jul 2006

BEETHOVEN: Missa Solemnis

This excellent performance of Beethoven's mammoth sacred work, Missa Solemnis, served as part of the celebration of the reopening (after reconstruction) of the Dresden Frauenkirche, which suffered devastating damage in the same bombing raid that destroyed much of the city and so many of its inhabitants near the end of WWII. »

19 Jul 2006

GUERRERO: Missa Surge Propera

The composers Morales, Guerrero, and Victoria form a holy trinity of sorts, dominating Spanish church music in what we have come to see as a “Golden Age,” a time in which sixteenth-century liturgical polyphony assumed a classical perfection. »

19 Jul 2006

CHAUSSON: Le Roi Arthus

I belong to the happy few (some would say ‘unhappy’ few) who ever witnessed a stage production of this rarely performed opera. »

19 Jul 2006

MOZART: Die Entführung aus dem Serail

Glyndebourne’s recent DVD release of it’s 1980 production of Die Entführung aus dem Serail is quite an exceptional performance of this particular work. »

18 Jul 2006

CINDERELLA GLITTERS

JULES MASSENET'S 'BROADWAY HIT,' the 1899 Cendrillon, billed as Cinderella but sung in French, was given top notch treatment at its Santa Fe Opera debut Saturday night (July 15). »

10 Jul 2006

HAYDN: Arias & Cantatas

In a room filled with music scholars, conversations surrounding the name Franz Joseph Haydn would be synonymous with symphonic music, keyboard works, operas, string quartets, and vocal music. »

08 Jul 2006

Dmitri Shostakovich: A Portrait

2006 is a centenary year of Dmitri Shostakovich (1906-1975) - a great Russian composer of the 20th century, and a complicated and tortured soul whose posthumous legacy has been a subject of heated ideological debates in recent years. »

05 Jul 2006

GESUALDO DA VENOSA: Quarto Libro di Madrigali
MONTEVERDI: Madrigals Book 4

Two sets of madrigals, each the fourth book published by its composer, give complementary views of the state of madrigal composition in Italy in the years either side of 1600. »

05 Jul 2006

Ana María Sánchez: Zarzuela

During the fifties and sixties, it was almost impossible (or horrendously expensive) to collect the hundreds of recordings of zarzuela outside Spain and some Latin American countries. »

05 Jul 2006

PUCCINI: Il Tabarro
LEONCAVALLO: I Pagliacci

The recent Deutsche Grammaphone release of an insightful Metropolitan Opera double bill from 1994 provides a fascinating comparison of contrasting verismo worlds. »

05 Jul 2006

Three Sopranos: Elena Obraztsova, Ileana Cotrubas, Renata Scotto

Even with a magnifying glass you won’t be able to find a date of this concert on either the DVD itself or in the sleeve notes. »

27 Jun 2006

Belcanto: The Tenors of the 78 Era, vols. 1 and 2

Second only to soprano divas, history’s great tenors have received the most retrospective scrutiny. »

26 Jun 2006

Puccini: Sogno d’or

Anyone who knows Giacomo Puccini only for his operas is in for a treat. Puccini: Sogno d’or presents Puccini the songwriter, and what is fascinating about this little-known repertory is that it prefigures many of the delightful melodies that later appeared in his works for the stage. »

24 Jun 2006

Vier letzte Lieder in Sofia and Varna

On June 9th in Sofia and 16th at the Varna Summer Festival, celebrated soprano Krassimira Stoyanova made her Richard Strauss debut in Vier letzte Lieder in her native Bulgaria. »

23 Jun 2006

GLUCK: Orfeo ed Euridice

All the excitement and activity in the classical recording company world now seems to be in the budget area. »

23 Jun 2006

"Castrato" — In Search of a Lost Voice

Nestling artistically in a bowl, carefully arranged and lit to suit the camera early in the programme, the testicles seemed to glow softly with their hidden history, their inherent potential and, now, their very lack of future. »

23 Jun 2006

Gypsy Melodies

“Gypsies! Filthy, dirty, thieving gypsies!” cried Amy Sedaris as Jerri Blank from one delightful Strangers With Candy episode years back. For those who have experienced a forced ‘chance’ meeting with one of these colorful characters in say, Granada, Spain, they may have espoused a similar belief in recent years. »

23 Jun 2006

Renato Bruson — Live in Concert

One sign that a media market has really come into its own, economically speaking, is the appearance of items previously released in other formats, items that one struggles to imagine a wide market for. DVDs must be doing fairly well, then, in the classical market. »

17 Jun 2006

HURWITZ: Exploring Haydn—A Listener’s Guide to Music’s Boldest Innovator

The world of J.S. Haydn is one gravely underappreciated and undervalued. He never earned the right to a 1980’s bio pic like Mozart or was appreciated and saluted in pop culture through early rock n’ roll like Beethoven. »

15 Jun 2006

BACH: Cantatas, vol. 14

This installment in the remarkable Bach Cantata Pilgrimage series presents four Christmas cantatas: “Gelobet seist du, Jesus Christ,” BWV 91; “Unser Mund sei voll Lachens,” BWV 110; “Dazu ist erschienen,” BWV 40; and “Christum wir sollen loben schon,” BWV 121, all recorded live in St. Bartholomew’s Church, New York City. »

14 Jun 2006

Piero Cappuccilli: Recital

Can you believe it? With all the profound knowledge of my 24 years, I first visited the Verona Arena in 1968. On was Trovatore with Bergonzi, Gencer and, as Luna, Piero Cappuccilli. »

14 Jun 2006

PUCCINI: Gianni Schicchi

Glyndebourne’s 2004 live recording of Gianni Schicchi, produced by Opus Arte, is quite possibly the most electric and riveting performance of this Puccini one-act opera. »

12 Jun 2006

WOLF: Prometheus — Orchesterlieder

Like other nineteenth-century composers, Hugo Wolf (1860-1903) orchestrated some of his Lieder, and his contributions to the genre of Orchesterlieder are impressive. »

01 Jun 2006

MAHLER: Lieder

Among the interpreters of Mahler’s music in the late twentieth century, Dietrich Fischer-Dieskau and Daniel Barenboim stand out for their various contributions. »

01 Jun 2006

BERNHARD: Geistliche Harmonien

The composer Christoph Bernhard (born Kolberg, Pomerania, 1628, died, Dresden 1692) embodies the problematic nature of German musical culture in the seventeenth century. »

01 Jun 2006

MONTEVERDI: Il ritorno d'Ulisse in patria

This Opus Arte set not only captures a mostly satisfying performance of Monteverdi's opera based on the last books of Homer's Odyssey, but features something even rarer: a booklet essay by the musical director (Glen Wilson) of remarkable lucidity. »

01 Jun 2006

LE JEUNE: Autant en emporte le vent — French Chansons

In spite of the religious warfare that consumed France during the second half of the sixteenth century (which claimed the life of one eminent Catholic composer, Antoine de Bertrand, who was murdered by Protestants)*, musical life continued unabated. »

31 May 2006

PFITZNER: Das Christelflein

Dubbed a “spieloper,” Hans Pfitzner’s Das Christelflein (“The Christmas Elf”) casts a magical, yet appropriately cool, spell, even in the warm days of late May, the time of this review. »

31 May 2006

Delectatio angeli — Music of love, longing & lament

Catherine Bott is an English soprano in her fifties with decades of career and an extensive discography, but even in the world of early music, where she has spent most of her time, one could not say she is a marquee name. »

31 May 2006

BÖHM: Cantatas

“A little learning is a dangerous thing; drink deep, or taste not the Pierian spring”, quoth the great poet Alexander Pope in 1709. »

31 May 2006

JONES: The Geisha

Should Opera Today readers want to test where they would place themselves on a spectrum ranging from “completely politically incorrect” to “utterly politically correct,” the Hyperion Helios re-release of Sidney Jones “Japanese musical play” The Geisha surely will do the trick. »

31 May 2006

MANFREDINI: 12 Concerti op. 3

The general aversion of the listening public to vocal music can nowhere be more easily seen than in the comparative success of the operatic and instrumental works of the Italian baroque. »

31 May 2006

DONIZETTI: Marino Faliero

There was a great northward swing of composers from Italy to Paris and London in the 1820s and 1830s. Actually, this has been going on for a long time, but was temporarily halted by the Napoleonic wars. »

31 May 2006

BACH: Cantatas, vol. 10

Few works seem more seminal to our understanding of J. S. Bach than the church cantatas, written over a wide chronological swath of his career, sometimes as part of occasional duties, other times in what was clearly a frenzy of steady prolificity. »

31 May 2006

MASSENET: Le Roi de Lahore

Sergio Seggalini, former editor of Opéra International (now Opéra Magazine), is the artistic director of both La Fenice and the Festival of Martina Franca. »

30 May 2006

BOITO: Nerone

“What a difference a sound makes” goes the song (or something like that). »

25 May 2006

DONIZETTI: Maria Stuarda

By sheer coincidence I attended a concert performance of this opera at the Vlaamse Opera in Antwerp at the same moment I received these CD’s. »

25 May 2006

DONIZETTI: Roberto Devereux

When asked whether he believed Rossini had composed Il Barbiere di Siviglia in thirteen days, nineteen-year-old Donizetti is supposed to have replied, »

25 May 2006

NICOLAI: Die lustigen Weiber von Windsor

Klaus-Edgar Wichmann, in the booklet essay to this Capriccio recording from 2002 of Otto Nicolai's Die lustigen Weiber von Windsor, describes the work as having "asserted itself in the opera repertoire for more than a hundred years." »

25 May 2006

Flights of Madness — Munich’s New “Orlando”

Returning from Munich’s new production of Handel’s “Orlando” at thirty thousand feet above clouds which might have done service as props for that opera when first staged in 1733, it occurred that the great man himself could have had things to say about what might be director David Alden’s valedictory baroque piece for the Bayerische Staatsoper. »

24 May 2006

BACH: Alles mit Gott

A little over a year ago Bach scholar Michael Maul found himself in the exceedingly unusual position of having discovered a hitherto unknown Bach composition, a birthday ode for Duke Wilhelm Ernst of Weimar, entitled “Alles mit Gott und nichts ohn’ ihn. »

24 May 2006

SCHUBERT: Die schöne Müllerin

Franz Schubert's song cycle Die schöne Müllerin has received, in recent years, frequent attention with several fine recordings having been issued during this period. »

24 May 2006

Orchestral Excerpts from Wagner Operas

Among the plentiful selections of orchestral music from the operas of Richard Wagner, it is rare to find recordings that truly stand out, and this recent release of performances conducted by the late Klaus Tennstedt merits distinction. »

24 May 2006

Turn of the Screw at Kennedy Center

On May 22, the Kennedy Center's Fortas Chamber Music Series and the Chateauville Foundation co-presented a fully staged production of Benjamin Britten's haunting chamber opera The Turn of the Screw, conducted by Lorin Maazel. Here are three reviews: »

24 May 2006

Rolando Villazón — Opera Recital

I’ve carefully listened several times to this new solo album (his third) by Rolando Villazón and it grows on you, though there are a few weaknesses. »

24 May 2006

PUCCINI: Turandot

This must be the first Turandot that has in the sleeve notes three photographs of the soprano who sings Liu compared to two of the lady in the title role. »

22 May 2006

Glyndebourne opens with Così fan tutte

Glyndebourne opened this year's festival with "a new production of Mozart’s Così fan tutte, subtitled ‘The school for lovers’, will open the 2006 Festival. This masterpiece includes some of Mozart’s most exquisite music, and Così’s now established popularity, following comparative neglect in the 19th century, is partly due to Glyndebourne’s championing of the work since the opening of the Festival in 1934." Here are some initial reviews: »

19 May 2006

Placido Domingo — Great Scenes

Domingo-fans probably have all complete performances from which these scenes were culled, as they were widely broadcast in Europe during the eighties. »