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Elsewhere

Nabucco in Novi Sad

After the horrors of Jagoš Marković’s production of Le Nozze di Figaro in Belgrade, I was apprehensive lest Nabucco in Serbia’s second city of Novi Sad on 27th October would be transplanted from 6th century BC Babylon to post-Saddam Hussein Tikrit or some bombed-out kibbutz in Beersheba.

La Bohème in San Francisco

First Toronto, then Houston and now San Francisco, the third stop of a new production of Puccini's La bohème by Canadian born, British nurtured theater director John Caird.

Radvanovsky Sings Recital in Los Angeles

Every once in a while Los Angeles Opera presents an important recital in the three thousand seat Dorothy Chandler Pavilion.

L’elisir d’amore, Royal Opera

This third revival of Laurent Pelly’s production of Donizetti’s L’elisir d’amore needed a bit of a pep up to get moving but once it had been given a shot of ‘medicinal’ tincture things spiced up nicely.

Samling Showcase, Wigmore Hall

Founded in 1996, Samling describes itself as a charity which ‘inspires musical excellence in young people’.

La cenerentola in San Francisco

The good news is that you don’t have to go all the way to Pesaro for great Rossini.

Rameau: Maître à danser — William Christie, Barbican London

Maître à danser: William Christie and Les Arts Florissants at the Barbican, London, presented a defining moment in Rameau performance practice, choreographed with a team of dancers.

Le Nozze di Figaro — or Sex on the Beach?

The most memorable thing (and definitely not in a good way) about this performance of Le Nozze di Figaro at the Serbian National Theatre in Belgrade was the self-serving, infantile, offensive and just plain wrong production by celebrated Serbian theatre director Jagoš Marković.

The Met mounts a well sung but dramatically unconvincing ‘Carmen’

Should looks matter when casting the role of the iconic temptress for HD simulcast?

Maurice Greene’s Jephtha

Maurice Greene (1696-1755) had a highly successful musical career. Organist of St. Paul’s Cathedral, a position to which he was elected when he was just 22 years-old, he later became organist of the Chapel Royal, Professor of Music at the University of Cambridge and, from 1735, Master of the King’s Music.

Tosca in San Francisco

Yet another Tosca is hardly exciting news, if news at all. The current five performances have come just two years after SFO alternated divas Angela Gheorghiu and Patricia Racette in the title role.

Antonin Dvořák: The Cunning Peasant (Šelma Sedlák)

What an enjoyable opportunity to encounter Dvořák’s sixth opera, Šelma Sedlák¸or The Cunning Peasant!

Idomeneo, Royal Opera

Whether biblical parable or mythological moralising, it’s all the same really: human hubris, humility, sacrifice and redemption.

Donizetti’s Les Martyrs — Opera Rara, London

Opera Rara brought a rare performance of Donizetti’s first opera for the Paris Opera to the Royal Festival Hall on 4 November 2014, following recording sessions for the opera.

Luca Pisaroni in San Diego

Bass baritone, Luca Pisaroni, known to opera lovers throughout the world for his excellence in Mozart roles, offered San Diego vocal aficionados a double treat on October 28th: his mellifluous voice, and a recital of German songs.

La bohème, ENO

Jonathan Miller’s production of La bohème for ENO, shared with Cincinnati Opera, sits uneasily, at least as revived by Natascha Metherell, between comedy and tragedy.

Florian Boesch, Wigmore Hall - Liszt, Strauss and Schubert

Any Florian Boesch and Malcolm Martineau performance is superb, but this Wigmore Hall recital surprised, too. Boesch's Schubert is wonderful, but this time, it was his Liszt and Strauss songs which stood out. This year at the Wigmore Hall, we've heard a lot of Liszt and a lot of Richard Strauss everywhere, establishing high standards, but this was special.

Wexford Festival 2014

The weather was auspicious for Wexford Festival Opera’s first-night firework display — mild, clear and calm. But, as the rainbow rockets exploded over the River Slaney, even bigger bangs were being made down at the quayside.

The Met’s ‘Le Nozze di Figaro’ a happy marriage of ensemble singing and acting

The cast of supporting roles was especially strong in the company’s new production of Mozart’s matchless masterpiece

Syracuse Opera’s ‘Die Fledermaus’ bubbles over with fun, laughter and irresistible music

The company uncorks its 40th Anniversary season with a visually and musically satisfying production of Johann Strauss Jr.’s farcical operetta


OPERA TODAY ARCHIVES »

Reviews

A scene from Nabucco [Photo courtesy of Serbian National Theatre, Novi Sad]
22 Nov 2014

Nabucco in Novi Sad

After the horrors of Jagoš Marković’s production of Le Nozze di Figaro in Belgrade, I was apprehensive lest Nabucco in Serbia’s second city of Novi Sad on 27th October would be transplanted from 6th century BC Babylon to post-Saddam Hussein Tikrit or some bombed-out kibbutz in Beersheba.  »

Recently in Reviews

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01 Nov 2010

Cervantino stages rare Graun opera — The Mexican national opera?

Clearly, there isn’t one. Yet, Carl Heinrich Graun’s 1755 rarely-performed Montezuma is of special importance in a country celebrating 200 years of Independence from Spanish rule and 100 years since the Revolution that ultimately toppled dictator Porfirio Díaz. »

29 Oct 2010

Wagner: Wesendonck-Lieder, Preludes and Overtures

A great vintage Mercury album of Antal Dorati conducting Wagner overtures and preludes featured as a cover a close-up of a medieval chalice, undoubtedly meant to reference the Parsifal excerpt on the enclosed disc.  »

29 Oct 2010

New York Festival of Song

“Don’t I have the coolest job in the world?” said Steven Blier.  »

28 Oct 2010

Kafka at the Opera: Bartlett Sher’s Production of Hoffmann at the Met

We all come to the opera for different things. To escape, to elevate, to laugh, to cry, or perhaps because someone else bought the tickets.  »

27 Oct 2010

Piotr Beczala: Roméo et Juliette, Royal Opera

Charles Gounod’s Roméo et Juliette is almost more musical than opera. Everyone knows the story, and it would be hard to compete with Shakespeare. Gounod wisely focused on music, rather than drama. »

24 Oct 2010

Boris Godunov, Metropolitan Opera

The last curtain call at the opera usually goes to the title character, the star of the work just performed. At the end of the Met’s new Boris Godunov, the calls begin with a solo call for the title character, René Pape as Boris, and conclude with one for the Metropolitan Opera Chorus all by themselves.  »

24 Oct 2010

Gilbert and Sullivan opens Arizona Opera

On 16 October 2010 in Tucson, Arizona Opera opened it’s 2010-2011 season with an operetta, The Pirates of Penzance, by W. S. Gilbert and Arthur Sullivan.  »

24 Oct 2010

Divas and Divos Concert, Manitoba

It’s every opera director’s nightmare.  »

24 Oct 2010

Jerry Springer, The Opera in San Francisco

The fall opera season in San Francisco has been dealt a wild card — Jerry Springer, The Opera! Not exactly material for SF’s august opera company . . . »

24 Oct 2010

The Metropolitan Opera Gala 1991

The 50th anniversary of the Metropolitan Opera at the Lincoln Center is just a few years away, so, with something less than dispatch, a DVD of the 25th anniversary Gala appears.  »

24 Oct 2010

Il Postino at Los Angeles Opera

An American opera house premieres a new work by a Mexico-born composer, to his own libretto in Spanish based on a film in Italian by an English director about an unlikely friendship the Chilean poet Pablo Neruda found when in exile on a small Italian island. »

24 Oct 2010

La Bohème, ENO

ENO clearly expect high returns from Jonathan Miller’s La Bohème.  »

24 Oct 2010

Madama Butterfly in San Francisco

“One of the most beautiful sets I have ever seen,” crows San Francisco Opera general director David Gockley over the airwaves, “directed by Broadway legend Hal Prince.” »

24 Oct 2010

Paris: La Saison a Commencé

Paris Opéra’s L’Italiana in Algeri had a lot going for it, including a star mezzo in her local debut, so why was I resistant to its merits?  »

24 Oct 2010

Kirsten Flagstad sings Wagner & Strauss

Kirsten Flagstad’s voice remains connected to the music of Richard Wagner through the recordings that continue to bring her performances to new audiences.  »

21 Oct 2010

Rameau’s Zéphyre, New York

In sports they say, “Winning isn’t the most important thing—it’s the only thing.” In the theater, getting the show on the boards out front is the key.  »

17 Oct 2010

Haendel: Water Music; Music for The Royal Fireworks

The “popular” Handel is firmly entrenched in the collective culture with a handful of pieces: the Christmas portion of Messiah, the “Largo” from Serse (in fact, “Larghetto,” but collective culture is hard to convince), and instrumental suites of the Water Music and Music for the Royal Fireworks come immediately to mind.  »

16 Oct 2010

Jephtha, New York

Jephtha was Handel’s last work — he went blind while composing it, noting this on the manuscript, and though he lived another seven years, did not deign to dictate new music.  »

16 Oct 2010

Rigoletto at Covent Garden

Dame Joan Sutherland, ‘La Stupenda’, sang her first Gilda at Covent Garden in 1957 under the baton of Sir Edward Downes, and sang the role many times and to great acclaim on the ROH stage.  »

13 Oct 2010

Verdi’s Macbeth in a New Production at Lyric Opera of Chicago

A successful production of Verdi’s Macbeth relies not only on incisive vocal characterization as projected by Macbeth and Lady Macbeth but also on the interaction of these lead figures in order to vivify their descent into a world of destruction.  »

13 Oct 2010

Salome at the Washington National Opera

With its playbill half-empty, its general director Placido Domingo resigning, and the talk of a takeover by the Kennedy Center, Washington National Opera is in a dire need of good news this season. »

12 Oct 2010

Promised End — English Touring Opera

In the final scene of Shakespeare’s King Lear, faced with the dreadful sight of the distraught Lear cradling in his arms the body of his dead daughter Cordelia, the Earl of Kent asks: “Is this the promised end?”  »

11 Oct 2010

Marriage of Figaro in San Francisco (and Los Angeles)

No question that Nicola Luisotti is a conducting genius, and no question that genius runs amuck from time to time. In the case of Mo. Luisotti fairly often. »

11 Oct 2010

The Other ‘Marriage of Figaro’

The opening night of Rossini’s The Barber of Seville, in Rome in 1816, was violently disrupted by vociferous protests from supporters loyal to Paisiello, whose own comic interpretation of Beaumarchais’ politically-charged play had appeared in 1782.  »

10 Oct 2010

Anonymous 4: The Cherry Tree

In the popular view, the modern celebration of Christmas seems to have begun with Charles Dickens’s revivifying A Christmas Carol (1843). »

10 Oct 2010

Rossini’s Otello at Rossini in Wildbad Festival, 2008

As good a performance of Rossini’s opera as this disc provides, for some equal entertainment value may potentially arise from the booklet essay by one Bernd-Rüdiger Kern (as translated into English by David Stevens).  »

10 Oct 2010

Schumann: The Complete Symphonies, Mahler Edition

Mahler’s well-known revisions of music he conducted include the four symphonies by Robert Schumann, and while these Retuschen have been performed from time to time, a recording of all four of them is now available from Decca.  »

10 Oct 2010

Technicolour Radamisto at ENO

Handel’s Radamisto came to the ENO at the Coliseum in glorious technicolour.  »

08 Oct 2010

El Gato con Botas: Gotham Chamber Opera

Haven’t you always secretly felt that singers who reach for high notes (and make them) ought to levitate and maintain themselves in mid-air when they do it?  »

08 Oct 2010

Das Rheingold, Metropolitan Opera

It will be no surprise to me, a year or five from now, when someone falls to her or his death from the guy-wires that configure so much of Robert Lepage’s new state-of-the-art (ah! But which art?) production of Der Ring des Nibelung.  »

07 Oct 2010

Bizet Les Pêcheurs de Perles - Royal Opera House

Bizet’s Les Pêcheurs de Perles is notoriously hard to stage. Because the plot’s so grandiose, the imagination works overtime, dwarfing the music, making it seem puny in comparison. There’s a lot to be said in favour of concert performances because they shift the balance back to Bizet. »

06 Oct 2010

Gustav Mahler: Symphony no. 5

Based on performances given on 18 and 21 October 2008 and 16 and 17 January 2009, this recording of the Royal Concertgebouw Orchestra offers its latest release of Mahler’s Fifth Symphony, a work associated with the group since the composer’s lifetime.  »

29 Sep 2010

Faust by ENO

Perhaps because the rather stolidly Victorian character of both its music and its morality, Gounod’s Faust has been out of fashion in the UK in recent decades, and owes a debt to David McVicar and his darkly Gothic production for the Royal Opera in 2004 (now, at last, available on DVD) for the restoration of its footing in the standard repertoire. »

28 Sep 2010

Orpheo ed Eurydice in Minnesota

Minnesota Opera pulled out all the stops for its 2010-2011 season with its production of Gluck’s Orpheo ed Eurydice.  »

27 Sep 2010

Tristan und Isolde at Royal Festival Hall

Almost irrespective of the results, it was quite a statement to open the Philharmonia’s London concert season with a performance of Nietzsche’s ‘opus metaphysicum of all true art,’ Tristan und Isolde.  »

26 Sep 2010

Niobe, Regina di Tebe, Royal Opera

The Royal Opera is hardly renowned for its commitment to baroque opera, and even the great Handel still gets short shrift in his adopted city’s major house.  »

24 Sep 2010

Werther in San Francisco

It has been twenty-five years since San Francisco Opera has staged a Werther. so it was high time that Massenet’s whiney, weepy masterpiece be given another chance.  »

23 Sep 2010

The Makropulos Case at ENO

In their programme note, Christopher Alden and Peter Littlefield explain the concept which informs this dark, dystopian production of Janáček’s penultimate opera, The Makropulos Case — a production first seen at ENO in 2004: »

21 Sep 2010

Aida in San Francisco

Opera as circus. The current San Francisco Aida comes from the English National Opera where an inspired and probably very excited administrator proposed a production by aging London fashionista Zandra Rhodes. »

20 Sep 2010

An experience In the Penal Colony

Kafka's In the Penal Colony set as an opera by Philip Glass? Against all expectations, it was a powerful and deeply moving experience.  »

19 Sep 2010

Gustav Mahler: Das Lied von der Erde

Vocally impressive, Michael Tilson Thomas’s new recording of Gustav Mahler’s symphonic song cycle Das Lied von der Erde merits attention for various reasons.  »

19 Sep 2010

Un ballo in maschera at the Washington National Opera

Verdi’s 1859 hit Un ballo in maschera is an inspired choice to open an operatic season.  »

16 Sep 2010

Hugo Wolf’s Spanisches Liederbuch at Wigmore Hall

In this recital of thirty-four songs selected from Hugo Wolf’s Spanisches Liederbuch, Ian Bostridge and Angelika Kirchschlager revealed the profound emotional intensity of Wolf’s art; the concentrated ardour of their performance intimated the heightened passion and expressive angst which, as well as driving Wolf’s creative spirit, also led to persistent depression and resulted in insanity and finally death in mental asylum at the age of 42. »

15 Sep 2010

Don Pasquale at the Royal Opera House

This show, a revival of Jonathan Miller’s 2004 production (first seen at the Maggio Musicale in Florence) is certainly a feast for the eyes.  »

14 Sep 2010

The Rake’s Progress at Théâtre Royal de la Monnaie

At some point it became a matter of honor for elite composers to have at least one go at a full length opera.  »

14 Sep 2010

Bayreuth’s Lohengrin: A ‘Rat’-ical Re-‘tail’-ing

It doesn’t take long for the summer’s new Lohengrin to reveal its entire bag of tricks as a large chorus of rats (yes, the chorus-as-rodents) scurries on at curtain-rise into the white science laboratory setting. »

13 Sep 2010

Così fan tutte, Royal Opera House

Everyone loves Mozart. The Royal Opera House's 2010-2011 season began with Così fan tutte, and simultaneous live international broadcast.  »

12 Sep 2010

Julius Röntgen: Aus Goethes Faust.

The release of Röntgen’s Faust setting on CPO makes available a recording of yet another composer’s perspective on Goethe’s famous dramatic poem.  »