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Elsewhere

Gluck and Bertoni at Bampton

Bampton Classical Opera’s 2014 double bill neatly balanced drollery and gravity. Rectifying the apparent prevailing indifference to the 300th centenary of Christoph Willibald Gluck birth, Bampton offered a sharp, witty production of the composer’s Il Parnaso confuso, pairing this ‘festa teatrale’ with Ferdinando Bertoni’s more sombre Orfeo.

Purcell: A Retrospective

Harry Christophers and The Sixteen Choir and Orchestra launched the Wigmore Hall’s two-year series, ‘Purcell: A Retrospective’, in splendid style. Flexibility, buoyancy and transparency were the watchwords.

Mahler: Symphony no.3 — Prom 73

It would be unfair, but one could summarise this concert with the words, ‘Senator, you’re no Leonard Bernstein.’

Los Angeles Opera Opens with La traviata

On September 13, Los Angeles Opera opened its 2014-2015 season with a revival of Marta Domingo’s updated, Art Deco staging of Giuseppe Verdi’s La traviata. It starred Nino Machaidze as Violetta, Arturo Chácon-Cruz as Alfredo, and Plácido Domingo as Giorgio Germont. The conductor was Music Director James Conlon.

Stars of Lyric Opera at Millennium Park, 2014

In its annual concert previewing the forthcoming season Lyric Opera of Chicago presented its “Stars of Lyric Opera at Millennium Park” during the past weekend to a large audience of enthusiastic listeners.

Susannah in San Francisco

Come to think of it the 1950‘s were operatically rich years in America compared to other decades in the recent past. Just now the San Francisco Opera laid bare an example, Carlisle Floyd’s Susannah.

Xerxes, ENO

Nicholas Hytner’s production of Handel’s Xerxes (Serse) at English National Opera (ENO) is nearly 30 years old, and is the oldest production in ENO’s stable.

San Diego Opera Opens 2014-2015 Season

On Friday evening September 5, 2014, tenor Stephen Costello and soprano Ailyn Pérez gave a recital to open the San Diego Opera season. After all the threats to close the company down, it was a great joy to great San Diego Opera in its new vibrant, if slightly slimmed down form.

Otello at ENO

English National Opera’s 2014-15 season kicked off with an ear-piercing orchestral thunderbolt. Brilliant lightning spears sliced through the thick black night, fitfully illuminating the Mediterranean garret-town square where an expectant crowd gather to welcome home their conquering hero.

Anna Nicole, back with a bang!

It is now three and a half years since Anna Nicole was unleashed on the world at the Royal Opera House, Covent Garden.

Norma in San Francisco

It was a Druid orgy that overtook the War Memorial. Magnificent singing, revelatory conducting, off-the-wall staging (a compliment, sort of).

Joyce DiDonato starts Wigmore Hall new season

There was a quasi-party atmosphere at the Wigmore Hall on Monday evening, when Joyce DiDonato and Antonio Pappano reprised the recital that had kicked off the Hall’s 2014-15 season with reported panache and vim two nights previously. It was standing room only, and although this was a repeat performance there certainly was no lack of freshness and spontaneity: both the American mezzo-soprano and her accompanist know how to communicate and entertain.

Aida at Aspendos Opera and Ballet Festival

In strict architectural terms, the stupendous 2nd century Roman theatre of Aspendos near Antalya in southern Turkey is not an arena or amphitheatre at all, so there are not nearly as many ghosts of gored gladiators or dismembered Christians to disturb the contemporary feng shui as in other ancient loci of Imperial amusement.

St Matthew Passion, Prom 66

Simon Rattle and the Berlin Philharmonic Orchestra brought their staging of Bach's St Matthew Passion to the BBC Proms at the Royal Albert Hall on Saturday, 6 September 2014.

Glimmerglass: Butterfly Leads the Pack

Every so often an opera fan is treated to a minor miracle, a revelatory performance of a familiar favorite that immediately sweeps all other versions before it.

Operalia, the World Opera Competition, Showcases 2014 Winners

On August 30, Los Angeles Opera presented the finals concert of Plácido Domingo’s Operalia, the world opera competition. Founded in 1993, the contest endeavors to discover and help launch the careers of the most promising young opera singers of today. Thousands of applicants send in recordings from which forty singers are chosen to perform live in the city where the contest is being held. Last year it was Verona, Italy, this year Los Angeles, next year London.

Elektra at Prom 59

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role.

Powerful Mahler Symphony no 2 Harding, BBC Proms London

Triumphant! An exceptionally stimulating Mahler Symphony No 2 from Daniel Harding and the Swedish Radio Symphony Orchestra, BBC Prom 57 at the Royal Albert Hall. Harding's Mahler Tenth performances (especially with the Berliner Philharmoniker) are pretty much the benchmark by which all other performances are assessed. Harding's Mahler Second is informed by such an intuitive insight into the whole traverse of the composer's work that, should he get around to doing all ten together, he'll fulfil the long-held dream of "One Grand Symphony", all ten symphonies understood as a coherent progression of developing ideas.

Nina Stemme's stunning Strauss Salome, BBC Proms London

The BBC Proms continued its Richard Strauss celebrations with a performance of his first major operatic success Salome. Nina Stemme led forces from the Deutsche Oper, Berlin,at the Royal Albert Hall on Saturday 30 August 2014,the first of a remarkable pair of Proms which sees Salome and Elektra performed on successive evenings

Santa Fe Opera Presents Updated, at One Point Up-ended, Don Pasquale

On August 9, 2014, Santa Fe Opera presented a new updated production of Don Pasquale that set the action in the 1950s. Chantal Thomas’s Act I scenery showed the Don’s furnishing as somewhat worn and decidedly dowdy. Later, she literally turned the Don’s home upside down!


OPERA TODAY ARCHIVES »

Reviews

Apollo, Euterpe, Melpomene (Gwawr Edwards) and Erato
19 Sep 2014

Gluck and Bertoni at Bampton

Bampton Classical Opera’s 2014 double bill neatly balanced drollery and gravity. Rectifying the apparent prevailing indifference to the 300th centenary of Christoph Willibald Gluck birth, Bampton offered a sharp, witty production of the composer’s Il Parnaso confuso, pairing this ‘festa teatrale’ with Ferdinando Bertoni’s more sombre Orfeo.  »

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21 Sep 2010

Aida in San Francisco

Opera as circus. The current San Francisco Aida comes from the English National Opera where an inspired and probably very excited administrator proposed a production by aging London fashionista Zandra Rhodes. »

20 Sep 2010

An experience In the Penal Colony

Kafka's In the Penal Colony set as an opera by Philip Glass? Against all expectations, it was a powerful and deeply moving experience.  »

19 Sep 2010

Gustav Mahler: Das Lied von der Erde

Vocally impressive, Michael Tilson Thomas’s new recording of Gustav Mahler’s symphonic song cycle Das Lied von der Erde merits attention for various reasons.  »

19 Sep 2010

Un ballo in maschera at the Washington National Opera

Verdi’s 1859 hit Un ballo in maschera is an inspired choice to open an operatic season.  »

16 Sep 2010

Hugo Wolf’s Spanisches Liederbuch at Wigmore Hall

In this recital of thirty-four songs selected from Hugo Wolf’s Spanisches Liederbuch, Ian Bostridge and Angelika Kirchschlager revealed the profound emotional intensity of Wolf’s art; the concentrated ardour of their performance intimated the heightened passion and expressive angst which, as well as driving Wolf’s creative spirit, also led to persistent depression and resulted in insanity and finally death in mental asylum at the age of 42. »

15 Sep 2010

Don Pasquale at the Royal Opera House

This show, a revival of Jonathan Miller’s 2004 production (first seen at the Maggio Musicale in Florence) is certainly a feast for the eyes.  »

14 Sep 2010

The Rake’s Progress at Théâtre Royal de la Monnaie

At some point it became a matter of honor for elite composers to have at least one go at a full length opera.  »

14 Sep 2010

Bayreuth’s Lohengrin: A ‘Rat’-ical Re-‘tail’-ing

It doesn’t take long for the summer’s new Lohengrin to reveal its entire bag of tricks as a large chorus of rats (yes, the chorus-as-rodents) scurries on at curtain-rise into the white science laboratory setting. »

13 Sep 2010

Così fan tutte, Royal Opera House

Everyone loves Mozart. The Royal Opera House's 2010-2011 season began with Così fan tutte, and simultaneous live international broadcast.  »

12 Sep 2010

Julius Röntgen: Aus Goethes Faust.

The release of Röntgen’s Faust setting on CPO makes available a recording of yet another composer’s perspective on Goethe’s famous dramatic poem.  »

08 Sep 2010

Unique Rigoletto live from Mantua

Realism never comes more authentic than this RAI Rigoletto filmed live on location in Mantua, Italy and broadcast simultaneously in 148 countries..  »

07 Sep 2010

Diana Damrau in Recital at Salzburg Festival

Recorded live on 13 August 2005, this recent release on the Orfeo label in its Festspiel Dokumente imprint makes available a recital given by soprano Diana Damrau and pianist Stephan Matthias Lademann during the 2005 Salzburg Festival and given at the Mozarteum.  »

01 Sep 2010

Englebert Humperdinck: Hansel und Gretel — BBC Prom 61

The annual visit of Glyndebourne Opera to the BBC Proms has become an eagerly awaited event.  »

30 Aug 2010

Puccini’s Edgar at the Teatro Regio Torino

A world premiere of a new opera holds the promise of an exciting new addition to the fairly calcified collection of masterpieces that comprise the standard repertory.  »

29 Aug 2010

Brahms: Lieder

Like her impressive recording of Lieder by Dvořák (Harmonia Mundi CD 901824), Bernarda Fink’s recording of a selection of Lieder by Brahms not only offers a fine representation of the music, but also demonstrate the singer’s command of this repertoire.  »

29 Aug 2010

David McVicar’s Salome

This high-concept Salome takes place in Nazi Germany.The set has two levels: on top, Herod revels with the banqueters; below, we see a dingy basement, full of kitchen workers, relaxed soldiers, and the prostitutes who help them relax.  »

24 Aug 2010

Aspen makes Corigliano’s Ghosts classic

When it debuted at the Met in 1991 John Corigliano’s overwrought and somewhat all-too comic Ghosts of Versailles was praised largely as a vehicle for the long-celebrated artistry of Teresa Stratas and Marilyn Horne. »

24 Aug 2010

Jean Sibelius: Kullervo, Op. 7.

Sibelius’s 1892 symphonic poem for soloists, chorus, and orchestra is in the tradition of the cantata-like symphonies of the nineteenth century, as found in Mendelssohn’s Lobgesang or Mahler’s Second Symphony.  »

24 Aug 2010

Glimmerglass Rarities Out-Score Hall of Famer

To frame it in nearby-Cooperstown sports metaphors, the enterprising Glimmerglass Opera scored two decisive ‘home runs,’ and a decent enough ‘single’ in its 2010 Festival season.  »

24 Aug 2010

Lulu at Covent Garden

One of the leading lights of Berg’s Vienna was the architect Adolf Loos, the great crusader against ornament.  »

24 Aug 2010

Un ballo in maschera at the Teatro Real

The greatest dramatic tenor and soprano roles have proven irresistible to Marcelo Alvarez, who started primarily as a lyric tenor, and Violeta Urmana, whose first career success came as a mezzo.  »

24 Aug 2010

Sigismondo, La Cenerentola, Demetrio e Polibio at Pesaro

The fourteen year old Rossini composed his first opera Demetrio e Polibio in 1806 though it was not performed for another six years.  »

18 Aug 2010

Tristan und Isolde, Bayreuth 2009

As the prelude plays, we see circles of fluorescent light moving slowly in uncertain black space. Are we seeing flights of flying saucers, as in Close Encounters of the Third Kind?  »

18 Aug 2010

Mozart and Rossini Finales at Grant Park, Chicago

During a recent concert at the Grant Park Music Festival, held on this occasion in the adjacent Harris Theater, members of the Ryan Opera Center of Lyric Opera of Chicago presented ensembles from four operas, two each by Mozart and by Rossini.  »

18 Aug 2010

Schumann’s Genoveva

Robert Schumann’s only opera Genoveva (1850) is best known as a failure in its time and has since fallen into the list of succès d’estime, but with this new release, based on a production intended for television, conductor Nikolaus Harnoncourt champions the work in his second recording of the score.  »

15 Aug 2010

Tales of Hoffmann at Santa Fe

The performances of Jacques Offenbach’s The Tales of Hoffmann at Santa Fe Opera this summer are based on Michael Kaye’s edition of the score.  »

15 Aug 2010

Tristan in Seattle

Seattle, the city of software and Starbucks, is also a summer site for serious Wagnerites.  »

15 Aug 2010

To Loxford with Love

There was a time when the works of Benjamin Britten, one of the 20th-Century’s supreme composers, were not welcome at Santa Fe Opera. »

15 Aug 2010

Marco Polo at Het Muziektheater, Amsterdam

Does this Tan Dun opera prove or disprove that for East and West, the twain shall never meet?  »

15 Aug 2010

Michael Christie conducts Corigliano in Aspen

Michael Christie, now 34, was too young to see John Corigliano’s Ghosts of Versailles when it was new at the Metropolitan Opera in 1991.  »

11 Aug 2010

Rossini’s Mosè in Egitto at Chicago Opera Theater

Although productions of Gioachino Rossini’s Mosè in Egitto are infrequent, the lively debate on successive versions of the work has generally led to questions of priority and to informative discussions on performance history.  »

10 Aug 2010

Middle Ages Next to Come

According to Paulus Diaconus’ Historia Langobardorum, both Lombard sovereigns warring for supremacy in late 7th-century Italy — the legitimate king Perctarit and Grimuald the usurper — behaved rather fairly to each other and their families.  »

06 Aug 2010

Lotfi Mansouri: An Operatic Journey

The noted operatic impresario and stage director, Lotfi Mansouri, with the professional help of writer Donald Arthur, has issued his memoirs under the title Lotfi Mansouri: An Operatic Journey. »

06 Aug 2010

Prom 21 — Berlioz and Wagner

Period instruments and nineteenth-century grand opera are seldom found on the same stage — or even the same sentence — but as adventurous practitioners increasingly experiment in the repertoire of the late-nineteenth and early-twentieth centuries, it’s a sight and sound that will inevitably become more familiar. »

02 Aug 2010

Der Ferne Klang, Bard College

Franz Schreker, born in 1878, was a youth in the age in which psychoanalysis first bloomed. In music, far from coincidentally, it was the post-Wagnerian era when western tonality had been liberated from traditional rules but was uncertain which new path to take.  »

01 Aug 2010

Maria di Rohan at Caramoor

Maria di Rohan was Donizetti’s penultimate opera, composed in Italian for Vienna in 1843, with revisions to appeal to the taste of Paris and Milan following.  »

26 Jul 2010

Santa Fe’s Mixed Dreams

Fairy Tales are often short on character, motivation and development. The stock figures are either good or bad, they are usually archetypal, and stand not only for themselves but larger dimensions of humanity.  »

26 Jul 2010

George Benjamin: Into the Little Hill, Linbury, London

George Benjamin is the leading British composer of his generation. Into the Little Hill premiered in 2006, has been acclaimed a masterpiece.  »

22 Jul 2010

Hoffmann Takes A Hit In Santa Fe

Despite its length and pretentions to being serious opera, Jacques Offenbach’s The Tales of Hoffmann, dating from the 1880s, remains a leaky vessel adrift on a sea of self-fulfilling prophesies of doom. »

22 Jul 2010

The Adventures of Pinocchio

The operas of British composer Jonathan Dove enjoy a fairly high level of both critical and popular support in the U.K., where his best known work, Flight, premiered at the prestigious Glyndebourne Festival.  »

21 Jul 2010

Angela Meade's Norma at Caramoor

Bellini’s Norma was composed in 1831 and, in the era of such singing actresses as Giuditta Pasta, Maria Malibran, Giuseppina Strepponi, Giulia Grisi and Thérèse Tietjens (famous Normas all), soon came to be known as the bel canto vehicle par excellence, the summit of vocal achievement.  »

21 Jul 2010

Cosima Wagner — The Lady of Bayreuth

Originally published in German as Herrin des Hügels, das Leben der Cosima Wagner (Siedler, 2007), this new book by Oliver Hilmes is an engaging portrait of one of the most important women in music during the late nineteenth and early twentieth centuries.  »

20 Jul 2010

Simon Boccanegra at the Proms

Proms audiences have a tendency to be overly enthusiastic in showing their appreciation, with an arsenal of rituals and traditions at the ready to show their praise and adulation for their idols.  »

20 Jul 2010

Opera’s Brigadoon — OTSL’s 2010 Season of the Sublime

At the beginning of every summer, an oasis of music and theater appears like magic in the suburbs of St. Louis.  »

19 Jul 2010

Meistersinger at the Proms

The BBC Proms brought the Welsh National Opera’s hit Die Meistersinger von Nürnberg to the Royal Albert Hall and to the world, via international broadcast. »

18 Jul 2010

Mahler’s 8th at Royal Albert Hall

A performance of Mahler’s Eighth Symphony could only ever be relatively underwhelming; even a car crash of a performance would impress in some sense, indeed most likely in quite a few.  »

18 Jul 2010

Darkness Visible: Dowland and beyond

This was a recital of concentrated intensity — a remarkable dialogue between texts, timbres and idioms, across ages and among performers.  »

18 Jul 2010

Stars Sizzle, Productions Fizzle in Paris

So when did you last shout “bravissima”? »

18 Jul 2010

Tosca at Orange

There was a time when the likes of Luc Bondy and Francesca Zambello staged operas for the Chorégies d’Orange in its famed Théâtre Antique.  »

18 Jul 2010

Star Power in Zürich’s Rosenkavalier

The annual Zürcher Festspiel banked on a heavy hitter to generate excitement for its revival of Der Rosenkavalier. »