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Elsewhere

Il turco in Italia at the Aix Festival

Twenty years ago stage director Christopher Alden introduced Rossini’s then forgotten comedy to Southern California audiences in a production that is still remembered. In Aix Alden has revisited this complex work that many critics now consider Rossini’s greatest comedy.

First Night of the BBC Proms : Elgar The Kingdom

The BBC Proms 2014 season began with Sir Edward Elgars The Kingdom (1903-6). It was a good start to the season,which commemorates the start of the First World War. From that perspective Sir Andrew Davis's The Kingdom moved me deeply.

Le nozze di Figaro, Munich

One is unlikely to come across a cast of Figaro principals much better than this today, and the virtues of this performance indeed proved to be primarily vocal.

Winterreise and Trauernacht at the Aix Festival

That’s A Winter’s Journey and A Night of Mourning for metteurs-en-scène William Kentridge (South Africa) and Katie Mitchell (Great Britain), completing the clean sweep of English language stage directors for the Aix Festival productions this year.

James Gilchrist at Wigmore Hall

Assured elegance, care and thoughtfulness characterised tenor James Gilchrist’s performance of Schubert’s Schwanengesang at the Wigmore Hall, the cycles’ two poets framing a compelling interpretation of Beethoven’s An die ferne Geliebte.

Music for a While: Improvisations on Henry Purcell

‘Music for a while shall all your cares beguile.’ Dryden’s words have never seemed as apt as at the conclusion of this wonderful sequence of improvisations on Purcell’s songs and arias, interspersed with instrumental chaconnes and toccatas, by L’Arpeggiata.

Nabucco at Orange

The acoustic of the gigantic Théâtre Antique Romain at Orange cannot but astonish its nine thousand spectators, the nearly one hundred meter breadth of the its proscenium inspires awe. There was excited anticipation for this performance of Verdi’s first masterpiece.

Richard Strauss: Notturno

Richard Strauss may be most closely associated with the soprano voice but this recording of a selection of the composer’s lieder by baritone Thomas Hampson is a welcome reminder that the rapt lyricism of Strauss’s settings can be rendered with equal beauty and character by the low male voice.

Saint Louis: A Hit is a Hit is a Hit

Opera Theatre of Saint Louis has once again staked claim to being the summer festival “of choice” in the US, not least of all for having mounted another superlative world premiere.

La Flûte Enchantée (2e Acte)
at the Aix Festival

In past years the operas of the Aix Festival that took place in the Grand Théâtre de Provence began at 8 pm. The Magic Flute began at 7 pm, or would have had not the infamous intermittents (seasonal theatrical employees) demanded to speak to the audience.

Ariodante at the Aix Festival

High drama in Aix. Three scenarios in conflict — those of G.F. Handel, Richard Jones and the intermittents (disgruntled seasonal theatrical employees). Make that four — mother nature.

Lucy Crowe, Wigmore Hall

The programme declared that ‘music, water and night’ was the connecting thread running through this diverse collection of songs, performed by soprano Lucy Crowe and pianist Anna Tilbrook, but in fact there was little need to seek a unifying element for these eclectic works allowed Crowe to demonstrate her expressive range — and offered the audience the opportunity to hear some interesting rarities.

The Turn of the Screw, Holland Park

‘Only make the reader’s general vision of evil intense enough … and his own experience, his own imagination, his own sympathy … will supply him quite sufficiently with all the particulars.

Plenty of Va-Va-Vroom: La Fille du Regiment, Iford

It is not often that concept, mood, music and place coincide perfectly. On the first night of Opera della Luna’s La Fille du Regiment at Iford Opera in Wiltshire, England we arrived with doubts (rather large doubts it should be admitted)as to whether Donizetti’s “naive and vulgar” romp of militarism and proto-feminism, peopled with hordes of gun-toting soldiers and praying peasants, could hardly be contained, surely, inside Iford’s tiny cloister?

La finta giardiniera, Glyndebourne

‘Lovers and madmen have such seething brains,/ Such shaping fantasies, that apprehend/ More than cool reason ever comprehends.’

Sophie Karthäuser, Wigmore Hall

Belgian soprano Sophie Karthäuser has a rich range of vocal resources upon which to draw: she has power and also precision; her top is bright and glinting and it is complemented by a surprisingly full and rich lower register; she can charm with a flowing lyrical line, but is also willing to take musical risks to convey emotion and embody character.

Ariadne auf Naxos, Royal Opera

‘When two men like us set out to produce a “trifle”, it has to become a very serious trifle’, wrote Hofmannsthal to Strauss during the gestation of their opera about opera.

Leoš Janáček : The Cunning Little Vixen, Garsington Opera at Wormsley

Janáček started The Cunning Little Vixen on the cusp of old age in 1922 and there is something deeply elegiac about it.

La Traviata in Marseille

It took only a couple of years for Il trovatore and Rigoletto to make it from Italy to the Opéra de Marseille, but it took La traviata (Venice, 1853) sixteen years (Marseille, 1869).

Madama Butterfly in San Francisco

Gesamtkunstwerk, synthesis of fable, sound, shape and color in art, may have been made famous by Richard Wagner, and perhaps never more perfectly realized than just now by San Francisco Opera.


OPERA TODAY ARCHIVES »

Reviews

Sir Edward Elgar
20 Jul 2014

First Night of the BBC Proms : Elgar The Kingdom

The BBC Proms 2014 season began with Sir Edward Elgars The Kingdom (1903-6). It was a good start to the season,which commemorates the start of the First World War. From that perspective Sir Andrew Davis's The Kingdom moved me deeply.  »

Recently in Reviews

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08 Jul 2010

Out in a blaze of glory — Garsington, A Midsummer Night's Dream

Garsington Opera is moving to Wormsley Park. in 2011, but it marked its last production at Garsington Manor with a glorious coda, that augurs well for the future. As a friend remarked “We'll be talking about this for years to come”. »

07 Jul 2010

Central City stages Butterfly with a bite

CENTRAL CITY — No matter how much verismo you heap onto Madama Butterfly, the opera — the favorite of American companies — remains a threadbare — if tragic — tale of a love that failed. »

04 Jul 2010

London’s Manon: Diva and Divo Deliver

The Royal Opera's intriguingly staged Manon had all the trappings of success including a soprano at the top of her game, and a tenor on the brink of his fame.  »

02 Jul 2010

Picture Perfect — Plácido Domingo as Simon Boccanegra, Royal Opera

Plácido Domingo isn’t a tenor, a baritone or even a singer. He’s a phenomenon. Dozens stood by the stage door at the Royal Opera House to greet him with bouquets.  »

28 Jun 2010

Die Walküre in San Francisco

Ring fever rages on. San Francisco has just unveiled its Walküre the completed cycle to take place next June. Gratefully the price of the SFO effort has not become a topic of conversation, as has the cost of the just completed L.A. Ring  »

27 Jun 2010

Massenet's Thaïs at Teatro Regio Torino

What sort of production would be optimal for an opera that with more style than content? »

23 Jun 2010

Leipzig Opera to stage Gluck Ring

Richard Wagner’s 200th birthday is just around the corner in 2013 — and the composer was, after all, born in Leipzig. »

22 Jun 2010

La fanciulla del West in San Francisco

A bizarre rock cliff attributed in the program booklet to one Antonio Nigro was the sole background for San Francisco Opera’s production of Puccini’s version of a play named The Girl of the Golden West by San Francisco born David Belasco (1853-1931).  »

22 Jun 2010

Idomeneo at ENO

Mozart was reputedly more attached to this musical drama of hubris and honour set during the Trojan War than to any other of his stage works. »

21 Jun 2010

Anne Schwanewilms in Recital at Wigmore Hall

This recital was the last in a series of five put together by Roger Vignoles to celebrate the lieder of Richard Strauss — a series which, comprising 85 of Strauss’ songs, has highlighted the composer’s role as heir to the nineteenth-century German lieder masters and reminded us of the ravishing beauty and varied emotional range of these unjustly neglected songs. »

21 Jun 2010

Night Music Magic 'n' More in St. Louis

With Opera Theatre of St. Louis’ stunning A Little Night Music, at long last we have been treated to a multi-faceted production that not only equals, but in many ways surpasses the dazzling original. »

21 Jun 2010

Der Ring des Nibelungen in Los Angeles

$32,000,000, and it would have been a bargain at $50,000,000. Los Angeles Opera went for broke, and it paid off with a Ring that has raised the worldwide Ring bar to a dizzying height. »

19 Jun 2010

Orpheus & Euridice at Long Beach Opera

Early Greek writings say that Orpheus was the son of the muse Calliope and either Apollo, the god of prophecy and music or Oeagrus, the river god.  »

18 Jun 2010

Revivals Sparkle in the City of Lights

Paris Opéra recently served up two past productions in vibrant performances that were fresh-as-new. »

18 Jun 2010

Valencia Ring: Götterdämmerung

Recorded in May and June 2008, this new Unitel Classica Blu-Ray disc of Götterdämmerung is the final opera in the staging of Richard Wagner’s Ring der Nibelungen staged at the Palau de les Arts “Reina Sofia”, Valencia, by La Fura dels Baus, Valencia, conducted by Zubin Mehta, and directed by Carlus Padrissa.  »

18 Jun 2010

Verdi's Falstaff at The Metropolitan Opera, 1992

A Franco Zeffirelli production for The Metropolitan Opera typically prompts the use of adjectives such as “grandiose,” or “gorgeous” on the positive end or “gaudy” and “gratuitous” on the negative.  »

10 Jun 2010

Musically Astute Armida, Garsington

Garsington has become a distinctive part of the English summer opera season. »

09 Jun 2010

Le Grand Macabre, Avery Fisher Hall, NY

György Ligeti (1923-2006) was a naughty boy, and he reveled in it.  »

09 Jun 2010

Pearl Fishers, ENO

The opening tableau of Penny Woolcock’s new production depicts deep waters with rays of sun hitting the surface; in the murky blue depths, three harnessed acrobats glide down to the sea bed and back up again.  »

09 Jun 2010

Valencia Ring: Siegfried.

Siegfried is a challenging opera to stage effectively, and the presentation by La Fura dels Baus in Zubin Mehta’s new Ring cycle merits attention on various counts.  »

08 Jun 2010

Festive Concert with Jessye Norman

It was more the ruins than the remnants of a once-great voice that Jessye Norman brought to Israel’s new, 6500-seat outdoor opera theater at the foot of historic Masada Mountain.  »

08 Jun 2010

Nabucco at Masada

Israel Opera Nabucco includes three Va pensiero’s It’s apocrypha, of course, but legend has it that since its 1843 premiere at La Scala audiences have wanted an encore of the chorus Va pensiero when Verdi’s Nabucco is on stage.  »

08 Jun 2010

Faust in San Francisco

Faust has long since left the French repertory to enter the international repertory, meaning that, like Disneyland, it has been absorbed into diverse cultures where it discovers new resonances.  »

08 Jun 2010

Le Nozze di Figaro, Royal Opera House

Detailed and precise, but never fussy, David McVicar’s thought-provoking production of Le Nozze di Figaro is ‘busy’ from the opening rushing semi-quavers of the overture.  »

07 Jun 2010

I Gioielli della Madonna, New York

Ermanno Wolf-Ferrari, son of an Italian mother and a German father, was born in Venice but acclaimed only when he took his operas to Germany, where he became quite popular during the first decades of the twentieth century.  »

07 Jun 2010

Bliss, Tosca and La Sonnambula at Opera Australia

Opera Australia regularly commission new work. Usually serious subjects drawn from notable Australian literature or dealing with an event or hero from Australian history. »

07 Jun 2010

La Damnation de Faust in Modern Guise at Lyric Opera of Chicago

During its recently concluded season Lyric Opera of Chicago presented two musical pieces based on the theme of “Faust.”  »

07 Jun 2010

First Opera in 3D — Carmen, Royal Opera House

Everyone knows the tunes from Bizet's Carmen even if they don't know it's an opera. Now the Royal Opera House, London, is making the world's best known opera into the world's first 3D opera film. »

07 Jun 2010

Tchaikowsky Trilogy in Lyon

In Europe only a few theater stage directors are operatically more famous than Peter Stein (pronounced Pay-tear), to mention Sir Peter Hall, Patrice Chereau and Giorgio Strehler as examples.  »

07 Jun 2010

Tosca, ENO

Seeing Tosca at the Coliseum brings back happy memories, as it was a performance of Tosca (in a revival of the Keith Warner production in the 1990s) which occasioned my very first trip to the ENO. That also happens to have been the first time I ever saw Tosca. »

06 Jun 2010

Bostridge and Pappano at Wigmore Hall

Bringing their recent recording of Schubert’s late songs to the concert stage, Ian Bostridge and Antonio Pappano swept through a sequence which ranged from bitter-sweet regret to angry self-reproach, from hesitant hope to turbulent despair, in this the second of two performances at the Wigmore Hall. »

05 Jun 2010

Lulu, New York

Alban Berg died in 1935, but his music was generations ahead of his time – as one could not help but conclude during the recent revival of Lulu at the Met whenever the vibraphone played “doorbell” music, reminding us of the intrusion of cell phones into theaters.  »

01 Jun 2010

Ian Bostridge at the Wigmore Hall

One very tall and gaunt,one short and stocky, one introspective, one effusive : Ian Bostridge and Antonio Pappano, Music Director of the Royal Opera house make an odd couple, but they've partnered each other musically for many years. It's a good relationship, as this recital at the Wigmore Hall demonstrated. »

27 May 2010

Valencia Ring: Die Walküre

The second of Zubin Mehta’s new Ring cycle on DVD, the staging of Die Walküre by La Fura dels Baus, is as engaging as the production of Das Rheingold in its innovative presentation and effective performance of one of Wagner’s most popular operas.  »

22 May 2010

Imbrailo stars as Billy Budd in Glyndebourne

Star born through stutter? It’s immediately obvious that Jacques Imbrailo’s Billy Budd at Glyndebourne is an extraordinary portrayal. His stammer is more expressive than speech. »

20 May 2010

Great Operatic Arias with Gerald Finley

Listeners who have appreciated Gerald Finley’s stylish and moving singing of baritone roles in operas by Mozart and other composers will be pleased with the recent CD release of Great Operatic Arias in English. »

20 May 2010

La Fille du régiment, Royal Opera

Expectations were running high for the opening night of Elaine Kidd’s revival of Laurent Pelly’s production of Donizetti’s mad-cap romp, La Fille du regiment — almost as high as Tonio’s infamous top Cs.  »

19 May 2010

Florian Boesch, Wigmore Hall

At the Wigmore Hall, performers can chose daring repertoire, because audiences there are unusually receptive.  »

18 May 2010

Bellini's Norma at Gran Teatre del Liceu

Some fortunate operas have any number of fine live versions available on DVD.  »

17 May 2010

Valencia Ring: Das Rheingold

Recorded live at the Palau de les Arts “Reina Sofia”, Valencia, this new video of Richard Wagner’s Das Rheingold is based on the staging of La Fura dels Baus, with Carlus Padrissa, stage director, and featuring an international cast conducted by Zubin Mehta.  »

17 May 2010

Mefistofele in Montpellier

Back in 1989 Ken Russell opened his Genovese Mefistofele with heavenly choirs contemplating the divinity of a praying mantis.  »

17 May 2010

Michel van der Aa : After Life at the Barbican, London

“If you could take any one memory with you to eternity, which one would you choose?” In Michel van der Aa’s After Life several people meet in a waiting room.  »

15 May 2010

Tristan und Isolde in Genoa

Tristan has been a fairly frequent visitor in Genoa over the past sixty years (post WW II). Tullio Serafin conducted the Isolde of Maria Callas there in 1948. »

12 May 2010

La traviata in May, Royal Opera House, London

Richard Eyre’s production of La traviata is so beautiful that it can be watched repeatedly, yet still yield pleasure. But appearances, however splendid, aren’t quite enough to make a completely satisfying evening.  »

10 May 2010

Heggie’s Moby-Dick a whale of an opera

It’s glorious and it’s gripping; it’s grand — and it’s good! Indeed, Jake Heggie’s Moby Dick, premiered by Dallas Opera in its handsome new Winspear Opera House on April 30, is a work that restores meaning to basic vocabulary made banal by overuse through the decades. »

10 May 2010

Modern English Song Alive and Well

London’s Wigmore Hall is one of the world’s great centres for art song. This recital, by Susan Bickley and Iain Burnside, specialists in the genre, showed that English language art song is alive and thriving. »