Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

Bampton Classical Opera Young Singers’ Competition 2015

Bampton Classical Opera has announced that applications are now open for the company’s Young Singers’ Competition 2015. This biennial competition was first launched in 2013 to celebrate Bampton Classical Opera’s 20th birthday, and is aimed at identifying the finest emerging young opera singers currently working in the UK.

Marie-Nicole Lemieux, Wigmore Hall

Commenting on her recent, highly acclaimed CD release of late-nineteenth-century song, Chansons Perpétuelles (Naive: V5355), Canadian contralto Marie-Nicole Lemieux remarked ‘it’s that intimate side that interests me … I wanted to emphasise the genuinely embodied, physical side of the sensuality [in Fauré]’.

Eine florentinische Tragödie and I pagliacci in Monte-Carlo

An evening of strange-bedfellow one-acts in high-concept stagings, mindbogglingly delightful.

Carmen, Pacific Symphony

On February 19, 2015, Pacific Symphony presented its annual performance of a semi-staged opera. This year’s presentation at the Segerstrom Center for the Arts in Costa Mesa, California, featured Georges Bizet’s Carmen. Director Dean Anthony used the front of the stage and a few solid set pieces by Scenic Designer Matt Scarpino to depict the opera’s various scenes.

The Mastersingers of Nuremberg, ENO

Although the English National Opera has been decidedly sparing with its Wagner for quite some time now, its recent track record, leaving aside a disastrous Ring, has perhaps been better than that at Covent Garden.

San Diego Opera presents an excellent Don Giovanni

On Friday February 20, 2015, San Diego Opera presented Mozart’s Don Giovanni in a production by Nicholas Muni originally seen at Cincinnati Opera.

Tosca at Chicago Lyric

In a production first seen in Houston several years ago, and now revised by its director John Caird, Puccini’s Tosca has returned to Lyric Opera of Chicago with two casts, partially different, scheduled into March of the present season.

Henri Dutilleux: Correspondances

Henri Dutilleux’s music has its devotees. I am yet to join their ranks, but had no reason to think this was not an admirable performance of his song-cycle Correspondances.

LA Opera Revives The Ghosts of Versailles

In 1980, the Metropolitan Opera commissioned composer John Corigliano to write an opera celebrating the company’s one-hundredth anniversary. It was to be ready in 1983.

La Traviata, ENO

English National Opera’s revival of Peter Konwitschny’s production of Verdi’s La Traviata had many elements in common with the production’s original outing in 2013 (The production was a co-production with Opera Graz, where it had debuted in 2011).

Idomeneo in Lyon

You might believe you could go to an opera and take in what you see at face value. But if you did that just now in Lyon you would have had no idea what was going on.

Der fliegende Holländer, Royal Opera

I wonder whether we need a new way of thinking — and talking — about operatic ‘revivals’. Perhaps the term is more meaningful when it comes to works that have been dead and buried for years, before being rediscovered by subsequent generations.

Iphigénie en Tauride in Geneva

Hopefully this brilliant new production of Iphigénie en Tauride from the Grand Théâtre de Genève will find its way to the new world now that Gluck’s masterpiece has been introduced to American audiences.

Tristan et Isolde in Toulouse

Tristan first appeared on the stage of the Théâtre du Capitole in 1928, sung in French, the same language that served its 1942 production even with Wehrmacht tanks parked in front of the opera house.

Arizona Opera presents Tchaikovsky’s Eugene Onegin

Arizona Opera presented Eugene Onegin during and 1999-2000 season and again on February 1 of this year as part of the 2014-2015 season. In this country Onegin is not a crowd pleaser like La Bohème or Carmen, but its story is believable and its music melodic and memorable. Just hum the beginning of the “Polonaise” and your friends will know the music, if not where it comes from.

A Chat with Anita Rachvelishvili

Anita Rachvelishvili recently performed the title role in Carmen broadcast by The Metropolitan Opera Live in HD. Here she drops by for a little chat with our Maria Nockin.

Ernst Krenek: Reisebuch aus den österreichischen Alpen, Florian Boesch, Wigmore Hall

Florian Boesch and Roger Vignoles at the Wigmore Hall in Ernst Krenek’s Reisebuch aus den österreichischen Alpen. Matthias Goerne has called Hanns Eisler’s Hollywooder Liederbuch the Winterreise of the 20th century. Boesch and Vignoles showed how Krenek’s Reisebuch is a journey of discovery into identity at an era of extreme social change. It is a parable, indeed, of modern times.

Anna Bolena at Lyric Opera of Chicago

Lyric Opera of Chicago’s new Anna Bolena, a production shared with Minnesota Opera, features a distinguished cast including several notable premieres.

San Diego Celebrates 50th Year with La Bohème

On Tuesday January 27, 2015, San Diego Opera presented Giacomo Puccini's La Boheme. It is the opera with which the company opened in 1965 and a work that the company has faithfully performed every five years since then.

English Pocket Opera Company: Verdi’s Macbeth

Last year we tracked Orfeo on his desperate search for his lost Euridice, through the labyrinths and studio spaces of Central St Martin’s; this year we were plunged into Macbeth’s tragic pursuit of power in the bare blackness of the CSM’s Platform Theatre.


OPERA TODAY ARCHIVES »

Reviews

Marie-Nicole Lemieux [Photo by Manuel Cohen]
02 Mar 2015

Marie-Nicole Lemieux, Wigmore Hall

Commenting on her recent, highly acclaimed CD release of late-nineteenth-century song, Chansons Perpétuelles (Naive: V5355), Canadian contralto Marie-Nicole Lemieux remarked ‘it’s that intimate side that interests me … I wanted to emphasise the genuinely embodied, physical side of the sensuality [in Fauré]’.  »

Recently in Reviews

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32  |  33  |  34  |  35  |  36  |  37  |  38  |  39  |  40  |  41  |  42  |  43  |  44  |  45  |  46  |  47  |  48  |  49  |  50  |  51  |  52  |  53  |  54  |  55  |  56  |  57  |  58  |  59  |  60  |  61  |  62  |  63  |  64  |  65  |  66  |  67  |  68  |  69  |  70  |  71  |  72  |  73  |  74  |  75  |  76  |  77  |  78  |  79  |  80  |  81  |  82  |  83  |  84  |  85  |  86  |  87  |  88  |  89 
07 Jul 2007

Love and death among battlements

In 2003, at Cagli’s Accademia del Teatro, Elisabetta Courir directed a compelling Così fan tutte, minimalist, sophisticated and low-budget; quite unlike Daniele Abbado, whose Lohengrin for Bologna’s Teatro Comunale integrated “hard” scenery, video projections and historically informed costumes into a dream-like pageant. »

04 Jul 2007

DONIZETTI: Don Pasquale

An ingenious and handsome staging, in the proper period and full of delicious color, fashion and furnishings, a production that honors the compatibility of tradition with good fun, and four singers who look their parts, play the farce, and are as easy on the ears as on the eyes — what more could you want from a Don Pasquale? »

04 Jul 2007

SZYMANOWSKI: Songs of a Fairy-tale Princess; Harnasie; Love Songs of Hafiz

The Polish composer Karol Szymanowski (1882-1937) is one of more engaging composers of the early twentieth century. »

04 Jul 2007

DONIZETTI: Dom Sébastien, roi de Portugal

When hearing the final work of a composer whose life was cut short, one can not help but wonder, “What if?” »

27 Jun 2007

BRUCKNER: Symphony no. 8 (rev. version, Nowak ed.)

Established in 1985 by the United Nations, the World Philharmonic Orchestra gave its inaugural concert on 12 December 1985 under the auspices of UNICEF and the Konserthus, Sweden. »

27 Jun 2007

ROSSINI: La Scala di Seta

La Scala di Seta, composed in Venice in 1812 (Rossini was 20; Tancredi and fame were a year off; Barbiere and immortality were four years down the road), shares the fortune of La Gazza Ladra: that is, until recently, the public knew the overture quite well but nothing else from the opera which, indeed, lacks the spectacular arias and hilarious ensembles that might have kept it on the boards. »

25 Jun 2007

WEBER: Der Freischütz

Produced by Rolf Lieberman and directed for television by Joachim Hess, this 1968 studio recording of Carl Maria von Weber’s Der Freischütz has much to recommend as a traditional production of the opera. »

25 Jun 2007

San Francisco underscores complexity of “Rosenkavalier”

Just whose opera is “Der Rosenkavalier” anyway? The title — to begin with the obvious — says it’s youthful Octavian, pinpointing his role as the bearer of the rose that is to seal the marriage contract of Ochs and child-like Sophie. »

24 Jun 2007

ROSSINI: Il Viaggio a Reims

Il Viaggio a Reims was a pièce d’occasion, part of the official tributes to Charles X of France on his coronation in 1825, but unlike most such creations – which tend to dreary platitudes of the Oscar speech variety – Viaggio has a cheeky personality and delicious music from Rossini at the top of his game, music he planned to recycle in subsequent operas – which he did. »

24 Jun 2007

STRAVINSKY: Histoire du soldat (Suite); Renard

As indicated in the copy on the CD, itself this is indeed a “unique collection of mostly short works” by Igor Stravinsky. »

24 Jun 2007

Sacred Music from Notre-Dame Cathedral

In charting the history of music in the West, the twelfth and thirteenth centuries in Paris loom large as a golden age of innovative polyphony, a golden age that is much the fruits of two composers, Leoninus and Perotinus. »

22 Jun 2007

Concilium musicum Wien on authentic instruments

This live concert recording assembles a trio of late eighteenth-century Viennese composers; the program is strong in evocation of time and place, but admittedly less so in substance. »

21 Jun 2007

Lully’s Psyché at Boston Early Music Festival

There’s not much point in presenting Lully’s Psyché (in its North American premiere no less) unless you’re going to give it something vaguely like the grandeur Louis XIV could command in 1678. »

19 Jun 2007

La Clemenza di Tito – English National Opera

An increasing lack of substance and imagination behind ENO’s season scheduling means that a revival of a theatrically impressive recent production of a repertoire piece is to be welcomed, especially when that production comes with a cast of superior calibre. »

18 Jun 2007

Leipzig Bachfest explores early opera

When opera is the subject, there’s an uneasy embarrassment at Leipzig’s annual 10-day Bach Festival, for opera is a genre that the city’s most famous musical son never embraced. »

17 Jun 2007

BRITTEN: Death in Venice

Two productions of Death in Venice within a month : one high budget and glamorous at the ENO and the other at Aldeburgh with a much more humble pedigree. »

17 Jun 2007

LASSUS: Psalmi Davidis pœnitentiales

Among Lasso’s vast output there are few works more imposing than his collected settings of the seven penitential psalms. »

17 Jun 2007

WAXMAN: Joshua

Franz Waxman was working with librettist James Forsyth on an opera, Dr. Jekyll, when the composer’s wife died. »

17 Jun 2007

MAHLER: Urlicht

Mahler: Urlicht is a recording of selected songs for voice and piano from various collections of the composer’s Lieder, including his early settings from Des Knaben Wunderhorn, the later Wunderhorn Lieder that Mahler set in the 1890s in versions with both orchestral and keyboard accompaniment, and also his Rűckert-Lieder, performed by the young mezzo soprano Christianne Stotijn accompanied by Julius Drake. »

11 Jun 2007

VIVALDI: Arie per basso

In 2001 the recording company Naïve and the Istituto per beni musicali in Piemonte began a large-scale undertaking of recording the vast holdings of Vivaldi’s musical library. »

11 Jun 2007

Italiana restored: Rossini’s afterthougts staged in Vicenza

Vicenza’s Teatro Olimpico, a jewel of Renaissance architecture inaugurated in 1585 and seating around 500, hosted in early June a run of three performances of Rossini’s Italiana in Algeri. »

05 Jun 2007

Pasatieri’s return to opera impressive

The June 2 world premiere of “Frau Margot” at the Fort Worth Opera might be regarded as “an historic return,” for this is Thomas Pasitieri’s first opera in 18 years. »

05 Jun 2007

BUSONI : Songs

Doktor Faust eclipses most of Ferrucio’s Busoni’s other work in terms of popularity. Surprisingly, though, he wrote little song. Only 40 pieces remain, many written in his youth. »

04 Jun 2007

The Jussi Björling Series: rare opera recordings from Stockholm

“We’ll discuss the greatest tenor in history, Jussi Björling, and his astounding voice.” »

04 Jun 2007

RUBINSTEIN: Il Demone

I was never much impressed by the Russian performances of this most famous of Rubinstein’s many operas. »

04 Jun 2007

“La Traviata” from the Volksoper Wien

In Verdi’s beloved opera, love does not conquer all but the sweet-taste of what “might have been” lingers on our lips forever when we think of the beautiful Violetta. »

03 Jun 2007

Arizona Opera's Susannah — A Naive Story Dilutes an Impressive Production

Arizona Opera ended its 2006/07 season with a tightly-knit, well-tuned presentation of Carlisle Floyd's Susannah, his best known opera that has enjoyed numerous productions since its New York City Opera debut in 1956. »

31 May 2007

THOMSON: The Plow that Broke the Plains; The River

Naxos’s DVD venture has produced a fascinating document, the original documentary shorts The Plow that Broke the Plains and The River, filmed by Pare Lorentz, with the Virgil Thomson scores re-recorded by the post-Classical Ensemble, led by Angel Gil-Ordóñez. »

31 May 2007

MAHLER: Symphony no. 2

Given the fine recent recordings of Mahler’s Second Symphony on both CD and DVD, the release of Pierre Boulez’s performances from 26 and 27 March 2005 at the Philharmonie, Berlin, is a further contribution to the interpretations of this important work. »

31 May 2007

Death in Venice at ENO

Deborah Warner’s new production of Death in Venice is ravishingly beautiful, with stunning lighting designs by Jean Kalman who manages to capture the spirit of every facet of Venice and of the drama’s more general themes, from the misty eeriness of Aschenbach’s first gondola ride through to ominous darkening skies and blazing sunsets. »

30 May 2007

Die Zauberflöte at the Volksoper

Serpents, abduction, magic flutes, a sacred priesthood and, of course….love, are a few of the elements Mozart used to comprise his mason-influenced collaboration with Emanuel von Schikaneder. »

30 May 2007

MASSENET: Esclarmonde

Just as sausage can be best enjoyed without any extensive knowledge of its preparation and contents, one should slide slowly into the luxuriant bath that is Massenet’s Esclarmonde and leave the libretto far to the side. »

30 May 2007

ORFF: Carmina Burana

Released in early 2007, Marin Alsop’s performance of Carl Orff’s Carmina Burana is an exciting, new recording of this familiar and durable scenic cantata, based on medieval lyrics in Latin and German. »

30 May 2007

Verboten und verbannt: Mendelssohn, Meyerbeer, Zemlinsky, Zeisl, Schönberg, Berg, Mahler.

Verboten und verbannt — forbidden and banned — a phrase used with Jewish composers whose music was proscribed by the Nazis brings to mind more than musical censorship, but also the atrocities that culminated in the Holocaust. »

30 May 2007

Angel Dances

Curmudgeons and aesthetes may have to fight their gag reflex to enjoy some luscious music-making on the latest disc, Angel Dances, from that hot studio band, The Twelve Berlin Philharmonic Cellists. »

29 May 2007

Eight Centuries of Troubadours and Trouvères: The Changing Identity of Medieval Music

The interpretive reception of medieval music begins, as John Haines lays forth in the present investigation, already during the latter period of the Middle Ages. »

29 May 2007

BRITTEN : Gloriana

Towards the end of his life Britten became interested in the idea of developing the opera experience beyond the technical confines of the stage. He would have, I think, loved this film because it’s so intelligently sensitive to his fundamental ideas. It is, no less, a work of art built around a work of art. »

25 May 2007

Virginia Arts Festival celebrates “Pocahontas”

Norfork - It’s America’s biggest birthday since the 1976 bicentennial celebration of the Declaration of Independence: »

20 May 2007

VERDI: Aida

This recording is a souvenir in more than one sense. »

20 May 2007

Simon Boccanegra — Opéra national de Paris

Chief attraction of the Paris Opera’s new production of Simon Boccanegra was Dmitri Hvorostovsky in the title role. »

20 May 2007

Anonymous 4: Gloryland

The quality packaging of Anonymous 4’s latest recording indicates the group’s importance to their label, Harmonia Mundi. »

09 May 2007

LEONCAVALLO: Pagliacci

In the countless performances of Leoncavallo’s masterpiece Pagliacci since its 1892 premiere, there must have been times when the light tenor singing Beppe watched the other tenor, of heavier voice, in the lead role of Canio and wondered if someday he (the Beppe) would take on the dramatic role of the homicidal clown. »

09 May 2007

Audrey Stottler Sings Wagner

Audrey Stottler’s Wagner recital provides ample evidence of a voice with the range and heft for the challenging roles of Brünnhilde and Isolde, as well as Sieglinde, a role often sung by a vocalist with less firepower. »

09 May 2007

Alison Balsom: Caprice

Dare one assume that with this disc, Alison Balsom becomes the first artist to bring her lung power to both Norma’s “Casta Diva” and Die Zauberflöte’s “Der hölle rache” in the same recital? »

09 May 2007

Porgy and Bess at Los Angeles Opera

Premiered at Washington National Opera, director Francesca Zambello’s Porgy and Bess arrived in Los Angeles May 4th, for a run of 12 performances in just 17 days. »

09 May 2007

On The Town – English National Opera

In a season that will conclude with a new production of Kismet, ENO has once again come under criticism for the number of non-operatic works on the bill. »

03 May 2007

Franco Corelli: His Early Cetra Records

I often wonder who decides what records will be used to produce historical vocal issues. »