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Elsewhere

Elgar Sea Pictures : Alice Coote, Mark Elder Prom 31

Sir Mark Elder and the Hallé Orchestra persuasively balanced passion and poetry in this absorbing Promenade concert. Elder’s tempi were fairly relaxed but the result was spaciousness rather than ponderousness, with phrases given breadth and substance, and rich orchestral colours permitted to make startling dramatic impact.

Berio Sinfonia, Shostakovich, BBC Proms

Although far from perfect, the performance of Berio’s Sinfonia in the first half of this concert was certainly its high-point; indeed, I rather wish that I had left at the interval, given the tedium induced by Shostakovich’s interminable Fourth Symphony. Still, such was the programme Semyon Bychkov had been intended to conduct. Alas, illness had forced him to withdraw, to be replaced at short notice by Vasily Petrenko.

Four countertenors : Handel Rinaldo Glyndebourne

Handel's Rinaldo was first performed in 1711 at London's King's Theatre. Handel's first opera for London was designed to delight and entertain, combining good tunes, great singing with a rollicking good story. Robert Carsen's 2011 production of the opera for Glyndebourne reflected this with its tongue-in-cheek Harry Potter meets St Trinian's staging.

Santa Fe Opera Presents The Impresario and Le Rossignol

On August 7, 2014, the Santa Fe Opera presented a double bill of Wolfgang Amadeus Mozart’s The Impresario and Igor Stravinsky’s Le Rossignol (The Nightingale). The Impresario deals with the casting of an opera and Le Rossignol tells the well-known fairy tale about the plain gray bird with an exquisite song.

Barber in the Beehive State

Utah Festival Opera and Musical Theatre has gifted opera enthusiasts with a thrilling Barber, and I don’t mean . . . of Seville.

Stravinsky : Oedipus Rex, BBC Proms

In typical Proms fashion, BBC Prom 28 saw Stravinsky's Oedipus Rex performed in an eclectic programme which started with Beethoven's Egmont Overture and also featured Electric Preludes by the contemporary Australian composer Brett Dean. Sakari Oramo,was making the first of his Proms appearances this year, conducting the BBC Symphony Orchestra, BBC Singers and BBC Symphony Chorus.

Santa Fe Opera Presents a Passionate Fidelio

Santa Fe Opera presented Beethoven’s Fidelio for the first time in 2014. Since the sides of the opera house are open, the audience watched the sun redden the low hanging clouds and set below the Sangre de Cristo mountains while Chief Conductor Harry Bicket led the Santa Fe Opera Orchestra in the rousing overture. At the same time, Alex Penda as the title character readied herself for the ordeal to come as she endeavored to rescue her unjustly imprisoned husband.

Die Entführung aus dem Serail @ Hangar-7

We see the characters first in two boxes at an opera house. The five singers share a box and stare at the stage. But Konstanze’s eye is caught by a man in a box opposite: Bassa Selim (actor Tobias Moretti), who stares steadily at her and broods in voiceover at having lost her, his inspiration.

Rameau Grand Motets, BBC Proms

Best of the season so far! William Christie and Les Arts Florissants performed Rameau Grand Motets at late night Prom 17.

Adriana Lecouvreur, Opera Holland Park

Twelve years after Opera Holland Park's first production of Francesco Cilea’s Adriana Lecouvreur, the opera made a welcome return.

Back to the Beginnings: Monteverdi’s Il ritorno d’Ulisse in patria at Iford Opera.

The Italianate cloister setting at Iford chimes neatly with Monteverdi’s penultimate opera The Return of Ulysses, as the setting cannot but bring to mind those early days of the musical genre.

Schoenberg : Moses und Aron, Welsh National Opera, London

Once again, we find ourselves thanking an unrepresentable being for Welsh National Opera’s commitment to its mission.

Count Ory, Dead Man Walking
and La traviata in Des Moines

If you don’t have the means to get to the Rossini festival in Pesaro, you would do just as well to come to Indianola, Iowa, where Des Moines Metro Opera festival has devised a heady production of Le Comte Ory that is as long on belly laughs as it is on musical fireworks.

Janáček’s Glagolitic Mass, BBC Proms

Composed during just a few weeks of the summer of 1926, Janáček’s Slavonic-text Glagolitic Mass was first performed in Brno in December 1927.

Donizetti and Mozart, Jette Parker Young Artists Royal Opera House, London

With the conclusion of the ROH 2013-14 season on Saturday evening - John Copley’s 40-year old production of La Bohème bringing down the summer curtain - the sun pouring through the gleaming windows of the Floral Hall was a welcome invitation to enjoy a final treat. The Jette Parker Young Artists Summer Showcase offered singers whom we have admired in minor and supporting roles during the past year the opportunity to step into the spotlight.

Glyndebourne's Strauss Der Rosenkavalier, BBC Proms

Many words have already been spent - not all of them on musical matters - on Richard Jones’s Glyndebourne production of Der Rosenkavalier, which last night was transported to the Royal Albert Hall. This was the first time at the Proms that Richard Strauss’s most popular opera had been heard in its entirety and, despite losing two of its principals in transit from Sussex to SW1, this semi-staged performance offered little to fault and much to admire.

Il turco in Italia at the Aix Festival

Twenty years ago stage director Christopher Alden introduced Rossini’s then forgotten comedy to Southern California audiences in a production that is still remembered. In Aix Alden has revisited this complex work that many critics now consider Rossini’s greatest comedy.

First Night of the BBC Proms : Elgar The Kingdom

The BBC Proms 2014 season began with Sir Edward Elgars The Kingdom (1903-6). It was a good start to the season,which commemorates the start of the First World War. From that perspective Sir Andrew Davis's The Kingdom moved me deeply.

Le nozze di Figaro, Munich

One is unlikely to come across a cast of Figaro principals much better than this today, and the virtues of this performance indeed proved to be primarily vocal.

Winterreise and Trauernacht at the Aix Festival

That’s A Winter’s Journey and A Night of Mourning for metteurs-en-scène William Kentridge (South Africa) and Katie Mitchell (Great Britain), completing the clean sweep of English language stage directors for the Aix Festival productions this year.


OPERA TODAY ARCHIVES »

Reviews

15 Aug 2014

Santa Fe Opera Presents an Imaginative Carmen

Santa Fe opera has presented Carmen in various productions since 1961. This year’s version by Stephen Lawless takes place during the recent past in Northern Mexico near the United States border. The performance on August 6, 2014, featured Ana Maria Martinez as a monumentally sexy Gypsy who was part of a drug smuggling group. »

Recently in Reviews

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14 Feb 2007

SAMMARTINI: Della Passione di Gesú Cristo; L'addolorata Divina Madre.

Giovanni Battista Sammartini (c.1700-1775) belongs to that shadowy generation of Italian composers who no longer composed in the high Baroque style, but had adopted the clarity, simplicity and regularity that would serve as the building blocks for the Viennese masters of the late eighteenth century, and thus were tagged with the rather pejorative label “pre-classic” (a plague on all those music historians who can only see musical style in terms of progress leading to their particular figure of veneration!). »

13 Feb 2007

Dust-bowl opera overwhelming at Minnesota premiere

The great American opera? Ricky Ian Gordon’s “Grapes of Wrath” might be it. »

09 Feb 2007

HANDEL: Agrippina

An expressionist portrait of the Roman she-wolf was the first, striking image of this production, originally devised for Théâtre Royal de la Monnaie, by the fashionable British director David McVicar. »

09 Feb 2007

The Devil’s Dream

The duo of gambist Vittorio Ghielmi and lutenist Luca Pianca even has its own domain name (www.pianca-ghielmi.com), as well as several previous releases, of which the first has perhaps my favorite CD title ever (Bagpipes from Hell). »

09 Feb 2007

ARNE: Six cantatas for a voice and instruments; Advice to Cloe

The English, though fundamental to the early music revival of the last half-century, have been rather remiss in exploring their native music dating from after the death of Purcell, and particularly that produced after the death of Handel. »

08 Feb 2007

VERDI: Rigoletto

Sorry my friends, but this rich-looking DVD has a feature that disqualifies it for me. »

08 Feb 2007

Houston stages a provocative “Faust”

A literary critic once recalled the day when a German could not clear his throat “without finding pithy precedent in Goethe.” »

08 Feb 2007

Houston takes fresh approach to Cenerentola

In opera, Rossini, born in 1892- the year after Mozart died, is the successor of the great master and, when performed as perceptively as in the “Cenerentola” that debuted at the Houston Grand Opera on January 27, his rightful heir. »

07 Feb 2007

Jaume Aragall en Vivo

During any recital by an aging divo there comes a moment of truth when he sings an operatic aria (usually E lucevan le stelle , as the highest note is an A). That is the defining moment when he no longer can hide behind idiosyncratic interpretation, expressive breathing and a lot of clever transpositions. »

07 Feb 2007

PURCELL: Dido and Aeneas

This disc is a reissue of a 1993 recording made at Skywalker Sound in Marin County, California, but new to me. »

06 Feb 2007

PROKOFIEV: Peter and the Wolf

I suppose you will find this quite an addition to the Melchior legacy if you are a collector of every sound Melchior ever uttered. »

06 Feb 2007

SHOSTAKOVICH: Lady Macbeth of Mtensk District (Kirov Opera)

The Kirov Opera and Orchestra concluded their annual residency at the Kennedy Center in Washington DC last week with a Sunday matinee concert performance of Dmitri Shostakovich’s 1932 Lady Macbeth of Mtsensk District. »

06 Feb 2007

CHARPENTIER: Judicium Salomonis, H. 422; Motet pour une longue offrande, H. 434

Neither of these late works (the Judicium Salomonis is from 1702) is new to disc – the former has two recent recordings, from ten and from twenty years ago, and the latter one, by Herreweghe, released in 1985. »

06 Feb 2007

Walewska i przjaciele: Najpiękniejsze pieśnie, arie i. piosenki

The title Walewska i przjaciele, “Walewska and friends,” reflects the intention of the mezzo soprano Małgorzata Walewska, one of the foremost contemporary Polish singers to present herself and some of her colleagues in recording of various kinds of music. »

05 Feb 2007

BERLIOZ: La damnation de Faust

Why do some conductors make it and others don’t? »

28 Jan 2007

ROSSINI: Il Viaggio a Reims

Rossini’s last Italian opera, staged in 1825 as a part of Charles X’s coronation festivities, is a bizarre creation — a sassy little farce capped with a coronation cantata in the best traditions of staged court entertainment, from 16th-century Italian intermedi through their Baroque and Classic operatic progeny. »

28 Jan 2007

EDER: Musik für die Felsenreitschule

While many associate it with traditional music, the Salzburg Festival is also a venue for new productions and, to a degree, new compositions. »

28 Jan 2007

ROSSINI: Semiramide

The reason for being of this set is Gruberova’s wish to record as much as possible of her repertory (on her own label as most of the majors were either not interested in recording belcanto operas or had their own stars like Decca’s Joan Sutherland). »

28 Jan 2007

VERDI: Aida

Who is the potential consumer for this DVD release of a 1953 Italian film version of Verdi's Aida, featuring Sophia Loren's stunning physical presence and Renata Tebaldi's stunning vocalism in the title role? »

24 Jan 2007

RAMEAU: In Convertendo Dominus

Let it be said at the outset that, at least to my eyes, the packaging and marketing of this DVD is somewhat misleading. »

24 Jan 2007

MAHLER: Songs of a Wayfarer; Symphony no. 1 in D

A welcome addition to the London Philharmonic Orchestra’s own line of releases, this CD is a compilation of two works by Gustav Mahler that the late Klaus Tennstedt performed with the ensemble and which have not been issued previously. »

24 Jan 2007

JANACEK: Káťa Kabanová

I saw my first Káťa 37 years ago during the Flanders Festival. At the time it was still an almost complete novelty on the scene and the Czech company performed it according to the composer’s intentions. »

23 Jan 2007

BROSSARD: Grands Motets

Sébastien de Brossard (1655-1730) was, until recently, known to the musical world (if he was known at all) as a lexicographer (he prepared the first French musical dictionary, published in 1703) and collector, whose collection went entire, together with a catalogue he prepared, to the National Library in Paris, something which must have been almost unheard of in early eighteenth-century Europe, though commonplace today (imagine if Bach had managed to do the same with his scores!). »

23 Jan 2007

OONY Gives Rare Performance of Rossini's Otello

There are three reasons often cited for the paucity of performances of Rossini’s Otello: the horrible hack job of the Shakespearean drama by librettist Francesco Maria Berio, the difficulties in casting an opera requiring at least three top-rate tenor voices, and comparisons with Verdi’s popular opera of the same title. »

23 Jan 2007

Gustav Mahler. Letters to His Wife

True to the title of this collection, the present volume of correspondence edited by Henry-Louis de La Grange and Günther Weiss — here translated, revised , and supplemented by Antony Beaumont — offers, to date, the most complete body of letters of Gustav Mahler to his wife Alma. »

21 Jan 2007

CUYÁS: La Fattucchiera

The sleeve notes of this interesting issue state that “ any comparison between La Fattucchiera and Italian bel canto models by Bellini or Donizetti would be too easy though it became commonplace to describe him (= Cuyàs) as the continuator of the school of Bellini. »

21 Jan 2007

MARTIN Y SOLER: La Madrilena

Although the name of Vicente Martin y Soler is no longer obscure, most opera lovers still know him best due to Mozart quoting his opera ‘Una cosa rara’ during the Don’s last meal in Don Giovanni. »

21 Jan 2007

DEBUSSY: Pelléas et Melissande

I was impressed by Karajan’s intense conducting, which seems so right in the wake of the unavoidable tragedy that is going to happen. »

21 Jan 2007

STRAUSS: Die Fledermaus

Record companies are dominated by accountants and short term cost structure seems to be more important than artistic results or even sale figures. This is a prime example. »

21 Jan 2007

DITTERSDORF: Il barone di rocca antica

For those OperaToday readers prone to fantasies about being a member of royalty with one's own cozy opera house tucked away on the hereditary estate, this Hungaroton DVD will enable that desire. Filmed in August 2005 at the royal palace at Gödölló, Il barone di rocca antica, an operetta giocosa from Karl Ditters von Dittersdorf, requires only four singers. »

21 Jan 2007

Montserrat Caballé: Französische Opernarien

There is a (no doubt apocryphal) story that if one listens carefully to Caballé’s recordings there is a slight sshhh-sound in the background; the sound of the knife she uses to cut open her scores while recording. »

21 Jan 2007

Giuseppe di Stefano: Opera Recital

This issue from DG’s own classic recital series is a copy of the 1963 LP. »

21 Jan 2007

Die Göttliche Liturgie

Serge Jaroff and his Don Cossacks Choir were for many decades legendary performers of Russian choral music, ranging from the liturgical works of Orthodoxy to beloved regional folk melodies. »

21 Jan 2007

HANDEL: Giulio Cesare

This Sellars production had its origins at the 1985 Pepsico Summerfare Festival in Purchase NY. »

19 Jan 2007

WAGNER: Lohengrin

These recordings prove decisively a well-known thesis: more or less realistic productions always age better than so called innovative modern productions which often only aggrandize the clichés of the time of their conception if one views them a few decades after their première. »

17 Jan 2007

SILVER: The Thief of Love

If the audience for new American art music seems small and is (supposedly) shrinking, then the audience for new American operas is even more exclusive. »

17 Jan 2007

Opera Night

Some interesting repertory choices and the participation of some of today's most attractive singers make this particular "gala" evening of "walk on-sing-walk off" entertainment more consistently enjoyable than these affairs often are. »

16 Jan 2007

WAGNER: Tannhäuser

The ever-busy Brian Large directed the 1989 filming (for TV) of a Wolfgang Wagner Tannhäuser production which had debuted at Bayreuth in 1985. »

16 Jan 2007

SHOSTAKOVICH: The Complete Symphonies

Recording a Shostakovich cycle has become de rigueur in recent years — a conductor’s mandatory right of passage, like recording a Beethoven or a Mahler cycle. »

15 Jan 2007

Era La Notte

“Era la notte” presents four highly emotional, seventeenth-century Italian works, sung with commanding theatricality by Anna Caterina Antonacci. »

12 Jan 2007

WAGNER: The Ring Cycle

It is a mystery as complex as the Kirov’s Ring Cycle staging and equally inexplicable. »

12 Jan 2007

ARBOS: El Centro de la Tierra

Most heroes in costume drama movies speak lines directly from our own time. I’ve yet to see a cinematic Roman general, being a serious hero, look at an animal’s liver and says: “ this smells bad; no battle today”. »

12 Jan 2007

Le Donne di Puccini

The recording date is given as November the 12th 1994. Since recording sessions usually last more than one day, and as a radio orchestra is playing, we may safely assume this CD to be derived from a public broadcasted concert by the ‘4 sopranos’ capitalizing on the concept made popular by Domingo, Carreras, and Pavarotti. »

10 Jan 2007

MOZART: Così fan tutte

The booklet essay by Gottfried Kraus (translated from the German by Stewart Spencer) for this TDK release of the 1983 Salzburg Così fan tutte presents an intriguing history of the opera, with the Austrian festival taking in a central role in the work’s return to the standard repertory. »

10 Jan 2007

MARTINŮ: Peach Blossom; The Orphan and Other Songs

The artsong in the twentieth century benefits from the efforts of national composers, like Bohuslav Martinů (1890–1959), who stimulated the genre by incorporating regional folk elements into their music. »