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Elsewhere

La bohème, LA Opera

On May 25, 2016, Los Angeles Opera presented a revival of the Herbert Ross production of Giacomo Puccini’s opera, La bohème. Stage director, Peter Kazaras, made use of the Dorothy Chandler Pavilion’s wide stage by setting some scenes usually seen inside the garret on the surrounding roof instead.

Amazons Enchant San Francisco

On May 21, 2016, Ars Minerva presented The Amazons in the Fortunate Isles (Le Amazzoni nelle Isole Fortunate), an opera consisting of a prologue and three acts by seventeenth century Venetian composer Carlo Pallavicino.

Mathis der Maler, Dresden

While Pegida anti-refugee demonstrations have been taking place for a while now in Dresden, there was something noble about the Semperoper with its banners declaring all are welcome, listing Othello, the Turk, and the hedon Papageno as examples.

The Makropulos Case, Munich

Opera houses’ neglect of Leoš Janáček remains one of the most baffling of the many baffling aspects of the ‘repertoire’. At least three of the composer’s operas would be perfect introductions to the art form: Jenůfa, Katya Kabanova, or The Cunning Little Vixen would surely hook most for life.

Orphée et Euridice, Seattle

It’s not easy for critics to hit the right note when they write about musical collaborations between students and professionals. We have to allow for inevitable lack of polish and inexperience while maintaining an overall high standard of judgment.

Die Meistersinger von Nürnberg, Munich

Die Meistersinger at the theatre in which it was premiered, on Wagner’s birthday: an inviting prospect by any standards, still more so given the director, conductor, and cast, still more so given the opportunity to see three different productions within little more than a couple of months).

Il barbiere di Siviglia at Glyndebourne

Director Annabel Arden believes that Rossini’s Il barbiere di Siviglia is ‘all about playfulness, theatricality, light and movement’. It’s certainly ‘about’ those things and they are, as Arden suggests, ‘based in the music’.

Oedipe at Covent Garden

George Enescu’s Oedipe was premiered in Paris 1936 but it has taken 80 years for the opera to reach the stage of Covent Garden. This production by Àlex Ollé (a member of the Catalan theatrical group, La Fura Dels Baus) and Valentina Carrasco, which arrives in London via La Monnaie where it was presented in 2011, was eagerly awaited and did not disappoint.

Gounod’s Roméo et Juliette at Lyric Opera, Chicago

Lyric Opera of Chicago staged Charles Gounod’s Roméo et Juliette as the last opera in its current subscription season.

L’incoronazione di Poppea, RAO

‘The plot is perhaps the least moral in all opera; wrong triumphs in the name of love and we are not expected to mind.’

Madame Butterfly , ENO

Anthony Minghella’s production of Madame Butterfly for ENO is wearing well. First seen in 2005, it is now being aired for the sixth time and is still, as I observed in 2013, ‘a breath-taking visual banquet’.

An interview with Tobias Ringborg

I arrive at the Jerwood Space, where rehearsals are underway for Garsington Opera’s forthcoming production of Idomeneo, to find that the afternoon rehearsal has finished a little early.

Valiant but tentative: La straniera at the Concertgebouw

This concert version of La straniera felt like a compulsory musicology field trip, but it had enough vocal flashes to lobby for more frequent performances of this midway Bellini.

London Festival of Baroque Music 2016: Words with Purcell

As poetry is the harmony of words, so music is that of notes; and as poetry is a rise above prose and oratory, so is music the exaltation of poetry.

The Dark Mirror: Zender’s Winterreise

From experiments with musique concrète in the 1940s, to the Minimalists’ explorations into tape-loop effects in the 1960s, via the appearance of hip-hop in the 1970s and its subsequent influence on electronic dance music in the 1980s, to digital production methods today, ‘sampling’ techniques have been employed by musicians working in genres as diverse as jazz fusion, psychedelic rock and classical music.

Great Scott Wows San Diego

On May 7, 2016, San Diego Opera presented the West Coast premiere of Great Scott, an opera by Terrence McNally and Jake Heggie. McNally’s original libretto pokes fun at everything from football to bel canto period opera. It includes snippets of nineteenth century tunes as well as Heggie's own bel canto writing.

Bellini’s Adelson e Salvini, London

A foiled abduction, a castle-threatening inferno, romantic infatuation, guilt-laden near-suicide, gun-shots and knife-blows: Andrea Leone Tottola’s libretto for Vincenzo Bellini’s first opera, Adelson e Salvini, certainly does not lack dramatic incident.

Manitoba Opera: Of Mice and Men

Opera as an art form has never shied away from the grittier shadows of life. Nor has Manitoba Opera, with its recent past productions dealing with torture, incest, murder and desperate political prisoners still so tragically relevant today.

Opera Las Vegas Announces Full Production of Carmen

Tickets on Sale NOW for June 10 & 12 Performances at UNLV’s Performing Arts Center Box Office

The Rose and the Ring

Published in 1855 as an entertainment for his two daughters, William Makepeace Thackeray’s The Rose and the Ring is a burlesque fairy-tale whose plot — to the author’s wilful delight, perhaps — defies summation and elucidation.


OPERA TODAY ARCHIVES »

Reviews

Mario Chang as Rodolfo and Olga Busuioc as Mimi [Photo by Ken Howard]
30 May 2016

La bohème, LA Opera

On May 25, 2016, Los Angeles Opera presented a revival of the Herbert Ross production of Giacomo Puccini’s opera, La bohème. Stage director, Peter Kazaras, made use of the Dorothy Chandler Pavilion’s wide stage by setting some scenes usually seen inside the garret on the surrounding roof instead.  »

Recently in Reviews

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26 Jul 2011

Verdi’s Requiem, BBC Proms

Not only did Verdi’s Requiem make its debut, rather remarkably, in the church of San Marco in Milan but the performance was as a liturgical one; Verdi’s intentions were quite firmly to provide a memorial mass for the Italian patriot, Manzoni.  »

22 Jul 2011

The Sopranos — Dissecting opera’s fervent fans

I was feeling cowed by Herr Engels. The four of us had retired from the Stravinsky performance to a Billy Wilder-themed bar in Berlin, the least horrible late-night option in the high end mediocrity of Potsdamer Platz.  »

22 Jul 2011

Mignon and Saul at Buxton Opera Festival

Buxton, like Wexford, makes a point of offering its clientele the opportunity to sample works that are unjustly neglected by the major houses, and for his final festival as director, Andrew Greenwood served up a typical feast of operatic rarities reflecting the increasingly ambitious approach which has characterised his musical stewardship.  »

19 Jul 2011

Havergal Brian’s “Gothic” Symphony

The BBC Proms has given Havergal Brian’s Symphony no. 1 the best and most extensive exposure the composer has ever enjoyed.  »

18 Jul 2011

Guillaume Tell, BBC Proms

Operatic fashions are fickle and, more to the point, often plain wrong. We all have our grievance lists of works that are ‘scandalously neglected’.  »

16 Jul 2011

First Night of the 2011 BBC Proms

The First Night of the Proms seems to be edging back, if a little hesitantly, from the strange, unsatisfying ‘tasting menu’ approach adopted for a few years.  »

15 Jul 2011

Seven Angels, London

Luke Bedford’s first opera, Seven Angels, had its London premiere at the Linbury Studio Theatre, London.  »

13 Jul 2011

Rinaldo at Glyndebourne

Handel’s Rinaldo at the Glyndebourne Festival is a triumph in musical terms. Don’t miss it when it appears at the BBC Proms this summer in concert performance, because some of the singing is very good indeed. »

12 Jul 2011

Grant Park Music Festival, Chicago Commemorates Gustav Mahler

To commemorate the hundredth anniversary of Gustav Mahler’s death Carlos Kalmar and the Grant Park Orchestra gave in early July two performances of Mahler’s Das Lied von der Erde featuring the vocal soloists Alexandra Petersamer and Christian Elsner.  »

12 Jul 2011

La rondine, Opera Holland Park

Opera Holland Park’s unique selling point has always been a devotion to the more obscure works of Puccini and his Italian contemporaries.  »

12 Jul 2011

Cendrillon, Royal Opera

Words, stories, books — the gateway to a world of fantasy in which anything is possible.  »

12 Jul 2011

Guillaume Tell, Caramoor Festival

For classical music fans, summer means only one thing: summer festivals. The goal of these festivals is to showcase a wide range of repertory with thought provoking creativity. »

10 Jul 2011

Faust Reaches Santa Fe Opera — And How!

The celebrated New Mexico opera festival has, in its fifty-fifth season, created a production of Charles Gounod’s 1859 masterpiece Faust, its first ever.  »

07 Jul 2011

The Marriage of Figaro, Opera Holland Park

Even before a note was sounded at Opera Holland Park on Saturday evening, the still summer evening was ruffled by a breeze of unease.  »

07 Jul 2011

Scenes from Two Marriages

By 1825, as Rossini’s operatic vein was approaching exhaustion, the Neapolitan Saverio Mercadante ranked as a front-runner for his succession alongside Bellini and Donizetti; much more so, however, in the field of serious drama than in opera buffa.  »

06 Jul 2011

Juan, a film by Kaspar Holten

I recently got the chance to see Juan, the Kaspar Holten film version of Mozart’s Don Giovanni, at the Seattle International Film Festival.  »

06 Jul 2011

Der Ring des Nibelungen in San Francisco

Some of the experts said it was the best Ring ever, others merely said it was one of the best (these were lecturers at a Wagner Society symposium). »

30 Jun 2011

Summer Treats in Saint Louis

Opera Theatre of St. Louis has demonstrated yet again that it is an indispensable summer festival to be counted on for adventurous programming, thought-provoking productions, and exciting talent discoveries. »

29 Jun 2011

Sensitive, intelligent Madama Butterfly, Royal Opera

This Madama Butterfly at the Royal Opera House, London, brings out the depth and intelligence of the human story Puccini might be trying to tell us, beneath the surface gloss. »

26 Jun 2011

Two Boys, ENO

You would have had to be deaf and blind — or perhaps just a very wise monkey — not to have been aware that a young American composer called Nico Muhly was about to open at the English National Opera in London last night with a work called Two Boys.  »

26 Jun 2011

Viva Vivaldi — Garsington Opera 2011

Garsington Opera — in its superb new home on the Wormsley estate in rural Oxfordshire — has yet again confirmed the merit of its decision to promote Vivaldi’s long-ignored operas.  »

24 Jun 2011

Lehnhoff takes on Fanciulla for Netherlands Opera

It can be fascinating, although not necessarily pleasant, to see oneself through the eyes of others. »

23 Jun 2011

The Cunning Little Vixen, New York

One of Richard Wagner’s most enduring contributions to music history is a concept known as gesamtkunstwerk.  »

23 Jun 2011

Peter Grimes, Covent Garden

Willy Decker’s production of Peter Grimes, first seen at Covent Garden in 2004, should perhaps be renamed The Borough.  »

21 Jun 2011

Swiss Odyssey

A funny thing happened on the way to Anna Bolena… »

20 Jun 2011

Geneva’s Juicy Oranges

Need something remedial for “what ails you?” »

20 Jun 2011

Boston Early Music Festival: Niobe, Regina di Tebe

The Boston Early Music Festival (hereinafter BEMF) has grown up.  »

20 Jun 2011

Don Pasquale, Opera Holland Park

As it turned out, it was a mild and mainly dry evening.  »

16 Jun 2011

Wagner’s Rienzi in Berlin

The Voltaire maxim usually given in English as “The perfect is the enemy of the good” illuminates the artistic conflicts surrounding many a Wagner production.  »

15 Jun 2011

Israel Opera cuts wide swath at festival

Israel Opera’s summer festival grew astonishingly in the year following its 2010 inaugural season.  »

14 Jun 2011

Simon Boccanegra, ENO

It would seem that in his preparations for this new production of Simon Boccanegra, the acclaimed Russian director, Dmitri Tcherniakov, has been familiarising himself Jonathan Miller’s previous ENO efforts.  »

14 Jun 2011

L’amico Fritz, London

Think verismo and one imagines melodramatic, often violent plots which peer unflinchingly into the soul of every character.  »

12 Jun 2011

Tosca, Covent Garden

The current Tosca at the Royal Opera House is something of a classic, revived four times in five years. It’s now being filmed for cinema to be released in November 2011. »

09 Jun 2011

Karlsruhe “Gioconda” Unintentionally ‘Konzertant’

It was a lucky happenstance that glorious vocalism characterized Badisches Staatstheater’s La Gioconda, for effective stagecraft was nowhere in evidence…but, oh, what singing!  »

09 Jun 2011

Andreas Scholl, Wigmore Hall

A capacity crowd at the Wigmore Hall eagerly awaited the arrival of Andreas Scholl and Tamar Halperin on the platform on Tuesday evening.  »

07 Jun 2011

Candide, Barbican Centre

‘Glitter and be gay!’ cries Cunegonde, determined to overcome the bitter circumstances in which she finds herself in sordid, downturn Paris. »

06 Jun 2011

Phaedra in Philadelphia

The U.S. premiere of Hans Werner Henze’s Phaedra at the Opera Company of Philadelphia may well be the most important and ambitious new work presented by any American company this season. »

03 Jun 2011

The Metropolitan Opera HD Live on DVD

Since 2006, movie cineplexes across the USA have attracted a somewhat unlikely crowd for Saturday matinees, from fall to spring.  »

01 Jun 2011

Brahms Liebesliederwalzer, Wigmore Hall, London

Any performance of Brahms and Schumann four part songs is an occasion.  »

31 May 2011

Bach Cantatas, volume 11

Pilgrimages, I suspect, derive a degree of their fruitfulness from the slowness of the journey, a pace born of desire or necessity, that removes the journey from the quotidian, brings the purpose into greater focus, and allows for a richer savoring of the experience. »

31 May 2011

Le Royaume Oublié: La Tragédie Cathare

Before a single track has been heard, Jordi Savall’s The Forgotten Kingdom impresses with its scale: a three-CD set packaged in a lavish, bound book that contains fifty dense pages of English commentary by nine different authors; adding the multiple translations, beautiful illustrations, and song texts, the book itself luxuriantly sprawls over 500 pages. »

30 May 2011

Ian Bostridge, Wigmore Hall

“Music, music for a while/ Shall all your cares beguile,” vowed Ian Bostridge at the opening of this recital with his regular accompanist, Julius Drake.  »

30 May 2011

Les Noces de Figaro in Paris

This is the one by Giorgio Strehler that opened at Versailles in 1973 and since has endured twenty-three incarnations, first at the Garnier and later at the Bastille.  »

27 May 2011

James Bowman, The Last London Recital

It’s easy to slip into platitudes when eulogising the last London recital performance of a singer commonly lauded as the outstanding countertenor of his generation.  »

26 May 2011

I Compagnacci and Il Re, Teatro Grattacielo

Teatro Grattacielo gives concert performances of Verismo operas that range from the obscure to the unheard-of.  »

26 May 2011

Macbeth, Royal Opera

Phyllida Lloyd’s reading of Verdi’s Macbeth – first seen in 2002 and here revived for the second time – could certainly not be described as ‘subtle’, either dramatically or visually. »

24 May 2011

Die Meistersinger von Nürnberg, Glyndebourne

Glorious sunshine for Glyndebourne Opera’s Die Meistersinger von Nürnberg on the eve of Richard Wagner's birthday. »

23 May 2011

Richard Coeur-de-Lion, New York

André-Modeste Grétry, the greatest opera composer ever to come from Belgium, made his way to Paris in 1767 at the age of 26.  »

23 May 2011

A Midsummer Night’s Dream, ENO

On my travels, I often hear occasional opera-goers complain about having wasted time and money on a production that, on the night, bears no relation to their expectations.  »

22 May 2011

Opera Remade, 1700-1750

This substantial book is one of the latest in the Ashgate series of collected essays in opera studies and draws together articles from a disparate group of scholarly journals and collected volumes, some recent, some now difficult to locate.  »

22 May 2011

Iphigénie en Tauride at the Washington National Opera

The Washington National Opera has concluded its 2010-11 season with Gluck’s 1779 masterpiece Iphigénie en Tauride, arguably the great Viennese composer’s greatest achievement and his swan song (if one does not count that unfortunate flop of 1780, Echo et Narcisse — and luckily, one hardly ever does).  »

22 May 2011

James MacMillan’s Clemency, Royal Opera

James MacMillan has reunited with his librettist, the poet Michael Symmons Roberts, to produce his new opera Clemency.  »

21 May 2011

Don Giovanni, Florida Grand Opera

By Leporello’s count (in the “Catalogue aria”), Don Giovanni tallies over 2,000 sexual exploits. »

21 May 2011

Benvenuto Cellini

Philipp Stölzl’s production of Benvenuto Cellini, from the 2007 Salzburg Festival, is weird almost beyond belief.  »

20 May 2011

Elizabeth Schwarzkopf in Der Rosenkavalier

Classic films often receive the honor of a full “restoration,” especially when a new viewing format appears. »

20 May 2011

John Adams: Nixon in China

A quarter century having passed since its premiere, Nixon in China appears to have secured a niche in the opera repertoire, at least of American opera houses.  »