Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


twitter_logo[1].gif



9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

Rameau Grand Motets, BBC Proms

Best of the season so far! William Christie and Les Arts Florissants performed Rameau Grand Motets at late night Prom 17. Perfection, as one would expect from arguably the finest Rameau interpreters in the business, and that's saying a lot, given the exceptionally high quality of French baroque performance in the last 40 years.

Adriana Lecouvreur Opera Holland Park

Twelve years after Opera Holland Park's first production of Francesco Cilea's Adriana Lecouvreur, the opera made a welcome return.

Back to the Beginnings: Monteverdi’s Il ritorno d’Ulisse in patria at Iford Opera.

The Italianate cloister setting at Iford chimes neatly with Monteverdi’s penultimate opera The Return of Ulysses, as the setting cannot but bring to mind those early days of the musical genre. The world of commercial public opera had only just dawned with the opening of the Teatro San Cassiano in Venice in 1637 and for the first time opera became open to all who could afford a ticket, rather than beholden to the patronage of generous princes. Monteverdi took full advantage of the new stage and at the age of 73 brought all his experience of more than 30 years of opera-writing since his ground-breaking L’Orfeo (what a pity we have lost all those works) to the creation of two of his greatest pieces, Ulysses and then his final masterpiece, Poppea.

Schoenberg : Moses und Aron, Welsh National Opera, London

Once again, we find ourselves thanking an unrepresentable being for Welsh National Opera’s commitment to its mission. It is a sad state of affairs when a season that includes both Boulevard Solitude and Moses und Aron is considered exceptional, but it is - and is all the more so when one contrasts such seriousness of purpose with the endless revivals of La traviata which, Die Frau ohne Schatten notwithstanding, seem to occupy so much of the Royal Opera’s effort. That said, if the Royal Opera has not undertaken what would be only its second ever staging of Schoenberg’s masterpiece - the first and last was in 1965, long before most of us were born! - then at least it has engaged in a very welcome ‘WNO at the Royal Opera House’ relationship, in which we in London shall have the opportunity to see some of the fruits of the more adventurous company’s endeavours.

Rossini is Alive and Well and Living in Iowa

If you don’t have the means to get to the Rossini festival in Pesaro, you would do just as well to come to Indianola, Iowa, where Des Moines Metro Opera festival has devised a heady production of Le Comte Ory that is as long on belly laughs as it is on musical fireworks.

Gergiev : Janáček Glagolitic Mass, BBC Proms

Composed during just a few weeks of the summer of 1926, Janáček’s Slavonic-text Glagolitic Mass was first performed in Brno in December 1927. During the rehearsals for the premiere - just 3 for the orchestra and one 3-hour rehearsal for the whole ensemble - the composer made many changes, and such alterations continued so that by the time of the only other performance during Janáček’s lifetime, in Prague in April 1928, many of the instrumental (especially brass) lines had been doubled, complex rhythmic patterns had been ‘ironed-out’ (the Kyrie was originally in 5/4 time), a passage for 3 off-stage clarinets had been cut along with music for 3 sets of pedal timpani, and choral passages were also excised.

Donizetti and Mozart, Jette Parker Young Artists Royal Opera House, London

With the conclusion of the ROH 2013-14 season on Saturday evening - John Copley’s 40-year old production of La Bohème bringing down the summer curtain - the sun pouring through the gleaming windows of the Floral Hall was a welcome invitation to enjoy a final treat. The Jette Parker Young Artists Summer Showcase offered singers whom we have admired in minor and supporting roles during the past year the opportunity to step into the spotlight.

Glyndebourne's Strauss Der Rosenkavalier, BBC Proms

Many words have already been spent - not all of them on musical matters - on Richard Jones’s Glyndebourne production of Der Rosenkavalier, which last night was transported to the Royal Albert Hall. This was the first time at the Proms that Richard Strauss’s most popular opera had been heard in its entirety and, despite losing two of its principals in transit from Sussex to SW1, this semi-staged performance offered little to fault and much to admire.

Il turco in Italia at the Aix Festival

Twenty years ago stage director Christopher Alden introduced Rossini’s then forgotten comedy to Southern California audiences in a production that is still remembered. In Aix Alden has revisited this complex work that many critics now consider Rossini’s greatest comedy.

First Night of the BBC Proms : Elgar The Kingdom

The BBC Proms 2014 season began with Sir Edward Elgars The Kingdom (1903-6). It was a good start to the season,which commemorates the start of the First World War. From that perspective Sir Andrew Davis's The Kingdom moved me deeply.

Le nozze di Figaro, Munich

One is unlikely to come across a cast of Figaro principals much better than this today, and the virtues of this performance indeed proved to be primarily vocal.

Winterreise and Trauernacht at the Aix Festival

That’s A Winter’s Journey and A Night of Mourning for metteurs-en-scène William Kentridge (South Africa) and Katie Mitchell (Great Britain), completing the clean sweep of English language stage directors for the Aix Festival productions this year.

James Gilchrist at Wigmore Hall

Assured elegance, care and thoughtfulness characterised tenor James Gilchrist’s performance of Schubert’s Schwanengesang at the Wigmore Hall, the cycles’ two poets framing a compelling interpretation of Beethoven’s An die ferne Geliebte.

Music for a While: Improvisations on Henry Purcell

‘Music for a while shall all your cares beguile.’ Dryden’s words have never seemed as apt as at the conclusion of this wonderful sequence of improvisations on Purcell’s songs and arias, interspersed with instrumental chaconnes and toccatas, by L’Arpeggiata.

Nabucco at Orange

The acoustic of the gigantic Théâtre Antique Romain at Orange cannot but astonish its nine thousand spectators, the nearly one hundred meter breadth of the its proscenium inspires awe. There was excited anticipation for this performance of Verdi’s first masterpiece.

Richard Strauss: Notturno

Richard Strauss may be most closely associated with the soprano voice but this recording of a selection of the composer’s lieder by baritone Thomas Hampson is a welcome reminder that the rapt lyricism of Strauss’s settings can be rendered with equal beauty and character by the low male voice.

Saint Louis: A Hit is a Hit is a Hit

Opera Theatre of Saint Louis has once again staked claim to being the summer festival “of choice” in the US, not least of all for having mounted another superlative world premiere.

La Flûte Enchantée (2e Acte)
at the Aix Festival

In past years the operas of the Aix Festival that took place in the Grand Théâtre de Provence began at 8 pm. The Magic Flute began at 7 pm, or would have had not the infamous intermittents (seasonal theatrical employees) demanded to speak to the audience.

Ariodante at the Aix Festival

High drama in Aix. Three scenarios in conflict — those of G.F. Handel, Richard Jones and the intermittents (disgruntled seasonal theatrical employees). Make that four — mother nature.

Lucy Crowe, Wigmore Hall

The programme declared that ‘music, water and night’ was the connecting thread running through this diverse collection of songs, performed by soprano Lucy Crowe and pianist Anna Tilbrook, but in fact there was little need to seek a unifying element for these eclectic works allowed Crowe to demonstrate her expressive range — and offered the audience the opportunity to hear some interesting rarities.


OPERA TODAY ARCHIVES »

Reviews

31 Jul 2014

Rameau Grand Motets, BBC Proms

Best of the season so far! William Christie and Les Arts Florissants performed Rameau Grand Motets at late night Prom 17. Perfection, as one would expect from arguably the finest Rameau interpreters in the business, and that's saying a lot, given the exceptionally high quality of French baroque performance in the last 40 years. »

Recently in Reviews

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32  |  33  |  34  |  35  |  36  |  37  |  38  |  39  |  40  |  41  |  42  |  43  |  44  |  45  |  46  |  47  |  48  |  49  |  50  |  51  |  52  |  53  |  54  |  55  |  56  |  57  |  58  |  59  |  60  |  61  |  62  |  63  |  64  |  65  |  66  |  67  |  68  |  69  |  70  |  71  |  72  |  73  |  74  |  75  |  76  |  77  |  78  |  79  |  80  |  81  |  82  |  83  |  84  |  85  |  86 
14 Nov 2004

Myto Releases Otello

VERDI: Otello Mario del Monaco (Otello), Renata Tebaldi (Desdemona), Leonard Warren (Iago); La Scala/ Antonio Votto Myto 41083 [2CD] 140 minutes Tebaldi and Del Monaco twice recorded Otello together in the studio, and we've reviewed a number of bootlegs starring... »

14 Nov 2004

SFO Presents The Flying Dutchman

With a ghoulishly murky 'Dutchman,' Opera puts on a truly grim production Joshua Kosman, Chronicle Music Critic Friday, November 12, 2004 It was, yes, a dark and stormy night as the San Francisco Opera unveiled its new production of "The... »

13 Nov 2004

ARG Reviews Mercadante's Emma d'Antiochia

MERCADANTE: Emma d'Antiochia Nelly Miricioiu (Emma), Maria Costanza Nocentini (Adelia), Bruce Ford (Ruggiero), Roberto Servile (Corrado); Geoffrey Mitchell Choir, London Philharmonic/ David Parry Opera Rara 26 [3CD] 183 minutes I have long been on a campaign to revive the works... »

05 Nov 2004

Fanfare Reviews Jenufa

JANáCEK Jenufa * Charles Mackerras, cond; Janice Watson (Jenufa), Josephine Barstow (The Kostelnicka), Nigel Robson (Laca), Peter Wedd (Steva), Neale Davies (Foreman); Welsh Natl Op O & Ch * CHANDOS 3106 (2 CDs: 121: 11) There is so much to... »

04 Nov 2004

RICE: Empress Marie Therese and Music at the Viennese Court, 1792-1807

John A. Rice's detailed account of the musical life of the Empress Marie Therese portrays a flourishing world of imperial patronage in its final years. The second wife of Emperor Franz II and namesake of her more famous grandmother Empress Maria Theresa, Marie Therese lived just long enough to see the collapse of the Empire before Napoleon's troops. »

04 Nov 2004

FT Reviews Kát'a Kabanová

Kát'a Kabanová, Paris Opéra (Garnier) By Francis Carlin Published: November 4 2004 02:00 | Last updated: November 4 2004 02:00 After Salzburg, Brussels, Barcelona, Toulouse and several showings on TV, Christophe Marthaler's Kát'a Kabanova has at last turned up in... »

02 Nov 2004

Le Figaro Reviews Don Carlos at Wiener Staatsoper

Hommage à l'opéra français Christian Merlin [02 novembre 2004] Merci à l'Opéra de Vienne d'avoir osé ce à quoi Paris ne s'est pas encore risqué : ressusciter Don Carlos dans sa version originale archicomplète, en cinq actes et en français.... »

01 Nov 2004

FT Reviews Handel's Guilio Cesare in Egitto

Guilio Cesare in Egitto, Boston Baroque By George Loomis Published: November 1 2004 02:00 | Last updated: November 1 2004 02:00 One of the many virtues of Handel's Guilio Cesare in Egitto is that the roles of Caesar and Cleopatra... »

31 Oct 2004

Mefistofele in Amsterdam

by Jan Neckers Let's start with the main assets of the new Mefistofele in Amsterdam: the singers. Gidon Saks has one of the biggest booming bass voices that ever sounded in an opera house (yes, I heard Ghiaurov but Saks... »

28 Oct 2004

L'Incoronazione di Poppea at the Barbican

L'Incoronazione di Poppea Barbican Hall, London By David Murray Published: October 28 2004 03:00 | Last updated: October 28 2004 03:00 This was the third glorious concert-performance of a Monteverdi opera at the Barbican - his 1643 Coronation of Poppea... »

25 Oct 2004

FT Reviews Mercadante's La vestale

La vestale, Wexford Festival By Andrew Clark Published: October 25 2004 03:00 | Last updated: October 25 2004 03:00 The compacting of operatic history into a performable repertoire leads us to make all kinds of false assumptions. One is that... »

22 Oct 2004

FT Reviews Don Carlos at the Vienna State Opera

Don Carlos, Vienna State Opera By Larry L Lash Published: October 22 2004 03:00 | Last updated: October 22 2004 03:00 Despite character motivation and plot development of revelatory clarity and depth, top-notch singing, gorgeous orchestral playing and insightful conducting,... »

22 Oct 2004

Four Reviews of Die Zauberflöte at the Met

Julie Taymor -- and Mozart Too By HEIDI WALESON [Wall Street Journal] October 14, 2004; Page D7 New York The Metropolitan Opera usually showcases singers, not star directors, but the Met's newest production is most definitely the "Julie Taymor 'Zauberflote'"... »

22 Oct 2004

Thomas Quasthoff Sings Sacred Cantatas by Bach

MUSICAL PERFORMANCE AND PERSONAL EXPERIENCE Thomas Quasthoff Sings Sacred Cantatas by Bach by Jürgen Otten It would be easy to describe or appraise the art of bass-baritone Thomas Quasthoff by evoking the title of an exquisite lied by the Romantic... »

15 Oct 2004

Two Reviews of "The Dialogues of the Carmelites"

Unbearably Good Classical Music BY JAY NORDLINGER [New York Sun] October 14, 2004 Is there any opera more shattering than "The Dialogues of the Carmelites," when it's done well? On Tuesday night, City Opera did it well. It was... »

15 Oct 2004

FT Reviews L'Incoronazione di Poppeia

L'Incoronazione di Poppeia, Théâtre des Champs Elysées, Paris By Francis Carlin [Financial Times] Published: October 15 2004 03:00 | Last updated: October 15 2004 03:00 If you liked David McVicar's staging of Agrippina, you may like his new Poppeia. Or... »

14 Oct 2004

A Review of Pelléas et Mélisande at Berlin

Pelléas et Mélisande, Deutsche Oper, Berlin By Shirley Apthorp [Financial Times] Published: October 14 2004 03:00 | Last updated: October 14 2004 03:00 Yniold wants to know why these sheep huddle together and why they are so silent. We know... »

14 Oct 2004

Two Reviews of Rolando Villazón's New York Recital Debut

An Introduction in 5 Languages By ANNE MIDGETTE [New York Times] The powers that be in the opera world are desperate to discover the next hot male phenomenon. On Monday, at the Metropolitan Museum of Art's Temple of Dendur, Rolando... »

12 Oct 2004

FT Reviews Elektra At Frankfurt Opera

Elektra, Frankfurt Opera By Shirley Apthorp Published: October 12 2004 03:00 | Last updated: October 12 2004 03:00 "Everywhere, in all the courts, there are dead bodies, all who are alive are smeared with blood, yet all are smiling," sings... »

11 Oct 2004

FT Reviews La Grande Duchesse de Gérolstein

La Grande Duchesse de Gérolstein, Châtelet, Paris By Francis Carlin Published: October 11 2004 03:00 | Last updated: October 11 2004 03:00 Were the Brits in the audience the only ones to get the allusion? Felicity Lott's Grand Duchess is... »

10 Oct 2004

Cecilia Bartoli at Théâtre des Champs-Élysées, Paris

La réhabilitation pour Salieri Au TCE, Cecilia Bartoli se fait l'éblouissante avocate d'un musicien dont la postérité retiendra avant tout les soupçons d'empoisonnement sur la personne de Mozart : Antonio Salieri. Elle consacre l'intégralité d'un récital à celui que Gluck... »

10 Oct 2004

Le Monde Reviews Messiaen's "Saint François d'Assise"

La mise en apesanteur divine de "Saint François d'Assise", SDF de la foi LE MONDE | 08.10.04 | 15h02 A l'Opéra Bastille, les tableaux franciscains d'Olivier Messiaen par Stanislas Nordey. Avec cette nouvelle production du Saint-François d'Assise de Messiaen -... »

09 Oct 2004

"La Voix Humaine" at Vremena Goda Festival

Voznesenskaya - only too human by Neil McGowan La Voix Humaine (concert performance) Vremena Goda Festival Vremena Goda Orchestra/Bulakhov 29 September 2004 Bringing down the curtain on the Vremena Goda Festival this year was the Festival's first-ever operatic offering -... »

08 Oct 2004

Moscow Times: Entering the Ring

George Loomis reports on Wagner opera, Russian-style. By George Loomis Published: October 8, 2004 Last spring the Metropolitan Opera gave three complete cycles of Richard Wagner's four-opera saga, "Der Ring des Nibelungen" (The Ring of the Nibelung). It was business... »

08 Oct 2004

Roger Pines on historic recorded performances of Bizet

Georges Bizet’s Carmen has a distinguished recording history in both complete performances and excerpts. From this ever-popular work, as well as the composer’s Les pêcheurs de perles, there are considerable lessons to be learned from the early decades of recording in terms of balancing dramatic urgency with the needs of the drama. Many singers have gotten by in Bizet with beauty at the expense of text, but a Solange Michel or a Charles Dalmorès demonstrates indisputably that Bizet does not come alive unless the text is commanded in depth. »

07 Oct 2004

FIEDLER: Molto Agitato

I well remember my first performance at the Met. It was a not very distinguished La Bohème with Malfitano and Lima, Domingo conducting, in the winter of 1985. But at last I had made it to the Met. This was the company of Caruso, Gigli, Ponselle, Tibbett and Melchior. This was the house where Corelli and Price had given of their best. So in a sense this is my house too, because the Met is too big, too important to belong to the New Yorkers alone, witness the overwhelming majority of the subscribers to Opera News (circulation around 120,000) who are living elsewhere, a lot of them people in Europe like myself. Therefore anything concerning the Met concerns all opera lovers. »

06 Oct 2004

FT Reviews Tamerlano

Tamerlano, Opéra de Lille By Francis Carlin Published: October 6 2004 03:00 | Last updated: October 6 2004 03:00 There should be a golden rule for producers: don't make life difficult for yourself and the audience. In Lille's magnificently restored... »

30 Sep 2004

Le Figaro on Charpentier Festival

FESTIVAL Marc-Antoine Charpentier à Ambronay Triomphe de la jeunesse Gérard Corneloup [30 septembre 2004] En cette année du bicentenaire de la mort de Marc-Antoine Charpentier, occasion unique de le sortir de l'ombre que lui fait encore Lully, le festival d'Ambronay... »

30 Sep 2004

FROSCH at Innsbruck

Die Frau ohne Schatten, Tiroler Landstheater, Innsbruck By Larry L Lash Published: September 29 2004 03:00 | Last updated: September 29 2004 03:00 It was a strange match: Richard Strauss's hugest, most difficult opera - with one of the largest... »

30 Sep 2004

King's Music Reviews New Recordings of Works by Rameau

Rameau : Platée Paul Agnew Platée, Mireille Delunsch La Folie & Thalie, Yann Beuron Thespis & Mercure, Vincent Le Texier Jupiter, Doris Lamprecht Junon, Laurent Naouri Cithéron & a Satyr, Valérie Gabail L'Amour & Clarine, Franck Leguerinel Momus, Orchestra and... »

28 Sep 2004

Die Walküre at the Met

Die Walküre, Metropolitan Opera, New York By Martin Bernheimer Published: September 28 2004 03:00 | Last updated: September 28 2004 03:00 For the past couple of decades at the Metropolitan Opera, Die Walküre was the exclusive property of James Levine,... »

27 Sep 2004

FT Reviews La Rondine

La Rondine, New York City Opera By Martin Bernheimer Published: September 27 2004 03:00 | Last updated: September 27 2004 03:00 La Rondine certainly isn't Puccini's easiest or most successful opera. Completed in 1917, it flutters - sometimes elegantly, sometimes... »

21 Sep 2004

Andrew Patner Reviews Don Giovanni at the Lyric Opera

Don Giovanni, Lyric Opera, Chicago By Andrew Patner Published: September 21 2004 03:00 | Last updated: September 21 2004 03:00 A half century ago, a trio of twentysomething operaphiles offered Chicago what they dubbed a "calling card" production of Mozart's... »

20 Sep 2004

Faust in Hong Kong

Faust, Hong Kong Cultural Centre By Ken Smith Published: September 20 2004 13:25 | Last updated: September 20 2004 13:25 Hong Kong's opera lovers, lacking a full-time opera house and gaining a standing company only in the past year, have... »

17 Sep 2004

FT Reviews The Greek Passion

The Greek Passion, Royal Opera House, London By Andrew Clark Published: September 17 2004 03:00 | Last updated: September 17 2004 03:00 All human life is here: prayer and pageant, self-sacrifice and self-righteousness, humour and hypocrisy, feast and famine. Opera... »

16 Sep 2004

FT Reviews Tobias and the Angel

Tobias and the Angel, English Touring Opera, St John's Church, London By David Murray Published: September 16 2004 03:00 | Last updated: September 16 2004 03:00 The composer Jonathan Dove may have called his Tobias, now touring cathedrals and churches,... »

15 Sep 2004

FT Reviews LA Opera's Ariadne auf Naxos

Ariadne auf Naxos Music Center, Los Angeles By Allan Ulrich Published: September 15 2004 03:00 | Last updated: September 15 2004 03:00 William Friedkin's mounting of the Strauss-von Hoffmannsthal comedy handsomely and wittily confirms the general director Plácido Domingo's belief... »