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Elsewhere

Moved Takes on Philadelphia Headlines

There‘s a powerful new force in the opera world and its name is O17.

Philly Flute’s Fast and Furious Frills

If you never thought opera could make your eyes cross with visual sensory over load, you never saw Opera Philadelphia’s razzle-dazzle The Magic Flute.

At War With Philadelphia

Enterprising Opera Philadelphia has included a couple of intriguing site-specific events in their O17 Festival line-up.

The Mozartists at the Wigmore Hall

Three years into their MOZART 250 project, Classical Opera have launched a new venture, The Mozartists, which is designed to allow the company to broaden its exploration of the concert and symphonic works of Mozart and his contemporaries.

Philadelphia: Putting On Great Opera Can Be Murder

Composer Kevin Puts and librettist Mark Campbell have gifted Opera Philadelphia (and by extension, the world) with a crackling and melodious new stage piece, Elizabeth Cree.

Mansfield Park at The Grange

In her 200th anniversary year, in the county of her birth and in which she spent much of her life, and two days after she became the first female writer to feature on a banknote - the new polymer £10 note - Jane Austen’s Mansfield Park made a timely appearance, in operatic form, at The Grange in Hampshire.

Elektra in San Francisco

Among the myriad of artistic innovation during the Kurt Herbert Adler era at San Francisco Opera was the expansion of the War Memorial Opera House pit. Thus there could be 100 players in the pit for this current edition of Strauss’ beloved opera, Elektra!

Mark Padmore on festivals, lieder and musical conversations

I have to confess, somewhat sheepishly, at the start of my conversation with Mark Padmore, that I had not previously been aware of the annual music festival held in the small Cotswolds town of Tetbury, which was founded in 2002 and to which Padmore will return later this month to perform a recital of lieder by Schubert and Schumann with pianist Till Fellner.

Turandot in San Francisco

Mega famous L.A. artist David Hockney is no stranger at San Francisco Opera. Of his six designs for opera only the Met’s Parade and Covent Garden’s Die Frau ohne Schatten have not found their way onto the War Memorial stage.

The School of Jealousy: Bampton Classical Opera bring Salieri to London

In addition to fond memories of previous beguiling productions, I had two specific reasons for eagerly anticipating this annual visit by Bampton Classical Opera to St John’s Smith Square. First, it offered the chance to enjoy again the tunefulness and wit of Salieri’s dramma giocoso, La scuola de’ gelosi (The School of Jealousy), which I’d seen the company perform so stylishly at Bampton in July.

Richard Jones' new La bohème opens ROH season

There was a decided nip in the air as I made my way to the opening night of the Royal Opera House’s 2017/18 season, eagerly anticipating the House’s first new production of La bohème for over forty years. But, inside the theatre in took just a few moments of magic for director Richard Jones and his designer, Stewart Laing, to convince me that I had left autumnal London far behind.

Giovanni Simon Mayr: Medea in Corinto

The Bavarian-born Johann Simon Mayr (1763–1845) trained and made his career in Italy and thus ended up calling himself Giovanni Simone Mayr, or simply G. S. Mayr. He is best known for having been composition teacher to Giuseppe Donizetti.

Robin Tritschler and Julius Drake open
Wigmore Hall's 2017/18 season

It must be a Director’s nightmare. After all the months of planning, co-ordinating and facilitating, you are approaching the opening night of a new concert season, at which one of the world’s leading baritones is due to perform, accompanied by a pianist who is one of the world’s leading chamber musicians. And, then, appendicitis strikes. You have 24 hours to find a replacement vocal soloist or else the expectant patrons will be disappointed.

The Opera Box at the Brunel Museum

The courtly palace may have been opera’s first home but nowadays it gets out and about, popping up in tram-sheds, car-parks, night-clubs, on the beach, even under canal bridges. So, I wasn’t that surprised to find myself following The Opera Box down the shaft of Isambard Kingdom Brunel’s Thames Tunnel at Rotherhithe for a double bill which brought together the gothic and the farcical.

Proms at Wiltons: Eight Songs for a Mad King

It’s hard to imagine that Peter Maxwell Davies’ dramatic monologue, Eight Songs for a Mad King, can bear, or needs, any further contextualisation or intensification, so traumatic is its depiction - part public history, part private drama - of the descent into madness of King George III. It is a painful exposure of the fracture which separates the Sovereign King from the human mortal.

Prokofiev: Cantata for the 20th Anniversary of the October Revolution: Gergiev, Mariinsky

Sergei Prokofiev's Cantata for the Twentieth Anniversary of the October Revolution, Op 74, with Valery Gergiev conducting the Mariinsky Orchestra and Chorus. One Day That Shook the World to borrow the subtitle from Sergei Eisenstein's epic film October : Ten Days that Shook the World.

Matthias Goerne: Bach Cantatas for Bass

In this new release for Harmonia Mundi, German baritone Matthias Goerne presents us with two gems of Bach’s cantata repertoire, with the texts of both BWV 56 and 82 exploring one’s sense of hope in death.  Goerne adeptly interprets the paradoxical combination of hope and despair that underpins these works, deploying a graceful lyricism alongside a richer, darker bass register.

Gramophone Award Winner — Matthias Goerne Brahms Vier ernste Gesänge

Winner of the 2017 Gramophone Awards, vocal category - Matthias Goerne and Christoph Eschenbach - Johannes Brahms Vier ernste Gesänge and other Brahms Lieder. Here is why ! An exceptional recording, probably a new benchmark.

A Prom of Transformation and Transcendence: Renée Fleming and the Royal Stockholm Philharmonic Orchestra

This Prom was all about places: geographical, physical, pictorial, poetic, psychological. And, as we journeyed through these landscapes of the mind, there was plenty of reminiscence and nostalgia too, not least in Samuel Barber’s depiction of early twentieth-century Tennessee - Knoxville: Summer of 1915.

The Queen's Lace Handkerchief: Opera della Luna at Wilton's Music Hall

Billed as the ‘First British Performance’ - though it had had a prior, quasi-private outing at the Roxburgh Theatre, Stowe in July - Opera della Luna’s production of Johann Strauss Jnr’s The Queen’s Lace Handkerchief (Das Spitzentuch der Königin) at Wilton’s Music Hall began to sound pretty familiar half-way through the overture (which was played with spark and elegance by conductor Toby Purser’s twelve-piece orchestra).


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Reviews

20 Sep 2017

Moved Takes on Philadelphia Headlines

There‘s a powerful new force in the opera world and its name is O17.  »

Recently in Reviews

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17 Feb 2013

Stuttgart: Too Hot to Handel

With its staging of Alcina, Stuttgart Opera seems to set out to prove that George Friedrich Handel can be all ‘sexypants.’  »

14 Feb 2013

Elektra in Marseille

Sadistic revenge and sadistic challenge in equal parts. You know the story — if Oreste had not slaughtered his mother Elektra would have. And did over and over in nearly two hours of raving about killing her mother. Elektra is one of the repertory's more beloved operas. »

12 Feb 2013

Radamisto at Barbican Hall

Handel's Radamisto HWV 12a confirms the Barbican Hall as one of the finest places for baroque in London. Superb performances from David Daniels, Luca Pisaroni, and Patricia Bardon, with Harry Bicket conducting The English Concert from the harpsichord »

11 Feb 2013

Palm Beach Opera Celebrates New Season

Palm Beach Opera opened its new season with the opera that began it all, La Traviata.  »

11 Feb 2013

Bernarda Fink Residency, Wigmore Hall

For the first of her two February recitals at the Wigmore Hall, the Argentinean mezzo-soprano Bernarda Fink was joined by the Hugo Wolf Quartett in an eclectic, Italian-themed programme in which singer and instrumentalists sculpted diverse and beautiful musical vistas and communicated a remarkably coherent, shared vision. »

11 Feb 2013

Erik Satie, Socrate and Igor Stravinsky. Renard and other works

This concert was part of a greater weekend of concerts at the Southbank Centre looking at Paris during the second and third decades of the twentieth century, the weekend itself part of the year-long Rest is Noise season.  »

10 Feb 2013

Joyce DiDonato: Drama Queens

Joyce DiDonato brought her Drama Queens tour to the Barbican Hall last night, 6 February 2012. Accompanied by Il Complesso Barocco, directed by Dmitry Sinkovsky, she enabled us to hear a wide range of arias by mainly Italian baroque composers from Monteverdi to Handel, by way of Porta, Cesti, Orlandini and Hasse. »

10 Feb 2013

Die Entfûhrung aus dem Serail in Montpellier

The fearsome Ottoman Turks had threatened the Austrian borders for centuries. But Mozart’s little singspiel makes light of this truly serious situation, and offers a quite enlightened resolution for the conflict as well. »

10 Feb 2013

Dialogues of the Carmelites in Toulon

Boasting one of France’s grandest opera houses (said to be the model for Paris’ Opéra Garnier) Toulon hosts a season of five operas — Aida, Butterfly and Flute are hand in hand with Carmen and, yes, Dialogues des carmélites.  »

07 Feb 2013

Eugene Onegin at the Royal Opera House

Kasper Holten’s directorial debut in the Royal Opera House begins with silence.  »

06 Feb 2013

Fille du Regiment from San Diego Opera

Born to a very poor family in 1797, Gaetano Donizetti was lucky enough to become the pupil of Johann Simone Mayr, the Maestro di Capella of his native city, who recognized his talent and made sure he received appropriate instruction.  »

06 Feb 2013

Tosca by Arizona Opera

The libretto by Luigi Illica and Giuseppe Giacosa for Giacomo Puccini’s opera Tosca is based on Victorien Sardou’s French play, La Tosca.  »

06 Feb 2013

Amsterdam: Tell Hits a Bulls Eye

With a visually beautiful and dramatically honest staging, Netherlands Opera has made as compelling a case as I would imagine possible for Rossini’s grand opera Guillaume Tell. »

03 Feb 2013

Essays on Italo Montemezzi - D'Annunzio: Nave

An important new book on Italo Montemezzi sheds light on his opera Nave. The author/editor is David Chandler whose books on Alfredo Catalani have done so much to restore interest in the genre.  »

02 Feb 2013

Der Kaiser von Atlantis at the Staatsoper Berlin

Recent seasons have seen a surge in so-called ‘Holocaust operas,’ from Peter Androsch’s Spiegelrund, which premiered in Vienna last week, to Mieczysław Weinberg’s The Passenger, unveiled with a half-century of delay in Bregenz in 2010.  »

02 Feb 2013

A Timeless Hänsel und Gretel in Chicago

In remounting its 2001 production of Engelbert Humperdinck’s Hänsel und Gretel Lyric Opera of Chicago has demonstrated the timeless nature of the score and narrative as well as the ingenuity of the production with its thoughtful and touching updating to a twentieth-century milieu.  »

01 Feb 2013

Maria Stuarda at the Met

The Met’s opulent and well-sung Maria Stuarda cannot overcome its insipid libretto. »

31 Jan 2013

Soile Isokoski - Wigmore Hall - Sallinen

Soile Isokoski and Maria Viitasalo made a welcome return to theWigmore Hall, London. Their recital was a masterclass in what singing really should be about: not simply sound production, but the expression of meaning.  »

23 Jan 2013

Pelléas et Mélisande in Nice

Pelléas et Mélisande, in t-shirts and jeans, were out riding bicycles. They came upon a fountain. You know what happened. »

23 Jan 2013

Nash Ensemble, Wigmore Hall - Warlock, Britten

Surveying British chamber and instrumental music written between the 1890s and WWII, the Nash Ensemble’s Wigmore Hall residency series, Dreamers of Dreams, has illuminated the creativity and originality of British musical life during this period, revealing the shared and the idiosyncratic preoccupations of composers; the intertwined biographies of musicians; the influence of key individual performers on repertoire, style and idiom; the dialogue between old and new; and the prevailing shadows of war and irreversible change. »

20 Jan 2013

San Diego Opera new season 2013

The New Year 2013 is here and San Diego Opera will open its season at the end of this month. The company will present four well known operas: Gaetano Donizetti's The Daughter of the Regiment (La Fille du Regiment), Camille Saint-Saëns' Samson and Delilah, Ildebrando Pizzetti's Murder in the Cathedral (Assassinio nella Cathedrale) and Giuseppe Verdi's Aida along with a Mariachi opera: Cruzar la Cara de la Luna, (To Cross the Face of the Moon). »

20 Jan 2013

Sir Harrison Birtwistle The Minotaur ROH 2013

If, first time around, in 2008, The Minotaur offered the obvious excitement of the premiere, it was now noteworthy how quickly it had settled into repertory status. Not that it has yet been performed elsewhere than Covent Garden, though it should be as a matter of urgency, but that its 2013 outing proceeded with the apparent ease one might expect of, say, The Magic Flute or Carmen. That is surely testament both to the excellence of the performances we heard as well as to the stature of Birtwistle’s opera itself. »

19 Jan 2013

Baroque treasures at the Barbican, London

The Barbican is going have a bit of a baroque moment next month. Joyce DiDonato will be bringing her Drama Queens programme, then there will be complete performances of Handel's Radamisto and Lully's Phaeton.  »

16 Jan 2013

A Noteworthy Chicago Revival of Don Pasquale

In its recent run of Gaetano Donizetti’s Don Pasquale Lyric Opera of Chicago has taken the 1973 production from Covent Garden, via Dallas Opera, and revivified it with the efforts of an excellent cast and the local directorial debut of British bass-baritone Sir Thomas Allen.  »

15 Jan 2013

L’Italienne à Alger in Marseille

Once a mainstay of the repertory L’Italiana in Algeri now usually gives way to Il Turco in Italia when an opera company wants to give Il barbiere di Sivigllia and La cenerentola a rest.  »

10 Jan 2013

Echoes of Venice

The opening concert of the Wigmore Hall’s spring season exemplified the high standards of intelligent musicianship and imaginative programming so typical of the Hall’s artists. Soprano Carolyn Sampson and theorbo player Matthew Wadsworth presented a thoughtful, inventive programme, ‘Echoes of Venice’, alternating tender and impassioned songs of love with striking instrumental pieces.  »

09 Jan 2013

Hugo Wolf Songbooks, Wigmore Hall, Kirchschlager, Henschel, Drake

Julius Drake's latest Hugo Wolf Songbooks recital at the Wigmore Hall featured Angelika Kirchschlager and Dietrich Henschel. These singers have very different voices indeed, so Drake's programme made the most of the contrast. »

09 Jan 2013

In the Shadow of the Opéra

Graham Johnson chose the title "In the Shadow of the Opéra" for his recital at the Wigmore Hall, London, with Lucy Crowe and Christopher Maltman. Given the renaisaance in French opera, it's good that we should be thinking of the nature of French song and its relationship to French opera and culture. »

01 Jan 2013

Mahler: Symphony No. 8

Among the recent recordings of Mahler’s Eighth Symphony, Valery Gergiev’s release on the LSO Live label is an excellent addition to the discography of this work.  »

23 Dec 2012

Subject: Aimez-vous Meyerbeer?

Well, so many don’t nowadays, it appears to me, judging by the critical reception of Robert le Diable at the ROH. Rum-ti-tum? We recall Macbeth, Rigoletto, Trov and even Trav being characterised thus, popular fare but risible or blush- making, yet those works now command the highest respect.  »

17 Dec 2012

Courageous Winterreise : Florian Boesch, Wigmore Hall, London

Wintery weather in London for Florian Boesch's Schubert Winterreise at the Wigmore Hall. But what bliss to hear an austere interpretation that challenged assumptions !  »

16 Dec 2012

Grieg : Peer Gynt, Barbican Hall London

Edvard Grieg's Peer Gynt op 23 is rarely heard in full, though the Suites thereon are ubiquitous. At the Barbican Hall in London, Grieg's incidental music for Henrik Ibsen's play was heard complete, enhanced by incidental speech.  »

14 Dec 2012

Vienna: the window to modernity

This recital, which focused on a narrowly specific time and place — 1888-1933 Vienna — paradoxically illuminated not only the musical scope and richness of that epoch but also, as Renée Fleming notes in her prefatory programme article, the extraordinary extent of the diversity, transformation and flux, both historical and cultural, that characterised the era. »

14 Dec 2012

The Met’s Un Ballo in Maschera difficult to unmask

Director David Alden’s confusing production concepts in Verdi’s A Masked Ball may make you wonder whether you came to the right party »

10 Dec 2012

The Met’s La Clemenza di Tito blends inspired singing with dazzling wind obbligatos

The live HD simulcast of Mozart’s final operatic effort, set in ancient Rome, reached friends, Romans and countrymen the world over »

09 Dec 2012

Meyerbeer Robert le Diable, Royal Opera House

Why was Giacomo Meyerbeer's Robert le Diable an overwhelming success in its time ? The Royal Opera House production suggests why: it's a cracking good show! Extreme singing, testing the limits of vocal endurance, and extreme drama. Robert le Diable is Faust, after all, not history, and here its spirit is captured by audacious but well-informed staging. Listen with an open mind and heart and imagine how audiences in Meyerbeer's time might have imagined the madness and magic that is Robert le diable. »

07 Dec 2012

Rigoletto, Manitoba Opera

Manitoba Opera launched its celebratory, all-Verdi 40th anniversary season with the Italian master’s Rigoletto that still rattles the soul with its tale of revenge, murder, deceit and heart-wrenching pathos. »

07 Dec 2012

Britten’s Lachrymae at Wigmore Hall

The Nash Ensemble’s final contribution to the Wigmore Hall’s Britten centenary series, ‘Before Life and After’, presented works for soloists and strings. »

06 Dec 2012

Britten: The Canticles

‘Canticle’ is the term Britten used to denote an extended setting of a text of spiritual substance.  »

05 Dec 2012

WNO proves a point with Handel’s Jeptha

They say that there’s nothing worse than a musically-obtuse staging of any opera to put a rookie opera-goer off a composer (or even opera itself) for life.  »

29 Nov 2012

Vladimir Jurowski, LPO

Vladimir Jurowski said all the right things during a brief address at the opening of the concert. Beethoven’s Fifth Symphony should not be regarded as the climax of the performance, but as the fifth movement in a single work, whose theme was human suffering and the strength of the human spirit, never quashed by the former.  »