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Elsewhere

La Traviata in Ljubljana Slovenia

Small country, small opera house — big ensemble spirit. Internationally acclaimed soprano Natalia Ushakova steps in for indisposed local Violetta with mixed results.

Otello in Bucharest — Moor’s the pity

Bulgarian director Vera Nemirova’s production of Otello for the Romanian National Opera in Bucharest was certainly full of new ideas — unfortunately all bad.

Il trovatore at Lyric Opera of Chicago

For its current revival of the 2006-2007 production of Giuseppe Verdi’s Il trovatore by Sir David McVicar Lyric Opera has assembled a talented quintet of principal singers whose strengths match this conception of the opera.

Schubert’s Winterreise by Matthias Goerne

This Winterreise is the final instalment of Matthias Goerne’s series of Schubert lieder for Harmonia Mundi and it brings the Matthias Goerne Schubert Edition, begun in 2008, to a dark, harrowing close.

Mary, Queen of Heaven, Wigmore Hall

O Maria Deo grata — ‘O Mary, pleasing to God’: so begins Robert Fayrfax’s antiphon, one of several supplications to the Virgin Mary presented in this thought-provoking concert by The Cardinall’s Musick at the Wigmore Hall.

Analyzed not demonized — Tristan und Isolde, Royal Opera House

Wagner’s Tristan und Isolde at the Royal Opera House, first revival of the 2009 production, one of the first to attract widespread hostility even before the curtain rose on the first night.

Florencia in el Amazonas Makes Triumphant Return to LA

On November 22, 2014, Los Angeles Opera staged Francesca Zambello’s updated version of Florencia in el Amazonas.

John Adams: The Gospel According to the Other Mary

John Adams and his long-standing collaborator Peter Sellars have described The Gospel According to the Other Mary as a ‘Passion oratorio’.

A new Yevgeny Onegin in Zagreb — Prince Gremin’s Fabulous Pool Party

Superb conducting from veteran Croatian maestro Nikša Bareza makes up for an absurd waterlogged new production of Tchaikovsky’s masterpiece.

Nabucco in Novi Sad

After the horrors of Jagoš Marković’s production of Le Nozze di Figaro in Belgrade, I was apprehensive lest Nabucco in Serbia’s second city of Novi Sad on 27th October would be transplanted from 6th century BC Babylon to post-Saddam Hussein Tikrit or some bombed-out kibbutz in Beersheba.

La Bohème in San Francisco

First Toronto, then Houston and now San Francisco, the third stop of a new production of Puccini's La bohème by Canadian born, British nurtured theater director John Caird.

Radvanovsky Sings Recital in Los Angeles

Every once in a while Los Angeles Opera presents an important recital in the three thousand seat Dorothy Chandler Pavilion.

L’elisir d’amore, Royal Opera

This third revival of Laurent Pelly’s production of Donizetti’s L’elisir d’amore needed a bit of a pep up to get moving but once it had been given a shot of ‘medicinal’ tincture things spiced up nicely.

Samling Showcase, Wigmore Hall

Founded in 1996, Samling describes itself as a charity which ‘inspires musical excellence in young people’.

La cenerentola in San Francisco

The good news is that you don’t have to go all the way to Pesaro for great Rossini.

Rameau: Maître à danser — William Christie, Barbican London

Maître à danser: William Christie and Les Arts Florissants at the Barbican, London, presented a defining moment in Rameau performance practice, choreographed with a team of dancers.

Le Nozze di Figaro — or Sex on the Beach?

The most memorable thing (and definitely not in a good way) about this performance of Le Nozze di Figaro at the Serbian National Theatre in Belgrade was the self-serving, infantile, offensive and just plain wrong production by celebrated Serbian theatre director Jagoš Marković.

The Met mounts a well sung but dramatically unconvincing ‘Carmen’

Should looks matter when casting the role of the iconic temptress for HD simulcast?

Maurice Greene’s Jephtha

Maurice Greene (1696-1755) had a highly successful musical career. Organist of St. Paul’s Cathedral, a position to which he was elected when he was just 22 years-old, he later became organist of the Chapel Royal, Professor of Music at the University of Cambridge and, from 1735, Master of the King’s Music.

Tosca in San Francisco

Yet another Tosca is hardly exciting news, if news at all. The current five performances have come just two years after SFO alternated divas Angela Gheorghiu and Patricia Racette in the title role.


OPERA TODAY ARCHIVES »

Reviews

A scene from Act I of <em>La Traviata</em> [Photo by Darja Štravs Tisu courtesy of Slovenian National Theatre Ljubljana]
15 Dec 2014

La Traviata in Ljubljana Slovenia

Small country, small opera house — big ensemble spirit. Internationally acclaimed soprano Natalia Ushakova steps in for indisposed local Violetta with mixed results. »

Recently in Reviews

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06 Sep 2009

Aspen stages a Don to die for

“Can it be?”“It can’t!”“But it is; he looks just like him…” »

06 Sep 2009

Mahler and Ligeti at the Proms?

On the surface, the theme of this Prom seemed to be Sci Fi movies at the Proms. Both Ligeti's Atmosphères and Richard Strauss's Also sprach Zarathustra became huge hits when Stanley Kubrick used them in 2001 : A Space Odyssey. So how did Mahler's *Kindertotenlieder* fit in ?  »

06 Sep 2009

Bayreuth: Multi-layered, Profound "Parsifal"

The Wagner Festspiel loves to provoke. »

06 Sep 2009

Seattle humanizes Wagner’s Ring

In 2001, when Seattle Opera completed its current production of Wagner’s Ring des Nibelungen, it seemed the company had taken a step backward. In appearance the new Ring — the third full SO staging since Glynn Ross set out to make the city the American counterpart to Germany’s Bayreuth — was traditional.  »

06 Sep 2009

The Dream of Gerontius: Grant Park Music Festival, Chicago

For the eighteenth program of its seventy-fifth anniversary season the Grant Park Music Festival under the direction of its principal conductor Carlos Kalmar gave two performances of Sir Edward Elgar’s monumental oratorio for soloists, chorus, and orchestra, The Dream of Gerontius.  »

30 Aug 2009

Gustav Mahler: Songs from Des Knaben Wunderhorn

Following from the fine collaboration between Stephan Genz and Roger Vignoles on an ambitious collection of various sets of Mahler’s Lieder (Hyperion CD 67392), which includes some of the composer’s early settings of poetry from the anthology Des Knaben Wunderhorn, the present recording contains thirteen later settings from that source.  »

30 Aug 2009

Bellini: Il Pirata

This 1958 RAI broadcast of Bellini's early masterpiece requires the accustomed aural compromise for maximum enjoyment.  »

30 Aug 2009

Central City Opera 2009

Central City stages luminous Lucia There’s the sextet, the greatest “hit” in all of opera when Caruso was in the cast, and there’s the “Mad Scene,” that exercise in vocal acrobatics that brought new glory to bel canto when the opera was new in Naples in 1835.  »

30 Aug 2009

Verdi's Macbeth at the Sferisterio Opera Festival

The opera venue at Macerata shares some features with its famous counterpart in Verona: both are outdoors, with huge stages that can accommodate spectacular productions.  »

30 Aug 2009

Fidelio at the Proms

Fidelio is not just any opera. But then, Beethoven is not just any composer. His only opera — unless one counts Leonore as a work in itself — confounds bureaucratic expectations.  »

30 Aug 2009

Manon Lescaut at the Festival Puccini di Torre del Lago

Each year, the tiny Tuscan village Torre del Lago hosts a festival dedicated to its favorite son, Giacomo Puccini. This year’s Puccini Festival (10 July - 30 August) featured a “new” Manon Lescaut (a co-production with Opera del Nice Theater), its premiere garnering standing ovations for Marcello Giordani and Martina Serafin and accolades for Alberto Veronesi, the artistic director of the Festival.  »

30 Aug 2009

Lehär: Die Blaue Mazur

As the detail-filled booklet essay to this CPO set reminds its readers, Franz Lehär's operettas enjoyed widespread, though rarely lasting, success, with the music theater world of the time eager for each successive work.  »

30 Aug 2009

Franz Schreker : Die Gezeichneten, Salzburg

Franz Schreker’s Die Gezeichneten isn't the easiest opera to produce, with its grand effects, but this production comes close to being a perfect union between stage and music.  »

30 Aug 2009

Louis Andriessen De Staat at the Proms

De Staat is a seminally important work. So much modern music stems from it, not only “serious” classical music but progressive popular music too. It “is” music theatre, for it’s designed to be experienced live, the visual effect part of the action. »

23 Aug 2009

Zelmira in Pesaro

August is when Italians immerse themselves in the primal soup of all life. Hordes swarm to the Mediterranean shores and multitudes arrive in Pesaro on the Adriatic, where just then crowds of Rossinians from around the world arrive to partake of their primal operatic soup.  »

23 Aug 2009

Boito: Mefistofele

The bravura performance by Ferruccio Furlanetto in the title role is spoiled by the kitschy and incoherent staging of this production. Mefistofele is unique among operas based on the Faust legend in that it rather closely adheres to Goethe’s version.  »

23 Aug 2009

Paul Hindemith: Die junge Magd, Op. 23, no. 2; Ernst Toch: Die chinesische Flöte, Op. 29.

Gustav Mahler was not alone in setting verses from Hans Bethge’s collection of Chinese-inspired poetry entitled Die chinesische Flöte, as he did in his symphonic song cycle Das Lied von der Erde.  »

23 Aug 2009

The Full Monteverdi: A Film by John la Bouchardière

Although the cutesy title sounds like something conjured up by a community college marketing intern working for a mid-sized city orchestra’s ticket office—where every concert featuring Wagner and Brahms gets the sobriquet “Teutonic Titans”—don’t be put off by the moniker. This film is a brilliant adaptation of Monteverdi’s Fourth Book of Madrigals that is totally faithful to the composer’s music. »

23 Aug 2009

Wagner's Tannhaüser at the Festspielhaus Baden-Baden

Good directors don't always create good productions.  »

23 Aug 2009

Maconchy: The Sofa & The Departure

The two one-act operas - operettes? - on this disc play something like mediocre episodes of The Twilight Zone set to music, though without the quirky memorability of that show's opening theme.  »

23 Aug 2009

Stars Shine at Glimmerglass

Everyone once in a while, we veteran opera-goers are privileged to see a promising artist give a break-out performance that announces a giant step forward into major stardom.  »

17 Aug 2009

Verdi: Luisa Miller

On a good night an opera performance can come across with visceral excitement without a classy production, top-name singers, or the benefit of being of one of the more familiar titles.  »

17 Aug 2009

Mozart and Gluck — Mixed Results at Santa Fe

It is never easy to revive a success. Audiences will remember the first run of a show and consciously or not, compare a revival with earlier favorable impressions.  »

17 Aug 2009

Verdi: Falstaff

Those opera lovers prone to rage at the perceived dominance of the director in their beloved art form today may collapse in apoplexy at this first release from the company called SignumVision.  »

17 Aug 2009

And If The Song Be Worth A Smile — Songs by American Composers

The word "living" would be a fitting addition to the subtitle of this collection of "Songs by American Composers."  »

17 Aug 2009

Sir Harrison Birtwistle: Mask of Orpheus at the Proms

What drives Harrison Birtwistle to Greek myth? Orpheus is a primal archetype. When he played his lyre he tamed wild beasts and made mountains move. But he suffered. He journeyed into Hades but could not bring Eurydice, his beloved, back to life. In some versions of the myth, his talent enraged the jealous who tore him apart. Yet even then, his head remained intact, still singing. He symbolizes the power of music, and the fate of an artist.  »

17 Aug 2009

Bellini: Norma

"An all-American Norma," Roger Pines calls this release in his entertaining booklet essay.  »

09 Aug 2009

Monteverdi: L’incoronozione di Poppea

This excellent production of Monteverdi’s final (premiered in 1643) and most problematic opera features first-rate singing and a very effective (and restrained) staging.  »

09 Aug 2009

Semiramide at Caramoor

You need three or, ideally, four top-flight bel canto specialists to do anything like justice to Rossini’s Semiramide, his last and grandest Italian score. Otherwise why go to the expense?  »

07 Aug 2009

Discovering Masterpieces of Classical Music — Béla Bartók: Concerto for Orchestra

In the Euroarts series Discovering Masterpieces of Classical Music: Documentary & Performance, the volume devoted to Béla Bartók’s Concerto for Orchestra stands out as a particularly accessible and well-executed release.  »

07 Aug 2009

Donizetti: L'Elisir d'amore

For adherents of the prima voce school of opera appreciation, this Laurent Pelly production of Donizetti's comic masterpiece may not hold that much appeal.  »

06 Aug 2009

On deception at Sferisterio Festival, Macerata, Italy

L’inganno is this year’s theme at the Sferisterio Festival in Macerata, Italy.  »

05 Aug 2009

Les Huguenots at Bard SummerScape 2009

Why — they always ask — why — present Les Huguenots?  »

03 Aug 2009

Vivaldi: La fida ninfa

Although Antonio Vivaldi’s instrumental compositions were highly popular in his lifetime, and have been held in high regard throughout the centuries, most of his operas have been — until recently — relegated to obscurity.  »

03 Aug 2009

Puccini: Madama Butterfly

EMI's publicity for this studio recording focuses on soprano Angela Gheorghiu and her portrayal of Cio-Cio-San.  »

02 Aug 2009

Paris: King Roger Goes Hollywood

Paris Opera seems to posit the question: Does anyone completely understand what Karol Szymanowski’s King Roger is about?  »

02 Aug 2009

Donizetti: Lucrezia Borgia

Of Donizetti's 55 operas, four to five hold on to secure places in the repertory, a much greater number are all but unknown, and in the middle come the titles that see occasional revivals, as flawed but fascinating rarities.  »

02 Aug 2009

Verdi: La Forza del Destino

This looks like a winner, with an esteemed conductor (Zubin Mehta), top-rank cast (Violeta Urmana, Marcello Giordani, Carlo Guelfi), and a production directed by Nicholas Joël that originated at the Opernhaus Zürich, a house that takes some chances and scores some successes.  »

01 Aug 2009

‘Opera Noir’ Entertains at Santa Fe

Can a famously successful movie be made into an effective opera? A quick answer is: yes! »

29 Jul 2009

Schubert bounces along at Wigmore Hall

The performance of lieder is a partnership between singer and pianist. In May I heard Julius Drake redeem an indifferent recital by the sheer beauty of his playing. I’ve been listening to him for more than 15 years. He’s a favorite. So I was completely taken by surprise by this recital »

29 Jul 2009

Busoni: Doktor Faust

The legacy of Ferruccio Busoni (1866-1924) includes some notable compositions, and among them is his unique setting of the Faust story.  »

27 Jul 2009

An Evening at Père Lachaise [Or, Natalie Dessay Attempts Violetta]

A fine-sounding Santa Fe Opera orchestra, excellently conducted by Frédéric Chaslin, was barely into the haunting, delicate prelude to Act I of La traviata, when a funeral procession, wet umbrellas unfurled, arrived to wend its way though a stage full of big grey marble rectangular boxes, handsomely abstracted tomb shapes, soon to be the courtesan Violetta Valéry’s destination. So much for the Prelude to Act I. »

22 Jul 2009

Bought and Paid-for Magic — Bernstein Tahiti in Munich’s Cuvilliès Theater

There she is, in her inch or two of sarong, floating, floating…Oh, excuse me, where was I? »

22 Jul 2009

Mozart: Die Entführung aus dem Serail

The strategies of non-traditional opera directors are becoming as predictable and formulaic as the stuffy, static traditional productions that they work so hard not to emulate.  »

21 Jul 2009

A knock-out Ariadne auf Naxos at Munich’s Bavarian State Opera Festival

There are rare times when a critic can just enjoy, and say “Wow!”  »

21 Jul 2009

Tosca at the Baths of Caracalla, Rome

Tosca is the quintessential Roman opera, with a plot located in three infamous landmarks of Rome, its 1900 premiere in Rome was bound to be enormously successful.  »

20 Jul 2009

Rossini: Il Turco in Italia

If the economic downturn has canceled some opera lovers plans to attend any of the appealing European summer festivals, perhaps a trip online will find a DVD of a production from a recent year.  »