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René Pape, Joseph Calleja, Kristine Opolais, Boito Mefistofele, Munich

Arrigo Boito Mefistofele was broadcast livestream from the Bayerische Staatsoper in Munich last night. What a spectacle !

Calixto Bieito’s The Force of Destiny

The monochrome palette of Picasso’s Guernica and the mural’s anti-war images of suffering dominate Calixto Bieito’s new production of Verdi’s The Force of Destiny for English National Opera.

Morgen und Abend — World Premiere, Royal Opera House

The world premiere of Morgen und Abend by Georg Friedrich Haas at the Royal Opera House, London — so conceptually unique and so unusual that its originality will confound many.

Company XIV Combines Classic and Chic in an Exquisite Cinderella

Company XIV’s production of Cinderella is New York City theater at its finest. With a nod to the court of Louis the XIV and the grandiosity of Lully’s opera theater, Company XIV manages to preserve elements of the French Baroque while remaining totally innovative, and never—in fact, not once for the entire two and a half hour show—falls prey to the predictable. Not one detail is left to chance in this finely manicured yet earthily raw production of Cinderella.

Monteverdi by The Sixteen at Wigmore Hall

This was a concert where immense satisfaction was derived equally from the quality of musicianship displayed and the coherence and resourcefulness of the programme presented. In 1610, Claudio Monteverdi published his Vespro della Beata Vergine for soloists, chorus, and orchestra.

Félicien David: Songs for voice and piano

This well-packed disc is a delight and a revelation. Until now, even the most assiduous record collector had access to only a few of the nearly 100 songs published by Félicien David (1810-76), in recordings by such notable artists as Huguette Tourangeau, Ursula Mayer-Reinach, Udo Reinemann, and Joan Sutherland (the last-mentioned singing the duet “Les Hirondelles” with herself!).

Dialogues des Carmélites Revival at Dutch National Opera

If not timeless, Robert Carsen’s production of Francis Poulenc’s Dialogues des Carmélites is highly age-resistant.

Ermanno Wolf-Ferrari: Le donne curiose

Ermanno Wolf-Ferrari was one of the Italian composers of the post-Puccini generation (which included Licinio Refice, Riccardo Zandonai, Umberto Giordano and Franco Leoni) who struggled to prolong the verismo tradition in the early years of the twentieth century.

Moby-Dick Surfaces in the City of Angels

On Saturday evening October 31, 2015, the Nantucket whaling ship Pequod journeyed to Los Angeles Opera and began its sixth voyage in the attempt to kill the elusive whale called Moby-Dick.

Great Scott at the Dallas Opera

Great Scott is a combination of a parody of bel canto opera and an operatic version of All About Eve. Beloved American diva Arden Scott (Joyce DiDonato), has discovered the score to a long-lost opera “Rosa Dolorosa, Figlia di Pompeii” and has become committed to getting the work revived as a vehicle for her. “Rosa Dolorosa” has grand musical moments and a hilariously absurd plot.

Schubert and Debussy at Wigmore Hall

The most recent instalment of the Wigmore Hall’s ambitious series, ‘Schubert: The Complete Songs’, was presented by soprano Lucy Crowe, pianist Malcolm Martineau and harpist Lucy Wakeford.

John Taverner: Missa Corona spinea

This new release of John Taverner’s virtuosic and florid Missa Corona spinea (produced by Gimell Records) comes two years after The Tallis Scholars’ critically esteemed recording of the composer’s Missa Gloria tibi Trinitas, which topped the UK Specialist Classical Album Chart for 6 weeks, and with which the ensemble celebrated their 40th anniversary. The recording also includes Taverner’s two settings of Dum transisset Sabbatum.

A Bright and Accomplished Cenerentola at Lyric Opera of Chicago

Gioachino Rossini’s La Cenerentola has returned to Lyric Opera of Chicago in a production new to this venue and one notable for several significant debuts along with roles taken by accomplished, familiar performers.

La Bohème, ENO

Back in 2000, Glyndebourne Touring Opera dragged Puccini’s sentimental tale of suffering bohemian artists into the ‘modern urban age’, when director David McVicar ditched the Parisian garrets and nineteenth-century frock coats in favour of a squalid bedsit in which Rodolfo and painter Marcello shared a line of cocaine under the grim glare of naked light bulbs and the clientele at Café Momus included a couple of gaudily attired transvestites.

Luigi Rossi: Orpheus

Just as Orpheus embarks on a quest for his beloved Eurydice, so the Royal Opera House seems to be in pursuit of the mythical music-maker himself: this year the house has presented Monteverdi’s Orfeo at the Camden Roundhouse (with the Early Opera Company in January), Gluck’s Orphée et Eurydice on the main stage (September), and, in the Linbury Studio Theatre, both Birtwistle’s The Corridor (June) and the Paris-music-hall style Little Lightbulb Theatre/Battersea Arts Centre co-production, Orpheus (September).

64th Wexford Festival Opera

Wexford Festival Opera has served up another thought-provoking and musically rewarding trio of opera rarities — neglected, forgotten or seldom performed — in 2015.

Christoph Prégardien, Schubert, Wigmore Hall London

Another highlight of the Wigmore Hall complete Schubert Song series - Christoph Prégardien and Christoph Schnackertz. The core Wigmore Hall Lieder audience were out in force. These days, though, there are young people among the regulars : a sign that appreciation of Lieder excellence is most certainly alive and well at the Wigmore Hall. .

The Magic Flute in San Francisco

How did it go? Reactions of my neighbors varied. Some left at the intermission, others remarked that they thought the singing was good.

La Vestale, La Monnaie, Bruxelles

In the first half of the 19th century, Spontini’s La Vestale was a hit. Empress Josephine sponsored its premiere, Parisians heard it hundreds of times, Berlioz raved about it and Wagner conducted it.

THOMAS: Hamlet, Moscow 2015

Hamlet: Opéra in five acts. Music composed by Ambroise Thomas. Libretto by Michel Carré and Jules Barbier after The Tragedy of Hamlet, Prince of Denmark by William Shakespeare.



16 Nov 2015

René Pape, Joseph Calleja, Kristine Opolais, Boito Mefistofele, Munich

Arrigo Boito Mefistofele was broadcast livestream from the Bayerische Staatsoper in Munich last night. What a spectacle !  »

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25 Oct 2009

Ruxandra Donose stars in L'heure Espagnole at the Royal Opera House

Ruxandra Donose sings Concepción in Ravel's L'heure Espagnoie in a double bill with Gianni Schicchi at the Royal Opera House. Concepción is an unusual personality, so Miss Donose's characterization is interesting.  »

25 Oct 2009

Achim Freyer's production of Wagner's Siegfried at Los Angeles Opera

Saturday October 17th found the Los Angeles Dodgers out of town for the weekend, but traffic still clogged the freeways leading to their stadium.  »

20 Oct 2009

Brilliantly Simple 'Tolomeo' by ETO

ETO’s production of Tolomeo for one night only at the Britten Theatre, capitalizes brilliantly on the necessary simplicity of this chamber-like opera, written at a time when Handel could no longer call upon fabulous sets and stunning effects, relying only upon great singing - and what singers he wrote it for, in fact the grand trio of Senesino, Cuzzoni and Bordoni. »

19 Oct 2009

Tosca at Lyric Opera of Chicago

For the first production of its 55th season Lyric Opera of Chicago has staged a revival of Puccini’s Tosca with a cast of notable singers led by music director Sir Andrew Davis.  »

16 Oct 2009

Fervaal by Vincent d’Indy

Vincent d’Indy lived eighty years and, when not composing, spent his time revising the teaching of music in France or simply annoying everybody. »

15 Oct 2009

Aida at the MET

Noblesse oblige: The Met feels it must present Aida — and Tosca — and La Bohème — and certain other gaudy spectacles — because it’s the Met and everyone expects the grandest of the grand.  »

13 Oct 2009

Abduction from the Seraglio in San Francisco

Some of the more memorable achievements of San Francisco Opera occurred in the brief life-span of its Spring Opera season, 1961-1981. »

13 Oct 2009

Turandot at ENO

A writer goes to dine in an urban Chinese restaurant, where his eye is caught by a distressed young woman among the crowd of diners.  »

13 Oct 2009

‘10 for 10’ recital gets 10 out of 10 for performance and audience

The Wigmore Hall never stands still: not content with having increased its audience by 300% over the past year, it now seeks both to reward its loyal patrons for their support in acquiring the Lease, and to bring in new audience members, with an innovative series of ten concerts where all the seats are priced at £10. »

13 Oct 2009

Il Barbiere di Siviglia at the MET

Bartlett Sher’s production of Il Barbiere di Siviglia has proved one of the more admired stagings of the Peter Gelb regime, but I’ve avoided it due to a surfeit of Barbieres and to fond memories of the John Cox production on Robin Wagner’s delicious turntable set, about as ideal a Barbiere as could be imagined.  »

11 Oct 2009

Wozzeck in designer khaki : Salonen and Keenlyside in London

In the opera house, stagings can impress by gorgeous sets and costumes. But in semi-staged performances, there's no where to hide behind. Semi-staging tests whether a director understands the music and what its dramatic soul might be. In dramaturgy, less is more.  »

11 Oct 2009

Don Carlo at Covent Garden

The full five-act version of Verdi’s historical epic, Don Carlo, makes for a long evening, but thanks to some fine singing and to the driving sweep of the baton of Semyon Bychkov this four-and-a-half hour performance raced by.  »

11 Oct 2009

Rigoletto at ENO

There is something quote refreshing about the fact that a staging as characterful as Jonathan Miller's 27-year-old “New York Mafia” Rigoletto is the nearest thing to a warhorse that ENO has in its repertoire.  »

11 Oct 2009

Il trittico in San Francisco

In the otherwise silent sixteen years between La fanciulla del west (1910) and Turandot (1926) Puccini had a flirtation with operetta, La rondine (1917) and with the quick and easy drama of the short story in his three one-acts, Il trittico (1918), composed as a one-evening cycle. »

11 Oct 2009

Czech Opera Treasures on Supraphon

A note on the inside back cover of the booklets for these two releases announces that they are part of a new Supraphon series dedicated to “archive recordings of complete operas not yet available on CD.”  »

11 Oct 2009

Donizetti's Maria Stuarda at the Sferisterio Festival

A number of performances from the Sferisterio Opera Festival have been released in recent months.  »

11 Oct 2009

Orfeo at La Scala

Robert Wilson staged Salome at La Scala in 1987, installing a troop of student actors on the stage to enact some sort of abstract action flow that had no discernible relationship to the Salome libretto, meanwhile sung by concert dressed opera stars huddled on a corner of the stage.  »

11 Oct 2009

Wagner: Die Meistersinger von Nürnberg

Videos from the Bayreuth Festspiele typically feature the highest quality audio and video of any live performance documents.  »

11 Oct 2009

Toscanini: In His Own Words

The back cover description of this Medici Arts DVD can fairly be called misleading, though not dishonest.  »

11 Oct 2009

Giordano: Marcella

Although this DVD comes on the Naxos label, an earlier CD version of the same performance went under the Dynamic label, specialists in rare repertory.  »

11 Oct 2009

Los Angeles “Ring” continues to amaze

It’s three down and one to go in the first-ever staging of Richard Wagner’s Ring des Nibelungen at Los Angeles Opera. Following the premiere of Siegfried, the third installment of this epic work of music theater, it’s clear that director/designer Achim Freyer is a hands-down winner. »

11 Oct 2009

Johann Strauss: Das Spitzentuch der Königin

Dear non-German speaking Opera Today reader — what's your first guess as to the meaning of the biggest word in the title of this obscure Johann Strauss operetta?  »

11 Oct 2009

Siegfried Wagner: Der Schmeid von Marienburg

Will the 22nd century still see the opera-loving world as fascinated by the ongoing saga of the Wagner family as the 20th did and the 21st does?  »

09 Oct 2009

Tosca at the MET

In the end the performance does not rescue the dreary new production — still, the reason to visit the Met’s new Tosca is Karita Mattila’s bravura if wrongheaded interpretation of the title role. »

06 Oct 2009

Imogen Cooper's Birthday at the Wigmore Hall

This wasn't an ordinary concert but something very special. The Wigmore Hall was honouring Imogen Cooper on her 60th birthday. She is greatly loved here, both as soloist and as partner in song recitals. The atmosphere was electric. The house was packed, with many famous pianists and singers in the audience. It was a historic occasion, but it felt like a party among friends. »

04 Oct 2009

Il trovatore in San Francisco

SFO general director David Gockley has a mania for developing new audiences — last year The Bonesetter’s Daughter was aimed at enticing the Asian American community into the opera house, and Porgy and Bess encouraged the African American community to cross the threshold.  »

04 Oct 2009

John Gay: The Beggar's Opera

The only thing truly operatic in this work is the use of the word “opera” in the title.  »

04 Oct 2009

Zandonai: Francesca Da Rimini

Besotted admirers of certain lesser-known operas of debatable merit sometimes include conductors, singers and opera house managers with the power to get their cherished rarity on stage.  »

03 Oct 2009

Tristan und Isolde more rooted in tradition than meets the eye

Over 100 years ago, Adolphe Appia sketched designs for Tristan und Isolde that have influenced theatre design from Alfred Roller to Wieland Wagner. Appia's vision came to life on stage at the Royal Opera House this week. This new production has far deeper roots in tradition than its detractors realize.  »

30 Sep 2009

San Francisco Opera: Puccini's Il Trittico and Verdi's Il Trovatore

The complexity of staging Puccini's evening of three one-act operas, Il Trittico, has kept this masterpiece from appearing on opera stages as frequently as, say, Turandot or Tosca.  »

24 Sep 2009

Incomparable Schubert — Goerne at the Wigmore Hall Part 2

This programme of mostly solemn, elevated music based around songs on such themes as Evening, Death and Immutability was part of Matthias Goerne’s ‘Journey with Schubert’ during which he is recording the songs on eleven CDs and presenting the series in recitals all over the world. If the singing on this occasion is anything to go by, these recordings are set to become the standard to which other singers should aspire. »

20 Sep 2009

Goerne sings Schubert at the Wigmore Hall

When Matthias Goerne sings, it’s never superficial. Lieder is a genre that needs almost as much engagement from listeners as from performers. “It's like a church in there”, someone said to me about the Wigmore Hall. “They’re really listening”.  »

20 Sep 2009

Die schöne Müllerin by Mark Padmore, Wigmore Hall

Schubert’s first song-cycle is a perfect choice with which to open a new concert season, and the Wigmore Hall was packed on Friday evening in anticipation of this recital by tenor Mark Padmore, much admired for the focus and concentration of his ‘story-telling’, and Paul Lewis, one of the most expressive and poetic of pianists today. »

20 Sep 2009

Haydn’s Le pescatrici at Bampton Classical Opera

Bampton Classical Opera have two areas of specialism: little-known gems of the late eighteenth-century and ‘opera in adversity’.  »

20 Sep 2009

Cecilia Bartoli: Maria

While the cover of this Decca two-DVD set mirrors that of Cecilia Bartoli's 2007 CD, Maria, the contents are not identical.  »

20 Sep 2009

Humour and horror — Ligeti's Le Grand Macabre at the ENO, London

A massive female figure fills the whole stage at the ENO for Ligeti's Le Grand Macabre, in this amazing production from La Fura del Bas. (Alex Ollé). This production is so inherently dramatic that it brings Ligeti's "anti-opera" onto a new level as .  »

20 Sep 2009

Anna Karenina: An Opera by David Carlson, Libretto by Colin Graham

Reading the articles in the booklet for this set, it becomes clear that librettist Colin Graham was the driving force behind this opera's creation.  »

15 Sep 2009

Return to the Origins — Chamber Opera in Crisis Times

Chamber opera is coming back after a period when it appeared to be confined to experimental works.  »

15 Sep 2009

Gustav Mahler: Symphony no. 4 in G major

The legacy of the late conductor Giuseppe Sinopoli includes a number of fine recordings of Mahler’s music, and among them is his Deutsche Grammophon recording of the composer’s Fourth Symphony with the Philharmonia Orchestra and the soprano Edita Gruberova.  »

15 Sep 2009

Wigmore Hall Song Competition

‘It’s a personal choice’ / ‘Of course he won - he was the only one who sang songs’ / ‘I’ll be happy if anyone but the first one wins’ (he won) / ‘There’s only one possible choice - the third one’ (he came second) »

15 Sep 2009

Handel/arranged by Mendelssohn: Israel in Egypt

If, dear reader, a desire has ever swept over you (a desire such as a pregnant woman's craving for vanilla ice cream with pickles) to hear music reminiscent of both Messiah and the Fingal's Cave overture, CPO is just the musical ice cream parlor/deli for you.  »

10 Sep 2009

Verdi: La battaglia di Legnano

The true opera fan devotes almost as much time, if not more, to the "what might have been" careers as to those of the superstars.  »