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Elsewhere

Anna Caterina Antonacci, Wigmore Hall, London

Presenting a well-structured and characterful programme, Italian soprano Anna Caterina Antonacci demonstrated her prowess in both soprano and mezzo repertoire in this Wigmore Hall recital, performing European works from the early years of the twentieth century. Assuredly accompanied by her regular pianist Donald Sulzen, Antonacci was self-composed and calm of manner, but also evinced a warmly engaging stage presence throughout.

Il barbiere di Siviglia, Royal Opera

Bold, bright and brash, Moshe Leiser and Patrice Caurier’s Il barbiere di Siviglia tells its story clearly in complementary primary colours.

Gluck and Bertoni at Bampton

Bampton Classical Opera’s 2014 double bill neatly balanced drollery and gravity. Rectifying the apparent prevailing indifference to the 300th centenary of Christoph Willibald Gluck birth, Bampton offered a sharp, witty production of the composer’s Il Parnaso confuso, pairing this ‘festa teatrale’ with Ferdinando Bertoni’s more sombre Orfeo.

Purcell: A Retrospective

Harry Christophers and The Sixteen Choir and Orchestra launched the Wigmore Hall’s two-year series, ‘Purcell: A Retrospective’, in splendid style. Flexibility, buoyancy and transparency were the watchwords.

Mahler: Symphony no.3 — Prom 73

It would be unfair, but one could summarise this concert with the words, ‘Senator, you’re no Leonard Bernstein.’

Los Angeles Opera Opens with La traviata

On September 13, Los Angeles Opera opened its 2014-2015 season with a revival of Marta Domingo’s updated, Art Deco staging of Giuseppe Verdi’s La traviata. It starred Nino Machaidze as Violetta, Arturo Chácon-Cruz as Alfredo, and Plácido Domingo as Giorgio Germont. The conductor was Music Director James Conlon.

Stars of Lyric Opera at Millennium Park, 2014

In its annual concert previewing the forthcoming season Lyric Opera of Chicago presented its “Stars of Lyric Opera at Millennium Park” during the past weekend to a large audience of enthusiastic listeners.

Susannah in San Francisco

Come to think of it the 1950‘s were operatically rich years in America compared to other decades in the recent past. Just now the San Francisco Opera laid bare an example, Carlisle Floyd’s Susannah.

Xerxes, ENO

Nicholas Hytner’s production of Handel’s Xerxes (Serse) at English National Opera (ENO) is nearly 30 years old, and is the oldest production in ENO’s stable.

San Diego Opera Opens 2014-2015 Season

On Friday evening September 5, 2014, tenor Stephen Costello and soprano Ailyn Pérez gave a recital to open the San Diego Opera season. After all the threats to close the company down, it was a great joy to great San Diego Opera in its new vibrant, if slightly slimmed down form.

Otello at ENO

English National Opera’s 2014-15 season kicked off with an ear-piercing orchestral thunderbolt. Brilliant lightning spears sliced through the thick black night, fitfully illuminating the Mediterranean garret-town square where an expectant crowd gather to welcome home their conquering hero.

Anna Nicole, back with a bang!

It is now three and a half years since Anna Nicole was unleashed on the world at the Royal Opera House, Covent Garden.

Norma in San Francisco

It was a Druid orgy that overtook the War Memorial. Magnificent singing, revelatory conducting, off-the-wall staging (a compliment, sort of).

Joyce DiDonato starts Wigmore Hall new season

There was a quasi-party atmosphere at the Wigmore Hall on Monday evening, when Joyce DiDonato and Antonio Pappano reprised the recital that had kicked off the Hall’s 2014-15 season with reported panache and vim two nights previously. It was standing room only, and although this was a repeat performance there certainly was no lack of freshness and spontaneity: both the American mezzo-soprano and her accompanist know how to communicate and entertain.

Aida at Aspendos Opera and Ballet Festival

In strict architectural terms, the stupendous 2nd century Roman theatre of Aspendos near Antalya in southern Turkey is not an arena or amphitheatre at all, so there are not nearly as many ghosts of gored gladiators or dismembered Christians to disturb the contemporary feng shui as in other ancient loci of Imperial amusement.

St Matthew Passion, Prom 66

Simon Rattle and the Berlin Philharmonic Orchestra brought their staging of Bach's St Matthew Passion to the BBC Proms at the Royal Albert Hall on Saturday, 6 September 2014.

Glimmerglass: Butterfly Leads the Pack

Every so often an opera fan is treated to a minor miracle, a revelatory performance of a familiar favorite that immediately sweeps all other versions before it.

Operalia, the World Opera Competition, Showcases 2014 Winners

On August 30, Los Angeles Opera presented the finals concert of Plácido Domingo’s Operalia, the world opera competition. Founded in 1993, the contest endeavors to discover and help launch the careers of the most promising young opera singers of today. Thousands of applicants send in recordings from which forty singers are chosen to perform live in the city where the contest is being held. Last year it was Verona, Italy, this year Los Angeles, next year London.

Elektra at Prom 59

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role.

Powerful Mahler Symphony no 2 Harding, BBC Proms London

Triumphant! An exceptionally stimulating Mahler Symphony No 2 from Daniel Harding and the Swedish Radio Symphony Orchestra, BBC Prom 57 at the Royal Albert Hall. Harding's Mahler Tenth performances (especially with the Berliner Philharmoniker) are pretty much the benchmark by which all other performances are assessed. Harding's Mahler Second is informed by such an intuitive insight into the whole traverse of the composer's work that, should he get around to doing all ten together, he'll fulfil the long-held dream of "One Grand Symphony", all ten symphonies understood as a coherent progression of developing ideas.


OPERA TODAY ARCHIVES »

Reviews

30 Sep 2014

Anna Caterina Antonacci, Wigmore Hall, London

Presenting a well-structured and characterful programme, Italian soprano Anna Caterina Antonacci demonstrated her prowess in both soprano and mezzo repertoire in this Wigmore Hall recital, performing European works from the early years of the twentieth century. Assuredly accompanied by her regular pianist Donald Sulzen, Antonacci was self-composed and calm of manner, but also evinced a warmly engaging stage presence throughout.  »

Recently in Reviews

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25 Aug 2006

REIMANN: Lieder

In making words sing, to use a phrase from a recent study of the poetics of vocal composition, Aribert Reimann (b. 1936) does not emulate another composer as much as he makes fashions his own lines and punctuates them with accompaniments that serve as a means of accentuating the text. »

25 Aug 2006

BACH: Musical Offering

We can easily imagine the pleasure that Bach must have taken in presiding over a household that was both large and talented enough to form its own complete ensemble. »

25 Aug 2006

VERDI: Don Carlos and Don Carlo

Had Plato been a 19th century opera fan, would the philosopher have been so sure that there exists an ideal version of each and every opera, in the way that all chairs come from one immutable concept of "chair"? »

13 Aug 2006

VERDI: Don Carlo

Myto is always generous with its timings, usually producing very full CD’s and thus of necessity offering a bonus if a performance doesn’t fill the whole of the record. »

13 Aug 2006

SCHUBERT: Der Graf von Gleichen

Most of us who listen to opera often chose a work to relax us on a quiet evening; perhaps lighting some candles, and opening that bottle of good vino you’ve been saving for a special occasion. »

10 Aug 2006

OFFENBACH: Les Contes d'Hoffmann

When the Ring theater burned in Vienna, on December 8, 1881,1 Richard Wagner commented that it left him “cold” to know that a number of patrons should die while at a performance of Jacques Offenbach’s music. »

09 Aug 2006

SANTA FE OPERA: Golden Oldies

Carmen and The Magic Flute have finally made it onto my calendar, a nice way to end the summer opera festival at Santa Fe. »

03 Aug 2006

A Night of Rhythm and Dance

The Waldbühne in Berlin is a large copy of ancient Greek theatres. Originally it was the ‘Reichssportfeld’, built for the Olympic Games of 1936. »

02 Aug 2006

Mirella Freni and Cesare Siepi Live in Concert

In summer doldrums? Spend a delightful hour with two great artists in a rare joint appearance, as Fabula Classics has resurrected for DVD a 1985 Cesare Siepi and Mirelle Freni televised recital. »

02 Aug 2006

Haitink conducts Elgar and Britten

Commemorating some of its outstanding concerts of the 1980s and Bernard Haitink, its principal conductor (from 1967-1979), the London Philharmonic Orchestra has released on its own label a single CD that includes several pieces that brought notice to the ensemble. »

02 Aug 2006

Ann Murray and Malcolm Martineau: Schumann, Mahler, Britten

Recorded in early May 2005 at Crear, an artists’ community in Argyll, Scotland, this CD contains selections of Lieder and songs that fit well the supple voice of the mezzo-soprano Ann Murray, who is accompanied facilely by the Scottish pianist Malcolm Martineau. »

01 Aug 2006

Morricone Conducts Morricone

Connoisseurs of pretentious booklet essay verbiage will delight in the prose style of  Matthias Kellerin his musings for this EuroArts DVD of Ennio Morricone conducting his film scores with the Munich radio orchestra. »

31 Jul 2006

Strong Tempest at Santa Fe

The news from Santa Fe Opera last week-end is good, unexpectedly so. The British composer Thomas Ades’ new (2004) opera, a riff on Shakespeare’s The Tempest, has been rumored hard to perform and harder to hear. »

27 Jul 2006

BUXTEHUDE: Membra Jesu nostri

Dietrich Buxtehude’s Membra Jesu nostri is a large-scale Passion work dedicated to the Swedish chapelmaster, Gustav Dübin, in whose notable collection, now at Uppsala, it holds a prominent place. »

27 Jul 2006

WAGNER: Das Rheingold

Was it so many years ago that lovers of Wagner's titanic multi-part opus, Der Ring Des Nibelung, focused their passion principally on audio versions? »

24 Jul 2006

WAGNER: Siegfried, The 100th Covent Garden performance

“These probably unique documents may well owe their existence to the presence of Joan Sutherland in the cast and represent the earliest recordings of the great diva. »

24 Jul 2006

MOZART: Don Giovanni (Highlights)

Naxos reinforces its status as the classical recording world's bargain leader by releasing a single CD highlights disc from its complete Don Giovanni, recorded in 2000 and originally released in 2001. »

24 Jul 2006

PHILLIPS-MATZ: Washington National Opera 1956-2006

This is a highly impressive coffee-table table book, loaded with stunning photographs of productions, singers, composers, and even our nation’s glorious capital. »

24 Jul 2006

SHORT ON SALOME

Richard Strauss’ 1905 neurotic shocker Salome has long been a favorite Santa Fe Opera repertory piece, having enjoyed ten productions over the years. »

24 Jul 2006

SHOSTAKOVICH: The Execution of Stepan Razin

This new Naxos recording offers a rare opportunity to hear three little-known works by one of the 20th century's greatest composers - The Execution of Stepan Razin op. 119, October op. 131, and Five Fragments for orchestra op. 42, by Dmitri Shostakovich (1906-75). »

24 Jul 2006

CHAPI: Margarita la tornera

Is this the application of Peter’s Principle on Ruperto Chapi’s music as Chris Webber, editor of www.zarzuela.net preaches, or is this proof of Chapi being “undoubtedly the most important Spanish composer of stage music of all time” as the sleeve notes tell us? »

24 Jul 2006

The Italian Dramatic Lament

Its foundational interest in affective response made the early Baroque era a time rich in the nurture of highly impassioned music and text. Little surprise then that laments, with their characteristic emotional intensity, were particularly at home on the early seventeenth-century stage and in the chambers of the nobility. »

24 Jul 2006

DEBUSSY: Pélleas et Mélisande

Whatever its flaws - and it has them - this Zurich Opera production of Debussy's Pelléas and Mélisande boasts qualities that carry it very far from the standard view of those opera goers who considers the work dry, dull, and depressingly long. »

24 Jul 2006

MAHLER: Symphony no. 8

Recorded approximately 35 years ago in September 1971, Bernard Haitink’s performance of Gustav Mahler’s Eighth Symphony remains a classic account of the composer’s demanding score. »

24 Jul 2006

BURKHARD: Lieder

Refreshingly modern and familiar at the same time, the Lieder of Willy Burkhard (1900-55) are better known in his native Switzerland than anywhere else. »

23 Jul 2006

MENOTTI : Concerto for Violin and Orchestra / Cantilena e Scherzo / Canti Della Lontanza / Five Songs

Most Opera Today readers are probably familiar with Gian Carlo Menotti largely through his operas (The Medium, The Consul, Amahl and the Night Visitors, The Telephone, and others), and, if they teach or coach voice, may be more familiar than they’d like to be with pieces like “This is my box” and “Monica’s Waltz”, which have long been mainstays of the “American aria” branch of repertoire for young singers. »

19 Jul 2006

Leyla Gencer in Concert

There are lieder-recitals and there are lieder-recitals. In my experience Lucia Popp, Dietrich Fischer-Dieskau and Margaret Price stuck to their Lieder-guns till the last item, sometimes offering Strauss’ Zueignung as an encore. »

19 Jul 2006

BEETHOVEN: Missa Solemnis

This excellent performance of Beethoven's mammoth sacred work, Missa Solemnis, served as part of the celebration of the reopening (after reconstruction) of the Dresden Frauenkirche, which suffered devastating damage in the same bombing raid that destroyed much of the city and so many of its inhabitants near the end of WWII. »

19 Jul 2006

GUERRERO: Missa Surge Propera

The composers Morales, Guerrero, and Victoria form a holy trinity of sorts, dominating Spanish church music in what we have come to see as a “Golden Age,” a time in which sixteenth-century liturgical polyphony assumed a classical perfection. »

19 Jul 2006

CHAUSSON: Le Roi Arthus

I belong to the happy few (some would say ‘unhappy’ few) who ever witnessed a stage production of this rarely performed opera. »

19 Jul 2006

MOZART: Die Entführung aus dem Serail

Glyndebourne’s recent DVD release of it’s 1980 production of Die Entführung aus dem Serail is quite an exceptional performance of this particular work. »

18 Jul 2006

CINDERELLA GLITTERS

JULES MASSENET'S 'BROADWAY HIT,' the 1899 Cendrillon, billed as Cinderella but sung in French, was given top notch treatment at its Santa Fe Opera debut Saturday night (July 15). »

10 Jul 2006

HAYDN: Arias & Cantatas

In a room filled with music scholars, conversations surrounding the name Franz Joseph Haydn would be synonymous with symphonic music, keyboard works, operas, string quartets, and vocal music. »

08 Jul 2006

Dmitri Shostakovich: A Portrait

2006 is a centenary year of Dmitri Shostakovich (1906-1975) - a great Russian composer of the 20th century, and a complicated and tortured soul whose posthumous legacy has been a subject of heated ideological debates in recent years. »

05 Jul 2006

GESUALDO DA VENOSA: Quarto Libro di Madrigali
MONTEVERDI: Madrigals Book 4

Two sets of madrigals, each the fourth book published by its composer, give complementary views of the state of madrigal composition in Italy in the years either side of 1600. »

05 Jul 2006

Ana María Sánchez: Zarzuela

During the fifties and sixties, it was almost impossible (or horrendously expensive) to collect the hundreds of recordings of zarzuela outside Spain and some Latin American countries. »

05 Jul 2006

PUCCINI: Il Tabarro
LEONCAVALLO: I Pagliacci

The recent Deutsche Grammaphone release of an insightful Metropolitan Opera double bill from 1994 provides a fascinating comparison of contrasting verismo worlds. »

05 Jul 2006

Three Sopranos: Elena Obraztsova, Ileana Cotrubas, Renata Scotto

Even with a magnifying glass you won’t be able to find a date of this concert on either the DVD itself or in the sleeve notes. »

27 Jun 2006

Belcanto: The Tenors of the 78 Era, vols. 1 and 2

Second only to soprano divas, history’s great tenors have received the most retrospective scrutiny. »

26 Jun 2006

Puccini: Sogno d’or

Anyone who knows Giacomo Puccini only for his operas is in for a treat. Puccini: Sogno d’or presents Puccini the songwriter, and what is fascinating about this little-known repertory is that it prefigures many of the delightful melodies that later appeared in his works for the stage. »

24 Jun 2006

Vier letzte Lieder in Sofia and Varna

On June 9th in Sofia and 16th at the Varna Summer Festival, celebrated soprano Krassimira Stoyanova made her Richard Strauss debut in Vier letzte Lieder in her native Bulgaria. »

23 Jun 2006

GLUCK: Orfeo ed Euridice

All the excitement and activity in the classical recording company world now seems to be in the budget area. »

23 Jun 2006

"Castrato" — In Search of a Lost Voice

Nestling artistically in a bowl, carefully arranged and lit to suit the camera early in the programme, the testicles seemed to glow softly with their hidden history, their inherent potential and, now, their very lack of future. »

23 Jun 2006

Gypsy Melodies

“Gypsies! Filthy, dirty, thieving gypsies!” cried Amy Sedaris as Jerri Blank from one delightful Strangers With Candy episode years back. For those who have experienced a forced ‘chance’ meeting with one of these colorful characters in say, Granada, Spain, they may have espoused a similar belief in recent years. »

23 Jun 2006

Renato Bruson — Live in Concert

One sign that a media market has really come into its own, economically speaking, is the appearance of items previously released in other formats, items that one struggles to imagine a wide market for. DVDs must be doing fairly well, then, in the classical market. »

17 Jun 2006

HURWITZ: Exploring Haydn—A Listener’s Guide to Music’s Boldest Innovator

The world of J.S. Haydn is one gravely underappreciated and undervalued. He never earned the right to a 1980’s bio pic like Mozart or was appreciated and saluted in pop culture through early rock n’ roll like Beethoven. »