Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



Plumbago_9780993198359_1.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

Kurt Weill’s Street Scene

Kurt Weill’s “American opera,” Street Scene debuted this past weekend in the Kay Theatre at the Clarice Smith Performing Arts Center, with a diverse young cast comprised of students and alumni of the Maryland Opera Studio (MOS).

Handel's Brockes-Passion: The Academy of Ancient Music at the Barbican Hall

Perhaps it is too fanciful to suggest that the German poet Barthold Heinrich Brockes (1680-1747) was the Metastasio of Hamburg?

POP Butterfly: Oooh, Cho-Cho San!

I was decidedly not the only one who thought I was witnessing the birth of a new star, as cover artist Janet Todd stepped in to make a triumphant appearance in the title role of Pacific Opera Project’s absorbing Madama Butterfly.

The Maryland Opera Studio Defies Genre with Fascinating Double-Bill

This past weekend, the Maryland Opera Studio (MOS) presented a double-billed performance of two of Kurt Weill’s less familiar staged works: Zaubernacht (1922) and Mahagonny-Songspiel (1927).

Daniel Kramer to step down as English National Opera’s Artistic Director

Daniel Kramer is to step down as ENO’s Artistic Director at the end of July 2019 in order to focus on directing more opera and theatre full time.

Wexford Festival Opera's award-winning Il bravo to be streamed on ARTE.tv

From 7 pm (CEST), this Sunday 21 April, ARTE, the European public service broadcaster, will stream one of last year’s Wexford Festival Opera productions, Saverio Mercadante’s Il bravo, which was recently named ‘Best Opera Production’ at The Irish Times Irish Theatre Awards. Il bravo will be freely available worldwide on ARTE’s digital on-demand culture channel, Arte Concert, as part of ARTE’s 2019 Opera Season, a special online service for lovers of classical music. The opera will subtitled in English, German and French.

Nash Ensemble at Wigmore Hall: Focus on Sir Harrison Birtwistle

The Nash Ensemble’s annual contemporary music showcase focused on the work of Sir Harrison Birtwistle, a composer with whom the group has enjoyed a long and close association. Three of the six works by Birtwistle performed here were commissioned by the Nash Ensemble, as was Elliott Carter’s Mosaic which, alongside Oliver Knussen’s Study for ‘Metamorphosis’ for solo bassoon, completed a programme was intimate and intricate, somehow both elusive in spirit and richly communicative.

Bampton Classical Opera 2019: Stephen Storace - Bride & Gloom (Gli sposi malcontenti)

Newly-wed Casimiro and Eginia hardly seem to be enjoying a state of marital bliss. Why does Eginia sleep on her own, and why is her ex, Artidoro, still hanging around? He now seems to have an eye for the undoubted charms of Casimiro’s sister, Enrichetta - but she’s also attracted the lustful interest of dull and dusty Dr Valente, a man likely to turn nasty if thwarted …

McVicar's Faust returns to the ROH

To lose one Marguerite may be regarded as a misfortune; to lose two looks like carelessness. But, with the ROH Gounod’s Faust seemingly heading for ruin, salvation came in the form of an eleventh-hour arrival of a redeeming ‘angel’.

The Nibelungen-Myth. As Sketch for a Drama

From the womb of Night and Death was spawned a race that dwells in Nibelheim (Nebelheim), i.e. in gloomy subterranean clefts and caverns: Nibelungen are they called; with restless nimbleness they burrow through the bowels of the earth, like worms in a dead body; they smelt and smith hard metals.

Transylvanian-born mezzo-soprano Eszter Balogh wins the 2019 Handel Singing Competition

Following the final on Saturday 6 April, the Handel Singing Competition announced mezzo-soprano Eszter Balogh as the 2019 winner. Alongside Eszter, the finalists were Patrick Terry (countertenor), David de Winter (tenor) and William Thomas (bass) and the final took place at St George’s, Hanover Square in London in front of a live audience.

English National Opera announces 2019/20 Season

ENO’s 2019/20 season features seven new productions and three revivals, the greatest number of new productions for five years.

A superb Semele from the English Concert at the Barbican Hall

It’s good to aim high … but be careful what you wish for. Clichéd idioms perhaps, but also wise words which Semele would have been wise to heed.

A performance of Vivaldi's La Senna festeggiante by Arcangelo

In 1726 on 25 August, Jacques-Vincent Languet, Comte de Gergy, the new French ambassador to the Venetian Republic held a celebration for the name day of King Louis XV of France. There was a new piece of music performed in the loggia at the foot of Languet's garden with an audience of diplomats and, watching from gondolas, Venetian nobles.

Matthew Rose and Tom Poster at Wigmore Hall

An interesting and thoughtfully-composed programme this, presented at Wigmore Hall by bass Matthew Rose and pianist Tom Poster, and one in which music for solo piano ensured that the diverse programme cohered.

Ekaterina Semenchuk sings Glinka and Tchaikovsky

To the Wigmore Hall for an evening of magnificently old-school vocal performance from Ekaterina Semenchuk. It was very much her evening, rather than that of her pianist, Semyon Skigin, though he had his moments, especially earlier on.

Hubert Parry's Judith at the Royal Festival Hall

Caravaggio’s depiction (1598-99) of the climactic moment when the young, beautiful, physically weak Judith seizes the head of Holofernes by the enemy general’s hair and, flinching with distaste, cleaves the neck of the occupying Assyrian with his own sword, evokes Holofernes’ terror with visceral precision - eyes and screaming mouth are wide open - and is shockingly theatrical, the starkly lit figures embraced by blackness.

La Pietà in Rome

Say "La Pietà" and you think immediately of Michelangelo’s Rome Pietà. Just now Roman Oscar-winning film composer Nicola Piovani has asked us to contemplate two additional Pietà’s in Rome, a mother whose son is dead by overdose, and a mother whose son starved to death.

Matthias Goerne: Schumann – Liederkreis, op 24 & Kernerlieder

New from Harmonia Mundi, Matthias Goerne and Lief Ove Andsnes: Robert Schumann – Liederkreis, op 24 and Kernerlieder. Goerne and Andsnes have a partnership based on many years of working together, which makes this new release, originally recorded in late 2018, well worth hearing.

Orfeo ed Euridice in Rome

No wrecked motorcycle (director Harry Kupfer’s 1987 Berlin Orfeo), no wrecked Citroen and black hearse (David Alagna’s 2008 Montpellier Orfée [yes! tenorissimo Roberto Alagna was the Orfée]), no famed ballet company (the Joffrey Ballet) starring in L.A. Opera’s 2018 Orpheus and Eurydice).


OPERA TODAY ARCHIVES »

Reviews

21 Apr 2019

Kurt Weill’s Street Scene

Kurt Weill’s “American opera,” Street Scene debuted this past weekend in the Kay Theatre at the Clarice Smith Performing Arts Center, with a diverse young cast comprised of students and alumni of the Maryland Opera Studio (MOS).  »

Recently in Reviews

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32  |  33  |  34  |  35  |  36  |  37  |  38  |  39  |  40  |  41  |  42  |  43  |  44  |  45  |  46  |  47  |  48  |  49  |  50  |  51  |  52  |  53  |  54  |  55  |  56  |  57  |  58  |  59  |  60  |  61  |  62  |  63  |  64  |  65  |  66  |  67  |  68  |  69  |  70  |  71  |  72  |  73  |  74  |  75  |  76  |  77  |  78  |  79  |  80  |  81  |  82  |  83  |  84  |  85  |  86  |  87  |  88  |  89  |  90  |  91  |  92  |  93  |  94  |  95  |  96  |  97  |  98  |  99  |  100  |  101  |  102  |  103  |  104  |  105  |  106  |  107  |  108  |  109  |  110  |  111  |  112  |  113  |  114  |  115  |  116  |  117  |  118  |  119  |  120  |  121  |  122  |  123 
02 Aug 2012

Santa Fe Opera convinces : Rossini Maometto II

Santa Fe, NM : It is not unusual for Santa Fe Opera to produce little known or rarely heard operas in their enduring devotion to both unusual and ‘lost’ repertory, as well as commissioned and contemporary works. But is it unusual - very - for two such mountings in one season to be smash hits. Santa Fe lately enjoyed two such successes, graced by elevated musical and performance quality, and strong audience acceptance.  »

02 Aug 2012

Santa Fe Opera, Karol Szymanowski : King Roger

The gifted Polish composer Karol Szymanowski wrote his three-act King Roger, in the 1920's. It is an allegorical tale of honor vs. pleasure set to quite beautiful music, especially in the orchestral writing, which Santa Fe chose to play in the same season as the Rossini in a wide tip of the hat to unknown but worthy repertory.  »

01 Aug 2012

Tchaikovsky: Eugene Onegin, Opera Holland Park, London

This was unquestionably the best all-round performance I have yet seen from Opera Holland Park, staging and musical performances alike often putting august metropolitan houses from around the world to shame.  »

30 Jul 2012

Exquisite Juxtapositions : Ian Bostridge, Wigmore Hall

Although John Cage’s Seven Haiku for piano are all about chance and accident, this final concert in Ian Bostridge’s Ancient and Modern series was a masterpiece of meticulous planning and execution. »

30 Jul 2012

Beethoven Ninth Symphony, Daniel Barenboim, BBC Prom 18

Few composers seem as remote and yet as necessary to our age as Beethoven, and perhaps the symphonic Beethoven in particular. Irony is a foreign word to him; blazing affirmation and indeed intensity of struggle seem too much for us.  »

27 Jul 2012

Pierre Boulez : Le marteau sans maître BBC Proms

Pierre Boulez Le marteau sans maître is important as Stravinsky's Rite of Spring and Schoenberg's Pierrot Lunaire, says conductor François-Xavier Roth, who conducted it with members of the West-Eastern Divan Orchestra in BBC Prom 17.  »

23 Jul 2012

Hector Berlioz, Les Troyens (concert performance, BBC Proms)

Hearing The Trojans in concert at the Royal Albert Hall as part of the Proms was, for me at least, a much happier experience than when it laboured under the crowd-pleasing would-be-musical-comedy served up by David McVicar’s production for the Royal Opera. »

22 Jul 2012

Verdi Falstaff Opera Holland Park

“It is as sunny as the composer’s garden at Busetto, clear as crystal in construction, tender and explosive by turns, humorous and witty without a touch of extravagance or a note of vulgarity.” So wrote Charles Stanford on the occasion of the first performance of Verdi’s final opera, in 1893. »

20 Jul 2012

Rossini Il viaggio a Reims, Royal Opera House

The Royal Opera House’s Jette Parker Young Artists programme is celebrating the 10th anniversary of their annual Summer Performance.  »

19 Jul 2012

David et Jonathas at the Aix Festival

Rare, very rare repertory that is not even opera stole the show at the sixty fourth Aix Festival. »

18 Jul 2012

Le Nozze di Figaro in Aix-en-Provence

You pay your money, you takes your chances — that is festival life at its best. Sometimes it pays off and sometimes it doesn’t. The fun is in the risk, so the riskier the better.  »

18 Jul 2012

Christoph Prégardien, Wigmore Hall

Seriousness, elegance and insight characterised this recital of nineteenth-century German song in which Christoph Prégardien and his accompanist, Julius Drake, conducted a moving musical dialogue, perfectly matching each other in the depiction of unbending obsession and unfulfilled aspiration. »

17 Jul 2012

BBC Prom 3: Pelléas et Mélisande

21st-century opera played on period instruments; a ‘drama-less’ opera; a Dali-esque crimson chaise longue, stranded on the platform of the Royal Albert Hall.  »

15 Jul 2012

Otello, Royal Opera

Elijah Moshinsky’s Otello, first seen at Covent Garden in 1987, and revived numerous times with a range of stellar casts, may be traditional and conservative, even — excepting the thunderous opening storm scene — somewhat uninventive;  »

11 Jul 2012

Triple Delights in the City of Light

Paris Opéra seems to have saved the best for last as they wind up the current season with a trio of diverse and well-judged productions. »

09 Jul 2012

Written on Skin at the Aix Festival

Not about tattoo art, not an evocation of the Holocast, and let us not even try to put our finger on what it is about. »

09 Jul 2012

‘Ancient & Modern’ with Angelika Kirchschlager and Ian Bostridge

Ian Bostridge’s thought-provoking ‘Ancient and Modern’ project at the Wigmore Hall is drawing to a close and this penultimate instalment brought together Renaissance sensuality and Neo-classical restraint in a meticulously executed performance.  »

02 Jul 2012

Susan Graham, Wigmore Hall

Embodying a range of iconic female characters from history, literature and song — both the ‘good’ and the ‘not-so-good’ — Susan Graham delivered a wonderfully suave and entertaining performance before a delighted Wigmore Hall audience. »

02 Jul 2012

The Marriage of Figaro in Montpellier

Perfection. A seldom used term in critiques of opera performances. There it was, almost (and will be, maybe). »

28 Jun 2012

Ludwig van Beethoven: Fidelio

Based on performances given in Summer 2010 at the Lucerne Festival, this recording of Beethoven’s Fidelio is an admirable recording that captures the vitality of the work as conducted by Claudio Abbado.  »

28 Jun 2012

Stanisław Moniuszko: Flis

Stanisław Moniuszko (1819-1872) was one of the most popular composers of his day in Poland, and of the many works he wrote for the stage, two are performed from time to time, Halka (1848) and Strazny dwór [The Haunted Manor] (1865). »

28 Jun 2012

Stanisław Moniuszko: Pieśni Songs

The Polish alto Jadwiga Rappé is a familiar voice in various stage and concert works, and the recent release of a selection of songs by Stanisław Moniuszko (1819-1872) is an opportunity to hear her performing artsongs.  »

27 Jun 2012

St. Louis in Fine Festival Form

Forget about picking a desert island opera, I want Opera Theatre of St. Louis as my desert island opera company.  »

27 Jun 2012

Les Troyens, Royal Opera House London

A sensational Les Troyens at the Royal Opera House, London. Berlioz, who understood theatrical gestures so well, builds his opera around the most audacious dramatic device in ancient history: the Trojan Horse.  »

26 Jun 2012

Dr Dee, ENO

First staged at Manchester’s 2011 international festival, Dr Dee is a theatrical work based on the life of Renaissance cosmographer and charlatan, John Dee.  »

26 Jun 2012

Miah Persson, Wigmore Hall

At the Wigmore Hall, there’s long been a tradition of Swedish song. We’ve heard many of the greats, Anne Sofie von Otter, Barbara Bonney and others. Miah Persson and Roger Vignoles are in this constellation.  »

26 Jun 2012

Billy Budd, ENO

Billy Budd, foretopman — and self-styled ‘King of the Birds’ — may yearn for premonition to captain of the mizzen top, but there few spirits that fly afloat or soar in David Alden’s dark, oppressive new production of Benjamin Britten’s Billy Budd. »

15 Jun 2012

The Magic Flute in San Francisco

A feast for the eyes, a feast for the ears, a Flute from America’s heartland that goes directly to your heart. »

15 Jun 2012

Oliver Knussen’s Sendak operas launch the Aldeburgh Music festival

Oliver Knussen’s two operas based on books by Maurice Sendak opened this year’s Aldeburgh Music Festival in exuberant style.  »

13 Jun 2012

Attila in San Francisco

Fanfares that celebrate soldiers with plumed helmets by a composer who donned a helmet (metaphorically) — Verdi the operatic father of the Risorgimento! »

11 Jun 2012

Così fan tutte, Holland Park

Are my expectations too high when it comes to Mozart’s operas in general, and to Così fan tutte in general? Probably. Should they be? Certainly.  »

09 Jun 2012

Nixon in China, San Francisco

John Adams’ Nixon in China is an amazing, riveting piece of music, and compelling theater to boot.  »

09 Jun 2012

L’olimpiade, Venice Baroque Orchestra

Over 60 composers (including Beethoven) wrote music inspired by Metastasio’s L’olimpiade.  »

09 Jun 2012

Don Giovanni, Garsington Opera at Wormsley

The pavilion at Garsington Opera at Wormsley is stunningly beautiful. Just being there is an experience, which is why the social aspect is so rewarding. »

08 Jun 2012

Almira, operamission

There are many different ways to analyze the health of New York City. My personal measurements judge the town thus: How many aspiring artsy kids are forced to share a single apartment in an outer borough while they “find themselves” and how many small but immensely able opera companies are functional at any given time.  »

05 Jun 2012

Bluebeard’s Castle, New World Symphony

“I can guess what you are hiding. Bloodstain on your warrior’s weapons. Blood upon your crown of glory. Red the soil around your flowers. Red the shade your cloud was throwing. Now I know it all, oh, Bluebeard.” »

05 Jun 2012

La Bohème, LA Opera

The Los Angeles opera company ended its 2011-2012 season with Giacomo Puccini’s long-loved La Bohème, in a long-lived production. What is it about this opera that keeps old loves alive?  »

04 Jun 2012

Detlev Glanert’s Caligula, ENO

Detlev Glanert’s Caligula at the ENO shows how powerful modern opera can be. Caligula was a tyrant, but this opera isn’t sensationalist.  »

04 Jun 2012

Don Giovanni, LA Philharmonic

Kudos to the Los Angeles Philharmonic Association and Gustavo Dudamel for their courageous plan to present semi staged performances of the Mozart/Da Ponte trilogy of Italian operas with the assistance of outstanding set and costume designers and directors. »

04 Jun 2012

Salome, Royal Opera

In David McVicar’s staging of Strauss’s disturbing opera, first seen at Covent Garden in 2008 and now enjoying its second revival, Salome’s descent down the Stygian staircase is a literal drop into a subterranean slaughterhouse and an ethical fall into the delights and depravity of her of burgeoning yet deadly sexuality.  »

04 Jun 2012

Maria Padilla: Chelsea Opera Group

Donizetti’s Maria Padilla received a concert performance with the Chelsea Opera Group. »

04 Jun 2012

Handel and the Rival Queens: Lufthansa Baroque Festival

A fascinating evening of arias and readings on the theme of Handel’s “rival queens”, Francesca Cuzzoni and Faustina Bordoni.  »

04 Jun 2012

A Toronto Trilogy

Canadian Opera Company’s diverse May offerings included some superlatively sung Handel, a galvanizing star turn from a rising tenor talent, and a well-matched veristic double bill of tragedy and comedy. »

31 May 2012

Tristan und Isolde, Welsh National Opera

Yannis Kokkos originally directed and designed Tristan und Isolde as a co-production for Welsh National Opera and Scottish Opera nearly 20 years ago. The production’s latest revival, directed by Peter Watson, was premiered at the Wales Millennium Centre on 19 May 2012.  »

30 May 2012

Glyndebourne Janáček The Cunning Little Vixen

Glyndebourne’s 2012 season started in great style with Leoš Janáček’s The Cunning Little Vixen. Its rapturous reception would suggest that this could become a Glyndebourne perennial.  »

25 May 2012

Joan Sutherland and Richard Bonynge: Serate Musicali

Originally released on multiple discs in 1981 this reissue on two CDs is a comprehensive collection of art songs by Italian and French composers from the nineteenth and early twentieth centuries.  »

22 May 2012

History Repeating

Iestyn Davies’ Wigmore Hall recital, ‘History Repeating’, may have explored various composers’ engagement with, and reinterpretation and reinvigoration of, music of the past, but Davies himself is very much the countertenor of the moment, and undoubtedly an exciting and fulfilling future lies ahead. »