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Elsewhere

Götterdämmerung in Palermo

There are not many opera productions that you would cross oceans to see. Graham Vick’s Götterdämmerung in Sicily however compelled such a voyage.

Emmanuel Chabrier L’Étoile — Royal Opera House London

Premièred in 1877 at Offenbach’s own Théâtre des Bouffes Parisiens, Emmanuel Chabrier’s L’Étoile has a libretto, by Eugène Leterrier and Albert Vanloo, which stirs the blackly comic, the farcical and the bizarre into a surreal melange, blending contemporary satire with the frankly outlandish.

Robert Ashley’s Quicksand at the Kitchen

Robert Ashley’s opera-novel Quicksand makes for a novel experience

Premiere of Raskatov’s Green Mass

One of the leading Russian composers of his generation, Alexander Raskatov’s reputation in the UK and western Europe derives from several, recent large-scale compositions, such as his reconstruction of Alfred Schnittke’s Ninth Symphony from a barely legible manuscript (the work was first performed in 2007 in the Dresden Frauenkirche by the Dresden Philharmonic under Dennis Russell Davies), and his 2010 opera A Dog’s Heart, based on Mikhail Bulgakov’s satire (which was directed by Simon McBurney at English National Opera in 2010, following the opera’s premiere at Netherlands Opera earlier that year).

Orpheus in the Underworld, Opera Danube

I’m not sure that St John’s Smith Square was the most appropriate venue for Opera Danube’s latest production: Jacques Offenbach’s satirical frolic, Orpheus in the Underworld.

Lady Macbeth of Mtsensk in Lyon

This nasty little opera evening in Lyon lived up to the opera’s initial reputation as pure pornophony. This is the erotic Shostakovich of the D minor cello sonata, it is the sarcastic and complicated Shostakovich of The Nose . . .

Bel Canto: A World Premiere at Lyric Opera of Chicago

During December 2015 and presently in January Lyric Opera of Chicago has featured the world premiere of the opera Bel Canto, with music by Jimmy López and libretto by Nilo Cruz, based on the novel by Ann Patchett.

Tosca, Royal Opera

Christmas at the Royal Opera House is all about magic, mystery and miracles: as represented by the conjuror’s exploits in The Nutcracker — with its Kingdom of Sweets and Sugar Plum Fairy — or, as in the Linbury Theatre this year, the fantastical adventures of the Firework-Maker’s Daughter, Lila, and her companions — a lovesick elephant, swashbuckling pirates, tropical beasts and Fire-Fiends.

Lianna Haroutounian resplendent in Madama Butterfly at the Concertgebouw

The title role is a deciding factor in Madama Butterfly. Despite a last-minute conductor cancellation, last Saturday’s concert performance at the Concertgebouw was a resounding success, thanks to Lianna Haroutounian’s opulent, heart-stealing Cio-Cio-San.

Classical Opera: MOZART 250 — 1766: A Retrospective

With this performance of vocal and instrumental works composed by the 10-year-old Mozart and his contemporaries during 1766, Classical Opera entered the second year of their 27-year project, MOZART 250, which is designed to ‘contextualise the development and influences of [sic] the composer’s artistic personality’ and, more audaciously, to ‘follow the path that subsequently led to some of the greatest cornerstones of our civilisation’.

Benjamin Appl — Schubert, Wigmore Hall London

Luca Pisaroni and Wolfram Rieger were due to give the latest installment in the Wigmore Hall's complete Schubert songs series, but both had to cancel at short notice. Fortunately, the Wigmore Hall rises to such contingencies, and gave us Benjamin Appl and Jonathan Ware. Since there's a huge buzz about Appl, this was an opportunity to hear more of what he can do.

Ferrier Awards Winners’ Recital

The phrase ‘Sunday afternoon concert’ may suggest light, post-prandial entertainment, but soprano Gemma Lois Summerfield and her accompanist, Simon Lepper, swept away any such conceptions in this demanding programme at St. John’s Smith Square.

Pelléas et Mélisande at the Barbican

When, o when, will someone put Peter Sellars and his compendium of clichés out of our misery?

A Chat With Up-and-Coming Conductor Kathleen Kelly

Kathleen Kelly is an internationally renowned pianist, coach, conductor, and master teacher. She was the first woman and first American named Director of Musical Studies at the Vienna State Opera.

Samuel Barber: Choral Music

This recording, made in the Adrian Boult Hall at the Birmingham Conservatoire of Music in June 2014, is the fourth disc in SOMM’s series of recordings with Paul Spicer and the Birmingham Conservatoire Chamber Choir.

L'Arpeggiata: La dama d’Aragó, Wigmore Hall

Having recently followed some by-ways through the music of Purcell, Monteverdi and Cavalli, L’Arpeggiata turned the spotlight on traditional folk music in this characteristically vibrant and high-spirited performance at the Wigmore Hall.

Tippett : A Child of Our Time, London

Edward Gardner brought all his experience as a choral and opera conductor to bear in this stirring performance of Michael Tippett’s A Child of Our Time at the Barbican Hall, with a fine cast of soloists, the BBC Symphony Orchestra and BBC Symphony Chorus.

Taverner and Tavener, Fretwork, London

‘Apt for voices or viols’: eager to maximise sales among the domestic market in Elizabethan England, publishers emphasised that the music contained in collections such as Thomas Morley’s First Book of Madrigals to Four Voices of 1594 was suitable for performance by any combination of singers and players.

Fall of the House of Usher in San Francisco

It was a single title but a double bill and there was far more happening than Gordon Getty and Claude Debussy. Starting with Edgar Allen Poe.

The Merry Widow at Lyric Opera of Chicago

For its latest production of the current season Lyric Opera of Chicago is presenting Franz Lehár’s The Merry Widow (Die lustige Witwe) featuring Renée Fleming /Nicole Cabell as the widow Hanna Glawari and Thomas Hampson as Count Danilo Danilovich.


OPERA TODAY ARCHIVES »

Reviews

08 Feb 2016

Götterdämmerung in Palermo

There are not many opera productions that you would cross oceans to see. Graham Vick’s Götterdämmerung in Sicily however compelled such a voyage. »

Recently in Reviews

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28 Sep 2007

Dusting off a Masterpiece… “The Fortunes of King Croesus” by Reinhard Keiser, coming to Opera North, Leeds and Minnesota Opera soon.

Masterpiece? The term rather depends on whether the artist in question was indeed a master and it might come as a surprise to learn that this little-known composer of the brief, but significant, German Baroque Opera period is regarded by many as just that. »

26 Sep 2007

Margaret Garner at NYCO

The New York City Opera’s production of Richard Danielpour’s and Toni Morrison’s opera, Margaret Garner, boldly faces the ugly history of slavery in the United States, and the racism inherent in the institution of opera. »

23 Sep 2007

Hear the Voice and Prayer

There are a number of signs of the popularity of the King’s Singers—their longevity as an ensemble, the huge success of their public concerts, and their sizable discography all come immediately to mind. »

23 Sep 2007

The Feast of St. Edward, King and Confessor at Westminster Abbey.

Westminster Abbey is surely many things to many people. »

23 Sep 2007

Playing Elizabeth’s Tune

The 2004 DVD "Playing Elizabeth’s Tune," originating in a BBC television production, features concert performances of Byrd’s sacred music sung by the Tallis Scholars along with documentary material treating the composer and his time. »

23 Sep 2007

Brewer at her best in live “Fidelio”

It is not surprising that it was Beethoven’s Fidelio that was chosen to reconsecrate rebuilt opera houses in Vienna and Berlin in the years after World War Two. »

23 Sep 2007

Italian Sunshine Sweeps Away Gloomy Operatic Forecast

If the swift downpour that hit Pesaro, moments before the Prima of G. Rossini’s Otello on August 8th, seemed like a bad omen, that was nothing compared to the two major cast changes that could have weakened the foundation of the Rossini Opera Festival’s new production of the opera and washed it away. »

23 Sep 2007

PENDERECKI: Die Teufel von Loudon

Of the operas composed in the latter half of the twentieth century, Krzysztof Penderecki’s Die Teufel von Loudon is a significant contribution to the repertoire. »

19 Sep 2007

Music Triumphs in S.F. Tannhauser

For those who can’t (or won’t) see the forest of an opera for the trees of performance minutiae, here’s the word about the San Francisco Opera’s new production of Wagner’s “Tannhauser” that opened tonight: »

19 Sep 2007

Music for Compline

The liturgy of Compline marks the end of the monastic day, as the community seeks peaceful repose for the night ahead. »

19 Sep 2007

Psalms for the Spirit

Psalmody, be it in the form of chanted recitations or anthem settings, lies close to the heart of liturgical singing, and this collection, “Psalms for the Spirit” brings together an engaging variety of both long familiar and recent psalms that celebrates the traditions and explores new directions. »

19 Sep 2007

WAGNER : Lohengrin

What’s outstanding about this Lohengrin is the orchestral playing. »

18 Sep 2007

Ariane et Barbe-Bleue and Capriccio in Paris

Name this stage piece if you can: »

18 Sep 2007

PUCCINI: La Bohème

Before the age of computers, CDs. DVDs and Apple i-Phones, there was television. »

18 Sep 2007

BEETHOVEN: Fidelio

Los Angeles Opera opened its 2007 season with Fidelio on September 8th, and on the following day held a gala performance of Verdi’s Requiem. »

16 Sep 2007

WAGNER: Die Walküre

One of the glories of a well-executed performance of Richard Wagner's Ring cycle is the sonic dimension of the work, with the dramatic contrasts between the larger musical canvasses and the more intimate ensembles that occur between several voices and within the orchestra itself. »

16 Sep 2007

Hector Berlioz: Te Deum, op. 22

Often overshadowed by its composer's Requiem, the Te Deum, Op. 22 (1849) by Hector Berlioz deserves attention for its own merits, and this recent release by Hänssler in its series of live recordings of the Staatskapelle Dresden is a solid reading of this work. »

16 Sep 2007

SCHEIDT: Ludi Musici

The courtly instrumental music of the Halle composer, Samuel Scheidt, is preserved in the printed collection "Ludi musici" (1620), giving congenial suggestion of both the richness of the court practice and the virtuosic abilities of the ensemble players there, including the cornettist, Zacharias Härtel. »

16 Sep 2007

Le Chant des Templiers

The quarter century of work by the French medieval ensemble, Ensemble Organum, and their director, Marcel Pérès has positioned them as leading interpreters of early liturgical repertories; among interpreters, their renditions assert a high degree of distinctiveness and character. »

12 Sep 2007

La Bohème x3

On stages all over the world, most any night of the year, poor Parisian Mimi hacks her way into oblivion, while her sometime lover cries out her name in hysterical despair. »

11 Sep 2007

VIVALDI: Dixit Dominus

In 2005 the Australian musicologist Janice Stockigt made the case that several works attributed to Baldassare Galuppi in the Saxon State and University Library (Dresden) were really the works of Antonio Vivaldi. »

10 Sep 2007

MONTEVERDI: Madrigals (Book 5)

This installment in the ongoing series of Monteverdi madrigal recordings from Marco Longhini and Naxos presents distinctive performances of works that lie close to the heart of the early baroque style. »

10 Sep 2007

BACH: St. Matthew Passion (Excerpts)

There is much to admire in Masaaki Suzuki’s Bach performances with the Bach Collegium Japan, and this recording of excerpts from the St. Matthew Passion will remind the listener of the diverse ways in which this is so. »

07 Sep 2007

SMETANA: The Bartered Bride

As an audio-recording, Supraphon's set of Bedrich Smetana's The Bartered Bride conducted by Zdeněk Košler deserves the highest recommendation. »

07 Sep 2007

JANÁČEK: Katja Kabanowa

A series of historic recordings comes from Profil/Edition: Günter Hänssler, and from those a subset of Staatskapelle Dresden performances brings opera fans a remarkable document. »

07 Sep 2007

Teresa Berganza Live in Concert

Here's another in a series of televised recitals from Lugano, Switzerland to have appeared on DVD. »

07 Sep 2007

Kiri Sings Karl: Songs of Mystery & Enchantment

Alban Berg's Wozzeck takes almost two hours to induce a sense of soul-crushing nausea and despondency. Kiri Sings Karl achieved that for your reviewer in a couple minutes, and then went on with terrifying, torturous efficiency for almost another hour. »

07 Sep 2007

VERDI: Otello

Director Willy Decker's outstanding Traviata from Salzburg, with Anna Netrebko and Rolando Villazon, is one of the great contemporary opera DVDs. »

07 Sep 2007

Aspen premieres forgotten Cavalli work

A husky baritone in Speedos on a motor scooter and a buxom, purple-wigged Dame Edna drag clone — the Aspen Opera Theater Company’s staging of Francesco Cavalli’s 1667 “Eliogabalo” was off to a start that promised to equal the program’s over-the-top staging of the composer’s 1649 “Giasone” two summers ago. (AOTC director Edward Berkeley raised the curtain on that Baroque potboiler to a biker Amor on a Harley.) »

06 Sep 2007

STRAUSS: Elektra

Among the available videos of Richard Strauss’s Elektra, the recently released DVD of the live broadcast from 16 February 1980 stands out for capturing the exciting of an all-star international cast that included the famous Birgit Nilsson in the title role. »

05 Sep 2007

Netherlands Opera — New Wine in Old Bottles

The unmistakable fanfare that opens Monteverdi’s seminal L’Orfeo rang out from the top of the crowded foyer of the Netherlands Opera in Amsterdam last Friday night to signal not only the start of the opera, but also the opening night of their celebratory 2007 Monteverdi Cycle. »

02 Sep 2007

The Pleasures of Presence — The Small Loudspeakers of Richard Sequerra

In the long ago, when the best source of music reproduction in the home was a handsome piece of furniture, fitted with hidden audio components, and usually called radio-phonographs, my family had one — from Avery Fisher I believe — that had among its controls a switch labeled ‘presence.’ »

28 Aug 2007

DONIZETTI: Anna Bolena

A career-making smash for Donizetti at its 1830 premiere, Anna Bolena eventually faded from the standard repertory. »

28 Aug 2007

BRUCKNER: Symphony no. 5

Recorded live at the Stiftsbasilika, St. Florian (Austrian) on 12 and 13 September 2006, this DVD offers a special performance of the famous Cleveland Orchestra outside its home at Severance Hall. »

28 Aug 2007

BERG: Wozzeck

Among the available DVDs of Alban Berg's opera Wozzeck, the recent release of the production Rolf Liebermann made into a film i the late 1960s stands out for various reasons. »

28 Aug 2007

The Dream of Gerontius Opens Elora Summer Festival

Written in 1900, Elgar’s Gerontius expresses the universal and existentialist struggle of death and rebirth. The allegorical significance of the piece touches on a need for faith, self-discovery, and acceptance of the world around us. »

28 Aug 2007

Faustina Bordoni: Faces of a prima donna

Opera singers today have become almost as famous and publicly worshipped as movie-stars; yet this has always been the case in operatic history. »

27 Aug 2007

Menotti’s “Saint” wears a dim halo

CENTRAL CITY, Colo. — A year ago, when the Central City Opera announced plans to conclude its 2007 75th anniversary season with Gian Carlo Menotti’s “Saint of Bleecker Street,” the composer was aged but alive. »

27 Aug 2007

New opera from China crosses national boundaries

It’s clear today that China’s Cultural Revolution has led to a cultural revolution that — in music at least — has made the country’s artists frontrunners on the international scene. »

27 Aug 2007

Glimmerglass Opera 2007 — An Overview

Glimmerglass Opera is in a watershed year. With the departure of Paul Kellogg, who had considerable success developing that annual festival, General and Artistic Director Michael Macleod has chosen to begin his tenure with a variation on the usual four-opera-season, namely a thematic collection of pieces based on the “Orpheus” legend. “Don’t look back” is the marketing catch phrase. »

27 Aug 2007

JANÁČEK: Jenůfa

In an evening brimming with sublime performances, Anja Siljja took grasp of her dramatic prowess and left us breathless, yearning for more. At the most sacred opera house in Italy, and perhaps the world, Janáček’s opera was thrillingly presented and is an example of our beloved genre at its finest. »

27 Aug 2007

Carlos Cogul: Introduction

Carlos Cogul is a London vocal coach and an appreciated baritone giving many a recital ……in the London Tube while commuters hastily pass by to catch their trains. Judging from the photo on this CD he is not a young man any more. »

27 Aug 2007

ROSSINI: Bianca e Falliero

The choice between this recording made at the Pesaro Festival in August 2005 and the Opera Rara recording of 2000 will partly be made for non-musical reasons. »

27 Aug 2007

Jan Neckers on Recently Reissued Historicals

Almost thirty years ago a century old tradition ended with the last performance of I Maestri Cantatori. »

20 Aug 2007

Unsuk Chin’s “Alice in Wonderland”

“Who in the world am I?” proclaimed the posters all over Munich, reducing Lewis Carroll’s famous conundrum to a sound-bite. »

16 Aug 2007

Katharina Wagner's Debut at Bayreuth

If you are in need of a Romantic, Alt-Nuernberg, Beloved-Old-Vaterland-As-It-(Never)-Was sort of production of “Die Meistersinger,” you would probably do well to wait for the Met revival, and stay far far away (actually, add another “far” to that) from the Bayreuth Festpiel’s latest “Skandal”-ripe interpretation. »

16 Aug 2007

Ohio Light Opera Festival

For twenty-eight years now the Ohio Light Opera Festival (OLO) has held forth in Wooster in the summertime, presenting no less than 99 different works (their big 100th comes next year), familiar and forgotten, by the likes of Gilbert and Sullivan, Rodgers and Hammerstein, Offenbach, Sigmund Romberg, Carl Zeller and Emmerich Kálmán — to refer only to the authors of the seven undertaken this year. »