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Elsewhere

Accentus stream full-length operas on Opernhaus Zürich website

Accentus is delighted to announce that a selection of outstanding full-length operas that the production company and label has produced will be streamed on the Opernhaus Zürich website.

Philip Venables' Denis & Katya: teenage suicide and audience complicity

As an opera composer, Philip Venables writes works quite unlike those of many of his contemporaries. They may not even be operas at all, at least in the conventional sense - and Denis & Katya, the most recent of his two operas, moves even further away from this standard. But what Denis & Katya and his earlier work, 4.48 Psychosis, have in common is that they are both small, compact forces which spiral into extraordinarily powerful and explosive events.

Royal Academy of Music appoints Brenda Hurley as Head of Opera

The Royal Academy of Music today announced Brenda Hurley as its new Head of Opera, effective July 2020.

The Royal Opera House launches a programme of free online content for the culturally curious at home

The Royal Opera House today announced a free programme of curated online broadcasts, musical masterclasses and cultural insights that get under the skin of both ballet and opera and offer everyone a unique look behind the scenes at one of the world's most famous cultural institutions.

A new, blank-canvas Figaro at English National Opera

Making his main stage debut at ENO with this new production of The Marriage of Figaro, theatre director Joe Hill-Gibbins professes to have found it difficult to ‘develop a conceptual framework for the production to inhabit’.

Massenet’s Chérubin charms at Royal Academy Opera

“Non so più cosa son, cosa faccio … Now I’m fire, now I’m ice, any woman makes me change colour, any woman makes me quiver.”

Charles Wuorinen: June 9, 1938 – March 11, 2020

Press release from Aleba & Co.:

Edward Nelson Wins 2020 Glyndebourne Opera Cup

A rising star American baritone who didn’t encounter opera until he was 18 has won the 2020 Glyndebourne Opera Cup as the major international singing competition culminated in a live broadcast on Sky Arts from the Glyndebourne stage.

Bluebeard’s Castle, Munich

Last year the world’s opera companies presented only nine staged runs of Béla Bartòk’s Bluebeard’s Castle.

The Queen of Spades at Lyric Opera of Chicago

If obsession is key to understanding the dramatic and musical fabric of Tchaikovsky’s opera The Queen of Spades, the current production at Lyric Opera of Chicago succeeds admirably in portraying such aspects of the human psyche.

WNO revival of Carmen in Cardiff

Unveiled by Welsh National Opera last autumn, this Carmen is now in its first revival. Original director Jo Davies has abandoned picture postcard Spain and sun-drenched vistas for images of grey, urban squalor somewhere in modern-day Latin America.

Lise Davidsen 'rescues' Tobias Kratzer's Fidelio at the Royal Opera House

Making Fidelio - Beethoven’s paean to liberty, constancy and fidelity - an emblem of the republican spirit of the French Revolution is unproblematic, despite the opera's censor-driven ‘Spanish’ setting.

A sunny, insouciant Così from English Touring Opera

Beach balls and parasols. Strolls along the strand. Cocktails on the terrace. Laura Attridge’s new production of Così fan tutte which opened English Touring Opera’s 2020 spring tour at the Hackney Empire, is a sunny, insouciant and often downright silly affair.

A wonderful role debut for Natalya Romaniw in ENO's revival of Minghella's Madama Butterfly

The visual beauty of Anthony Minghella’s 2005 production of Madama Butterfly, now returning to the Coliseum stage for its seventh revival, still takes one’s breath away.

Charlie Parker’s Yardbird at Seattle

It appears that Charlie Parker’s Yardbird has reached the end of its road in Seattle. Since it opened in 2015 at Opera Philadelphia it has played Arizona, Atlanta, Chicago, New York, and the English National Opera.

La Périchole in Marseille

The most notable of all Péricholes of Offenbach’s sentimental operetta is surely the legendary Hortense Schneider who created the role back in 1868 at Paris’ Théâtre des Varietés. Alas there is no digital record.

Three Centuries Collide: Widmann, Ravel and Beethoven

It’s very rare that you go to a concert and your expectation of it is completely turned on its head. This was one of those. Three works, each composed exactly a century apart, beginning and ending with performances of such clarity and brilliance.

Seventeenth-century rhetoric from The Sixteen at Wigmore Hall

‘Yes, in my opinion no rhetoric more persuadeth or hath greater power over the mind; hath not Musicke her figures, the same which Rhetorique? What is a but her Antistrophe? her reports, but sweet Anaphora's? her counterchange of points, Antimetabole's? her passionate Aires but Prosopopoea's? with infinite other of the same nature.’

Hrůša’s Mahler: A Resurrection from the Golden Age

Jakub Hrůša has an unusual gift for a conductor and that is to make the mightiest symphony sound uncommonly intimate. There were many moments during this performance of Mahler’s Resurrection Symphony where he grappled with its monumental scale while reducing sections of it to chamber music; times when the power of his vision might crack the heavens apart and times when a velvet glove imposed the solitude of prayer.

Full-Throated Troubador Serenades San José

Verdi’s sublimely memorable melodies inform and redeem his setting of the dramatically muddled Il Trovatore, the most challenging piece to stage of his middle-period successes.


OPERA TODAY ARCHIVES »

Reviews

26 Mar 2020

Philip Venables' Denis & Katya: teenage suicide and audience complicity

As an opera composer, Philip Venables writes works quite unlike those of many of his contemporaries. They may not even be operas at all, at least in the conventional sense - and Denis & Katya, the most recent of his two operas, moves even further away from this standard. But what Denis & Katya and his earlier work, 4.48 Psychosis, have in common is that they are both small, compact forces which spiral into extraordinarily powerful and explosive events.  »

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06 Feb 2014

Pagliacci Opens San Diego Opera's 2014 Season

On January 28, San Diego Opera presented Pagliacci as the opening production of the 2014 season. Often staged along with another opera, such as Mascagni’s Cavalleria rusticana, this Pagliacci faced the opera world alone.  »

05 Feb 2014

Coeur de Chien aka A Dog's Life in Lyon

If satire is your thing you will not want to miss this opera about human testicles grafted onto a dog. »

03 Feb 2014

Rusalka in Monaco

Every-once-in-a-while a Rusalka comes along, and this week there are even two here on the French Riviera — just now in Monaco and upcoming Saturday on movie screens all along the coast. »

31 Jan 2014

Peter Grimes, ENO

For many years, the shadow of Peter Pears hovered at the shoulder of any tenor who dared to offer their own reading of Britten’s equivocal fisherman. But, as the aural memories of Pears’ visionary dreamer soften — in the opera house, at least, if not on recordings — modern singers are increasingly released from the ghostly echoes of the past. »

30 Jan 2014

Puccini’s La bohème at Arizona Opera

On January 25, 2014, Arizona Opera presented Candace Evans production of Puccini’s La bohème with exciting young artists Zach Borichevsky and Corinne Winters as a romantic Rodolfo and his charming but not-so-innocent Mimì.  »

25 Jan 2014

Francesco Bartolomeo Conti: L’Issipile

Francesco Bartolomeo Conti (1681-1732) isn’t a name that trips off opera-goers’ tongues; similarly neglected is Conti’s last opera L’Issipile, despite the fact that composer (who was also a theorbo player at the Viennese Imperial Court) was the first of several opera composers to set Metastasio’s libretto.  »

24 Jan 2014

Christoph Prégardien, Wigmore Hall

Christoph Prégardien has always been a master of creative, exciting ways with Lieder.  »

23 Jan 2014

Parsifal, Chicago

The dimly lit stage becomes gradually suffused with spare light during the prelude to Richard Wagner’s Parsifal in its new production at the Lyric Opera of Chicago.  »

22 Jan 2014

La traviata, Chicago

In a staging shared with Houston Grand Opera and the Canadian Opera Company, Lyric Opera of Chicago presented recently a new production of Giuseppe Verdi’s La traviata.  »

22 Jan 2014

Gluck: Orpheus and Eurydice

If you’re the sort of audience member who, when watching a performance of a play or opera, often experiences the urge to abandon your seat and join in with action, then the English Pocket Opera Company’s 2014 collaborative project will be just the thing for you.  »

22 Jan 2014

Gerald Finley: Winterreise

Tenor or baritone? Everyone will have their own individual preference about the voice type best suited to Schubert’s Winterreise — and about the manner in which the songs should be performed (narrated, or acted?).  »

22 Jan 2014

Jules Massenet: Manon, ROH

Tart with a heart, pleasure-loving ingénue, exploited naïf, or femme fatale?  »

22 Jan 2014

Songlives: Johannes Brahms

This recital, part of an inventive series overseen by pianist Malcolm Martineau, did exactly what it said on the tin: it journeyed the length of Brahms’ creative life as a composer of songs, from his earliest adolescent essays, through the early years of expansion and experiment, to the period of maturity and confidence as the composer established himself in Vienna, concluding with the moving, nuanced testaments of Brahms’ final years.  »

21 Jan 2014

Eugene Onegin in Montpellier

Entering the hall there arose the Dantesque “abandon all hope ye who enter” feeling — a cluttered a vista socialist setting, a poster of Lenin and large letters proclaiming Moscow, December 1999.  »

17 Jan 2014

The Sixteen: Jephtha

Harry Christophers and The Sixteen brought Handel's final oratorio, Jephtha, to the Barbican (14 January 2014) preparatory to recording the work.  »

13 Jan 2014

Cosi fan tutte in Montpellier

This Cosi fan tutte completes the Montpellier Mozart/da Ponte trilogy staged by French metteur en scène and esthète Jean-Paul Scarpitta. Primarily studies in elegance and refinement these mises en scènes have provoked all that that is most precious and perfect in Mozart’s scores.  »

08 Jan 2014

Matthias Goerne — Mahler and Shostakovich, Wigmore Hall

At the Wigmore Hall, London, Matthias Goerne and Lief Ove Andsnes performed Mahler in a unique programme built around Shostakovich's Suite on Verses of Michelangelo Buonarroti, op 145 (1974).  »

08 Jan 2014

Otello in Genoa

Forget Shakespeare, this was distinctly an Otello without the ‘h’. It was Italian melodramma to its core, the collaboration of its metteur en scène Davide Livermore, wunderkind conductor Andrea Battistoni and its Desdemona, Maria Agresto. »

07 Jan 2014

Les Contes d'Hoffmann in Lyon

Maybe there can be no bigger feat than making it through Les Contes d’Hoffmann in the Laurent Pelly version without a hitch or two. »

30 Dec 2013

Don Pasquale, Manitoba Opera

Manitoba Opera opened its 41st season with a rootin’ tootin’ new production of Don Pasquale from November 23 through 29, last staged by the Prairie company in 1997. »

24 Dec 2013

Les Arts Florissants: Airs sérieux et à boire

In this unusual programme of late-seventeenth-century airs de cour, Les Arts Florissants presented a flowing sequence of songs for solo and ensemble voices with chamber accompaniment, the intimacy of the Wigmore Hall neatly mimicking the privacy of the royal chambers of Louis XIV in which the courtly compositions were originally performed.  »

19 Dec 2013

Carmen, Royal Opera

Francesco Zambello’s 2006 Carmen, here revived for the sixth time, seems to have something of an identity crisis: sumptuous spectacle or gritty drama? »

17 Dec 2013

Offenbach’s Fantasio from Opera Rara

Premiered in Paris in 1872, Jacques Offenbach’s Fantasio received just ten performances before the opera was withdrawn and its composer found himself on the receiving end of bitter attacks and criticism.  »

16 Dec 2013

Theatre of the Ayre: Charpentier

With the gaudy excesses of secular seasonal indulgence just a few streets away and the tills of Oxford Street traders rattling out melodies of materialism, this advent programme of elegance and refinement offered by lutenist Elizabeth Kenny and the early music ensemble which she founded, Theatre of the Ayre, provided a welcome opportunity for repose and reflection. »

16 Dec 2013

Jihoon Kim, Royal Opera House, London

Jihoon Kim is shining proof that the Jette Parker Young Artists Programme at the Royal Opera House, London, develops singers into complete artists.  »

11 Dec 2013

The Magic Flute at Los Angeles Opera: Silent Film Style

Los Angeles Opera's new production of Wolfgang Amadeus Mozart's The Magic Flute opened on November 23, 2013. Brought here from the Komische Oper in Berlin where it premiered last year, the production is a multimedia rendition in the style of the British theater group 1927. »

11 Dec 2013

War Requiem, Chicago Symphony

As part of this year’s tribute to Benjamin Britten the Chicago Symphony Orchestra, Chorus, and soloists recently gave several performances of the composer’s War Requiem.  »

04 Dec 2013

Diary of a Redneck Opera Zinger

Heldentenor Jay Hunter Morris tells us about the lean times when the phone did not ring, as well as those thrilling moments when companies entrusted him with the most important roles in opera.  »

02 Dec 2013

Fat Knight in Los Angeles

In its ongoing celebration of Verdi’s centennial year, the Los Angeles Opera offered a new production of Falstaff, the composer’s last and most brilliant opera — brilliant in every scintillating, sparkling sense of the word. »

02 Dec 2013

Weber’s Euryanthe, London

Poor Weber: opera companies, especially in England, do him anything but proud.  »

29 Nov 2013

Early Opera Company: Acis and Galatea

Acis and Galatea was one of Handel’s most popular works, frequently revived in his life time and beyond.  »

27 Nov 2013

Werner Güra Lieder recital, Wigmore Hall

German tenor Werner Güra, who has made a speciality of the German lieder repertoire, opened this recital at the Wigmore Hall with Beethoven’s An Die Ferne Geliebte, the composer’s only song cycle and the first significant example of the form.  »

22 Nov 2013

Porgy and Bess in San Francisco

It’s been renamed “The Gershwins' Porgy and Bess,” it hails itself as “The American Musical” and further qualifies itself as “The Porgy and Bess for the Twenty-First Century.”  »

19 Nov 2013

Arizona Opera Presents a Fine Flying Dutchman

Richard Wagner wrote: "The voyage through the Norwegian reefs made a wonderful impression on my imagination; the legend of the Flying Dutchman, which the sailors verified, took on a distinctive, strange coloring that only my sea adventures could have given it.” »

18 Nov 2013

The Rape of Lucretia, Glyndebourne Touring Opera

‘If she is adulterous, why is she praised? If chaste, why was she put to death?’  »

17 Nov 2013

The Barber of Seville in San Francisco

San Francisco Opera wraps up its fall season of five operas with what it insists is a new production of Rossini’s comic masterpiece. »

11 Nov 2013

Britten’s Atmospheric War Requiem, London

On Remembrance Sunday, Semyon Bychkov conducted Benjamin Britten's War Requiem at the Royal Albert Hall with Roderick Williams, Allan Clayton, Sabrina Cvilak, the BBC Symphony Orchestra, the BBC Symphony Chorus, Crouch End Festival Chorus and choristers of Westminster Abbey.  »

09 Nov 2013

Barbican Britten

The mantle of tenor Peter Pears’ legacy hung heavily over his immediate ‘successors’, as they performed music that had been composed by Benjamin Britten for the man to whom he avowed, ‘I write every note with your heavenly voice in my head’.  »

08 Nov 2013

Exaudi: O tenebroso giorno — Gesualdo then and now

One year since the launch of their project to create a contemporary book of Italians madrigals, vocal ensemble Exaudi returned to the Wigmore Hall to present an intermingling of old and new madrigals which was typically inventive, virtuosic and compelling.  »

08 Nov 2013

The Magic Flute, ENO, London

Mozart’s The Magic Flute at the Coliseum could give the ENO a welcome boost.  »

07 Nov 2013

Madama Butterfly, Chicago

Lyric Opera of Chicago’s current new production of Giacomo Puccini’s Madama Butterfly, an effort shared with Houston Grand Opera and the Grand Théâtre de Genève, tends to emphasize emotional involvements against a backdrop of spare sets.  »

07 Nov 2013

The (Amazing) Nose

Dmitri Shostakovich’s opera, The Nose, based on Gogol’s short story of the same name, was a smash hit for the Metropolitan Opera company in 2010 and once again, this season. »

05 Nov 2013

Death in Venice, Festival of Britten

There might not be much ‘Serenissima’ about Yoshi Oida’s 2007 production of Death in Venice — it’s more Japanese minimalism than Venetian splendour — but there is still plenty to admire, as this excellent revival by Opera North as part of its centennial celebration, Festival of Britten, underlines.  »

05 Nov 2013

“T” as in “Terrific Toronto”

With an absorbing production of Peter Grimes and a freshly spontaneous La bohème, Canadian Opera Company has set the bar very high indeed for its current season. »

02 Nov 2013

Two Boys at the Brave New Met

Whatever you think of some of the Metropolitan Opera’s recent productions, you cannot fault the Gelb administration for fearing to take risks.  »

01 Nov 2013

Wozzeck, Royal Opera

The lustreless white tiles of the laboratory which forms the set of Keith Warner’s pitiless staging of Alban Berg’s Wozzeck offer little respite — cold, hard, rigid and severe, they are a material embodiment of the bleakness and barrenness of the tragic events which will be played out within the workshop walls (sets by Stefanos Lazaridis).  »