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Elsewhere

Médée in Salzburg

Though Luigi Cherubini long outlived the carnage of the French Revolution his 1797 opéra comique [with spoken dialogue] Médée fell well within the “horror opera” genre that responded to the spirit of its time. These days however Médée is but an esoteric and extremely challenging late addition to the international repertory.

Queen: A Royal Jewel at Glimmerglass

Tchaikovsky’s grand opera The Queen of Spades might seem an unlikely fit for the multi-purpose room of the Pavilion on the Glimmerglass campus but that qualm would fail to reckon with the superior creative gifts of the production team at this prestigious festival.

Blue Diversifies Glimmerglass Fare

Glimmerglass Festival has commendably taken on a potent social theme in producing the World Premiere of composer Jeanine Tesori and librettist Tazewell Thompson’s Blue.

Vibrant Versailles Dazzles In Upstate New York

From the shimmering first sounds and alluring opening visual effects of Glimmerglass Festival’s The Ghosts of Versailles, it was apparent that we were in for an evening of aural and theatrical splendors worthy of its namesake palace.

Gilda: “G for glorious”

For months we were threatened with a “feminist take” on Verdi’s boiling 1851 melodrama; the program essay was a classic mashup of contemporary psychobabble perfectly captured in its all-caps headline: DESTRUCTIVE PARENTS, TOXIC MASCULINITY, AND BAD DECISIONS.

Simon Boccanegra in Salzburg

It’s an inescapable reference. Among the myriad "Viva Genova!" tweets the Genovese populace shared celebrating its new doge, the pirate Simon Boccanegra, one stood out — “Make Genoa Great Again!” A hell of a mess ensued for years and years and the drinking water was poisonous as well.

Rigoletto at Macerata Opera Festival

In this era of operatic globalization, I don’t recall ever attending a summer opera festival where no one around me uttered a single word of spoken English all night. Yet I recently had this experience at the Macerata Opera Festival. This festival is not only a pure Italian experience, in the best sense, but one of the undiscovered gems of the European summer season.

BBC Prom 37: A transcendent L’enfance du Christ at the Albert Hall

Notwithstanding the cancellation of Dame Sarah Connolly and Sir Mark Elder, due to ill health, and an inconsiderate audience in moments of heightened emotion, this performance was an unequivocal joy, wonderfully paced and marked by first class accounts from four soloists and orchestral playing from the Hallé that was the last word in refinement.

Tannhäuser at Bayreuth

Stage director Tobias Kratzer sorely tempts destruction in his Bayreuth deconstruction of Wagner’s delicate Tannhäuser, though he was soundly thwarted at the third performance by conductor Christian Thielemann pinch hitting for Valery Gergiev.

Opera in the Quarry: Die Zauberflöte at St Margarethen near Eisenstadt, Austria

Oper im Steinbruch (Opera in the Quarry) presents opera in the 2000 quarry at St Margarethen near Eisenstadt in Austria. Opera has been performed there since the late 1990s, but there was no opera last year and this year is the first under the new artistic director Daniel Serafin, himself a former singer but with a degree in business administration and something of a minor Austrian celebrity as he has been on the country's equivalent of Strictly Come Dancing twice.

BBC Prom 39: Sea Pictures from the BBC National Orchestra of Wales

Sea Pictures: both the name of Elgar’s five-song cycle for contralto and orchestra, performed at this BBC Prom by Catriona Morison, winner of the Cardiff Singer of the World Main Prize in 2017, and a fitting title for this whole concert by the BBC National Orchestra of Wales conducted by Elim Chan, which juxtaposed a first half of songs of the sea, fair and fraught, with, post-interval, compositions inspired by paintings.

Odyssey Opera Resurrects Henry VIII

BOSTON, MA (For Release 07.18.19) — One of the nation’s most adventurous opera companies, Odyssey Opera, begins its seventh season with a concert performance of Henry VIII (1883) by French composer Camille Saint-Saëns based on El cisma en Inglaterra (The schism in England) by Pedro Calderón de la Barca.

BBC Prom 32: DiDonato spellbinds in Berlioz and the NYO of the USA magnificently scales Strauss

As much as the Proms strives to stand above the events of its time, that doesn’t mean the musicians, conductors or composers who perform there should necessarily do so.

Get Into Opera with this charming, rural L'elisir

Site-specific operas are commonplace these days, but at The Octagon Barn in Norwich, Genevieve Raghu, founder and Artistic Director of Into Opera, contrived to make a site persuasively opera-specific.

A disappointing Prom from Nathalie Stutzmann and BBCNOW

Nathalie Stutzmann really is an impressive conductor. The sheer elegance she brings to her formidable technique, the effortless drive towards making much of the music she conducts sound so passionate and the ability to shock us into hearing something quite new in music we think we know is really rather refreshing. Why then did this Prom sometimes feel weary, even disappointing at times?

Sandrine Piau: Si j’ai aimé

Sandrine Piau and Le Concert de la Loge (Julien Chauvin), Si j’ai aimé, an eclectic collection of mélodies demonstrating the riches of French orchestral song. Berlioz, Duparc and Massenet are included, but also Saint-Saëns, Charles Bordes, Gabriel Pierné, Théodore Dubois, Louis Vierne and Benjamin Godard.

Merola’s Striking If I Were You

Jake Heggie and Gene Scheer have become an indispensable presence in the contemporary opera world, and their latest premiere, If I Were You, found the duo at the very top of their game.

The Thirteenth Child: When She Was Good…

Santa Fe Opera continues its remarkable record for producing World (and American) Premieres with The Thirteenth Child, music by Poul Ruders, libretto by Becky and David Starobin.

The Sopranos at Tanglewood

Among classical music lovers, Wagner inspires equal measures of devotion and disdain. Some travel far and sit for hours to hear his operas live. Others eschew them completely.

Agrippina at the Bavarian State Opera

And still they come. The opera world’s obsession with Handel’s operas shows no sign of abating. The Bavarian State Opera has, since Peter Jonas’s Intendancy, stood at the forefront of Handel staging; this new production of Agrippina was dedicated to him. As ever, I was pleased to see one of these operas for the first time in the theatre – how could I not be pleased to see almost anything in Munich’s wonderful Prinzregententheater – but again, as ever, I was left unable ever quite to put to one side the dramaturgical difficulties/problems/flaws/inadequacies. (Call them what you will.)


OPERA TODAY ARCHIVES »

Reviews

Elena Stikhina as Médée [All photos copyright Salzburger Festspiele / Thomas Aurin]
20 Aug 2019

Médée in Salzburg

Though Luigi Cherubini long outlived the carnage of the French Revolution his 1797 opéra comique [with spoken dialogue] Médée fell well within the “horror opera” genre that responded to the spirit of its time. These days however Médée is but an esoteric and extremely challenging late addition to the international repertory.  »

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29 Jul 2011

Rigoletto, Opera Holland Park

It’s always a good idea to ferret away a sure-fire winner amongst the rarities, and Opera Holland Park’s Rigoletto certainly meets, and in some aspects surpasses, expectations.  »

28 Jul 2011

Boston Midsummer Opera’s Italian Girl in Algiers

This year’s venture for the annual Boston Midsummer Opera is an elegant reading of Rossini’s fizzy masterpiece of 1813, l’Italiana in Algeri.  »

27 Jul 2011

Rigoletto, Miami Lyric Opera

There’s hell to pay for profligate publicity; Giuseppe Verdi and Francisco Maria Piave knew this to be true.  »

26 Jul 2011

Verdi’s Requiem, BBC Proms

Not only did Verdi’s Requiem make its debut, rather remarkably, in the church of San Marco in Milan but the performance was as a liturgical one; Verdi’s intentions were quite firmly to provide a memorial mass for the Italian patriot, Manzoni.  »

22 Jul 2011

The Sopranos — Dissecting opera’s fervent fans

I was feeling cowed by Herr Engels. The four of us had retired from the Stravinsky performance to a Billy Wilder-themed bar in Berlin, the least horrible late-night option in the high end mediocrity of Potsdamer Platz.  »

22 Jul 2011

Mignon and Saul at Buxton Opera Festival

Buxton, like Wexford, makes a point of offering its clientele the opportunity to sample works that are unjustly neglected by the major houses, and for his final festival as director, Andrew Greenwood served up a typical feast of operatic rarities reflecting the increasingly ambitious approach which has characterised his musical stewardship.  »

19 Jul 2011

Havergal Brian’s “Gothic” Symphony

The BBC Proms has given Havergal Brian’s Symphony no. 1 the best and most extensive exposure the composer has ever enjoyed.  »

18 Jul 2011

Guillaume Tell, BBC Proms

Operatic fashions are fickle and, more to the point, often plain wrong. We all have our grievance lists of works that are ‘scandalously neglected’.  »

16 Jul 2011

First Night of the 2011 BBC Proms

The First Night of the Proms seems to be edging back, if a little hesitantly, from the strange, unsatisfying ‘tasting menu’ approach adopted for a few years.  »

15 Jul 2011

Seven Angels, London

Luke Bedford’s first opera, Seven Angels, had its London premiere at the Linbury Studio Theatre, London.  »

13 Jul 2011

Rinaldo at Glyndebourne

Handel’s Rinaldo at the Glyndebourne Festival is a triumph in musical terms. Don’t miss it when it appears at the BBC Proms this summer in concert performance, because some of the singing is very good indeed. »

12 Jul 2011

Grant Park Music Festival, Chicago Commemorates Gustav Mahler

To commemorate the hundredth anniversary of Gustav Mahler’s death Carlos Kalmar and the Grant Park Orchestra gave in early July two performances of Mahler’s Das Lied von der Erde featuring the vocal soloists Alexandra Petersamer and Christian Elsner.  »

12 Jul 2011

La rondine, Opera Holland Park

Opera Holland Park’s unique selling point has always been a devotion to the more obscure works of Puccini and his Italian contemporaries.  »

12 Jul 2011

Cendrillon, Royal Opera

Words, stories, books — the gateway to a world of fantasy in which anything is possible.  »

12 Jul 2011

Guillaume Tell, Caramoor Festival

For classical music fans, summer means only one thing: summer festivals. The goal of these festivals is to showcase a wide range of repertory with thought provoking creativity. »

10 Jul 2011

Faust Reaches Santa Fe Opera — And How!

The celebrated New Mexico opera festival has, in its fifty-fifth season, created a production of Charles Gounod’s 1859 masterpiece Faust, its first ever.  »

07 Jul 2011

The Marriage of Figaro, Opera Holland Park

Even before a note was sounded at Opera Holland Park on Saturday evening, the still summer evening was ruffled by a breeze of unease.  »

07 Jul 2011

Scenes from Two Marriages

By 1825, as Rossini’s operatic vein was approaching exhaustion, the Neapolitan Saverio Mercadante ranked as a front-runner for his succession alongside Bellini and Donizetti; much more so, however, in the field of serious drama than in opera buffa.  »

06 Jul 2011

Juan, a film by Kaspar Holten

I recently got the chance to see Juan, the Kaspar Holten film version of Mozart’s Don Giovanni, at the Seattle International Film Festival.  »

06 Jul 2011

Der Ring des Nibelungen in San Francisco

Some of the experts said it was the best Ring ever, others merely said it was one of the best (these were lecturers at a Wagner Society symposium). »

30 Jun 2011

Summer Treats in Saint Louis

Opera Theatre of St. Louis has demonstrated yet again that it is an indispensable summer festival to be counted on for adventurous programming, thought-provoking productions, and exciting talent discoveries. »

29 Jun 2011

Sensitive, intelligent Madama Butterfly, Royal Opera

This Madama Butterfly at the Royal Opera House, London, brings out the depth and intelligence of the human story Puccini might be trying to tell us, beneath the surface gloss. »

26 Jun 2011

Two Boys, ENO

You would have had to be deaf and blind — or perhaps just a very wise monkey — not to have been aware that a young American composer called Nico Muhly was about to open at the English National Opera in London last night with a work called Two Boys.  »

26 Jun 2011

Viva Vivaldi — Garsington Opera 2011

Garsington Opera — in its superb new home on the Wormsley estate in rural Oxfordshire — has yet again confirmed the merit of its decision to promote Vivaldi’s long-ignored operas.  »

24 Jun 2011

Lehnhoff takes on Fanciulla for Netherlands Opera

It can be fascinating, although not necessarily pleasant, to see oneself through the eyes of others. »

23 Jun 2011

The Cunning Little Vixen, New York

One of Richard Wagner’s most enduring contributions to music history is a concept known as gesamtkunstwerk.  »

23 Jun 2011

Peter Grimes, Covent Garden

Willy Decker’s production of Peter Grimes, first seen at Covent Garden in 2004, should perhaps be renamed The Borough.  »

21 Jun 2011

Swiss Odyssey

A funny thing happened on the way to Anna Bolena… »

20 Jun 2011

Geneva’s Juicy Oranges

Need something remedial for “what ails you?” »

20 Jun 2011

Boston Early Music Festival: Niobe, Regina di Tebe

The Boston Early Music Festival (hereinafter BEMF) has grown up.  »

20 Jun 2011

Don Pasquale, Opera Holland Park

As it turned out, it was a mild and mainly dry evening.  »

16 Jun 2011

Wagner’s Rienzi in Berlin

The Voltaire maxim usually given in English as “The perfect is the enemy of the good” illuminates the artistic conflicts surrounding many a Wagner production.  »

15 Jun 2011

Israel Opera cuts wide swath at festival

Israel Opera’s summer festival grew astonishingly in the year following its 2010 inaugural season.  »

14 Jun 2011

Simon Boccanegra, ENO

It would seem that in his preparations for this new production of Simon Boccanegra, the acclaimed Russian director, Dmitri Tcherniakov, has been familiarising himself Jonathan Miller’s previous ENO efforts.  »

14 Jun 2011

L’amico Fritz, London

Think verismo and one imagines melodramatic, often violent plots which peer unflinchingly into the soul of every character.  »

12 Jun 2011

Tosca, Covent Garden

The current Tosca at the Royal Opera House is something of a classic, revived four times in five years. It’s now being filmed for cinema to be released in November 2011. »

09 Jun 2011

Karlsruhe “Gioconda” Unintentionally ‘Konzertant’

It was a lucky happenstance that glorious vocalism characterized Badisches Staatstheater’s La Gioconda, for effective stagecraft was nowhere in evidence…but, oh, what singing!  »

09 Jun 2011

Andreas Scholl, Wigmore Hall

A capacity crowd at the Wigmore Hall eagerly awaited the arrival of Andreas Scholl and Tamar Halperin on the platform on Tuesday evening.  »

07 Jun 2011

Candide, Barbican Centre

‘Glitter and be gay!’ cries Cunegonde, determined to overcome the bitter circumstances in which she finds herself in sordid, downturn Paris. »

06 Jun 2011

Phaedra in Philadelphia

The U.S. premiere of Hans Werner Henze’s Phaedra at the Opera Company of Philadelphia may well be the most important and ambitious new work presented by any American company this season. »

03 Jun 2011

The Metropolitan Opera HD Live on DVD

Since 2006, movie cineplexes across the USA have attracted a somewhat unlikely crowd for Saturday matinees, from fall to spring.  »

01 Jun 2011

Brahms Liebesliederwalzer, Wigmore Hall, London

Any performance of Brahms and Schumann four part songs is an occasion.  »

31 May 2011

Bach Cantatas, volume 11

Pilgrimages, I suspect, derive a degree of their fruitfulness from the slowness of the journey, a pace born of desire or necessity, that removes the journey from the quotidian, brings the purpose into greater focus, and allows for a richer savoring of the experience. »

31 May 2011

Le Royaume Oublié: La Tragédie Cathare

Before a single track has been heard, Jordi Savall’s The Forgotten Kingdom impresses with its scale: a three-CD set packaged in a lavish, bound book that contains fifty dense pages of English commentary by nine different authors; adding the multiple translations, beautiful illustrations, and song texts, the book itself luxuriantly sprawls over 500 pages. »

30 May 2011

Ian Bostridge, Wigmore Hall

“Music, music for a while/ Shall all your cares beguile,” vowed Ian Bostridge at the opening of this recital with his regular accompanist, Julius Drake.  »

30 May 2011

Les Noces de Figaro in Paris

This is the one by Giorgio Strehler that opened at Versailles in 1973 and since has endured twenty-three incarnations, first at the Garnier and later at the Bastille.  »

27 May 2011

James Bowman, The Last London Recital

It’s easy to slip into platitudes when eulogising the last London recital performance of a singer commonly lauded as the outstanding countertenor of his generation.  »

26 May 2011

I Compagnacci and Il Re, Teatro Grattacielo

Teatro Grattacielo gives concert performances of Verismo operas that range from the obscure to the unheard-of.  »

26 May 2011

Macbeth, Royal Opera

Phyllida Lloyd’s reading of Verdi’s Macbeth – first seen in 2002 and here revived for the second time – could certainly not be described as ‘subtle’, either dramatically or visually. »

24 May 2011

Die Meistersinger von Nürnberg, Glyndebourne

Glorious sunshine for Glyndebourne Opera’s Die Meistersinger von Nürnberg on the eve of Richard Wagner's birthday. »

23 May 2011

Richard Coeur-de-Lion, New York

André-Modeste Grétry, the greatest opera composer ever to come from Belgium, made his way to Paris in 1767 at the age of 26.  »

23 May 2011

A Midsummer Night’s Dream, ENO

On my travels, I often hear occasional opera-goers complain about having wasted time and money on a production that, on the night, bears no relation to their expectations.  »

22 May 2011

Opera Remade, 1700-1750

This substantial book is one of the latest in the Ashgate series of collected essays in opera studies and draws together articles from a disparate group of scholarly journals and collected volumes, some recent, some now difficult to locate.  »

22 May 2011

Iphigénie en Tauride at the Washington National Opera

The Washington National Opera has concluded its 2010-11 season with Gluck’s 1779 masterpiece Iphigénie en Tauride, arguably the great Viennese composer’s greatest achievement and his swan song (if one does not count that unfortunate flop of 1780, Echo et Narcisse — and luckily, one hardly ever does).  »

22 May 2011

James MacMillan’s Clemency, Royal Opera

James MacMillan has reunited with his librettist, the poet Michael Symmons Roberts, to produce his new opera Clemency.  »

21 May 2011

Don Giovanni, Florida Grand Opera

By Leporello’s count (in the “Catalogue aria”), Don Giovanni tallies over 2,000 sexual exploits. »