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Elsewhere

In Parenthesis, Welsh National Opera in London

‘A century after the Somme, who still stands with Britain?’ So read a headline in yesterday’s Evening Standard on the eve of the centenary of the first day of that battle which, 141 days later, would grind to a halt with 1,200,000 British, French, German and Allied soldiers dead or injured.

Die Walküre, Opera North

A day is now a very long time indeed in politics; would that it were otherwise. It certainly is in the Ring, as we move forward a generation to Die Walküre.

Early Gluck arias at the Wigmore Hall

If composers had to be categorised as either conservatives or radicals, Christoph Willibald Gluck would undoubtedly be in the revolutionary camp, lauded for banishing display, artifice and incoherence from opera and restoring simplicity and dramatic naturalness in his ‘reform’ operas.

Das Rheingold, Opera North

Das Rheingold is, of course, the reddest in tooth and claw of all Wagner’s dramas - which is saying something.

Peter Grimes in Princeton

The Princeton Festival presents one opera annually, amidst other events. Its offerings usually alternate annually between 20th century and earlier operas. This year the Festival presented Benjamin Britten’s Peter Grimes, now a classic work, in a very effective and moving production.

Scintillating Strauss in Saint Louis

If you like your Ariadne on Naxos productions as playful as a box of puppies, then Opera Theatre of Saint Louis is the address for you.

Saint Louis Takes On ‘The Scottish Opera’

Opera Theatre of Saint Louis took forty years before attempting Verdi’s Macbeth but judging by the excellence of the current production, it was well worth the wait.

Anatomy Theater: A Most Unusual New Opera

On June 16, 2016, Los Angeles Opera with Beth Morrison Projects presented the world premiere of Pulitzer Prize-winning composer David Lang's Anatomy Theater at the Roy and Edna Disney/CalArts Theater (REDCAT).

Shalimar in St. Louis: Pagliaccio Non Son

In its compact forty-year history, the ambitious Opera Theatre of Saint Louis has just triumphantly presented its twenty-fifth world premiere with Shalimar the Clown.

Jenůfa, ENO

The sharp angles and oddly tilting perspectives of Charles Edwards’ set for David Alden’s production of Jenůfa at ENO suggest a community resting precariously on the security and certainty of its customs, soon to slide from this precipice into social and moral anarchy.

The “Other” Marriage of Figaro in a West Village Townhouse

Last week an audience of 50 assembled in the kitchen of a luxurious West Village townhouse for a performance of Marriage of Figaro.

West Wind: A new song-cycle by Sally Beamish

In a recent article in BBC Music Magazine tenor James Gilchrist reflected on the reason why early-nineteenth-century England produced no corpus of art song to match the German lieder of Schumann, Schubert and others, despite the great flowering of English Romantic poetry during this period.

Interview with Star of Florencia en el Amazonas, Elizabeth Caballero

Lyric soprano Elizabeth Caballero’s signature role is Violetta in La traviata, which she portrays with a compelling interpretation, focused sound, and elegant coloratura that floats through the opera house as naturally as waves on the ocean.

Florencia en el Amazonas, NYCO

With the New York Premiere of Florencia en el Amazonas, the New York City Opera Steps Out of the Shadows of the Past

Idomeneo, re di Creta, Garsington

Opportunities to see Idomeneo are not so frequent as they might be, certainly not so frequent as they should be.

Don Carlo in San Francisco

Not merely Don Carlo, but the five-act Don Carlo in the 1886 Modena version! The welcomed esotericism of San Francisco Opera’s extraordinary spring season.

Jenůfa in San Francisco

The early summer San Francisco Opera season has the feel of a classy festival. There is an introduction of Spanish director Calixto Bieito to American audiences, a five-act Don Carlo and two awaited, inevitable role debuts, Karita Mattila as Kostelnička and Malin Bystrom as Janacek's Jenůfa.

Musings on the “American Ring

Now that the curtain has long fallen on the third and last performance of the Ring cycle at the Washington National Opera (WNO), it is safe to say that the long-anticipated production has been an unqualified success for the company, director Francesca Zambello, and conductor Philippe Auguin.

Nabucco, Covent Garden

Most of the attention during this revival of Daniele Abbado’s 2013 production of Nabucco has been directed at Plácido Domingo’s reprise of the title role, with the critical reception somewhat mixed.

Tristan, English National Opera

My first Tristan, indeed my first Wagner, in the theatre was ENO’s previous staging of the work, twenty years ago, in 1996. The experience, as it should, as it must, although this is alas far from a given, quite overwhelmed me.


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Reviews

<em>In Parenthesis</em>, Welsh National Opera
01 Jul 2016

In Parenthesis, Welsh National Opera in London

‘A century after the Somme, who still stands with Britain?’ So read a headline in yesterday’s Evening Standard on the eve of the centenary of the first day of that battle which, 141 days later, would grind to a halt with 1,200,000 British, French, German and Allied soldiers dead or injured. »

Recently in Reviews

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25 Sep 2006

BACH: Mass in B Minor

We are reasonably sensitive, I suspect, to the number of ways in which venue can shape the nature and success of musical performance. »

24 Sep 2006

BELLINI: Norma

The best Norma on DVD treats the viewer to a blurry picture of washed-out colors and remote, compressed sound. »

24 Sep 2006

VERDI: La Forza del Destino

The better can be the enemy of the good and this recording proves it. »

24 Sep 2006

Katarina Jovanovic — Songs by Brahms, Strauss, Schubert

In her debut recording the young Roumanian soprano Katarina Jovanic demonstrates her talent in performing an intriguing selection of Lieder by Schubert, Brahms, and Strauss. »

24 Sep 2006

ROSSINI: Moïse

Myto does many an opera-lover a service by offering this enjoyable recording of Rossini's French grand opera, here called Moïse. »

24 Sep 2006

HALÉVY: La Juive

For a period of close to half a century, French grand opera, as exemplified by the works of Giacomo Meyerbeer and his school, was the preferred form of music for the theatre (i.e. opera) in most of the civilized world. »

22 Sep 2006

MONTEVERDI: Il Sesto Libro de Madrigali

It is somewhat ironic that until recent years Italy has generally been slow to take a leading role in the historical performance movement: ironic in that historically Italy both dominates and defines the early baroque style and ironic in that that style enshrines the primacy of text— the Italian text. »

22 Sep 2006

WAGNER: Tristan und Isolde

I should probably preface my reaction to this release by confessing to the heretical belief, at least from a Wagnerian perspective, that Tristan und Isolde is not really a stageworthy opera. »

20 Sep 2006

CIMAROSA: Cleopatra

The first thing I noticed in the liner notes was the bold print claiming Cimarosa was born in 1797 and died in 1848, which correspond exactly with Donizetti’s lifespan. »

19 Sep 2006

Old Music In a New Home — WNO stages a brand new production of Monteverdi’s “Ulysses”

In his introduction to the Welsh National Opera’s celebratory 60th anniversary season programme Carlo Rizzi, their Music Director, declares that “we are bringing the best of Wales to the rest of the world — and the best of the world to Wales”. »

16 Sep 2006

150 Years of Opera in Chicago

This is a very attractive book, which, in addition to the expected text, has many striking photos, a list of the operas performed in Chicago, indicating all the seasons in which each work was given, and a season by season chronology, limited to professional companies. »

12 Sep 2006

ASHLEY: Perfect Lives; Celestial Excursions; Foreign Experiences

Robert Ashley has the uncanny ability to sprinkle diamonds amidst great swaths of apparently trivial and quotidian detritus–diamonds that trigger the nervous system in an intensely stimulating fashion. »

12 Sep 2006

BEETHOVEN: Overtures
BRUCKNER: Symphony no. 4

The later Günter Wand was a remarkable interpreter of Bruckner’s music, as is demonstrated in this live recording from the Schleswig-Holstein Music Festival. »

09 Sep 2006

Joshua Bell’s Good Taste

Sony Records occasionally still sends the odd CD to reviewers hoping they will give it notice. »

08 Sep 2006

VERDI: La Traviata

Callas fans better skip this review, as they won’t like the tone, the words, or whatever slights real or imagined they may perceive. »

08 Sep 2006

MAHLER: Symphony no. 7

At the expense of stating a truism, the music of Gustav Mahler, like that of other composers, is best experienced live in the concert hall. »

08 Sep 2006

PUCCINI: La Fanciulla del West

This Fanciulla is such a wonderful issue because, for once, none of the three protagonists ever recorded their role commercially, so that one is spared the many doublings often met in live recordings. »

07 Sep 2006

MAHLER: Symphony no. 8

During the last few years Antoni Wit has recorded Mahler’s symphonies one by one, such that he is building a fine cycle for the Naxos label. »

31 Aug 2006

BRAHMS: Missa Canonica
RHEINBERGER: Mass

The program for this recent recording from the choir of Westminster Cathedral presents sacred choral works by Brahms and Rheinberger, anchored at one end by Brahms’s youthful Missa Canonica and at the other by Rheinberger’s Mass for Double Choir in E-flat, Op. 109. with a handful of motets by Brahms in between. »

29 Aug 2006

VERDI: La Forza del Destino

This cast looks quite promising on paper. However, I cannot honestly say these big names keep their promise, except for the comprimario-singers. »

29 Aug 2006

WAGNER: Rienzi

I can readily understand why Bayreuth refuses to perform Richard Wagner’s third opera. »

29 Aug 2006

VERDI: Missa da Requiem

Verdi responded to the death of Rossini in 1868 by planning a collaborative Requiem Mass, drawing on the contributions of thirteen “distinguished” composers. »

28 Aug 2006

POULENC: Figure Humaine and Dialogues des Carmelites

Francis Poulenc is well known for the religious works that comprise much of his oeuvre after he was traumatized by the accidental and premature death of his friend Pierre-Octave Ferroud in 1936. »

28 Aug 2006

DUNSTABLE: Sweet Harmony — Masses and Motets

The music of John Dunstable embodies many of the characteristics that so dramatically set the music of the emerging Renaissance apart from its Medieval forebears. »

28 Aug 2006

HANDEL: Giulio Cesare in Egitto

Sometimes an invidious comparison cannot be avoided, and such is the case with two recent DVD versions of Georg Frederic Handel's masterpiece, Giulio Cesare. »

25 Aug 2006

MENDELSSOHN: Sacred Choral Music

The English “Oxbridge” choral tradition tends to be a cohesive one, most often with choirs of men and boys receiving similar training, singing a largely shared repertory in similar venues and in similar contexts. »

25 Aug 2006

Ikon

Harry Christophers and The Sixteen have a particular affinity for pre-modern polyphony, as their long discography, teeming with the music of the Eton Choirbook, assorted Renaissance masters, Handel, Bach, and others, amply shows. »

25 Aug 2006

WAGNER: Die Meistersinger von Nürnberg

Some argue that Bayreuth ushered in the modern era of regietheatre in opera productions with its now-legendary centennial Der Ring des Nibelungen, directed by Patrice Chereau. »

25 Aug 2006

Children’s Songs of the World

In Turkey recently, we visited a second-grade classroom, where our guide invited the children to sing songs for us. »

25 Aug 2006

Mozart — Airs Sacrés

It seems only natural that the quality of radiance should quickly come to mind in contemplating the twelfth-century Basilica of Saint Denis, where luminous stained glass creates colored walls of mystical light. »

25 Aug 2006

Bolshoi Russian opera highlights

Pentatone Classics joins some smaller recording companies staking out niche markets as the biggest labels continue their enforced retreat from the classical marketplace. »

25 Aug 2006

Verdi Gala 2004 Teatro Regio di Parma

In recent European reviews, Teatro Regio di Parma’s DVD of their 2004 Verdi Gala was generally labeled as worthless. »

25 Aug 2006

VERDI: La Traviata x 2

Tower Records online DVD page shows eleven available incarnations of Verdi's classic La Traviata, four of which have appeared in the last year, including one filmed at the reopening of La Fenice in Venice, and a Zurich production reviewed recently for Opera Today by yours truly. »

25 Aug 2006

BACH: Cantatas, Vol. 19

This installment of the estimable Bach Cantata Pilgrimage recordings brings together cantatas from the middle of the Epiphany season, along with a “refugee” from Trinity XXIV), and the well-known motet, “Jesu, meine Freude.” »

25 Aug 2006

RIMSKY-KORSAKOV: Snegurochka

This is a most sympathetic performance, though perhaps being a Fleming helps. In my small country on the frontier of Northern and Southern European influences, many musical styles made their entrance and became popular. »

25 Aug 2006

Erwartung — Lieder by Schoenberg, Wagner, Strauss et al.

Internationally acclaimed soprano, Solveig Kringelborn, now has recorded a delightful selection of late nineteenth-century German Lieder on the NMA label. »

25 Aug 2006

REIMANN: Lieder

In making words sing, to use a phrase from a recent study of the poetics of vocal composition, Aribert Reimann (b. 1936) does not emulate another composer as much as he makes fashions his own lines and punctuates them with accompaniments that serve as a means of accentuating the text. »

25 Aug 2006

BACH: Musical Offering

We can easily imagine the pleasure that Bach must have taken in presiding over a household that was both large and talented enough to form its own complete ensemble. »

25 Aug 2006

VERDI: Don Carlos and Don Carlo

Had Plato been a 19th century opera fan, would the philosopher have been so sure that there exists an ideal version of each and every opera, in the way that all chairs come from one immutable concept of "chair"? »

13 Aug 2006

VERDI: Don Carlo

Myto is always generous with its timings, usually producing very full CD’s and thus of necessity offering a bonus if a performance doesn’t fill the whole of the record. »

13 Aug 2006

SCHUBERT: Der Graf von Gleichen

Most of us who listen to opera often chose a work to relax us on a quiet evening; perhaps lighting some candles, and opening that bottle of good vino you’ve been saving for a special occasion. »

10 Aug 2006

OFFENBACH: Les Contes d'Hoffmann

When the Ring theater burned in Vienna, on December 8, 1881,1 Richard Wagner commented that it left him “cold” to know that a number of patrons should die while at a performance of Jacques Offenbach’s music. »

09 Aug 2006

SANTA FE OPERA: Golden Oldies

Carmen and The Magic Flute have finally made it onto my calendar, a nice way to end the summer opera festival at Santa Fe. »

03 Aug 2006

A Night of Rhythm and Dance

The Waldbühne in Berlin is a large copy of ancient Greek theatres. Originally it was the ‘Reichssportfeld’, built for the Olympic Games of 1936. »

02 Aug 2006

Mirella Freni and Cesare Siepi Live in Concert

In summer doldrums? Spend a delightful hour with two great artists in a rare joint appearance, as Fabula Classics has resurrected for DVD a 1985 Cesare Siepi and Mirelle Freni televised recital. »

02 Aug 2006

Haitink conducts Elgar and Britten

Commemorating some of its outstanding concerts of the 1980s and Bernard Haitink, its principal conductor (from 1967-1979), the London Philharmonic Orchestra has released on its own label a single CD that includes several pieces that brought notice to the ensemble. »

02 Aug 2006

Ann Murray and Malcolm Martineau: Schumann, Mahler, Britten

Recorded in early May 2005 at Crear, an artists’ community in Argyll, Scotland, this CD contains selections of Lieder and songs that fit well the supple voice of the mezzo-soprano Ann Murray, who is accompanied facilely by the Scottish pianist Malcolm Martineau. »

01 Aug 2006

Morricone Conducts Morricone

Connoisseurs of pretentious booklet essay verbiage will delight in the prose style of  Matthias Kellerin his musings for this EuroArts DVD of Ennio Morricone conducting his film scores with the Munich radio orchestra. »

31 Jul 2006

Strong Tempest at Santa Fe

The news from Santa Fe Opera last week-end is good, unexpectedly so. The British composer Thomas Ades’ new (2004) opera, a riff on Shakespeare’s The Tempest, has been rumored hard to perform and harder to hear. »

27 Jul 2006

BUXTEHUDE: Membra Jesu nostri

Dietrich Buxtehude’s Membra Jesu nostri is a large-scale Passion work dedicated to the Swedish chapelmaster, Gustav Dübin, in whose notable collection, now at Uppsala, it holds a prominent place. »

27 Jul 2006

WAGNER: Das Rheingold

Was it so many years ago that lovers of Wagner's titanic multi-part opus, Der Ring Des Nibelung, focused their passion principally on audio versions? »