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Elsewhere

Britten War Requiem - Andris Nelsons, CBSO, BBC Prom 47

In light of the 2012 half-centenary of the premiere in the newly re-built Coventry Cathedral of Benjamin Britten’s War Requiem, the 2013 centennial celebrations of the composer’s own birth, and this year’s commemorations of the commencement of WW1, it is perhaps not surprising that the War Requiem - a work which was long in gestation and which might be seen as a summation of the composer’s musical, political and personal concerns - has been fairly frequently programmed of late. And, given the large, multifarious forces required, the potent juxtaposition of searing English poetry and liturgical Latin, and the profound resonances of the circumstances of the work’s commission and premiere, it would be hard to find a performance, as William Mann declared following the premiere, which was not a ‘momentous occasion’.

Il barbiere di Siviglia in Pesaro

Both by default and by merit Il barbiere di Siviglia is the hit of the thirty-fifth Rossini Opera Festival. But did anyone really want, and did the world really need yet another production of this old warhorse?

Armida in Pesaro

Armida (1817) is the third of Rossini’s nine operas for the Teatro San Carlo in Naples, all serious. The first was Elisabetta, regina di Inghilterra (1815), the second was Otello (1816), the last was Zelmira (1822).

Santa Fe Opera Presents an Imaginative Carmen

Santa Fe opera has presented Carmen in various productions since 1961. This year’s version by Stephen Lawless takes place during the recent past in Northern Mexico near the United States border. The performance on August 6, 2014, featured Ana Maria Martinez as a monumentally sexy Gypsy who was part of a drug smuggling group.

Elgar Sea Pictures : Alice Coote, Mark Elder Prom 31

Sir Mark Elder and the Hallé Orchestra persuasively balanced passion and poetry in this absorbing Promenade concert. Elder’s tempi were fairly relaxed but the result was spaciousness rather than ponderousness, with phrases given breadth and substance, and rich orchestral colours permitted to make startling dramatic impact.

Berio Sinfonia, Shostakovich, BBC Proms

Although far from perfect, the performance of Berio’s Sinfonia in the first half of this concert was certainly its high-point; indeed, I rather wish that I had left at the interval, given the tedium induced by Shostakovich’s interminable Fourth Symphony. Still, such was the programme Semyon Bychkov had been intended to conduct. Alas, illness had forced him to withdraw, to be replaced at short notice by Vasily Petrenko.

Four countertenors : Handel Rinaldo Glyndebourne

Handel's Rinaldo was first performed in 1711 at London's King's Theatre. Handel's first opera for London was designed to delight and entertain, combining good tunes, great singing with a rollicking good story. Robert Carsen's 2011 production of the opera for Glyndebourne reflected this with its tongue-in-cheek Harry Potter meets St Trinian's staging.

Santa Fe Opera Presents The Impresario and Le Rossignol

On August 7, 2014, the Santa Fe Opera presented a double bill of Wolfgang Amadeus Mozart’s The Impresario and Igor Stravinsky’s Le Rossignol (The Nightingale). The Impresario deals with the casting of an opera and Le Rossignol tells the well-known fairy tale about the plain gray bird with an exquisite song.

Barber in the Beehive State

Utah Festival Opera and Musical Theatre has gifted opera enthusiasts with a thrilling Barber, and I don’t mean . . . of Seville.

Stravinsky : Oedipus Rex, BBC Proms

In typical Proms fashion, BBC Prom 28 saw Stravinsky's Oedipus Rex performed in an eclectic programme which started with Beethoven's Egmont Overture and also featured Electric Preludes by the contemporary Australian composer Brett Dean. Sakari Oramo,was making the first of his Proms appearances this year, conducting the BBC Symphony Orchestra, BBC Singers and BBC Symphony Chorus.

Santa Fe Opera Presents a Passionate Fidelio

Santa Fe Opera presented Beethoven’s Fidelio for the first time in 2014. Since the sides of the opera house are open, the audience watched the sun redden the low hanging clouds and set below the Sangre de Cristo mountains while Chief Conductor Harry Bicket led the Santa Fe Opera Orchestra in the rousing overture. At the same time, Alex Penda as the title character readied herself for the ordeal to come as she endeavored to rescue her unjustly imprisoned husband.

Die Entführung aus dem Serail @ Hangar-7

We see the characters first in two boxes at an opera house. The five singers share a box and stare at the stage. But Konstanze’s eye is caught by a man in a box opposite: Bassa Selim (actor Tobias Moretti), who stares steadily at her and broods in voiceover at having lost her, his inspiration.

Rameau Grand Motets, BBC Proms

Best of the season so far! William Christie and Les Arts Florissants performed Rameau Grand Motets at late night Prom 17.

Adriana Lecouvreur, Opera Holland Park

Twelve years after Opera Holland Park's first production of Francesco Cilea’s Adriana Lecouvreur, the opera made a welcome return.

Back to the Beginnings: Monteverdi’s Il ritorno d’Ulisse in patria at Iford Opera.

The Italianate cloister setting at Iford chimes neatly with Monteverdi’s penultimate opera The Return of Ulysses, as the setting cannot but bring to mind those early days of the musical genre.

Schoenberg : Moses und Aron, Welsh National Opera, London

Once again, we find ourselves thanking an unrepresentable being for Welsh National Opera’s commitment to its mission.

Count Ory, Dead Man Walking
and La traviata in Des Moines

If you don’t have the means to get to the Rossini festival in Pesaro, you would do just as well to come to Indianola, Iowa, where Des Moines Metro Opera festival has devised a heady production of Le Comte Ory that is as long on belly laughs as it is on musical fireworks.

Janáček’s Glagolitic Mass, BBC Proms

Composed during just a few weeks of the summer of 1926, Janáček’s Slavonic-text Glagolitic Mass was first performed in Brno in December 1927.

Donizetti and Mozart, Jette Parker Young Artists Royal Opera House, London

With the conclusion of the ROH 2013-14 season on Saturday evening - John Copley’s 40-year old production of La Bohème bringing down the summer curtain - the sun pouring through the gleaming windows of the Floral Hall was a welcome invitation to enjoy a final treat. The Jette Parker Young Artists Summer Showcase offered singers whom we have admired in minor and supporting roles during the past year the opportunity to step into the spotlight.

Glyndebourne's Strauss Der Rosenkavalier, BBC Proms

Many words have already been spent - not all of them on musical matters - on Richard Jones’s Glyndebourne production of Der Rosenkavalier, which last night was transported to the Royal Albert Hall. This was the first time at the Proms that Richard Strauss’s most popular opera had been heard in its entirety and, despite losing two of its principals in transit from Sussex to SW1, this semi-staged performance offered little to fault and much to admire.


OPERA TODAY ARCHIVES »

Reviews

Benjamin Britten 1968
22 Aug 2014

Britten War Requiem - Andris Nelsons, CBSO, BBC Prom 47

In light of the 2012 half-centenary of the premiere in the newly re-built Coventry Cathedral of Benjamin Britten’s War Requiem, the 2013 centennial celebrations of the composer’s own birth, and this year’s commemorations of the commencement of WW1, it is perhaps not surprising that the War Requiem - a work which was long in gestation and which might be seen as a summation of the composer’s musical, political and personal concerns - has been fairly frequently programmed of late. And, given the large, multifarious forces required, the potent juxtaposition of searing English poetry and liturgical Latin, and the profound resonances of the circumstances of the work’s commission and premiere, it would be hard to find a performance, as William Mann declared following the premiere, which was not a ‘momentous occasion’.  »

Recently in Reviews

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28 Mar 2007

Camacho’s Wedding (Die Hochzeit des Camacho)

UC Opera now have a half-century’s reputation to live up to; they were responsible for the UK premieres of such works as Das Liebesverbot, The Maid of Orleans, Alzira, Oberto and the 1847 version of Macbeth. »

27 Mar 2007

BRUCKNER: Lateinische Motetten — Latin Motets

Known almost iconically for his symphonies, Anton Bruckner devoted a great deal of his compositional output to vocal music, including choral works in both German and Latin. »

26 Mar 2007

RAMEAU: Platée, Pigmalion, Dardanus Ballet Suites

In the seventeenth and eighteenth centuries, French instrumental music was closely identified with dance and dance suites. »

26 Mar 2007

GRÉTRY: Pierre le Grand

Although milestones in the history of opéra-comique, Grétry’s operas are infrequently revived and rarely recorded. »

25 Mar 2007

MOZART: Die Entführung aus dem Serail

With the trials and tribulations of a multicultural society currently at the forefront of the British media, Gavin Quinn’s production placed a light-hearted focus on the bizarreness of a group of foreigners being thrown together in an unfamiliar situation. »

25 Mar 2007

MOZART: Don Giovanni

This 2005 production of the Mozart-Da Ponte masterpiece Don Giovanni makes for a frustrating experience. »

25 Mar 2007

Eugene Onegin — English Touring Opera

London is fortunate to have played host to several productions of Tchaikovsky’s best-known opera in the last three years alone, most recently British Youth Opera’s heartbreakingly fresh account last September – so it was a risky decision on ETO’s part to stage yet another. »

21 Mar 2007

ROSSINI: Matilde di Shabran

When Matilde di Shabran was premiered in Rome on Feb. 24, 1821, it was billed as a “melodrama giocoso” (which is the equivalent of an opera semiseria), somewhere between an opera buffa and an opera seria in character. »

21 Mar 2007

DONIZETTI: Roberto Devereux

Asked in an interview by Opera News on his opinion on updating, James Levine replied that it often intensified one or another aspect of the story but that in general it was not possible to update without distorting the story and the equilibrium in the whole opera. »

21 Mar 2007

TELEMANN: Komm Geist des Herrn — Late Cantatas

Our modern sense of the eighteenth-century Lutheran cantata derives in large part from the works of J. S. Bach—works that have been foundational in the early music movement, works that have much shaped our understanding of Bach, and works that we now know in an impressive array of different recordings. »

21 Mar 2007

DONIZETTI: Linda di Chamounix

I am surely not the only one who doesn’t understand why this sparkling score is not performed more often. »

21 Mar 2007

Große Opernchöre — Great Opera Choirs

In setting the scene or furthering the action on stage, the opera chorus often provides some memorable aural scenery in works by composers from Claudio Monteverdi to Arnold Schoenberg, and this collection offers a representative selection of examples from both those composers, and well as a number of others. Recorded on 14 January 2004, this concert of the Stuttgart Staatsopernchor and Staatsorchester offered a program devoted to memorable choruses. »

21 Mar 2007

MAHLER: Symphony no. 6

Based from concerts given on 22 August, 7 September, and 8 September 2005, this recording of Mahler’s Sixth Symphony is the latest release of the Concertgebouw’s own RCO Live label. »

20 Mar 2007

Teseo — Handel by the Sea

Nice Opera, on the French Cote d’Azur, seemed a most suitable place for this early work by Handel. »

20 Mar 2007

Das Gänsebuch (The Geesebook): German Medieval Chant

In their attempt to recreate a combination of musical styles typical of fifteenth- and sixteenth-century Nürnberg, Schola Hungarica and its directors László Dobszay & Janka Szendrei have chosen selections from the Gänsebuch, described as the “only complete extant source for the pre-Reformation liturgy of the mass in Nürnberg.” [CD liner-notes, p. 3] »

20 Mar 2007

PAISIELLO: Gli Astrologi immaginari

I never heard the 1966 live recording with Margherita Rinaldi and Paolo Montarsolo and I don’t have a clue what the sound picture is like. »

19 Mar 2007

Angela Gheorghiu, Los Angeles

A near-capacity audience, expectant and enthusiastic, streamed into the Dorothy Chandler for an old-fashioned evening of operatic glamour, as Angela Gheorghiu, with the Los Angeles Opera Orchestra in support, flew into town for a one night concert. »

19 Mar 2007

The Tempest at Covent Garden

This year is Thomas Adés’ annus mirabilis. He’s the subject of a major, six-week retrospective at the Barbican, and, of course, will be a major presence at the Aldeburgh Festival. »

13 Mar 2007

The Gondoliers — English National Opera

Speaking to a trusted chorus-member friend after this performance, I was told that I had benefited from not having seen this production when new three months ago. »

13 Mar 2007

LA Opera “Recovered Voices”

Just about halfway though his first season as music director of Los Angeles Opera, James Conlon has already made himself an endearing and appreciated figure. »

13 Mar 2007

Native-American Drama at Opera Omaha

Perhaps the gestation period for “Wakonda’s Dream,” premiered by Opera Omaha on March 7, was too long. »

13 Mar 2007

WAGNER: Die Walküre; Götterdämmerung

Two weeks before viewing these DVD’s, I attended a performance of the same opera at De Vlaamse Opera in a new production by Ivo van Hove; Flemish boss of the most important Amsterdam theatre company. »

08 Mar 2007

PUCCINI: La Bohème

With the distance of time, is it allowable to feel affection for Herbert von Karajan, beyond any respect — grudging or otherwise — for his long, starry career? »

08 Mar 2007

WAGNER: Die Meistersinger von Nürnberg

Recorded between 18 and 29 June 1984 at the Bayreuth Festspielhaus, this production of Richard Wagner's Die Meistersinger von Nűrnberg makes a classic presentation of the opera available in a two-DVD set issued in 2006 by Deutsche Grammophon. »

08 Mar 2007

Verdi Gala from Berlin

This concert was given on New Year’s eve in the year 2000, and the frail Claudio Abbado who comes out to conduct makes for an alarming sight. »

08 Mar 2007

Berlin “Ring” remains a sterling achievement

It was in the “Orwell year” 1984 that Götz Friedrich, general manager — Intendant — of the Deutsche Oper Berlin (DOB) from 1983 until his death in 2000, staged the first half of Wagner’s “Ring des Nibelungen” in the 1900-seat house on Berlin’s Bismarckstrasse. »

06 Mar 2007

OONY Performs Cilèa’s L’Arlesiana

It is well known that the Opera Orchestra of New York’s performances are required events for opera aficionados to hear the the most exciting performances of the season. »

06 Mar 2007

Adams/Sellars “Tree” blossoms sublimely at SFS

Compared with Pamina and Tamino, Kumudha and her Prince, the central figures in “A Flowering Tree,” the John Adams and Peter Sellars collaboration given its American premiere on March 1 by the San Francisco Symphony, walk a rock-strewn road. »

28 Feb 2007

La Bohème – English National Opera

The death this month of director Stephen Pimlott could have cast a shadow over this revival of his 1993 production, but a hugely affectionate pre-show tribute by colleague Nicholas Hytner ensured that the performance only served to do great honour to the memory of a man who was clearly loved and cherished by many. »

28 Feb 2007

KÁLMÁN : Die Csárdásfürstin

The booklet essay writer effuses passionately about this filmed Kalman operetta, Die Csárdásfürstin. Jürgen Otten gushes over the "immortal melodies," Anna Moffo's "precious jewel" of a voice, and Rene Kollo's "innate nobility." »

28 Feb 2007

Nicole Cabell, St John’s Smith Square, London

The Rosenblatt Recital Series, which presents concerts around London from artists ranging from the well-known to the brand-new, last week showcased Nicole Cabell, the glamorous 29-year-old winner of the 2005 Cardiff Singer of the World competition. »

27 Feb 2007

Rachmaninov and Glinka: Lieder • Songs • Chants

Originally released by Deutsche Grammophon in 1976, this recording of selected songs by Sergei Rachmaninov (1873-1943) and Mikhail Glinka (1804-57) make available some fine examples of Russian art song to Western audiences. »

27 Feb 2007

ADAM: Le Postillon de Longjumeau

Why should anyone buy a German language broadcast of a delicious French opéra-comique? »

27 Feb 2007

Bach Cantatas, Volume 21

John Eliot Gardiner’s Bach Cantata Pilgrimage continues to echo with the release of concert recordings of this historic millennial tour. »

27 Feb 2007

WAGNER: Tannhäuser

As familiar Richard Wagner’s Tannhäuser is, the opera benefits from solid performances that bring together fine singing, exquisite orchestral playing, and effective staging, and the Metropolitan Opera’s 1982 production conducted by James Levine gave audiences an exemplary performance that remains a touchstone for this work. »

27 Feb 2007

Matthias Goerne at the Wigmore Hall

This wasn’t an “easy” program for dilettantes. »

26 Feb 2007

Cori Spezzati: Venetian Polychoral Music

If there ever was a moment where architecture and music became passionately tied to one another, it would be when the polychoral music of the 16th century was tied to St. Mark’s cathedral in Venice. »

22 Feb 2007

MUSSORGSKY: Khovanshchina

At the curtain call for the first night of WNO’s new production of the infrequently performed Khovanshchina director David Pountney wore a simple Russian shirt. »

21 Feb 2007

Victoria de los Angeles performs Ravel, Debussy & Duparc

Carmen was one of Victoria de los Angeles’ favorite roles and she brought to it much that we hear on this recording of French songs: a winsome voice without heavy vibrato, a close attention to musical detail, and an evident understanding of the French words that she conveys, if not with an impeccable accent, at least with a convincingly understandable pronunciation. »

20 Feb 2007

MOZART: Die Hochzeit des Figaro

Yes, the German title must be employed for this filmed Nozze en Deutsch from 1967. »

20 Feb 2007

WAGNER: Parsifal

Recorded on 28 March 1970 in Rome, this recording of Parsifal makes available a live performance conducted by Wolfgang Sawallisch, one of the foremost interpreters of Wagner’s works in his day. »

18 Feb 2007

HAYDN: Les Sept Dernières Paroles du Christ

Franz Joseph Haydn’s Seven Last Words is well known, both as a familiar part of modern Lenten devotions and also as something of a stylistic oddity, I suspect. »

18 Feb 2007

WAGNER: Parsifal

From the 2005 season of the “reborn” La Fenice comes this Dynamic DVD of Wagner’s Parsifal. »

18 Feb 2007

Opera North: Breathing new life into “Orfeo”

Friday night in Leeds, in the North of England, at the city’s marvellously restored Grand Theatre, with the pavements outside shining wet and a tidal wave of umbrellas surging past, was an exciting place to be. »

16 Feb 2007

BRAHMS: Ein deutsches Requiem

In dedicating much of his creative life to the Thomaskirche, the German musician Günther Ramin left his mark on the musical life of Leipzig, and his legacy includes a fine recording of Johannes Brahms’ Ein deutsches Requiem, op. 45. »

16 Feb 2007

BRUCKNER: Symphony no. 4

Perhaps the best-known of Anton Bruckner’s symphonies, the Fourth also benefits from a number of fine recordings. »

16 Feb 2007

Jean-Baptiste Lully, Armide (Opera Lafayette)

The Opera Lafayette of Washington DC has been engaged in a new project this season – the Armide Project, as the group dubbed its ambitious plan, in collaboration with the University of Maryland Opera Studio, to present two great operas set to the same celebrated Philippe Quinault libretto. »