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Elsewhere

La bohème, LA Opera

On May 25, 2016, Los Angeles Opera presented a revival of the Herbert Ross production of Giacomo Puccini’s opera, La bohème. Stage director, Peter Kazaras, made use of the Dorothy Chandler Pavilion’s wide stage by setting some scenes usually seen inside the garret on the surrounding roof instead.

Amazons Enchant San Francisco

On May 21, 2016, Ars Minerva presented The Amazons in the Fortunate Isles (Le Amazzoni nelle Isole Fortunate), an opera consisting of a prologue and three acts by seventeenth century Venetian composer Carlo Pallavicino.

Mathis der Maler, Dresden

While Pegida anti-refugee demonstrations have been taking place for a while now in Dresden, there was something noble about the Semperoper with its banners declaring all are welcome, listing Othello, the Turk, and the hedon Papageno as examples.

The Makropulos Case, Munich

Opera houses’ neglect of Leoš Janáček remains one of the most baffling of the many baffling aspects of the ‘repertoire’. At least three of the composer’s operas would be perfect introductions to the art form: Jenůfa, Katya Kabanova, or The Cunning Little Vixen would surely hook most for life.

Orphée et Euridice, Seattle

It’s not easy for critics to hit the right note when they write about musical collaborations between students and professionals. We have to allow for inevitable lack of polish and inexperience while maintaining an overall high standard of judgment.

Die Meistersinger von Nürnberg, Munich

Die Meistersinger at the theatre in which it was premiered, on Wagner’s birthday: an inviting prospect by any standards, still more so given the director, conductor, and cast, still more so given the opportunity to see three different productions within little more than a couple of months).

Il barbiere di Siviglia at Glyndebourne

Director Annabel Arden believes that Rossini’s Il barbiere di Siviglia is ‘all about playfulness, theatricality, light and movement’. It’s certainly ‘about’ those things and they are, as Arden suggests, ‘based in the music’.

Oedipe at Covent Garden

George Enescu’s Oedipe was premiered in Paris 1936 but it has taken 80 years for the opera to reach the stage of Covent Garden. This production by Àlex Ollé (a member of the Catalan theatrical group, La Fura Dels Baus) and Valentina Carrasco, which arrives in London via La Monnaie where it was presented in 2011, was eagerly awaited and did not disappoint.

Gounod’s Roméo et Juliette at Lyric Opera, Chicago

Lyric Opera of Chicago staged Charles Gounod’s Roméo et Juliette as the last opera in its current subscription season.

L’incoronazione di Poppea, RAO

‘The plot is perhaps the least moral in all opera; wrong triumphs in the name of love and we are not expected to mind.’

Madame Butterfly , ENO

Anthony Minghella’s production of Madame Butterfly for ENO is wearing well. First seen in 2005, it is now being aired for the sixth time and is still, as I observed in 2013, ‘a breath-taking visual banquet’.

An interview with Tobias Ringborg

I arrive at the Jerwood Space, where rehearsals are underway for Garsington Opera’s forthcoming production of Idomeneo, to find that the afternoon rehearsal has finished a little early.

Valiant but tentative: La straniera at the Concertgebouw

This concert version of La straniera felt like a compulsory musicology field trip, but it had enough vocal flashes to lobby for more frequent performances of this midway Bellini.

London Festival of Baroque Music 2016: Words with Purcell

As poetry is the harmony of words, so music is that of notes; and as poetry is a rise above prose and oratory, so is music the exaltation of poetry.

The Dark Mirror: Zender’s Winterreise

From experiments with musique concrète in the 1940s, to the Minimalists’ explorations into tape-loop effects in the 1960s, via the appearance of hip-hop in the 1970s and its subsequent influence on electronic dance music in the 1980s, to digital production methods today, ‘sampling’ techniques have been employed by musicians working in genres as diverse as jazz fusion, psychedelic rock and classical music.

Great Scott Wows San Diego

On May 7, 2016, San Diego Opera presented the West Coast premiere of Great Scott, an opera by Terrence McNally and Jake Heggie. McNally’s original libretto pokes fun at everything from football to bel canto period opera. It includes snippets of nineteenth century tunes as well as Heggie's own bel canto writing.

Bellini’s Adelson e Salvini, London

A foiled abduction, a castle-threatening inferno, romantic infatuation, guilt-laden near-suicide, gun-shots and knife-blows: Andrea Leone Tottola’s libretto for Vincenzo Bellini’s first opera, Adelson e Salvini, certainly does not lack dramatic incident.

Manitoba Opera: Of Mice and Men

Opera as an art form has never shied away from the grittier shadows of life. Nor has Manitoba Opera, with its recent past productions dealing with torture, incest, murder and desperate political prisoners still so tragically relevant today.

Opera Las Vegas Announces Full Production of Carmen

Tickets on Sale NOW for June 10 & 12 Performances at UNLV’s Performing Arts Center Box Office

The Rose and the Ring

Published in 1855 as an entertainment for his two daughters, William Makepeace Thackeray’s The Rose and the Ring is a burlesque fairy-tale whose plot — to the author’s wilful delight, perhaps — defies summation and elucidation.


OPERA TODAY ARCHIVES »

Reviews

Mario Chang as Rodolfo and Olga Busuioc as Mimi [Photo by Ken Howard]
30 May 2016

La bohème, LA Opera

On May 25, 2016, Los Angeles Opera presented a revival of the Herbert Ross production of Giacomo Puccini’s opera, La bohème. Stage director, Peter Kazaras, made use of the Dorothy Chandler Pavilion’s wide stage by setting some scenes usually seen inside the garret on the surrounding roof instead.  »

Recently in Reviews

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14 Mar 2006

HIGH RISK “ORFEO” FROM CHICAGO LYRIC

Producer Robert Carsen, together with his set designer Tobias Hoheisel, is taking a big risk with their new production of Glück’s 1762 version for alto of “Orfeo ed Euridice” at Chicago Lyric Opera. »

13 Mar 2006

MEYERBEER: Dinorah

Some opera sets are meant to be an introduction to the work presented. They contain a booklet which tells you about the life of the composer, the history of the work, some analysis, a synopsis of the story, and maybe (if you're lucky) the libretto translated into your language. »

10 Mar 2006

Gabriela Montero — Piano Recital

This recording features piano works by the pillars of nineteenth-century Romantic piano composition (Chopin and Liszt), the Spanish-speaking musical nationalists (Granados, Ginastera, and de Falla), and the Russian composer-pianists (Scriabin and Rachmaninov) who reinterpreted the Romantic spirit in new and innovative ways for the piano. »

10 Mar 2006

MOZART: Requiem

Mozart’s Requiem has become widely-known and popular since the 1984 movie Amadeus. Left incomplete at his death, his student and assistant Franz Xaver Sussmayr (1766-1803) completed the work from Mozart’s notes. »

10 Mar 2006

VERDI: La Traviata

Could La Traviata be the opera with the most versions available on DVD? The appetite for the doomed heroine never wavers. »

09 Mar 2006

Wagnerian Songs

If Richard Wagner’s music may be seen to pervade the late nineteenth century, an area that is rarely discussed is his influence on song. »

09 Mar 2006

DOVE: Flight

For most of its 40 plus years the Adelaide Festival of Arts has had as its central attraction the Australian premieres of a landmark European opera like Wozzeck, Lady Macbeth of Mtsensk, The Fiery Angel or landmark contemporary works like Death in Venice, Nixon in China or El Nino presented within a few years of their world premieres. »

08 Mar 2006

Karajan Performs Strauss Waltzes and Polkas

Everyone is familiar with the waltzes and polkas of the “Waltz King,” Johan Strauss II, along with his father Johann I and his brother Josef. »

08 Mar 2006

VERDI: Ernani

Verdi’s smash hit of 1844 is a relative rarity these days. As Stefano Olcese notes in his booklet essay for a new Dynamic recording, the opera calls for daunting vocal display from tenor, soprano, baritone, and bass. »

08 Mar 2006

Mazeppa at the Met — Three Reviews

This season the Metropolitan Opera presents Tchaikovsky's infrequently performed opera, Mazeppa. Acording to the Met, "[a]lthough Tchaikovsky is best known for Eugene Onegin and several great ballet scores, he wrote many other wonderful operas including Mazeppa, which receives its premiere at The Met this season. Premiered in Moscow in 1884, it was first seen in St Petersburg just three days later, and has remained in the repertoire of The Mariinsky Theatre from that time. Based on a poem by Pushkin, it tells the story of a 17th century Ukrainian separatist, who falls in love with a friend’s daughter. The opera is full of tuneful episodes (similar to those in The Queen of Spades) and this is a very rare chance to see the opera in New York." Here are three reviews. »

05 Mar 2006

HILLIARD ENSEMBLE: Thy Kiss of a Divine Nature — The Contemporary Perotin

The richness of the Ars Antiqua flourishing in Paris in the twelfth and thirteenth centuries marks the time as one of high cultural achievement, drawing nurture from the contemporaneous rise of the Cathedral of Notre Dame and the University of Paris. »

05 Mar 2006

MOZART: The Magic Flute

It would be presumptuous of me to go through the entire plot of The Magic Flute, given its historical and popular significance with all classical music devotees. »

05 Mar 2006

GALLO: Opera — The Basics

Is it possible to say something new and fresh about opera? While many books have been written about the artform, it is rare to find an introductory text that serves its subject well. »

28 Feb 2006

Les Violons du Roy and Magdalena Kožená at Carnegie Hall

On Sunday, 28 February 2006, Carnegie Hall presented Les Violons du Roy, Bernard Labadie, Music Director and Conductor, with Magdalena Kožená, Mezzo-Soprano, featuring works by Rameau and Gluck. Here are two reviews. »

28 Feb 2006

BACH: Works for Trumpet

This recording is a grouping of various compositions by J.S. Bach, which are not solely dedicated to the trumpet, but provide some of the most demanding repertoire for the instrument prior to the nineteenth century. »

28 Feb 2006

Ewa Podles in New York — Two Reviews

On 26 February, Constantine Orbelian led the Moscow Chamber Orchestra, marking its 50th anniversary this season, in works by Haydn, Prokofiev, Rossini, Shostakovich, and Mussorgsky, with the renowned contralto Ewa Podlés. Here are two reviews. »

23 Feb 2006

La Forza del Destino at the Met — Four Reviews

METROPOLITAN OPERA: "Commissioned for St Petersburg (the premiere was in 1862), La Forza del Destino was based on a play by the Duke of Rivas, and was at first only a moderate success. Although Verdi revised it for Milan in 1869, it took a long time for audiences to come to appreciate the sprawling drama; several years take place between the first and last scenes, and the number of coincidences in the plot stretches credulity to the limit. But the overture, the arias for Leonora (including “Pace!”), and the duets for tenor and baritone have ensured that the opera remains popular whenever it is revived." Here are four reviews. »

22 Feb 2006

VIVALDI: Concerti con molti strumenti, vol. 2

Vivaldi was very impressed with the sound and performances of the Dresden court orchestra when they visited Venice in 1716. »

22 Feb 2006

SCHÜTZ: Symphoniae Sacrae III

The tragic ravages of the Thirty Years’ War explicitly shaped the musical output of Heinrich Schütz. »

21 Feb 2006

ARIOSTI: “The Flowering and Fading of Love”

Musicologists should be eager to welcome the “first modern recordings” of any work; surely having the opportunity to hear a long-lost musical treasure, rather than having it stare off the page in black-and-white, is something to be celebrated. »

21 Feb 2006

VIVALDI: Concerti e Cantate da Camera III

As the Vivaldi edition continues, Opus 111 is releasing a series of individual volumes dedicated to cantatas interspersed with other chamber works. »

20 Feb 2006

WNO's The Flying Dutchman — Three Reviews

WELSH NATIONAL OPERA: "Welsh National Opera's The Flying Dutchman promises to be a focused, powerful and intense experience. This early Wagnerian masterpiece signalled the composer's fascination with combining epic myths and dramatic music." Here are three reviews. »

17 Feb 2006

VIVALDI: Arie d’Opera

This recording is another gem from the Complete Vivaldi Edition, a collaboration of Naïve (opus 111) and various Piedmontese institutions [see this author’s review of Vivaldi’s Orlando in that series]. »

16 Feb 2006

Hercules in Brooklyn — Two Reviews

The Brooklyn Academy of Music is presenting Handel's Hercules with Les Arts Florissants, conducted by William Christie and directed by Luc Bondy. Here are two reviews: »

15 Feb 2006

BARRY: The Intelligence Park

Irish composer Gerald Barry insists that “Really, my music is very straightforward. »

13 Feb 2006

WAGNER: Parsifal

Nikolaus Lehnhoff’s Parsifal, first staged by English National Opera in 1999, is given on this Opus Arte DVD in a 2004 performance led by Kent Nagano at the Baden-Baden summer festival. »

11 Feb 2006

GÓRECKI: Symphony no. 3

Henryk Górecki’s Symphony no. 3 (1976), his “Symphony of Sorrowful Songs,” as it is called, is one of the most popular recordings of late twentieth-century music. »

11 Feb 2006

CIMAROSA: Il Matrimonio Segreto

Premiered in 1792 (just months after the death of Mozart), Il Matrimonio Segreto won over Vienna from the start, and Domenico Cimarosa’s opera would remain his most popular work. »

10 Feb 2006

LEE: The Great Instrumental Works

This book is for any aficionado or lover of classical instrumental music. »

09 Feb 2006

BYRD: The Great Service

The religious turmoil of sixteenth-century England was characterized not only by factionalism and polarity, but also famously by the charting of a via media, a middle path, through opposing views. »

05 Feb 2006

MAHLER: Symphonies 1-10 • Das Lied von der Erde

The late Gary Bertini (1927-2005) was noted for his fine interpretations of Mahler’s work, and his cycle with EMI was esteemed highly. An accomplished musician, Bertini founded the Israeli Chamber Orchestra in 1965, and later become chief conductor of the Jerusalem Symphony. »

05 Feb 2006

Body and Soul - A New “Poppea” in London

Monteverdi’s great work, “L’Incoronazione di Poppea” in a “semi-staged” format, has been chosen to showcase the talents of some exciting young singers and musicians in London recently as the first part of an ambitious project aimed at a more holistic approach to singing opera. »

04 Feb 2006

TCHAIKOVSKY: Swan Lake

This 2005 release was filmed at a performance in La Scala’s temporary home, Milan’s Teatro degli Arcimboldi, in April 2004. It is based on the Burmeister version of the ballet of some 50 years ago, first introduced in the West by the Paris Opera. »

04 Feb 2006

Le Nozze di Figaro at ROH — Four Reviews

ROYAL OPERA HOUSE: "To mark the 250th anniversary of the birth of Wolfgang Amadeus Mozart, The Royal Opera mounts a new production of his setting of the second of Beaumarchais' domestic but politically charged 'Figaro' comedies, as adapted by librettist Lorenzo da Ponte. " »

03 Feb 2006

WAGNER: Der Ring des Nibelungen

It has been nearly thirty years since the centenary production of the Ring at Bayreuth, and the controversy and even scandal that it generated have long since faded into memory. »

02 Feb 2006

BRUCKNER: Symphonie no. 6

The symphonies of Anton Bruckner deserve excellent performances to convey the intensity that the composer intended for them, and sometimes an individual performance can offer the opportunity to understand them more clearly. »

02 Feb 2006

DAVIES & JAHN: Care of the Professional Voice

This second edition, co-authored by D. Garfield Davies, Consultant Emeritus Otolaryngologist to The Middlesex and University College Hospitals, and Anthony F. Jahn, Professor of Clinical Otolaryngology, Columbia University College of Physicians and Surgeons, was published by Routledge in 2004. »

01 Feb 2006

HANDEL: Radamisto

Handel went to London as a free-lance musician – i.e., “on his own bottom” – in autumn 1710. His Rinaldo of February 1711, with its dazzling arias and scenic spectacles, was resoundingly successful. »

01 Feb 2006

Turandot at Carnegie Hall

On 30 January, the Collegiate Chorale presented Puccini: A Composer's Journey. Here are two reviews. »

29 Jan 2006

DEBUSSY: La Mer

Inspired by the elitist poets of late nineteenth century Paris, Debussy was eager to join their ranks by developing musical ideas that evoked the same emotional response as the poetry he admired. Originally, Prélude à l’après-midi d’un faune was a collaborative project between Debussy and Stéphane Mallarmé, a poet highly regarded by the composer. »

29 Jan 2006

PETITGIRARD: The Elephant Man

Perhaps instead of waiting for the next great new opera, focus should be on finding the next great opera composer. »

27 Jan 2006

ROSSINI: Il Turco in Italia

Clearly someone at Naxos loves Rossini. The label only recently released a good Cenerentola with the most excellent Joyce Di Donato, and the back catalog contains many titles, including highly praised sets of Barbieri (with Ramon Vargas) and Tancredi (featuring Ewa Podles). »

26 Jan 2006

KÁLMÁN: Lieder

I wonder if a record company, any record company, would have taken the trouble of recording these songs if the composer had been Zoltan Kocsis or Deszö Ranki instead of Imre (his real first name) Kálmán? »