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Elsewhere

On The Death of Klinghoffer

This is a revised version of my review of the Sept 5th 1991American premiere of The Death of Klinghoffer, at the Brooklyn Academy of Music. The opera was first performed at Brussels’ La Monnaie the previous spring.

Anna Netrebko, now a dramatic soprano, shines in the Met’s dark and murky ‘Macbeth’

The former lyric soprano holds up well — and survives the intrusive close-up camerawork of the ‘Live in HD’ transmission

Arizona Opera Presents First Mariachi Opera

Houston Grand Opera commissioned Cruzar la Cara de la Luna from composer José “Pepe” Martínez, music director of Mariachi Vargas de Tecalitlán, who wrote the text together with Broadway and opera director Leonard Foglia. The work had its world premier in 2010. Since then, it has traveled to several cities including Paris, Chicago, and San Diego.

Plácido Domingo: I due Foscari, London

“Why should I go to hear Plácido Domingo” someone said when Verdi’s I due Foscari was announced by the Royal Opera House. There are very good reasons for doing so.

Philip Glass’s The Trial

Music Theatre Wales presented the world premiere of Philip Glass’s The Trial (Kafka) last night at the Linbury, Royal Opera House. Music Theatre Wales started doing Glass in 1989. Their production of Glass’s In the Penal Colony in 2010 was such a success that Glass conceived The Trial specially for the company.

Joyce DiDonato: Alcina, Barbican, London

To say that the English Concert’s performance of Handel’s Alcina at the Barbican on 10 October 2014 was hotly anticipated would be an understatement. Sold out for weeks, the performance capitalised on the draw of its two principals Joyce DiDonato and Alice Coote and generated the sort of buzz which the work did at its premiere.

Un ballo in maschera in San Francisco

The subject is regicide, a hot topic during the Italian risorgimento when the Italian peninsula was in the grip of the Hapsburgs, the Bourbons, the House of Savoy and the Pontiff of the Catholic Church.

A New Don Giovanni and Anniversary at Lyric Opera of Chicago

Lyric Opera of Chicago opened its sixtieth anniversary season with a new production of Mozart’s Don Giovanni directed by Artistic Director of the Goodman Theater, Robert Falls.

Grande messe des morts, LSO

It was a little over two years ago that I heard Sir Colin Davis conduct the Berlioz Requiem in St Paul’s Cathedral; it was the last time I heard — or indeed saw — him conduct his beloved and loving London Symphony Orchestra.

Guillaume Tell, Welsh National Opera

Part of their Liberty or Death season along with Rossini’s Mose in Egitto and Bizet’s Carmen, Welsh National Opera performed David Pountney’s new production of Rossini’s Guillaume Tell (seen 4 October 2014).

Mose in Egitto, Welsh National Opera

Welsh National Opera’s production of Rossini’s Mose in Egitto was the second of two Rossini operas (the other is Guillaume Tell) performed in tandem for their autumn tour.

L’incoronazione di Poppea, Barbican Hall

In Monteverdi’s first Venetian opera, Il Ritorno d’Ulisse (1641), Penelope’s patient devotion as she waits for the return of her beloved Ulysses culminates in the triumph of love and faithfulness; in contrast, in L’incoronazione di Poppea it is the eponymous Queen’s lust, passion and ambition that prevail.

Rameau’s Les Paladins, Wigmore Hall

After the triumphs of love, the surprises: Les Paladins, under their director Jérôme Correas, and soprano Sandrine Piau are following their tour of material from their 2011 CD, ‘Le Triomphe de L’amour’, with a new amatory arrangement.

Puccini : The Girl of the Golden West, ENO London

At the ENO, Puccini's La fanciulla del West becomes The Girl of the Golden West. Hearing this opera in English instead of Italian has its advantages, While we can still hear the exotic, Italianate Madama Butterfly fantasies in the orchestra, in English, we're closer to the original pot-boiler melodrama. Madama Biutterfly is premier cru: The Girl of the Golden West veers closer, at times, to hokum. The new ENO production gets round the implausibility of the plot by engaging with its natural innocence.

Anna Caterina Antonacci, Wigmore Hall, London

Presenting a well-structured and characterful programme, Italian soprano Anna Caterina Antonacci demonstrated her prowess in both soprano and mezzo repertoire in this Wigmore Hall recital, performing European works from the early years of the twentieth century. Assuredly accompanied by her regular pianist Donald Sulzen, Antonacci was self-composed and calm of manner, but also evinced a warmly engaging stage presence throughout.

Il barbiere di Siviglia, Royal Opera

Bold, bright and brash, Moshe Leiser and Patrice Caurier’s Il barbiere di Siviglia tells its story clearly in complementary primary colours.

Gluck and Bertoni at Bampton

Bampton Classical Opera’s 2014 double bill neatly balanced drollery and gravity. Rectifying the apparent prevailing indifference to the 300th centenary of Christoph Willibald Gluck birth, Bampton offered a sharp, witty production of the composer’s Il Parnaso confuso, pairing this ‘festa teatrale’ with Ferdinando Bertoni’s more sombre Orfeo.

Purcell: A Retrospective

Harry Christophers and The Sixteen Choir and Orchestra launched the Wigmore Hall’s two-year series, ‘Purcell: A Retrospective’, in splendid style. Flexibility, buoyancy and transparency were the watchwords.

Mahler: Symphony no.3 — Prom 73

It would be unfair, but one could summarise this concert with the words, ‘Senator, you’re no Leonard Bernstein.’

Los Angeles Opera Opens with La traviata

On September 13, Los Angeles Opera opened its 2014-2015 season with a revival of Marta Domingo’s updated, Art Deco staging of Giuseppe Verdi’s La traviata. It starred Nino Machaidze as Violetta, Arturo Chácon-Cruz as Alfredo, and Plácido Domingo as Giorgio Germont. The conductor was Music Director James Conlon.


OPERA TODAY ARCHIVES »

Reviews

Anna Netrebko as Lady Macbeth and Željko Lučić in the title role of Verdi's Macbeth [Photo by Marty Sohl/Metropolitan Opera]
18 Oct 2014

Anna Netrebko, now a dramatic soprano, shines in the Met’s dark and murky ‘Macbeth’

The former lyric soprano holds up well — and survives the intrusive close-up camerawork of the ‘Live in HD’ transmission »

Recently in Reviews

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06 Feb 2011

Magdalena Kozená, Wigmore Hall

It’s a rare recital that can be at one and the same time intensely intimate and extravagantly exuberant, but that’s just what Magdalena Kozená and the eight-piece Austrian ensemble Private Musicke achieved in this fascinating and exhilarating concert, which brought a thrill of passion, spontaneity and excitement to the usually more restrained and rarified atmosphere of the Wigmore Hall. »

06 Feb 2011

Les Contes d’Hoffmann, Florida Grand Opera

If you are ever lucky enough to have the opportunity to catch a great exponent of just one of two major roles — the heroines or villains — in Offenbach’s Les Contes d’Hoffmann, you should secure a seat maintenant.  »

06 Feb 2011

Randy Rossini Romp in Z-Town

If proof were needed, the Swiss capital’s heady new Le Comte Ory cements the notion that super-star Cecelia Bartoli certainly seems to have found an ideal home at Zurich Opera. »

06 Feb 2011

Jurowski, Das klagende Lied

Vladimir Jurowski and the London Philharmonic have repeated their success with Mahler’s Das klagende Lied at the Royal Festival Hall.  »

06 Feb 2011

Die Zauberflöte, Covent Garden

Premiered in 2003, and aired again in 2005 and 2008, this current revival of David McVicar’s Die Zauberflöte brings many ‘old hands’ back together to re-visit oft-frequented roles on familiar ground. »

06 Feb 2011

Heggie’s Dead Man Walking triumphs at HGO

The production of Jake Heggie’s Dead Man Walking currently on stage at the Houston Grand Opera is marvelously celebratory in its success. »

06 Feb 2011

Der Freischütz, Toulon

Carl Marie von Weber’s magical masterpiece has had a hard time of it in France.  »

04 Feb 2011

Lucrezia Borgia, ENO

Donizetti’s Lucrezia Borgia at the English National Opera, London, is an interesting hybrid. The opera is performed “straight” so to speak, but encased in a frame of short filmed passages that add background and depth. These films don’t intrude, but enhance. »

03 Feb 2011

Mosheh, a VideOpera

Yoav Gal, an Israeli-born composer-in-residence at the HERE arts complex in Manhattan’s South Village, calls Mosheh a “VideOpera,” rightly giving as much place to what is seen (electronic projections) as to what is heard (from four sopranos playing the women in the prophet’s life and an orchestra of nine musicians). »

02 Feb 2011

Bérénice, Carnegie Hall

Albéric Magnard, inspired to abandon the law for music by a visit to Bayreuth in 1886, was wealthy enough to ignore the public and go off on his own to compose.  »

02 Feb 2011

I Puritani, Glyndebourne 1960

It’s a joy to watch an athlete finding her legs, especially when you know she’ll achieve her feat superbly, matchlessly, with supreme grace. I first heard Sutherland sing I Puritani (three times) during the famous Met run of 1976. »

02 Feb 2011

Jurowski conducts Zemlinsky

This looked an enticing programme before Vladimir Jurowski, in conversation with the Southbank Centre’s Head of Music, Marshall Marcus, divulged its secrets.  »

02 Feb 2011

La Fanciulla in its Anniversary at Lyric Opera of Chicago

In its current production of Giacomo Puccini’s La fanciulla del West Lyric Opera of Chicago celebrates the centenary of the first performances of the opera.  »

01 Feb 2011

Maria Stuarda, Minnesota Opera

The 2010-2011 season for Minnesota Opera is steeped in Bel Canto opera selections, starting with Rossini’s Cenerentola this fall, currently featuring Donizetti’s Maria Stuarda, and for the spring, a production of Verdi’s La Traviata with acclaimed Violetta, Elizabeth Futral.  »

01 Feb 2011

Simon Boccanegra, New York

A few years ago, a certain major newspaper boasted a music critic who could not bring himself either to take opera seriously or to deny himself the opportunity to review it.  »

01 Feb 2011

Gustav Mahler: Symphonies nos. 1 & 9

Issued together, this set includes recordings from two different times, with Mahler’s First Symphony based on performances from 10, 11, and 23 March 2003, and the Ninth from performances between 1 and 3 June 2006.  »

31 Jan 2011

Mark Adamo, Little Women

Mark Adamo’s opera, based on the famous novel by Louisa May Alcott, contains one extraordinary scene, a model of how to adapt fiction into opera. »

28 Jan 2011

Mehta conducts Verdi’s La Forza del Destino on Blu-Ray

A recent news report on entertainment technology noted that sales of “regular” DVDs had plummeted in recent years, while the newer Blu-Ray format has seen substantial increases.  »

24 Jan 2011

Nabucco, Palm Beach Opera

Appearing on Palm Beach Opera’s website video player General Director Daniel Biaggi points out among the reasons to attend the first show of the company’s 2010-2011 season, “fantastic artists whose voices will blow you away.”  »

24 Jan 2011

Il barbiere di Siviglia, Covent Garden

In my July 2009 review of the first revival of Moshe Leiser’s and Patrice Caurier’s 2005 production of Il barbiere di Siviglia I commented that the directors, aided by conductor, Antonio Pappano, had reinvigorated this operatic ‘old friend’, injecting freshness and spontaneity into familiar material.  »

19 Jan 2011

Mahler: Symphony no. 7

Based on performances give between 3 and 5 November 2005 at Philharmonic Hall, Liverpool, the recent release of Mahler’s Seventh Symphony is an excellent addition to the discography of this work.  »

19 Jan 2011

La Bohème at Covent Garden, 2009

The Royal Opera at Covent Garden has hit on a way to revitalize a vintage production — hire a fresh cast of virtually unknown singers.  »

19 Jan 2011

James Gilchrist, Wigmore Hall

Arms swinging loosely at his side, a relaxed smile and bright eyes conveying his confident ease, James Gilchrist’s young wanderer bounded nimbly onto the stage at the Wigmore Hall, radiating and embodying the fresh optimism of spring, at the start of this technically assured and dramatically coherent performance of Schubert’s song cycle, Die schöne Müllerin. »

18 Jan 2011

Mahler: Symphony No. 3.

A recent addition to Valery Gergiev’s Mahler cycle with the London Symphony Orchestra, the SACD recording of the Third Symphony has much to recommend.  »

16 Jan 2011

The Magic Flute and La Traviata, New York

The dust on 65th Street is clearing up and the reviews for the renovated Lincoln Center for the Performing Arts are in — the piazza is being hailed as newly “inviting” by architects and arts critics alike, and rightly so.  »

16 Jan 2011

Tosca, Metropolitan Opera

They have been fiddling with Luc Bondy’s staging of Tosca. Scarpia doesn’t masturbate on the Madonna; he just sort of pinches her erotically.  »

16 Jan 2011

The Art of the Countertenor

Since he first came to notice a few years ago — in Messiah in this very hall, as Creonte at Covent Garden, and as Arsace in Partenope at New York City Opera, to name by a few recently acclaimed performances — many a starry accolade has been heaped upon young Welsh countertenor, Iestyn Davies: “achingly beautiful tone”,“unforgettable focus and poignancy” and “compelling sense of rhetoric” are typical of the bountiful superlatives.  »

11 Jan 2011

Simon Boccanegra, Bologna 2007

This beautifully realized production of Verdi’s somber masterpiece of political intrigue and father/daughter reconciliation could be a complete success except for one missing element — memorable singing.  »

11 Jan 2011

Il barbiere di Siviglia in Montpellier

There is more than one way to skin a cat.  »

09 Jan 2011

King Roger at Bregenz Festival 2009

Long-dormant operas sometimes rise to meet a new dawn only to then slink away like the creatures of the night they were doomed to be — seductive but dangerous to approach.  »

09 Jan 2011

Operatic Advice and Counsel…A Welcome New Reference Book

Vincent Giroud’s valuable new French Opera, a Short History, is in hand and very welcome it is.  »

07 Jan 2011

Rienzi on DVD

Wagner and Verdi were born within 6 months of each other. Rienzi, der letzte der Tribunen comes from 1840, and could in some ways be Wagner’s Simon Boccanegra. »

05 Jan 2011

Un ballo in maschera at its roots

In its production this season of Verdi’s Un ballo in maschera Lyric Opera of Chicago has staged the work in its original locale at the royal court of Sweden.  »

31 Dec 2010

Aida at Bregenz Festival 2009

Some years ago a witty soul coined the term “jumping the shark” to identify the point at which any long-running television program had exploited all its innate story/character development possibilities and had to resort to ridiculous plot contrivances and spectacle to keep the episodes — and paychecks — coming.  »

31 Dec 2010

Adriana Lecouvreur at Teatro Regio Torino 2009

The Royal Opera at Covent Garden just made something of a splash in international opera news with a star-encrusted revival of an opera once quite popular and yet in recent years — Francesco Cilea’s Adriana Lecouvreur.  »

31 Dec 2010

December at Los Angeles Opera: Lohengrin and Rigoletto

At the end of November Los Angeles Opera brought two productions to the stage of the Dorothy Chandler Pavilion.  »

31 Dec 2010

Pelléas et Mélisande, New York

Pelléas et Mélisande, Debussy’s impressionist drama closely based on Maeterlinck’s eerie, symbolist play, is not a terribly vocal opera; it calls more for the subtlety of art song style than the belting of great divas and divos. »

28 Dec 2010

Mozart at Salzburg Festival: Don Giovanni and Così fan tutte

Once a preserve of opulent traditional productions, the summer Salzburg Festival has become a destination for viewing more cutting edge stagings.  »

27 Dec 2010

100 Best Verdi from EMI Classics

New recordings of classical music don’t appear from the “big labels” very often these days, but those companies have enormous libraries from which to extract selections for compilation discs.  »

19 Dec 2010

Susan Bullock, Wigmore Hall

It may have been five years since Susan Bullock last performed at the Wigmore Hall, as her prominence on the world operatic stage has taken her away from the recital hall, but she wasted no time getting into her stride in this charming and musically varied concert.  »

19 Dec 2010

La Fanciulla del West, New York

La Fanciulla del West is Puccini’s love letter to an America that had acclaimed him joyously on his triumphant visit of 1907 to attend the Met premieres of Manon Lescaut and Madama Butterfly.  »

15 Dec 2010

Karlsruhe Tosca: Guns ‘n’ Jesus

Badisches Staastheater’s production of Tosca starts off with a bang.  »

14 Dec 2010

Paris: ‘Maler’ or ‘Malheur’?

No one could accuse the Paris Opera of pinching pennies (or Euro cents) in their lavishly expansive (and expensive) staging of Hindemith’s Mathis der Maler.  »

14 Dec 2010

Wagner Tannhäuser: Royal Opera House, London

The Royal Opera House itself is the star of this new production of Richard Wagner Tannhäuser. An intriguing twist on an opera that pits orgiastic excess against purity, pleasure against morality.  »

12 Dec 2010

Johann Adolph Hasse: Antonio e Cleopatra

Johann Adolph Hasse (1699-1783) was arguably the most successful opera composer of the 18th century. Together with his favourite librettist, Pietro Metastasio, Hasse defined the genre of opera seria for an entire generation. »

11 Dec 2010

La Bohème, New York

Perhaps the most unexpected occurrence of the evening was the malfunction of the Act I-Act II set change.  »

11 Dec 2010

Die Walküre at La Scala

The opening night of the new season at Teatro alla Scala Milan is a gala event, the most glamorous in the entire Italian opera year.  »

11 Dec 2010

Magic Flute, Phoenix

Wolfgang Amadeus Mozart and Emmanuel Schikaneder had known each other for some time before they wrote The Magic Flute. »