Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

Falstaff, Royal Opera

Director Robert Carsen’s 2012 production of Verdi’s Falstaff, here revived by Christophe Gayral, might be subtitled ‘full of stuff’ or ‘stuffed full’: for it’s a veritable orgy of feasting from first to last - from Falstaff’s breakfast binge-in-bed to the final sumptuous wedding banquet.

Die schweigsame Frau, Munich

If Strauss’s operas of the 1920s receive far too little performing attention, especially in the Anglosphere, those of the 1930s seem to fare worse still.

Abduction and Alcina at the Aix Festival

The 67th edition of the prestigious Festival d’Aix-en-Provence opened on July 2 with an explosive production of Handel’s Alcina followed the next night by an explosive production of Mozart’s Die Entführung aus dem Serail.

O/MODƏRNT: Monteverdi in Historical Counterpoint

O/MODƏRNT is Swedish for ‘un/modern’. It is also the name of the festival — curated by artistic director Hugo Ticciati and held annually since 2011 at the Ulriksdal’s Palace Theatre, Confidencen — which aims to look back and celebrate the past ‘by exploring the relationships between the work of old composers and the artistic and intellectual creations of modern culture’.

Late Schumann in context — Matthias Goerne and Menahem Pressler, London

Matthias Goerne and Menahem Pressler at the Wigmore Hall, London, an intriguing recital on many levels.

Guillaume Tell, Covent Garden

It is twenty-three years since Rossini’s opera of cultural oppression, inspiring heroism and tender pathos was last seen on the Covent Garden stage, but this eagerly awaited new production of Guillaume Tell by Italian director Damiano Micheletto will be remembered more for the audience outrage and vociferous mid-performance booing that it provoked — the most persistent and strident that I have heard in this house — than for its dramatic, visual or musical impact.

Sara Gartland Takes on Jenůfa

Sara Gartland is an emerging singer who brings an enormous talent and a delightful personality to the opera stage. Having sung lighter soprano roles such as Juliette in Gounod’s Romeo et Juliette and Violetta in Verdi’s La traviata, Gartland is now taking on the title role in Leoš Janáček’s dramatic opera Jenůfa.

Aida, Opera Holland Park

With its outrageous staging demands, you sometimes wonder why opera companies want to produce Verdi’s Aida. But the piece is about far more than pharaohs, pyramids and camels.

Press Release: Welsh National Opera explores Madness for autumn season

Madness descends upon Welsh National Opera for its autumn 2015 season, with three new productions that will explore human turmoil through some of the finest musical expressions of madness and the human condition.

A Chat with Pulitzer Prize Winning Composer Jennifer Higdon

American composer Jennifer Higdon has won many awards for her imaginative music. Her percussion concerto received the 2009 Grammy Award for Best Contemporary Classical Composition.

Death in Venice, Garsington Opera

Given the enduring resonance and impact of the magnificent visual aesthetic of Visconti’s 1971 film of Thomas Mann’s novella, opera directors might be forgiven for concluding that Britten’s Death in Venice does not warrant experimentation with period and design, and for playing safe with Edwardian elegance, sweeping Venetian vistas and stylised seascapes.

La Rondine Swoops Into St. Louis

If La Rondine (The Swallow) is a less-admired work than rest of the mature Puccini canon, you wouldn’t have known it by the lavish production now lovingly staged by Opera Theatre of Saint Louis.

Emmeline a Stunner in Saint Louis

Few companies have championed new or neglected works quite as fervently and consistently as the industrious Opera Theatre of Saint Louis.

Luminous Handel in Saint Louis

For Opera Theatre of Saint Louis, “everything old is new again.”

Two Women in San Francisco

Why would an American opera company devote its resources to the premiere of an opera by an Italian composer? Furthermore a parochially Italian story?

Les Troyens in San Francisco

Berlioz’ Les Troyens is in two massive parts — La prise de Troy and Troyens à Carthage.

Dog Days at REDCAT

On Saturday evening June 13, 2015, Los Angeles Opera presented Dog Days, a new opera with music by David T. Little and a text by Royce Vavrek. In the opera adopted from a story of the same name by Judy Budnitz, thirteen-year-old Lisa tells of her family’s mental and physical disintegration resulting from the ravages of a horrendous war.

Opera Las Vegas Presents Exquisite Madama Butterfly

Audiences at the Teatro alla Scala in Milan first saw Madama Butterfly on February 17, 1904. It was not the success it is these days, and Puccini revised it before its scheduled performances in Brescia.

Yardbird, Philadelphia

Opera Philadelphia is a very well-managed opera company with a great vision. Every year it presents a number of well-known “warhorse” operas, usually in the venerable Academy of Music, and a few more adventurous productions, usually in a chamber opera format suited to the smaller Pearlman Theater.

Giovanni Paisiello: Il Barbiere di Siviglia

Written in 1783, Giovanni Paisiello’s Il Barbiere di Siviglia reigned for three decades as one of Europe’s most popular operas, before being overshadowed forever by Rossini’s classic work.


OPERA TODAY ARCHIVES »

Reviews

Ambrogio Maestri as Falstaff [Photo © ROH/Catherine Ashmore]
07 Jul 2015

Falstaff, Royal Opera

Director Robert Carsen’s 2012 production of Verdi’s Falstaff, here revived by Christophe Gayral, might be subtitled ‘full of stuff’ or ‘stuffed full’: for it’s a veritable orgy of feasting from first to last - from Falstaff’s breakfast binge-in-bed to the final sumptuous wedding banquet.  »

Recently in Reviews

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32  |  33  |  34  |  35  |  36  |  37  |  38  |  39  |  40  |  41  |  42  |  43  |  44  |  45  |  46  |  47  |  48  |  49  |  50  |  51  |  52  |  53  |  54  |  55  |  56  |  57  |  58  |  59  |  60  |  61  |  62  |  63  |  64  |  65  |  66  |  67  |  68  |  69  |  70  |  71  |  72  |  73  |  74  |  75  |  76  |  77  |  78  |  79  |  80  |  81  |  82  |  83  |  84  |  85  |  86  |  87  |  88  |  89  |  90  |  91 
19 Sep 2011

Wigmore Hall International Song Competition 2011

The Wigmore Hall is the most respected centre of art song excellence in Britain and its Song Competition attracts interest from all over the world.  »

15 Sep 2011

Bruckner: Symphony no. 9

Recorded on 31 October 2007 in the Großer Musikvereinssaal, Vienna, this performance of the Cleveland Orchestra offers a compelling interpretation of the three completed movements of Bruckner’s Ninth Symphony.  »

15 Sep 2011

L’Amour des trois oranges on CD and DVD

Opera companies around the world — though relatively few in the United States — cannot resist the temptation to stage Sergei Prokofiev’s first major opera.  »

13 Sep 2011

BBC Prom 73: Der Freischütz

Why would a French composer take an opera which epitomises German Romanticism and Nationalism and adapt it to the conventions of the French grand opera tradition?  »

12 Sep 2011

Munich’s Dialogues des Carmélites

Dialogues des Carmélites is a magnificently anti-operatic opera. »

10 Sep 2011

Santa Fe Faust — Revisited

The distinguished soprano Patricia Racette once advised this observer, “If you are coming to the opera to review me, please attend the latest performance you can.” I knew what she meant.  »

09 Sep 2011

Les Troyens by La Fura dels Baus

When the opera opens, a chorus of Trojan is rejoicing that the Greeks have abandoned the war and gone home.  »

08 Sep 2011

Prom 67: Beethoven, Mass in D major, op.123

I shall not beat about the bush: this was a great performance.  »

08 Sep 2011

Glyndebourne’s Billy Budd

Hermann Melville wrote a poem called “Fragments of a Lost Gnostic Poem of the Twelfth Century”: »

06 Sep 2011

Ruhrtriennale’s Luminous Tristan

Bochum’s Jahrhunderthalle, a massive, re-purposed industrial building, seemed an unlikely location to contain and frame the transcendent, unbounded spiritual journey of Wagner’s masterpiece Tristan und Isolde. »

06 Sep 2011

Macbeth from Paris and Parma

Superstitions surround theatrical productions of Shakespeare’s Scottish tragedy.  »

01 Sep 2011

Verdi’s Requiem Closes Grant Park Festival

In its final performances of the Summer 2011 season the Grant Park Orchestra and Chorus along with guest soloists gave two performances of Verdi’s Requiem.  »

30 Aug 2011

BBC Prom 58: Mendelssohn’s Elijah

Droughts, deserts, false gods, angels, earthquakes, hurricanes, tsunamis and a firestorm. Plenty of drama in the Bible. In BBC Prom 58, Paul McCreesh and the Gabrieli Consort and Players made a good case for period performance of Mendelssohn’s magnificent Elijah op 70.  »

30 Aug 2011

Bayreuth’s Tannhäuser: Recycled Trash

Newsflash: Wartburg is a world-wide recycling company, at one with the universe, wherein everything and everyone exists in a perfectly sustainable environment.  »

30 Aug 2011

Carlos Kleiber — Traces to Nowhere

Film biographies of great musicians notoriously exhibit a preference for talking heads nattering on over any music passages.  »

29 Aug 2011

BBC Prom 55: Rinaldo

It’s becoming rather a fashion to set operas in English public schools.  »

29 Aug 2011

Don Giovanni, Salzburg

When discussing the evolution of opera as a genre, the towering figure of Richard Wagner cannot be ignored.  »

29 Aug 2011

L’elisir d’amore, Miami

“The number of recordings testify to the continuing popularity of Donizetti’s melodrama in two acts [L’elisir d’amore], which rivals Don Pasquale among his comic operas and is often rated the better on account of its superior libretto by Felice Romani.”  »

28 Aug 2011

BBC Prom 50

In 2008, the late Richard Hickox, founder and then music director of the City of London Sinfonia, commissioned a work from composer Colin Matthews to celebrate the orchestra’s 40th anniversary, which takes place this year. »

27 Aug 2011

Santa Fe: Best of Show 2011

As this is written, the third week of August, the Santa Fe music season is winding down.  »

27 Aug 2011

Caractacus,Three Choirs Festival, Worcester

Superb performance of Elgar’s epic oratorio Caractacus at the The Three Choirs Festival in Worcester Cathedral. »

27 Aug 2011

Santa Fe Musical Delights

Musical excellence was the centerpiece of three of Santa Fe Opera’s annual offerings. »

27 Aug 2011

Nino Machaidze: Romantic Arias

The back cover of soprano Nino Machiadze’s debut solo recital from Sony Classical quotes her as describing the disc’s selection of arias as “my world, my successes to date and my hopes for the future.”  »

27 Aug 2011

Franz Schmidt’s The Book with Seven Seals at Grant Park

In keeping with the festival nature of the piece, the Grant Park Orchestra and Chorus, along with guest soloists and a guest chorus director, gave two performances of Franz Schmidt’s Das Buch mit sieben Siegeln on recent weekend evenings.  »

27 Aug 2011

Two one-act comic operas from New York Festival of Song

The New York Festival of Song, created and run by Steven Blier and Michael Barrett, dedicates itself to what one might call “American lieder” — art songs by top American composers, classic Broadway, and operatic numbers. »

27 Aug 2011

Mosé in Egitto and Adelaide di Borgogna in Pesaro

It was a no-brainer. The Old Testament Egyptians had to become today’s Palestinians. »

25 Aug 2011

Rossini’s Armida from the Met HD Live

What is to be done about Armida?  »

20 Aug 2011

Donizetti’s Marino Faliero at the 2008 Bergamo Music Festival

Gaetano Donizetti is arguably the established opera composer with the highest ratio of failures to successes.  »

19 Aug 2011

BBC Prom 41

This concert of three substantial choral and orchestral works by Benjamin Britten recreated the ‘50th birthday’ Promenade concert which Britten himself conducted on 12 September 1963.  »

19 Aug 2011

Glimmer, Glamour Back in Cooperstown

A breath of fresh air is making its way through the Glimmerglass Opera festival, and her name is Francesca Zambello. »

19 Aug 2011

Previn and Caird’s Brief Encounter

The chief classical music and opera critic for the Los Angeles Times often criticizes any new operas based on familiar films or classic novels, on the basis of artistic timidity and conservatism.  »

19 Aug 2011

La Bohème at Torre del Lago

This is where Puccini composed many of his operas until the lake got so polluted he had to move to nearby Viareggio.  »

14 Aug 2011

Ariadne auf Naxos, Dell’Arte Opera Ensemble

Today’s general public labors under the unfortunate misconception that in order to enjoy opera, one needs to be educated and at ease with mobility in social circles largely consisting of decrepit old rich people.  »

14 Aug 2011

Opera at Grant Park Music Festival

For its seventh program of the Summer 2011 season the Grant Park Music Festival presented concert ensembles performed by members of the Ryan Opera Center of Lyric Opera of Chicago.  »

14 Aug 2011

Les Contes d’Hoffmann, Wolf Trap

For opera lovers who are serious enough to even think of a performing career, the path is an arduous one.  »

14 Aug 2011

Prom 32: Brahms and Mahler

Brahms’s Violin Concerto and Mahler’s Das klagende Lied did not seem to be the most obvious bedfellows — there has been some rather peculiar programming at this year’s Proms — and even after further consideration, the only real connection I could muster was that they were written at the same time: the concerto in 1878, the cantata between 1878 and 1880.  »

14 Aug 2011

Julia Lezhneva sings Rossini

It seems very appropriate that a record company called Naïve should elect to release a solo recital for a soprano in her very early 20s.  »

14 Aug 2011

Starry-Crossed Lovers in Bavaria

In the waning days of the annual summer festival, Munich’s Bavarian State Opera fielded enough star power to fire up a minor galaxy with its wholly absorbing production of I Capuleti e i Montecchi. »

13 Aug 2011

Einojuhani Rautavaara’s Aleksis Kivi

Great characters are at the center of all operatic masterpieces, yet opera almost never treads into “operatic biography” territory.  »

13 Aug 2011

Théodore Gouvy’s Iphigénie en Tauride

Gounod you know, but how about Gouvy?  »

12 Aug 2011

Saint-Saëns’s Samson et Dalila in Antwerp

Bonus features on opera DVDs usually get generic names, such as “Interview” or “Backstage with…”  »

12 Aug 2011

Gergiev conducts Wagner’s Parsifal

A handsome black steed bows its head, eyes open, peering into the darkness around it. »

12 Aug 2011

Risorgimento 150 years after

How the saga of Italian unification in 1861 is being (half-heartedly) celebrated by opera composers. »

02 Aug 2011

BBC Prom 21

From the bombastic sweeps of Richard Strauss’ Don Juan, to the blissful rhapsodies of Walton’s Violin Concerto, and through the rhythmic surges of Prokofiev’s choral manifesto of socialist realism, conductor Andris Nelsons fizzed — indeed, almost exploded with energy and zest — and inspired clarity, control and freshness from the City of Birmingham Symphony Orchestra, on this their only visit to the Proms this season. »

01 Aug 2011

La traviata at the Aix Festival

An appreciation of La traviata plus La clemenza di Tito and Le Nez/The Nose at the Aix-en-Provence Festival. »

01 Aug 2011

La Wally, Opera Holland Park, London

Alfredo Catalani’s La Wally is known for its arias, but the full opera is rarely performed. Expectations were high for this production at Opera Holland Park, London. »

31 Jul 2011

Die Liebe der Danae, Bard Summerstage

In the modern operatic world, respect for the oeuvre of any given composer, as well as his stylistic development and placement in operatic history, is sacrosanct.  »

31 Jul 2011

Rodelinda Triumphs at Iford Opera

Rodelinda is about as serious an opera as any that Handel wrote: attempted regicide and infanticide, violent death, betrayal and a marriage sorely tried.  »

29 Jul 2011

Rigoletto, Opera Holland Park

It’s always a good idea to ferret away a sure-fire winner amongst the rarities, and Opera Holland Park’s Rigoletto certainly meets, and in some aspects surpasses, expectations.  »

28 Jul 2011

Boston Midsummer Opera’s Italian Girl in Algiers

This year’s venture for the annual Boston Midsummer Opera is an elegant reading of Rossini’s fizzy masterpiece of 1813, l’Italiana in Algeri.  »

27 Jul 2011

Rigoletto, Miami Lyric Opera

There’s hell to pay for profligate publicity; Giuseppe Verdi and Francisco Maria Piave knew this to be true.  »

26 Jul 2011

Verdi’s Requiem, BBC Proms

Not only did Verdi’s Requiem make its debut, rather remarkably, in the church of San Marco in Milan but the performance was as a liturgical one; Verdi’s intentions were quite firmly to provide a memorial mass for the Italian patriot, Manzoni.  »

22 Jul 2011

The Sopranos — Dissecting opera’s fervent fans

I was feeling cowed by Herr Engels. The four of us had retired from the Stravinsky performance to a Billy Wilder-themed bar in Berlin, the least horrible late-night option in the high end mediocrity of Potsdamer Platz.  »

22 Jul 2011

Mignon and Saul at Buxton Opera Festival

Buxton, like Wexford, makes a point of offering its clientele the opportunity to sample works that are unjustly neglected by the major houses, and for his final festival as director, Andrew Greenwood served up a typical feast of operatic rarities reflecting the increasingly ambitious approach which has characterised his musical stewardship.  »

19 Jul 2011

Havergal Brian’s “Gothic” Symphony

The BBC Proms has given Havergal Brian’s Symphony no. 1 the best and most extensive exposure the composer has ever enjoyed.  »

18 Jul 2011

Guillaume Tell, BBC Proms

Operatic fashions are fickle and, more to the point, often plain wrong. We all have our grievance lists of works that are ‘scandalously neglected’.  »