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Elsewhere

Cold Mountain, Philadelphia

Opera Philadelphia deserves congratulations on yet another coup. The company co-commissioned Cold Mountain, an opera by Jennifer Higdon based on Gene Scheer’s adaptation of Charles Frazier’s celebrated Civil War epic.

Christian Gerhaher Wolfgang Rihm Wigmore Hall

For their first of two recitals at the Wigmore Hall, Christian Gerhaher and Gerold Huber devised an interesting programme - popular Schubert mixed with songs by Wolfgang Rihm and by Huber himself.

Götterdämmerung in Palermo

There are not many opera productions that you would cross oceans to see. Graham Vick’s Götterdämmerung in Sicily however compelled such a voyage.

Emmanuel Chabrier L’Étoile — Royal Opera House London

Premièred in 1877 at Offenbach’s own Théâtre des Bouffes Parisiens, Emmanuel Chabrier’s L’Étoile has a libretto, by Eugène Leterrier and Albert Vanloo, which stirs the blackly comic, the farcical and the bizarre into a surreal melange, blending contemporary satire with the frankly outlandish.

Robert Ashley’s Quicksand at the Kitchen

Robert Ashley’s opera-novel Quicksand makes for a novel experience

Premiere of Raskatov’s Green Mass

One of the leading Russian composers of his generation, Alexander Raskatov’s reputation in the UK and western Europe derives from several, recent large-scale compositions, such as his reconstruction of Alfred Schnittke’s Ninth Symphony from a barely legible manuscript (the work was first performed in 2007 in the Dresden Frauenkirche by the Dresden Philharmonic under Dennis Russell Davies), and his 2010 opera A Dog’s Heart, based on Mikhail Bulgakov’s satire (which was directed by Simon McBurney at English National Opera in 2010, following the opera’s premiere at Netherlands Opera earlier that year).

Orpheus in the Underworld, Opera Danube

I’m not sure that St John’s Smith Square was the most appropriate venue for Opera Danube’s latest production: Jacques Offenbach’s satirical frolic, Orpheus in the Underworld.

Lady Macbeth of Mtsensk in Lyon

This nasty little opera evening in Lyon lived up to the opera’s initial reputation as pure pornophony. This is the erotic Shostakovich of the D minor cello sonata, it is the sarcastic and complicated Shostakovich of The Nose . . .

Bel Canto: A World Premiere at Lyric Opera of Chicago

During December 2015 and presently in January Lyric Opera of Chicago has featured the world premiere of the opera Bel Canto, with music by Jimmy López and libretto by Nilo Cruz, based on the novel by Ann Patchett.

Tosca, Royal Opera

Christmas at the Royal Opera House is all about magic, mystery and miracles: as represented by the conjuror’s exploits in The Nutcracker — with its Kingdom of Sweets and Sugar Plum Fairy — or, as in the Linbury Theatre this year, the fantastical adventures of the Firework-Maker’s Daughter, Lila, and her companions — a lovesick elephant, swashbuckling pirates, tropical beasts and Fire-Fiends.

Lianna Haroutounian resplendent in Madama Butterfly at the Concertgebouw

The title role is a deciding factor in Madama Butterfly. Despite a last-minute conductor cancellation, last Saturday’s concert performance at the Concertgebouw was a resounding success, thanks to Lianna Haroutounian’s opulent, heart-stealing Cio-Cio-San.

Classical Opera: MOZART 250 — 1766: A Retrospective

With this performance of vocal and instrumental works composed by the 10-year-old Mozart and his contemporaries during 1766, Classical Opera entered the second year of their 27-year project, MOZART 250, which is designed to ‘contextualise the development and influences of [sic] the composer’s artistic personality’ and, more audaciously, to ‘follow the path that subsequently led to some of the greatest cornerstones of our civilisation’.

Benjamin Appl — Schubert, Wigmore Hall London

Luca Pisaroni and Wolfram Rieger were due to give the latest installment in the Wigmore Hall's complete Schubert songs series, but both had to cancel at short notice. Fortunately, the Wigmore Hall rises to such contingencies, and gave us Benjamin Appl and Jonathan Ware. Since there's a huge buzz about Appl, this was an opportunity to hear more of what he can do.

Ferrier Awards Winners’ Recital

The phrase ‘Sunday afternoon concert’ may suggest light, post-prandial entertainment, but soprano Gemma Lois Summerfield and her accompanist, Simon Lepper, swept away any such conceptions in this demanding programme at St. John’s Smith Square.

Pelléas et Mélisande at the Barbican

When, o when, will someone put Peter Sellars and his compendium of clichés out of our misery?

A Chat With Up-and-Coming Conductor Kathleen Kelly

Kathleen Kelly is an internationally renowned pianist, coach, conductor, and master teacher. She was the first woman and first American named Director of Musical Studies at the Vienna State Opera.

Samuel Barber: Choral Music

This recording, made in the Adrian Boult Hall at the Birmingham Conservatoire of Music in June 2014, is the fourth disc in SOMM’s series of recordings with Paul Spicer and the Birmingham Conservatoire Chamber Choir.

L'Arpeggiata: La dama d’Aragó, Wigmore Hall

Having recently followed some by-ways through the music of Purcell, Monteverdi and Cavalli, L’Arpeggiata turned the spotlight on traditional folk music in this characteristically vibrant and high-spirited performance at the Wigmore Hall.

Tippett : A Child of Our Time, London

Edward Gardner brought all his experience as a choral and opera conductor to bear in this stirring performance of Michael Tippett’s A Child of Our Time at the Barbican Hall, with a fine cast of soloists, the BBC Symphony Orchestra and BBC Symphony Chorus.

Taverner and Tavener, Fretwork, London

‘Apt for voices or viols’: eager to maximise sales among the domestic market in Elizabethan England, publishers emphasised that the music contained in collections such as Thomas Morley’s First Book of Madrigals to Four Voices of 1594 was suitable for performance by any combination of singers and players.


OPERA TODAY ARCHIVES »

Reviews

Ada (Isabel Leonard) recalls saying goodbye to Inman
08 Feb 2016

Cold Mountain, Philadelphia

Opera Philadelphia deserves congratulations on yet another coup. The company co-commissioned Cold Mountain, an opera by Jennifer Higdon based on Gene Scheer’s adaptation of Charles Frazier’s celebrated Civil War epic.  »

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24 Mar 2012

A Child of Our Time, Barbican Hall

The Barbican’s English oratorio series now reaches the twentieth century, with Tippett’s A Child of Our Time, though it will step back to The Dream of Gerontius next month.  »

22 Mar 2012

Albert Herring, LA

The Los Angeles Opera, anticipating Benjamin Britten’s centennial gave the composer, as well as its patrons, an early birthday present of performances of his charming comic opera, Albert Herring.  »

19 Mar 2012

Metropolitan Opera National Council Grand Finals Concert

A major part of the rejuvenation of opera in the 21st century is the cultivation of young singers.  »

19 Mar 2012

Levine conducts at the Metropolitan Opera: 1978 to 2006

Since his debut at the Metropolitan Opera in 1971, conductor James Levine has come to represent the house’s commitment to artistic excellence — reliable, professional, and immaculately presented.  »

19 Mar 2012

Don Pasquale, San Diego

You can’t keep a good opera buffa down. And Gaetano Donizetti’s Don Pasquale is about as good as opera buffa gets.  »

19 Mar 2012

Aida in Arizona

Two live camels with trainers in Egyptian garb were stationed in front of Phoenix’s Symphony Hall to publicize the opening of Arizona Opera’s new production of Aida.  »

13 Mar 2012

Miss Fortune mis-fires, Royal Opera House

An absurd plot has never stood in the way of a good opera. Unfortunately, Judith Weir’s Miss Fortune at the Royal Opera House isn’t much of an opera. »

12 Mar 2012

Netrebko and Garanča in Donizetti’s Anna Bolena

The cinema world has given us “star vehicle,” a term used to describe a movie that may not have the best script or direction but which suits a popular actor’s persona so well the film can fairly be called a successful entertainment.  »

12 Mar 2012

A Physical Barber by ETO

For an operatic masterpiece The Barber of Seville is surprisingly tricky to do well, it is not one of those pieces which plays itself.  »

09 Mar 2012

Byrd: The Englishman

In this stimulating and uplifting performance, The Cardinall’s Musick, led by director Andrew Carwood, continued their comprehensive project to examine the works of one of England’s greatest composers — William Byrd (c.1540—1623).  »

08 Mar 2012

Elijah, Barbican Hall, London

The Barbican’s six-month series celebrating the English oratorio, has now reached Mendelssohn’s Elijah — or perhaps we should follow the Victorians and refer to it as ‘the Elijah’, given that it was performed in English, in William Bartholomew’s translation.  »

06 Mar 2012

Abduction from the Seraglio, Philadelphia

Abduction from the Seraglio contains not a single ironic or cynical moment. Enlightened mercy and sincere love triumph totally over revenge, slavery and tyranny.  »

05 Mar 2012

Paris: Tenors Trump Befuddled Productions

Two recent outings at the Paris Opéra might have been subtitled: “Max Bialystock is Alive and Well and Living in Paris.” »

05 Mar 2012

Zurich’s Magnificent ‘Other’ Moor

Right to the musical ‘score’ board: Zurich Opera stared down the mighty challenge posed by Rossini’s Otello ossia il moro di Venezia, and knocked it out of the ballpark. »

04 Mar 2012

Mazeppa in Monte-Carlo

Tchaikovsky’s Mazeppa is not everyday repertory, nonetheless here in the south of France the Monaco production follows fairly closely (a couple of years) on the heels of the Peter Stein Mazeppa in Lyon. »

04 Mar 2012

Previn conducts the LSO in the 1970s

André Previn’s leadership of the London Symphony Orchestra in the early 1970s resulted in some highly regarded recordings, including one of the classic accounts of Rachmaninov’s Second Symphony.  »

01 Mar 2012

A Midsummer Night’s Dream, GSMD

There were high hopes for the 2012 debut production of A Midummer Night’s Dream by the Guildhall School of Music and Drama’s Opera programme . »

01 Mar 2012

Giuseppe Verdi: Aida

A perennial favorite among opera enthusiasts since its 1871 premiere in Cairo, Aida remains a popular work, and its strengths are apparent in the recent Decca DVD from the Metropolitan Opera, New York.  »

29 Feb 2012

Simon Boccanegra, LA

Sometime everything seems to go right. Just as the Los Angeles Opera Company did last fall, it opened its spring season with a baritonal eponymous opera; this time, Giuseppe Verdi’s Simon Boccanegra.  »

28 Feb 2012

Rusalka, Royal Opera

It is a truth universally acknowledged that an interesting opera production will be met with incomprehension and lazy, philistine hostility by vast swathes of the audience in many, perhaps most, of the world’s ‘major’ houses, a truth that renders one all the more grateful for the Royal Opera showing the courage to stage this new — to London — production of Rusalka. »

28 Feb 2012

Beatrice and Benedict at the Wales Millennium Centre

Welsh National Opera presented a rather undercooked account of Berlioz’s tricky opera, in a revival of Elijah Moshinsky’s classic production »

27 Feb 2012

Mahler: Symphony No. 9

Based on performances given on 2 and 3 March 2011 (at the Barbican, London), Valery Gergiev’s recording of Mahler’s Ninth Symphony is an engaging and persuasive reading of the score.  »

27 Feb 2012

John Adams — Death of Klinghoffer, London

John Adams’s The Death of Klinghoffer is on at the English National Opera, London. »

27 Feb 2012

“Figures from the Antique”, Wigmore Hall

Modern and historic responses to classical tragedy and myth formed the unifying focus for this latest stage of Ian Bostridge’s year-long ‘Ancient and Modern’ project at the Wigmore Hall.  »

24 Feb 2012

Moby-Dick, San Diego

When Captain Ahab sailed the Pequod into San Diego this week, he brought a new American opera with him. Jake Heggie’s Moby-Dick is a stunning work likely to have universal appeal.  »

24 Feb 2012

Fleming in Strauss’s Capriccio

Is there somewhere in Italian opera repertory where, as a comic interlude, the portentous clichés of German opera come in for a skewering amid the luscious sunshine of Italianate lyricism?  »

24 Feb 2012

Michael Spyres — A Fool for Love

Tenor Michael Spyres’ star is on the rise and his highly enjoyable debut recital disc offers ample proof as to why. »

24 Feb 2012

La clemenza di Tito — Barbican

The last opera seria — Mozart’s late, austere masterpiece, and vividly brought it to life. »

24 Feb 2012

Amsterdam’s Invisible, Risible Kitezh

A breath-taking stage picture at curtain rise of Netherlands Opera's The Legend of the Invisible City of Kitezh and the Maiden Fevronia indeed made us involuntarily gasp as one.  »

20 Feb 2012

The Veronica Dunne International Singing Competition: Showcase Concert

Inaugurated in 1995, the Veronica Dunne International Singing Competition is a triennial competition, held in the National Concert Hall in Dublin, which takes place over a week in January.  »

20 Feb 2012

Berlioz’s Roméo et Juliette — Opera with few words

Mark Elder and the Orchestra of the Age of Enlightenment brought Berlioz’s Roméo et Juliette to the Royal Festrival Hall. »

20 Feb 2012

La Traviata, NYCO

In his memoirs, Five Thousand Nights at the Opera, Sir Rudolph Bing, general manager of the Met from 1950 to 1972, discusses the Met’s move from 39th street to its current home at Lincoln Center.  »

20 Feb 2012

Erwin Schrott’s Don Giovanni, ROH

Erwin Schrott triumphed as Don Giovanni in the Mozart/da Ponte series at the Royal Opera House, overcoming the limitations of the staging.  »

17 Feb 2012

Don Pasquale at the Théâtre des Champs Elysées

Critics. Can you get along without us? It is possible to reflect on this when the production of Donizetti’s Don Pasquale is shown on television tonight. »

17 Feb 2012

The Charterhouse of Parma in Marseille

Henri Sauguet is not entirely unknown in opera circles — divas Regine Crespin, Felicity Lott, Nathalie Dessay and Leontyne Price have included his arias in their solo albums. Plus there is a recording of his 1954 opera-comique Les Caprices de Marianne. »

17 Feb 2012

Verdi’s Aida at Lyric Opera, Chicago

In its current revival of Giuseppe Verdi’s Aida Lyric Opera of Chicago approaches the challenges of the ambitious score with a cast well suited to the music and to the drama.  »

16 Feb 2012

The Barber of Seville, Metropolitan Opera

It was a performance of Rossini’s The Barber of Seville in the late 90’s that marked my first visit to the Met.  »

16 Feb 2012

Pountney directs Verdi’s Forza for Vienna

One of the guiding principles of the revisionist (if not intervisionist) school of opera directing commonly called “regie-theater” is that certain outdated dramatic conventions in the librettos of many great operas can actually interfere with a contemporary audience’s ability to perceive the true artistic worth of the work of art.  »

15 Feb 2012

Le nozze di Figaro, Royal Opera

David McVicar’s production of The Marriage of Figaro, previously staged in 2006 (twice), »

13 Feb 2012

Ernani, Metropolitan Opera

Ernani accosts us with the charm and the gaucherie of a provincial youth without much experience as the host of a classy party.  »

11 Feb 2012

The Tales of Hoffmann, ENO

In many respects, The Tales of Hoffmann and Richard Jones would seem a good fit.  »

10 Feb 2012

Dido and Aeneas, Manitoba

Winnipeg music lovers were willingly transported back several centuries as Daniel Taylor and Montreal-based Theatre of Early Music graced Westminster United Church with a program of infrequently heard music.  »

08 Feb 2012

Gustav Mahler: Das Lied von der Erde

Recorded on 14 June 1964 at the Großer Saal of the Musikverein, Vienna, as part of the Wiener Festwochen, this legendary performance of Mahler’s Das Lied von der Erde was released in 2011 on Deutsche Grammophon.  »

08 Feb 2012

Il trittico in Lyon

All the important directors pass through Lyon, so it was just a matter of time before British director David Pountney would be invited to stage a production. It was Puccini’s triptych. »

08 Feb 2012

Dvořák’s The Jacobin, London

In advance of the new Rusalka at the Royal Opera House, the Barbican and the BBC Symphony Orchestra brought an electrifying performance of Dvořák's The Jacobin to London.  »

08 Feb 2012

Gustav Mahler: Symphony No. 4

If Mahler’s Fourth Symphony is arguably one of his more familiar pieces, live performances of the work can vary depending on the abilities of the performers to meet the various challenges of the piece.  »

08 Feb 2012

Der Rosenkavalier, ENO

English National Opera’s revival of Richard Strauss’s fin de siècle Figaro is a heart-warming treat for a cold winter’s night. »

08 Feb 2012

Weill: Die sieben Todsünden

I failed to discern any rationale behind programming the Brecht-Weill ballet chanté with various works by Debussy, one orchestrated by Robin Holloway.  »

06 Feb 2012

L’Enfant et les Sortilèges and La Navarraise in Monte-Carlo

The magic was in the pit, not that all Monaco was not magical — on January 25 a yellow Lamborghini, a red Ferrari, a vintage Jaguar among other magnificent machines stood before the entrance to Monte-Carlo’s resplendent Casino cum transplendent 500-seat opera house. »

03 Feb 2012

Werner Güra Sings Schubert, Wigmore Hall

Each year, the Wigmore Hall commemorates Franz Schubert’s birthday with a high profile recital. This year, Werner Güra and Roger Vignoles presented a recital which was a timely reminder of what Lieder performance should be. »

02 Feb 2012

Salome, San Diego

The San Diego Opera Company opened its 47th season on Saturday, January 26th with Richard Strauss’ Salome, a work that has something in it for everyone: lust, love, lasciviousness, homosexuality, heterosexuality, homicide, suicide, a voluptuous dance and quickie nudity.  »