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Elsewhere

Il turco in Italia at the Aix Festival

Twenty years ago stage director Christopher Alden introduced Rossini’s then forgotten comedy to Southern California audiences in a production that is still remembered. In Aix Alden has revisited this complex work that many critics now consider Rossini’s greatest comedy.

First Night of the BBC Proms : Elgar The Kingdom

The BBC Proms 2014 season began with Sir Edward Elgars The Kingdom (1903-6). It was a good start to the season,which commemorates the start of the First World War. From that perspective Sir Andrew Davis's The Kingdom moved me deeply.

Le nozze di Figaro, Munich

One is unlikely to come across a cast of Figaro principals much better than this today, and the virtues of this performance indeed proved to be primarily vocal.

Winterreise and Trauernacht at the Aix Festival

That’s A Winter’s Journey and A Night of Mourning for metteurs-en-scène William Kentridge (South Africa) and Katie Mitchell (Great Britain), completing the clean sweep of English language stage directors for the Aix Festival productions this year.

James Gilchrist at Wigmore Hall

Assured elegance, care and thoughtfulness characterised tenor James Gilchrist’s performance of Schubert’s Schwanengesang at the Wigmore Hall, the cycles’ two poets framing a compelling interpretation of Beethoven’s An die ferne Geliebte.

Music for a While: Improvisations on Henry Purcell

‘Music for a while shall all your cares beguile.’ Dryden’s words have never seemed as apt as at the conclusion of this wonderful sequence of improvisations on Purcell’s songs and arias, interspersed with instrumental chaconnes and toccatas, by L’Arpeggiata.

Nabucco at Orange

The acoustic of the gigantic Théâtre Antique Romain at Orange cannot but astonish its nine thousand spectators, the nearly one hundred meter breadth of the its proscenium inspires awe. There was excited anticipation for this performance of Verdi’s first masterpiece.

Richard Strauss: Notturno

Richard Strauss may be most closely associated with the soprano voice but this recording of a selection of the composer’s lieder by baritone Thomas Hampson is a welcome reminder that the rapt lyricism of Strauss’s settings can be rendered with equal beauty and character by the low male voice.

Saint Louis: A Hit is a Hit is a Hit

Opera Theatre of Saint Louis has once again staked claim to being the summer festival “of choice” in the US, not least of all for having mounted another superlative world premiere.

La Flûte Enchantée (2e Acte)
at the Aix Festival

In past years the operas of the Aix Festival that took place in the Grand Théâtre de Provence began at 8 pm. The Magic Flute began at 7 pm, or would have had not the infamous intermittents (seasonal theatrical employees) demanded to speak to the audience.

Ariodante at the Aix Festival

High drama in Aix. Three scenarios in conflict — those of G.F. Handel, Richard Jones and the intermittents (disgruntled seasonal theatrical employees). Make that four — mother nature.

Lucy Crowe, Wigmore Hall

The programme declared that ‘music, water and night’ was the connecting thread running through this diverse collection of songs, performed by soprano Lucy Crowe and pianist Anna Tilbrook, but in fact there was little need to seek a unifying element for these eclectic works allowed Crowe to demonstrate her expressive range — and offered the audience the opportunity to hear some interesting rarities.

The Turn of the Screw, Holland Park

‘Only make the reader’s general vision of evil intense enough … and his own experience, his own imagination, his own sympathy … will supply him quite sufficiently with all the particulars.

Plenty of Va-Va-Vroom: La Fille du Regiment, Iford

It is not often that concept, mood, music and place coincide perfectly. On the first night of Opera della Luna’s La Fille du Regiment at Iford Opera in Wiltshire, England we arrived with doubts (rather large doubts it should be admitted)as to whether Donizetti’s “naive and vulgar” romp of militarism and proto-feminism, peopled with hordes of gun-toting soldiers and praying peasants, could hardly be contained, surely, inside Iford’s tiny cloister?

La finta giardiniera, Glyndebourne

‘Lovers and madmen have such seething brains,/ Such shaping fantasies, that apprehend/ More than cool reason ever comprehends.’

Sophie Karthäuser, Wigmore Hall

Belgian soprano Sophie Karthäuser has a rich range of vocal resources upon which to draw: she has power and also precision; her top is bright and glinting and it is complemented by a surprisingly full and rich lower register; she can charm with a flowing lyrical line, but is also willing to take musical risks to convey emotion and embody character.

Ariadne auf Naxos, Royal Opera

‘When two men like us set out to produce a “trifle”, it has to become a very serious trifle’, wrote Hofmannsthal to Strauss during the gestation of their opera about opera.

Leoš Janáček : The Cunning Little Vixen, Garsington Opera at Wormsley

Janáček started The Cunning Little Vixen on the cusp of old age in 1922 and there is something deeply elegiac about it.

La Traviata in Marseille

It took only a couple of years for Il trovatore and Rigoletto to make it from Italy to the Opéra de Marseille, but it took La traviata (Venice, 1853) sixteen years (Marseille, 1869).

Madama Butterfly in San Francisco

Gesamtkunstwerk, synthesis of fable, sound, shape and color in art, may have been made famous by Richard Wagner, and perhaps never more perfectly realized than just now by San Francisco Opera.


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Reviews

Sir Edward Elgar
20 Jul 2014

First Night of the BBC Proms : Elgar The Kingdom

The BBC Proms 2014 season began with Sir Edward Elgars The Kingdom (1903-6). It was a good start to the season,which commemorates the start of the First World War. From that perspective Sir Andrew Davis's The Kingdom moved me deeply.  »

Recently in Reviews

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04 Dec 2009

Le Nozze di Figaro at the MET

The best news about the Met’s eleven-year-old Jonathan Miller production of Le Nozze di Figaro is that it has been restaged by Gregory Keller, more tautly spun, many elegant jokes or character moments inserted, several idiocies discarded and with plenty of room remaining for singers with a flair for it (such as Luca Pisaroni and Isabel Leonard) to invent comic business of their own. »

02 Dec 2009

Otello in San Francisco

Sir Peter Hall created this production of Otello at Chicago Lyric Opera in 2001.  »

01 Dec 2009

No need to rise for this Hallelujah Chorus

ENO did not exactly ‘import a choir of Heathens’ to encourage the Shaws of this world to ‘hasten’ to its version of ‘Messiah’ ‘if only to witness the delight of the public and the discomfiture of the critics,’ the contribution of ‘Heathens’ in musical terms being limited to representing the populace of an initially grey Britain (or so I assume) but for every critic who was discomfited — most of us — there were hundreds of audience members who loved it, so it’s fairly safe to predict a considerable hit. »

30 Nov 2009

Mark Padmore at Wigmore Hall

Mark Padmore and The English Concert took us on a journey from the dark depths of melancholy to the ethereal transcendence of joy, in a display of consummate artistry at the Wigmore Hall. »

27 Nov 2009

Esther at NYCO

The question that puzzled me when attending Esther was Why.  »

24 Nov 2009

Musical Exoticism: Images and Reflections

Ralph Locke’s recent book on Musical Exoticism is both an historical survey of aspects of the exotic in Western musical culture and a discussion of paradigms of the exotic and their relevance for musicological understanding.  »

24 Nov 2009

Così fan tutte, Opera Australia

Like most opera companies, the Mozart/da Ponte trifecta of Figaro, Don Giovanni and Così fan tutte are central to Opera Australia’s repertoire.  »

24 Nov 2009

Iestyn Davies at Wigmore Hall

There was a certain inevitability about the build-up to Iestyn Davies’ recital at the Wigmore Hall in London last Wednesday.  »

17 Nov 2009

Lorin Maazel conducts Verdi and Puccini at La Scala

In the mid-1980s (just before the Riccardo Muti era began), Lorin Maazel often ruled the conductor's roost at La Scala.  »

17 Nov 2009

From the House of the Dead at the MET

Leoš Janáček’s From the House of the Dead is a very odd duck to find on the stage of a grand opera house.  »

15 Nov 2009

Die Rheinnixen by New Sussex Opera

London has long been spoiled in the operatic rarity department, thanks to companies like Opera Rara, Chelsea Opera Group and University College Opera populating various areas of the Venn diagram that is obscure repertoire.  »

12 Nov 2009

Hindemith’s Das Marienleben — Soile Isokoski

Hindemith’s Das Marienleben has a formidable reputation, but is rarely heard. Soile Isokoski could change all that. This cycle is a tour de force, but tours de force need singers capable of achieving them.  »

11 Nov 2009

Schubert: Fierrabras

The worlds of lieder and opera seem to share the same galaxy, while being countless light years apart.  »

11 Nov 2009

Lohengrin in Houston: A long-awaited return

Wagner was last on stage in Houston’s Wortham Theater Center in 2001, when the Houston Grand Opera staged Tannhäuser.  »

11 Nov 2009

Muti conducts Domingo in Verdi's Otello

The December opening of the La Scala season requires a notable production, and in 2001 a gorgeous new production of Verdi's Otello fit the bill.  »

10 Nov 2009

Duke Bluebeard’s Castle at ENO

This grueling production of Bartok’s operatic masterpiece, Duke Bluebeard’s Castle, clearly did not set out to retain any of the ambiguity and mystery of the fairytale which inspired it.  »

09 Nov 2009

Salome in San Francisco

If Herbert von Karajan conducted Madama Butterfly and Maria Callas sang Isolde it follows that Nicola Luisotti should conduct Salome.  »

09 Nov 2009

Philip Langridge at Wigmore Hall

As an interpreter of Benjamin Britten, Philip Langridge has long been esteemed as the natural successor to Peter Pears;  »

04 Nov 2009

A View from the Bridge by Vertical Player Repertory

Unlike many contemporary composers — who too often derive their operas from full-length novels — William Bolcom (whose first opera, to be fair, was the novel-based McTeague, which I do not know) based his second,  »

04 Nov 2009

The 18th Bienal of Contemporary Brazilian Music, 2009

Rio de Janeiro, which has had a string of winning luck in recent days — not only will it host the 2014 World Cup of soccer, but also the 2016 Olympic Games — continues a laudable and venerable tradition in the arts — the Biannual Festival of Contemporary Brazilian Music, now in its 18th edition.  »

03 Nov 2009

Flavio and Alcina by ETO

In celebration of their 25th birthday and the 250th anniversary of the death of Handel, English Touring Opera has devised Handelfest, an extravaganza of five operas (Flavio, Teseo, Tolomeo, Alcina and Ariodante) and a wide variety of masterclasses and workshops taking in several of the company’s usual touring venues.  »

03 Nov 2009

Thomas Arne’s Artaxerxes — Baroque Hyperbole

Thomas Arne's masterpiece, Artaxerxes, was a huge hit after its 1762 debut. Yet the work is now a rarity. This spectacular performance at the Linbury Studio Theatre, will certainly raise its public profile.  »

03 Nov 2009

Paris: Off and Running

The Paris Opera season started with ‘un boum,’ scoring decisive successes with two infrequently performed stage pieces. »

30 Oct 2009

Tancredi by Opera Boston

At the time of the premiere of Tancredi in 1813, Rossini, not quite twenty-one years old, had been composing works for the stage for three years and was still not world famous.  »

30 Oct 2009

Verdi's ”Trilogy“ at Parma

For Italy’s opera community, October is Verdi’s month. The composer was born near Busseto (now part of Parma Province) on October 10, 1813.  »

29 Oct 2009

Ned Rorem premiere at Oxford Lieder Festival

Ned Rorem's Evidence of Things Not Seen received its European premiere at the Oxford Lieder Festival.  »

26 Oct 2009

The Turn of the Screw at ENO

Shadows and reflections flicker and dart alarmingly across Tanya McCallin’s dark, gloomy sets for David McVicar’s The Turn of the Screw, first seen in 2007, in a disturbing production that chillingly conveys both infinite mystery and claustrophobic terror. »

26 Oct 2009

Ravel and L’Heure Espagnole at Covent Garden

Greed, lust and folly … Richard Jones’ comic double bill, first seen in 2007 and faithfully revived here by Elaine Kidd, certainly sharpens the spotlight on those eternal human foibles.  »

26 Oct 2009

Der Rosenkavalier at the MET

The Met’s production of Der Rosenkavalier still arouses gasps from audience members as the curtain rises on each set — and laughter at appropriate moments — and tears at others.  »

26 Oct 2009

Pascal Dusapin: Faustus, the Last Night

Pascal Dusapin (b. 1955) is an engaging composer, and his recent works includes a chamber opera entitled Faustus, the Last Night, a unique setting of the legend and a fine contribution to modern opera.  »

25 Oct 2009

Baldassare Galuppi: Jahel

Dr. Charles Burney, who in August 1770 heard Galuppi’s singing girls at the Incurabili, one of Venice’s four competing Ospedali or musical orphanages, admired both their excellent performing standard (“indeed all were such as would have merited and received great applause in the first operas of Europe”), and the quality of the music that the aging maestro was still able to write for them: “ it is generally allowed here that his last operas, and his last compositions for the church, abound with more spirit, taste, and fancy, than those of any other period of his life”. »

25 Oct 2009

La Fille du Régiment in San Francisco

There is a buzz of excitement in the War Memorial Opera House on Friday nights that is akin to the Saturday afternoon buzz at the Met.  »

25 Oct 2009

Ruxandra Donose stars in L'heure Espagnole at the Royal Opera House

Ruxandra Donose sings Concepción in Ravel's L'heure Espagnoie in a double bill with Gianni Schicchi at the Royal Opera House. Concepción is an unusual personality, so Miss Donose's characterization is interesting.  »

25 Oct 2009

Achim Freyer's production of Wagner's Siegfried at Los Angeles Opera

Saturday October 17th found the Los Angeles Dodgers out of town for the weekend, but traffic still clogged the freeways leading to their stadium.  »

20 Oct 2009

Brilliantly Simple 'Tolomeo' by ETO

ETO’s production of Tolomeo for one night only at the Britten Theatre, capitalizes brilliantly on the necessary simplicity of this chamber-like opera, written at a time when Handel could no longer call upon fabulous sets and stunning effects, relying only upon great singing - and what singers he wrote it for, in fact the grand trio of Senesino, Cuzzoni and Bordoni. »

19 Oct 2009

Tosca at Lyric Opera of Chicago

For the first production of its 55th season Lyric Opera of Chicago has staged a revival of Puccini’s Tosca with a cast of notable singers led by music director Sir Andrew Davis.  »

16 Oct 2009

Fervaal by Vincent d’Indy

Vincent d’Indy lived eighty years and, when not composing, spent his time revising the teaching of music in France or simply annoying everybody. »

15 Oct 2009

Aida at the MET

Noblesse oblige: The Met feels it must present Aida — and Tosca — and La Bohème — and certain other gaudy spectacles — because it’s the Met and everyone expects the grandest of the grand.  »

13 Oct 2009

Abduction from the Seraglio in San Francisco

Some of the more memorable achievements of San Francisco Opera occurred in the brief life-span of its Spring Opera season, 1961-1981. »

13 Oct 2009

Turandot at ENO

A writer goes to dine in an urban Chinese restaurant, where his eye is caught by a distressed young woman among the crowd of diners.  »

13 Oct 2009

‘10 for 10’ recital gets 10 out of 10 for performance and audience

The Wigmore Hall never stands still: not content with having increased its audience by 300% over the past year, it now seeks both to reward its loyal patrons for their support in acquiring the Lease, and to bring in new audience members, with an innovative series of ten concerts where all the seats are priced at £10. »

13 Oct 2009

Il Barbiere di Siviglia at the MET

Bartlett Sher’s production of Il Barbiere di Siviglia has proved one of the more admired stagings of the Peter Gelb regime, but I’ve avoided it due to a surfeit of Barbieres and to fond memories of the John Cox production on Robin Wagner’s delicious turntable set, about as ideal a Barbiere as could be imagined.  »

11 Oct 2009

Wozzeck in designer khaki : Salonen and Keenlyside in London

In the opera house, stagings can impress by gorgeous sets and costumes. But in semi-staged performances, there's no where to hide behind. Semi-staging tests whether a director understands the music and what its dramatic soul might be. In dramaturgy, less is more.  »

11 Oct 2009

Don Carlo at Covent Garden

The full five-act version of Verdi’s historical epic, Don Carlo, makes for a long evening, but thanks to some fine singing and to the driving sweep of the baton of Semyon Bychkov this four-and-a-half hour performance raced by.  »