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Elsewhere

Proms Saturday Matinée 1

It might seem churlish to complain about the BBC Proms coverage of Pierre Boulez’s 90th anniversary. After all, there are a few performances dotted around — although some seem rather oddly programmed, as if embarrassed at the presence of new or newish music. (That could certainly not be claimed in the present case.)

The Maid of Pskov (Pskovityanka) , St. Petersburg

I recently spent four days in St. Petersburg, timed to coincide with the annual Stars of the White Nights Festival. Yet the most memorable singing I heard was neither at the Mariinsky Theater nor any other performance hall. It was in the small, nearly empty church built for the last Tsar, Nicholas II, at Tsarskoye Selo.

Prom 11 — Grange Park Opera: Fiddler on the Roof

As I walked up Exhibition Road on my way to the Royal Albert Hall, I passed a busking tuba player whose fairground ditties were enlivened by bursts of flame which shot skyward from the bell of his instrument, to the amusement and bemusement of a rapidly gathering pavement audience.

Saul, Glyndebourne

A brilliant theatrical event, bringing Handel’s theatre of the mind to life on stage

Roberta Invernizzi, Wigmore Hall

‘Here, thanks be to God, my opera is praised to the skies and there is nothing in it which does not please greatly.’ So wrote Antonio Vivaldi to Marchese Guido Bentivoglio d’Aragona in Ferrara in 1737.

Apotheosis Opera to Stage Tannhäuser

Apotheosis Opera is proud to announce their inaugural production will be a fully-staged English translation of Richard Wagner’s early masterpiece TANNHÄUSER on Friday, July 31, 2015, at 7pm and Sunday, August 2, 2015, at 3pm at the theatre of El Museo del Barrio (1230 5th Avenue) .

Montemezzi: L’amore dei tre Re

Asphyxiations, atrophy by poison, assassination: in Italo Montemezzi’s L’amore dei tre Re (The Love of the Three Kings, 1913) foul deed follows foul deed until the corpses are piled high. 

Prom 4: Andris Nelsons

The precision of attack in the opening to Beethoven’s Creatures of Prometheus Overture signalled thoroughgoing excellence in the contribution of the CBSO to this concert.

BBC Proms: The Cardinall’s Musick

When he was skilfully negotiating the not inconsiderable complexities, upheavals and strife of musical and religious life at the English royal court during the Reformation, Thomas Tallis (c.1505-85) could hardly have imagined that more than 450 years later people would be queuing round the block for the opportunity spend their lunch-hour listening to the music that he composed in service of his God and his monarch.

Operalia 2015

‘Competitions are for horses, not artists.’ The words of Béla Bartók seemed apposite on Sunday night at the Royal Opera House, as 11 soloists walked swiftly onto the Covent Garden stage, performed their chosen aria, briefly acknowledged the applause and then returned summarily to the wings.

Oberon, Persephone and Iolanta at the Aix Festival

Two of the important late twentieth century stage directors, Robert Carsen and Peter Sellars, returned to the Aix Festival this summer. Carsen’s A Midsummer Night’s Dream is a masterpiece, Sellars’ strange Tchaikovsky/Stravinsky double bill is simply bizarre.

Betrothal and Betrayal : JPYA at the ROH

The annual celebration of young talent at the Royal Opera House is a magnificent showcase, and it was good to see such a healthy audience turnout.

Jenůfa Packs a Wallop at DMMO

There are few operas that can rival the visceral impact of a well-staged Jenůfa and Des Moines Metro Opera has emphatically delivered the goods.

Des Moines Fanciulla a Minnie-Triumph

The Girl of the Golden West (La Fanciulla del West) often gets eclipsed when compared to the rest of the mature Puccini canon.

First Night of the BBC Proms 2015

First Night of the BBC Proms 2015 with Sakari Oramo in exuberant form, pulling off William Walton’s Belshazzar’s Feast with the theatrical flair it deserves.

Monsters and Marriage at the Aix Festival

Plus an evening by the superb Modigliani Quartet that complimented the brief (55 minutes) a cappella opera for six female voices Svadba (2013) by Serbian composer Ana Sokolovic (b. 1968). She lives in Canada.

Des Moines: A Whole Other Secret Garden

With its revelatory production of Rappaccini’s Daughter performed outdoors in the city’s refurbished Botanical Gardens, Des Moines Metro Opera has unlocked the gate to a mysterious, challenging landscape of musical delights.

Seductive Abduction in Iowa

Des Moines Metro Opera has quite a crowd-pleasing production of The Abduction from the Seraglio on its hands.

A Midsummer Night’s Dream, Garsington Opera

Even by Shakespeare’s standards A Midsummer Night’s Dream, one of his earlier plays, boasts a particularly fantastical plot involving a bunch of aristocrats (the Athenian Court of Theseus), feuding gods and goddesses (Oberon and Titania), ‘Rude Mechanicals’ (Bottom, Quince et al) and assorted faeries and spirits (such as Puck).

Richard Wagner: Tristan und Isolde

What do we call Tristan und Isolde? That may seem a silly question. Tristan und Isolde, surely, and Tristan for short, although already we come to the exquisite difficulty, as Tristan and Isolde themselves partly seem (though do they only seem?) to recognise of that celebrated ‘und’.


OPERA TODAY ARCHIVES »

Reviews

Pierre Boulez
27 Jul 2015

Proms Saturday Matinée 1

It might seem churlish to complain about the BBC Proms coverage of Pierre Boulez’s 90th anniversary. After all, there are a few performances dotted around — although some seem rather oddly programmed, as if embarrassed at the presence of new or newish music. (That could certainly not be claimed in the present case.)  »

Recently in Reviews

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29 Nov 2010

Le nozze di Figaro, Opera Australia

Neil Armfield’s insightful staging of Le nozze di Figaro is making a welcome return in the lead-up to his direction of the Ring Cycle for the Wagner bi-centenary 2013 (the first complete cycle staged in Melbourne in a century). »

23 Nov 2010

A Dog’s Heart, ENO

Three cheers — at the very least — for the English National Opera!  »

23 Nov 2010

Tosca, Manitoba Opera

What some people won’t do for a standing ovation! Saturday night at the opera was a showcase of excesses.  »

21 Nov 2010

Adriana Lecouvreur, Royal Opera

Two months into the current season, after a string of so-so revivals and a curiosity which deserved to be box-office dynamite but wasn’t, the Royal Opera has finally got round to a star-studded new production.  »

20 Nov 2010

The Makropulos Case in San Francisco

Just now in San Francisco Finnish soprano Karita Mattila kicked ass as Janáček’s 337 year old Elina Makropulos.* »

19 Nov 2010

Carmen, Arizona Opera

On Saturday November 13 and Sunday November 14, 2010, Arizona Opera presented Bernard Uzan’s rather different take on Bizet’s Carmen.  »

19 Nov 2010

Il Viaggio a Sicilia

As I strolled around the corner into Piazza Verdi, my first view of Palermo’s Teatro Massimo Vittorio Emanuele stopped me dead in my tracks and damn near took my breath away.  »

18 Nov 2010

Karita Mattila: Helsinki Recital

Ondine provides a nice bonus for fans of Karita Mattila in its recent DVD release of a 2006 Helsinki recital with accompanist Martin Katz.  »

18 Nov 2010

György Kurtág — Kafka Fragments, London

Can Haiku be improved by staging? György Kurtág's Kafka-Fragmente (op. 24), is a masterpiece of zen-like purity.  »

11 Nov 2010

El Nuevo Mundo: Folias Criollas

Our modern globalized perspective makes us alert to the cultural richness of difference, much as it ironically also seems to blur distinctions with ease of access.  »

10 Nov 2010

Mahler: The Complete Works

The commemorate the sesquicentennial of Mahler’s birth in 1860, EMI has released an exceptional set of its recordings in a single box.  »

08 Nov 2010

Jessye Norman — Roots: My Life, My Song

A career of the highest stature earns the professional the right to do as she or he pleases, after decades of dedicated achievement.  »

08 Nov 2010

Don Giovanni, ENO

There’s nothing wrong with updating an opera as long as the director, designer and conductor share an understanding of the work’s principal ideas and motivations, conflicts and contexts, and have a clear vision of how they intend to communicate these in a new setting. »

08 Nov 2010

Il Trovatore, Metropolitan Opera

It’s difficult to be reasonable about Il Trovatore. Reason is the last quality we expect from any of its characters or situations.  »

07 Nov 2010

La Cenerentola, Minnesota Opera

Minnesota Opera’s recent production of Rossini’s La Cenerentola certainly is a fantastical, comical portrayal of the classical fairy tale.  »

07 Nov 2010

Intermezzo, New York City Opera

Pace Tolstoy, happy marriages are not all alike, but they require a lot of work.  »

07 Nov 2010

Angelika Kirchschlager, German Lieder 1830-40 Wigmore Hall

Angelika Kirchschlager and Malcolm Martineau at the Wigmore Hall showed what real Lieder singing should be.  »

03 Nov 2010

Overture to London’s Handel Festival 2011

The small but perfectly formed Grosvenor Chapel in London’s exclusive Mayfair was the venue last Monday night for a programme of Handel vocal and instrumental music of considerable quality — if minimal quantity.  »

03 Nov 2010

A Carmen Cast to Strength: Lyric Opera of Chicago’s Revival

For its second production of the current season Lyric Opera of Chicago has staged a modified revival of its Carmen under the direction of Harvey Silverstein.  »

02 Nov 2010

Wexford Festival Opera 2010

After a rather lean 2009, the 59th Wexford Festival Opera season almost felt like a return to generous days of old.  »

02 Nov 2010

Cyrano de Bergerac in San Francisco

Franco Alfano’s Cyrano de Bergerac at the San Francisco Opera has little chance of measuring up to a Cyrano standard once set here in Fog City.  »

02 Nov 2010

Haydn: L’isola disabitata, London

Haydn’s L’isola disabitata is ideally suited to the modern taste for chamber opera. This is Haydn for those who think they don’t like his operas or even baroque form.  »

01 Nov 2010

Cervantino stages rare Graun opera — The Mexican national opera?

Clearly, there isn’t one. Yet, Carl Heinrich Graun’s 1755 rarely-performed Montezuma is of special importance in a country celebrating 200 years of Independence from Spanish rule and 100 years since the Revolution that ultimately toppled dictator Porfirio Díaz. »

29 Oct 2010

Wagner: Wesendonck-Lieder, Preludes and Overtures

A great vintage Mercury album of Antal Dorati conducting Wagner overtures and preludes featured as a cover a close-up of a medieval chalice, undoubtedly meant to reference the Parsifal excerpt on the enclosed disc.  »

29 Oct 2010

New York Festival of Song

“Don’t I have the coolest job in the world?” said Steven Blier.  »

28 Oct 2010

Kafka at the Opera: Bartlett Sher’s Production of Hoffmann at the Met

We all come to the opera for different things. To escape, to elevate, to laugh, to cry, or perhaps because someone else bought the tickets.  »

27 Oct 2010

Piotr Beczala: Roméo et Juliette, Royal Opera

Charles Gounod’s Roméo et Juliette is almost more musical than opera. Everyone knows the story, and it would be hard to compete with Shakespeare. Gounod wisely focused on music, rather than drama. »

24 Oct 2010

Boris Godunov, Metropolitan Opera

The last curtain call at the opera usually goes to the title character, the star of the work just performed. At the end of the Met’s new Boris Godunov, the calls begin with a solo call for the title character, René Pape as Boris, and conclude with one for the Metropolitan Opera Chorus all by themselves.  »

24 Oct 2010

Gilbert and Sullivan opens Arizona Opera

On 16 October 2010 in Tucson, Arizona Opera opened it’s 2010-2011 season with an operetta, The Pirates of Penzance, by W. S. Gilbert and Arthur Sullivan.  »

24 Oct 2010

Divas and Divos Concert, Manitoba

It’s every opera director’s nightmare.  »

24 Oct 2010

Jerry Springer, The Opera in San Francisco

The fall opera season in San Francisco has been dealt a wild card — Jerry Springer, The Opera! Not exactly material for SF’s august opera company . . . »

24 Oct 2010

The Metropolitan Opera Gala 1991

The 50th anniversary of the Metropolitan Opera at the Lincoln Center is just a few years away, so, with something less than dispatch, a DVD of the 25th anniversary Gala appears.  »

24 Oct 2010

Il Postino at Los Angeles Opera

An American opera house premieres a new work by a Mexico-born composer, to his own libretto in Spanish based on a film in Italian by an English director about an unlikely friendship the Chilean poet Pablo Neruda found when in exile on a small Italian island. »

24 Oct 2010

La Bohème, ENO

ENO clearly expect high returns from Jonathan Miller’s La Bohème.  »

24 Oct 2010

Madama Butterfly in San Francisco

“One of the most beautiful sets I have ever seen,” crows San Francisco Opera general director David Gockley over the airwaves, “directed by Broadway legend Hal Prince.” »

24 Oct 2010

Paris: La Saison a Commencé

Paris Opéra’s L’Italiana in Algeri had a lot going for it, including a star mezzo in her local debut, so why was I resistant to its merits?  »

24 Oct 2010

Kirsten Flagstad sings Wagner & Strauss

Kirsten Flagstad’s voice remains connected to the music of Richard Wagner through the recordings that continue to bring her performances to new audiences.  »

21 Oct 2010

Rameau’s Zéphyre, New York

In sports they say, “Winning isn’t the most important thing—it’s the only thing.” In the theater, getting the show on the boards out front is the key.  »

17 Oct 2010

Haendel: Water Music; Music for The Royal Fireworks

The “popular” Handel is firmly entrenched in the collective culture with a handful of pieces: the Christmas portion of Messiah, the “Largo” from Serse (in fact, “Larghetto,” but collective culture is hard to convince), and instrumental suites of the Water Music and Music for the Royal Fireworks come immediately to mind.  »

16 Oct 2010

Jephtha, New York

Jephtha was Handel’s last work — he went blind while composing it, noting this on the manuscript, and though he lived another seven years, did not deign to dictate new music.  »

16 Oct 2010

Rigoletto at Covent Garden

Dame Joan Sutherland, ‘La Stupenda’, sang her first Gilda at Covent Garden in 1957 under the baton of Sir Edward Downes, and sang the role many times and to great acclaim on the ROH stage.  »

13 Oct 2010

Verdi’s Macbeth in a New Production at Lyric Opera of Chicago

A successful production of Verdi’s Macbeth relies not only on incisive vocal characterization as projected by Macbeth and Lady Macbeth but also on the interaction of these lead figures in order to vivify their descent into a world of destruction.  »

13 Oct 2010

Salome at the Washington National Opera

With its playbill half-empty, its general director Placido Domingo resigning, and the talk of a takeover by the Kennedy Center, Washington National Opera is in a dire need of good news this season. »

12 Oct 2010

Promised End — English Touring Opera

In the final scene of Shakespeare’s King Lear, faced with the dreadful sight of the distraught Lear cradling in his arms the body of his dead daughter Cordelia, the Earl of Kent asks: “Is this the promised end?”  »

11 Oct 2010

Marriage of Figaro in San Francisco (and Los Angeles)

No question that Nicola Luisotti is a conducting genius, and no question that genius runs amuck from time to time. In the case of Mo. Luisotti fairly often. »

11 Oct 2010

The Other ‘Marriage of Figaro’

The opening night of Rossini’s The Barber of Seville, in Rome in 1816, was violently disrupted by vociferous protests from supporters loyal to Paisiello, whose own comic interpretation of Beaumarchais’ politically-charged play had appeared in 1782.  »

10 Oct 2010

Anonymous 4: The Cherry Tree

In the popular view, the modern celebration of Christmas seems to have begun with Charles Dickens’s revivifying A Christmas Carol (1843). »

10 Oct 2010

Rossini’s Otello at Rossini in Wildbad Festival, 2008

As good a performance of Rossini’s opera as this disc provides, for some equal entertainment value may potentially arise from the booklet essay by one Bernd-Rüdiger Kern (as translated into English by David Stevens).  »

10 Oct 2010

Schumann: The Complete Symphonies, Mahler Edition

Mahler’s well-known revisions of music he conducted include the four symphonies by Robert Schumann, and while these Retuschen have been performed from time to time, a recording of all four of them is now available from Decca.  »

10 Oct 2010

Technicolour Radamisto at ENO

Handel’s Radamisto came to the ENO at the Coliseum in glorious technicolour.  »

08 Oct 2010

El Gato con Botas: Gotham Chamber Opera

Haven’t you always secretly felt that singers who reach for high notes (and make them) ought to levitate and maintain themselves in mid-air when they do it?  »

08 Oct 2010

Das Rheingold, Metropolitan Opera

It will be no surprise to me, a year or five from now, when someone falls to her or his death from the guy-wires that configure so much of Robert Lepage’s new state-of-the-art (ah! But which art?) production of Der Ring des Nibelung.  »