Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

Early Swedish opera - Stenhammer world premiere

The Feast at Solhaug : Henrik Ibsen's play Gildet paa Solhaug (1856) inspired Wilhelm Stenhammer's opera Gillet på Solhaug. The world premiere recording is now available via Sterling CD, in a 3 disc set which includes full libretto and background history.

La finta giardiniera at the Royal College of Music

For an opera that has never quite made it over the threshold into the ‘canonical’, the adolescent Mozart’s La finta giardiniera has not done badly of late for productions in the UK. In 2014, Glyndebourne presented Frederic Wake-Walker’s take on the eighteen-year-old’s dramma giocoso. Wake-Walker turned the romantic shenanigans and skirmishes into a debate on the nature of reality, in which the director tore off layers of theatrical artifice in order to answer Auden’s rhetorical question, ‘O tell me the truth about love’.

Lust for Revenge: Barenboim and Herlitzius fire up Strauss’s Elektra in Berlin

As the German language describes so beautifully, a “Schrei aus tiefstem Herzen” was felt as Evelyn Herlitzius channelled an Elektra from the depths of her soul.

Semyon Bychkov heading to NYC and DC with Glanert and Mahler

Heading to N.Y.C and D.C. for its annual performances, the Royal Concertgebouw Orchestra invited Semyon Bychkov to return for his Mahler debut with the Fifth Symphony. Having recently returned from Vienna with praise for their rendition, the orchestra now presented it at their homebase.

Lost Stravinsky re-united with Rimsky-Korsakov, Gergiev, Mariinsky

Igor Stravinsky's lost Funeral Song, (Chante funèbre) op 5 conducted by Valery Gergiev at the Mariinsky in St Petersburg This extraordinary performance was infinitely more than an ordinary concert, even for a world premiere of an unknown work.

Philippe Jaroussky at the Wigmore Hall: Baroque cantatas by Telemann and J.S.Bach

On Tuesday evening this week, I found myself at The Actors Centre in London’s Covent Garden watching a performance of Unknowing, a dramatization of Schumann’s Frauenliebe und Leben and Dichterliebe (in a translation by David Parry, in which Matthew Monaghan directed a baritone and a soprano as they enacted a narrative of love, life and loss. Two days later at the Wigmore Hall I enjoyed a wonderful performance, reviewed here, by countertenor Philippe Jaroussky with Julien Chauvin’s Le Concert de la Loge, of cantatas by Telemann and J.S. Bach.

The new Queen of the City of Birmingham Symphony Orchestra

Here is one of the next new great conductors. That’s a bold statement, but even the L.A. Times agrees: Mirga Gražinytė-Tyla’s appointment “is the biggest news in the conducting world.” But Ms. Mirga Gražinytė-Tyla will be getting a lot of weight on her shoulders.

Falstaff at Manitoba Opera

Manitoba Opera chose to open its 44th season by going for the belly laughs — literally — as it notably presented its inaugural production of Verdi’s Falstaff.

Gothic Schubert : Wigmore Hall, London

Macabre and moonstruck, Schubert as Goth, with Stuart Jackson, Marcus Farnsworth and James Baillieu at the Wigmore Hall. An exceptionally well-planned programme devised with erudition and wit, executed to equally high standards.

Rusalka, AZ Opera

On November 20, 2016, Arizona Opera completed its run of Antonín Dvořák’s fairy Tale opera, Rusalka. Loosely based on Hand Christian Andersen’s The Little Mermaid, Joshua Borths staged it with common objects such as dining room chairs that could be found in the home of a child watching the story unfold.

First new Ring Cycle in 40 Years, Leipzig

Consistently overshadowed by the neighboring Bayreuth, the far less stuffy Oper Leipzig (Wagner’s birthplace) programmed after forty years their first complete Ring Cycle.

San Jose’s Beta-Carotene Rich Barber

You didn’t have to know the Bugs Bunny oeuvre to appreciate Opera San Jose’s enchanting Il barbiere di Sivigila, but it sure enhanced your experience if you did.

Manon Lescaut at Covent Garden

If there was ever any doubt that Puccini’s Manon is on a road to nowhere, then the closing image of Jonathan Kent’s 2014 production of Manon Lescaut (revived here for the first time, by Paul Higgins) leaves no uncertainty.

Fierce in War, dazzling in Peace: Joyce DiDonato at the Concertgebouw

Many opera singers are careful to maintain an air of political neutrality. Not so mezzo-soprano Joyce DiDonato, who is outspoken about causes she holds dear. Her latest project, a very personal response to the 2015 terror attacks in Paris, puts her audience through the emotional wringer, but also showers them with musical rewards.

Walter Braunfels Orchestral Songs Vol 2

Honours yet again to Oehms Classics who understand the importance of excellence. A composer as good, and as individual, as Walter Braunfels deserves nothing less.

Simplicius Simplicissimus

I wonder if Karl Amadeus Hartmann saw something of himself in the young Simplicius Simplicissimus, the eponymous protagonist of his three-scene chamber opera of 1936. Simplicius is in a sort of ‘Holy Fool’ who manages to survive the violence and civil strife of the Thirty Years War (1618-48), largely through dumb chance, and whose truthful pronouncements fall upon the ears of the deluded and oppressive.

2017 Summer Festival at Lucerne

Lucerne Festival announces its 2017 Summer Festival.

Lucia di Lammermoor at Lyric Opera of Chicago

For its second opera of the 2016-17 season Lyric Opera of Chicago has staged Gaetano Donizetti’s Lucia di Lammermoor in a production seen at the Maggio Musicale Fiorentino and the Grand Théâtre de Genève.

Akhnaten Offers L A Operagoers Both Ear and Eye Candy

Akhnaten is the third in composer Philip Glass’s trilogy of operas about people who have made important contributions to society: Albert Einstein in science, Mahatma Gandhi in politics, and Akhnaten in religion. Glass’s three operas are: Einstein on the Beach, Satyagraha, and Akhnaten.

Shakespeare in the Late Baroque - Bampton Classical Opera

Shakespeare re-imagined for the very Late Baroque, with Bampton Classical Opera at St John's Smith Square. "Shakespeare, Shakespeare, Shakespeare....the God of Our Idolatory". So wrote David Garrick in his Ode to Shakespeare (1759) through which the actor and showman marketed Shakespeare to new audiences, fanning the flames of "Bardolatory". All Europe was soon caught up in the frenzy.


OPERA TODAY ARCHIVES »

Reviews

05 Dec 2016

Early Swedish opera - Stenhammer world premiere

The Feast at Solhaug : Henrik Ibsen's play Gildet paa Solhaug (1856) inspired Wilhelm Stenhammer's opera Gillet på Solhaug. The world premiere recording is now available via Sterling CD, in a 3 disc set which includes full libretto and background history.  »

Recently in Reviews

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32  |  33  |  34  |  35  |  36  |  37  |  38  |  39  |  40  |  41  |  42  |  43  |  44  |  45  |  46  |  47  |  48  |  49  |  50  |  51  |  52  |  53  |  54  |  55  |  56  |  57  |  58  |  59  |  60  |  61  |  62  |  63  |  64  |  65  |  66  |  67  |  68  |  69  |  70  |  71  |  72  |  73  |  74  |  75  |  76  |  77  |  78  |  79  |  80  |  81  |  82  |  83  |  84  |  85  |  86  |  87  |  88  |  89  |  90  |  91  |  92  |  93  |  94  |  95  |  96  |  97  |  98  |  99  |  100 
24 Oct 2010

Paris: La Saison a Commencé

Paris Opéra’s L’Italiana in Algeri had a lot going for it, including a star mezzo in her local debut, so why was I resistant to its merits?  »

24 Oct 2010

Kirsten Flagstad sings Wagner & Strauss

Kirsten Flagstad’s voice remains connected to the music of Richard Wagner through the recordings that continue to bring her performances to new audiences.  »

21 Oct 2010

Rameau’s Zéphyre, New York

In sports they say, “Winning isn’t the most important thing—it’s the only thing.” In the theater, getting the show on the boards out front is the key.  »

17 Oct 2010

Haendel: Water Music; Music for The Royal Fireworks

The “popular” Handel is firmly entrenched in the collective culture with a handful of pieces: the Christmas portion of Messiah, the “Largo” from Serse (in fact, “Larghetto,” but collective culture is hard to convince), and instrumental suites of the Water Music and Music for the Royal Fireworks come immediately to mind.  »

16 Oct 2010

Jephtha, New York

Jephtha was Handel’s last work — he went blind while composing it, noting this on the manuscript, and though he lived another seven years, did not deign to dictate new music.  »

16 Oct 2010

Rigoletto at Covent Garden

Dame Joan Sutherland, ‘La Stupenda’, sang her first Gilda at Covent Garden in 1957 under the baton of Sir Edward Downes, and sang the role many times and to great acclaim on the ROH stage.  »

13 Oct 2010

Verdi’s Macbeth in a New Production at Lyric Opera of Chicago

A successful production of Verdi’s Macbeth relies not only on incisive vocal characterization as projected by Macbeth and Lady Macbeth but also on the interaction of these lead figures in order to vivify their descent into a world of destruction.  »

13 Oct 2010

Salome at the Washington National Opera

With its playbill half-empty, its general director Placido Domingo resigning, and the talk of a takeover by the Kennedy Center, Washington National Opera is in a dire need of good news this season. »

12 Oct 2010

Promised End — English Touring Opera

In the final scene of Shakespeare’s King Lear, faced with the dreadful sight of the distraught Lear cradling in his arms the body of his dead daughter Cordelia, the Earl of Kent asks: “Is this the promised end?”  »

11 Oct 2010

Marriage of Figaro in San Francisco (and Los Angeles)

No question that Nicola Luisotti is a conducting genius, and no question that genius runs amuck from time to time. In the case of Mo. Luisotti fairly often. »

11 Oct 2010

The Other ‘Marriage of Figaro’

The opening night of Rossini’s The Barber of Seville, in Rome in 1816, was violently disrupted by vociferous protests from supporters loyal to Paisiello, whose own comic interpretation of Beaumarchais’ politically-charged play had appeared in 1782.  »

10 Oct 2010

Anonymous 4: The Cherry Tree

In the popular view, the modern celebration of Christmas seems to have begun with Charles Dickens’s revivifying A Christmas Carol (1843). »

10 Oct 2010

Rossini’s Otello at Rossini in Wildbad Festival, 2008

As good a performance of Rossini’s opera as this disc provides, for some equal entertainment value may potentially arise from the booklet essay by one Bernd-Rüdiger Kern (as translated into English by David Stevens).  »

10 Oct 2010

Schumann: The Complete Symphonies, Mahler Edition

Mahler’s well-known revisions of music he conducted include the four symphonies by Robert Schumann, and while these Retuschen have been performed from time to time, a recording of all four of them is now available from Decca.  »

10 Oct 2010

Technicolour Radamisto at ENO

Handel’s Radamisto came to the ENO at the Coliseum in glorious technicolour.  »

08 Oct 2010

El Gato con Botas: Gotham Chamber Opera

Haven’t you always secretly felt that singers who reach for high notes (and make them) ought to levitate and maintain themselves in mid-air when they do it?  »

08 Oct 2010

Das Rheingold, Metropolitan Opera

It will be no surprise to me, a year or five from now, when someone falls to her or his death from the guy-wires that configure so much of Robert Lepage’s new state-of-the-art (ah! But which art?) production of Der Ring des Nibelung.  »

07 Oct 2010

Bizet Les Pêcheurs de Perles - Royal Opera House

Bizet’s Les Pêcheurs de Perles is notoriously hard to stage. Because the plot’s so grandiose, the imagination works overtime, dwarfing the music, making it seem puny in comparison. There’s a lot to be said in favour of concert performances because they shift the balance back to Bizet. »

06 Oct 2010

Gustav Mahler: Symphony no. 5

Based on performances given on 18 and 21 October 2008 and 16 and 17 January 2009, this recording of the Royal Concertgebouw Orchestra offers its latest release of Mahler’s Fifth Symphony, a work associated with the group since the composer’s lifetime.  »

29 Sep 2010

Faust by ENO

Perhaps because the rather stolidly Victorian character of both its music and its morality, Gounod’s Faust has been out of fashion in the UK in recent decades, and owes a debt to David McVicar and his darkly Gothic production for the Royal Opera in 2004 (now, at last, available on DVD) for the restoration of its footing in the standard repertoire. »

28 Sep 2010

Orpheo ed Eurydice in Minnesota

Minnesota Opera pulled out all the stops for its 2010-2011 season with its production of Gluck’s Orpheo ed Eurydice.  »

27 Sep 2010

Tristan und Isolde at Royal Festival Hall

Almost irrespective of the results, it was quite a statement to open the Philharmonia’s London concert season with a performance of Nietzsche’s ‘opus metaphysicum of all true art,’ Tristan und Isolde.  »

26 Sep 2010

Niobe, Regina di Tebe, Royal Opera

The Royal Opera is hardly renowned for its commitment to baroque opera, and even the great Handel still gets short shrift in his adopted city’s major house.  »

24 Sep 2010

Werther in San Francisco

It has been twenty-five years since San Francisco Opera has staged a Werther. so it was high time that Massenet’s whiney, weepy masterpiece be given another chance.  »

23 Sep 2010

The Makropulos Case at ENO

In their programme note, Christopher Alden and Peter Littlefield explain the concept which informs this dark, dystopian production of Janáček’s penultimate opera, The Makropulos Case — a production first seen at ENO in 2004: »

21 Sep 2010

Aida in San Francisco

Opera as circus. The current San Francisco Aida comes from the English National Opera where an inspired and probably very excited administrator proposed a production by aging London fashionista Zandra Rhodes. »

20 Sep 2010

An experience In the Penal Colony

Kafka's In the Penal Colony set as an opera by Philip Glass? Against all expectations, it was a powerful and deeply moving experience.  »

19 Sep 2010

Gustav Mahler: Das Lied von der Erde

Vocally impressive, Michael Tilson Thomas’s new recording of Gustav Mahler’s symphonic song cycle Das Lied von der Erde merits attention for various reasons.  »

19 Sep 2010

Un ballo in maschera at the Washington National Opera

Verdi’s 1859 hit Un ballo in maschera is an inspired choice to open an operatic season.  »

16 Sep 2010

Hugo Wolf’s Spanisches Liederbuch at Wigmore Hall

In this recital of thirty-four songs selected from Hugo Wolf’s Spanisches Liederbuch, Ian Bostridge and Angelika Kirchschlager revealed the profound emotional intensity of Wolf’s art; the concentrated ardour of their performance intimated the heightened passion and expressive angst which, as well as driving Wolf’s creative spirit, also led to persistent depression and resulted in insanity and finally death in mental asylum at the age of 42. »

15 Sep 2010

Don Pasquale at the Royal Opera House

This show, a revival of Jonathan Miller’s 2004 production (first seen at the Maggio Musicale in Florence) is certainly a feast for the eyes.  »

14 Sep 2010

The Rake’s Progress at Théâtre Royal de la Monnaie

At some point it became a matter of honor for elite composers to have at least one go at a full length opera.  »

14 Sep 2010

Bayreuth’s Lohengrin: A ‘Rat’-ical Re-‘tail’-ing

It doesn’t take long for the summer’s new Lohengrin to reveal its entire bag of tricks as a large chorus of rats (yes, the chorus-as-rodents) scurries on at curtain-rise into the white science laboratory setting. »

13 Sep 2010

Così fan tutte, Royal Opera House

Everyone loves Mozart. The Royal Opera House's 2010-2011 season began with Così fan tutte, and simultaneous live international broadcast.  »

12 Sep 2010

Julius Röntgen: Aus Goethes Faust.

The release of Röntgen’s Faust setting on CPO makes available a recording of yet another composer’s perspective on Goethe’s famous dramatic poem.  »

08 Sep 2010

Unique Rigoletto live from Mantua

Realism never comes more authentic than this RAI Rigoletto filmed live on location in Mantua, Italy and broadcast simultaneously in 148 countries..  »

07 Sep 2010

Diana Damrau in Recital at Salzburg Festival

Recorded live on 13 August 2005, this recent release on the Orfeo label in its Festspiel Dokumente imprint makes available a recital given by soprano Diana Damrau and pianist Stephan Matthias Lademann during the 2005 Salzburg Festival and given at the Mozarteum.  »

01 Sep 2010

Englebert Humperdinck: Hansel und Gretel — BBC Prom 61

The annual visit of Glyndebourne Opera to the BBC Proms has become an eagerly awaited event.  »

30 Aug 2010

Puccini’s Edgar at the Teatro Regio Torino

A world premiere of a new opera holds the promise of an exciting new addition to the fairly calcified collection of masterpieces that comprise the standard repertory.  »

29 Aug 2010

Brahms: Lieder

Like her impressive recording of Lieder by Dvořák (Harmonia Mundi CD 901824), Bernarda Fink’s recording of a selection of Lieder by Brahms not only offers a fine representation of the music, but also demonstrate the singer’s command of this repertoire.  »

29 Aug 2010

David McVicar’s Salome

This high-concept Salome takes place in Nazi Germany.The set has two levels: on top, Herod revels with the banqueters; below, we see a dingy basement, full of kitchen workers, relaxed soldiers, and the prostitutes who help them relax.  »

24 Aug 2010

Aspen makes Corigliano’s Ghosts classic

When it debuted at the Met in 1991 John Corigliano’s overwrought and somewhat all-too comic Ghosts of Versailles was praised largely as a vehicle for the long-celebrated artistry of Teresa Stratas and Marilyn Horne. »

24 Aug 2010

Jean Sibelius: Kullervo, Op. 7.

Sibelius’s 1892 symphonic poem for soloists, chorus, and orchestra is in the tradition of the cantata-like symphonies of the nineteenth century, as found in Mendelssohn’s Lobgesang or Mahler’s Second Symphony.  »

24 Aug 2010

Glimmerglass Rarities Out-Score Hall of Famer

To frame it in nearby-Cooperstown sports metaphors, the enterprising Glimmerglass Opera scored two decisive ‘home runs,’ and a decent enough ‘single’ in its 2010 Festival season.  »

24 Aug 2010

Lulu at Covent Garden

One of the leading lights of Berg’s Vienna was the architect Adolf Loos, the great crusader against ornament.  »

24 Aug 2010

Un ballo in maschera at the Teatro Real

The greatest dramatic tenor and soprano roles have proven irresistible to Marcelo Alvarez, who started primarily as a lyric tenor, and Violeta Urmana, whose first career success came as a mezzo.  »

24 Aug 2010

Sigismondo, La Cenerentola, Demetrio e Polibio at Pesaro

The fourteen year old Rossini composed his first opera Demetrio e Polibio in 1806 though it was not performed for another six years.  »