Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

Early Swedish opera - Stenhammer world premiere

The Feast at Solhaug : Henrik Ibsen's play Gildet paa Solhaug (1856) inspired Wilhelm Stenhammer's opera Gillet på Solhaug. The world premiere recording is now available via Sterling CD, in a 3 disc set which includes full libretto and background history.

La finta giardiniera at the Royal College of Music

For an opera that has never quite made it over the threshold into the ‘canonical’, the adolescent Mozart’s La finta giardiniera has not done badly of late for productions in the UK. In 2014, Glyndebourne presented Frederic Wake-Walker’s take on the eighteen-year-old’s dramma giocoso. Wake-Walker turned the romantic shenanigans and skirmishes into a debate on the nature of reality, in which the director tore off layers of theatrical artifice in order to answer Auden’s rhetorical question, ‘O tell me the truth about love’.

Lust for Revenge: Barenboim and Herlitzius fire up Strauss’s Elektra in Berlin

As the German language describes so beautifully, a “Schrei aus tiefstem Herzen” was felt as Evelyn Herlitzius channelled an Elektra from the depths of her soul.

Semyon Bychkov heading to NYC and DC with Glanert and Mahler

Heading to N.Y.C and D.C. for its annual performances, the Royal Concertgebouw Orchestra invited Semyon Bychkov to return for his Mahler debut with the Fifth Symphony. Having recently returned from Vienna with praise for their rendition, the orchestra now presented it at their homebase.

Lost Stravinsky re-united with Rimsky-Korsakov, Gergiev, Mariinsky

Igor Stravinsky's lost Funeral Song, (Chante funèbre) op 5 conducted by Valery Gergiev at the Mariinsky in St Petersburg This extraordinary performance was infinitely more than an ordinary concert, even for a world premiere of an unknown work.

Philippe Jaroussky at the Wigmore Hall: Baroque cantatas by Telemann and J.S.Bach

On Tuesday evening this week, I found myself at The Actors Centre in London’s Covent Garden watching a performance of Unknowing, a dramatization of Schumann’s Frauenliebe und Leben and Dichterliebe (in a translation by David Parry, in which Matthew Monaghan directed a baritone and a soprano as they enacted a narrative of love, life and loss. Two days later at the Wigmore Hall I enjoyed a wonderful performance, reviewed here, by countertenor Philippe Jaroussky with Julien Chauvin’s Le Concert de la Loge, of cantatas by Telemann and J.S. Bach.

The new Queen of the City of Birmingham Symphony Orchestra

Here is one of the next new great conductors. That’s a bold statement, but even the L.A. Times agrees: Mirga Gražinytė-Tyla’s appointment “is the biggest news in the conducting world.” But Ms. Mirga Gražinytė-Tyla will be getting a lot of weight on her shoulders.

Falstaff at Manitoba Opera

Manitoba Opera chose to open its 44th season by going for the belly laughs — literally — as it notably presented its inaugural production of Verdi’s Falstaff.

Gothic Schubert : Wigmore Hall, London

Macabre and moonstruck, Schubert as Goth, with Stuart Jackson, Marcus Farnsworth and James Baillieu at the Wigmore Hall. An exceptionally well-planned programme devised with erudition and wit, executed to equally high standards.

Rusalka, AZ Opera

On November 20, 2016, Arizona Opera completed its run of Antonín Dvořák’s fairy Tale opera, Rusalka. Loosely based on Hand Christian Andersen’s The Little Mermaid, Joshua Borths staged it with common objects such as dining room chairs that could be found in the home of a child watching the story unfold.

First new Ring Cycle in 40 Years, Leipzig

Consistently overshadowed by the neighboring Bayreuth, the far less stuffy Oper Leipzig (Wagner’s birthplace) programmed after forty years their first complete Ring Cycle.

San Jose’s Beta-Carotene Rich Barber

You didn’t have to know the Bugs Bunny oeuvre to appreciate Opera San Jose’s enchanting Il barbiere di Sivigila, but it sure enhanced your experience if you did.

Manon Lescaut at Covent Garden

If there was ever any doubt that Puccini’s Manon is on a road to nowhere, then the closing image of Jonathan Kent’s 2014 production of Manon Lescaut (revived here for the first time, by Paul Higgins) leaves no uncertainty.

Fierce in War, dazzling in Peace: Joyce DiDonato at the Concertgebouw

Many opera singers are careful to maintain an air of political neutrality. Not so mezzo-soprano Joyce DiDonato, who is outspoken about causes she holds dear. Her latest project, a very personal response to the 2015 terror attacks in Paris, puts her audience through the emotional wringer, but also showers them with musical rewards.

Walter Braunfels Orchestral Songs Vol 2

Honours yet again to Oehms Classics who understand the importance of excellence. A composer as good, and as individual, as Walter Braunfels deserves nothing less.

Simplicius Simplicissimus

I wonder if Karl Amadeus Hartmann saw something of himself in the young Simplicius Simplicissimus, the eponymous protagonist of his three-scene chamber opera of 1936. Simplicius is in a sort of ‘Holy Fool’ who manages to survive the violence and civil strife of the Thirty Years War (1618-48), largely through dumb chance, and whose truthful pronouncements fall upon the ears of the deluded and oppressive.

2017 Summer Festival at Lucerne

Lucerne Festival announces its 2017 Summer Festival.

Lucia di Lammermoor at Lyric Opera of Chicago

For its second opera of the 2016-17 season Lyric Opera of Chicago has staged Gaetano Donizetti’s Lucia di Lammermoor in a production seen at the Maggio Musicale Fiorentino and the Grand Théâtre de Genève.

Akhnaten Offers L A Operagoers Both Ear and Eye Candy

Akhnaten is the third in composer Philip Glass’s trilogy of operas about people who have made important contributions to society: Albert Einstein in science, Mahatma Gandhi in politics, and Akhnaten in religion. Glass’s three operas are: Einstein on the Beach, Satyagraha, and Akhnaten.

Shakespeare in the Late Baroque - Bampton Classical Opera

Shakespeare re-imagined for the very Late Baroque, with Bampton Classical Opera at St John's Smith Square. "Shakespeare, Shakespeare, Shakespeare....the God of Our Idolatory". So wrote David Garrick in his Ode to Shakespeare (1759) through which the actor and showman marketed Shakespeare to new audiences, fanning the flames of "Bardolatory". All Europe was soon caught up in the frenzy.


OPERA TODAY ARCHIVES »

Reviews

05 Dec 2016

Early Swedish opera - Stenhammer world premiere

The Feast at Solhaug : Henrik Ibsen's play Gildet paa Solhaug (1856) inspired Wilhelm Stenhammer's opera Gillet på Solhaug. The world premiere recording is now available via Sterling CD, in a 3 disc set which includes full libretto and background history.  »

Recently in Reviews

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32  |  33  |  34  |  35  |  36  |  37  |  38  |  39  |  40  |  41  |  42  |  43  |  44  |  45  |  46  |  47  |  48  |  49  |  50  |  51  |  52  |  53  |  54  |  55  |  56  |  57  |  58  |  59  |  60  |  61  |  62  |  63  |  64  |  65  |  66  |  67  |  68  |  69  |  70  |  71  |  72  |  73  |  74  |  75  |  76  |  77  |  78  |  79  |  80  |  81  |  82  |  83  |  84  |  85  |  86  |  87  |  88  |  89  |  90  |  91  |  92  |  93  |  94  |  95  |  96  |  97  |  98  |  99  |  100 
10 Oct 2012

I Due Foscari, LA Opera

Lucky Angeleno opera lovers! In anticipation of the Giuseppe Verdi’s bicentennial (it will occur in 2013) Los Angeles Opera treated its patrons to a unique and musically thrilling performance of I Due Foscari, the sixth of the composer’s twenty-six operas.  »

10 Oct 2012

Die Zauberflöte, ENO

‘The last-ever performances of Nicholas Hytner’s production of The Magic Flute,’ claims the programme.  »

09 Oct 2012

Don Giovanni, LA Opera

In our era of minimal cultural restraints Don Giovanni has been the opera of choice for presenting dissolution on stage. Rape, oral sex, drug use and urination have been portrayed to Mozart's melodies.  »

09 Oct 2012

I Capuleti e i Montecchi in San Francisco

Give me good verses, I’ll give you good music, said Bellini to his librettist Felice Romani. Give me a good director and I’ll give you good opera surely thought San Francisco Opera general director David Gockley. »

05 Oct 2012

Stockhausen’s Mittwoch, Birmingham Opera Company

The first performances of Stockhausen’s Mittwoch — the world premiere took place on Mittwoch 22 August, the composer’s birthday, whilst I attended the last of four performances on Samstag — could hardly have failed to be an ‘event’ of the highest order: the last of the Licht cycle, in duration roughly twice the length of Wagner’s Ring, to receive its first full performance, though it was the sixth of the seven days to be composed.  »

05 Oct 2012

Blaise le savetier and L’amant jaloux by Bampton Classical Opera

“Two classic French comedies, one wardrobe…” was Bampton Classical Opera’s billing for this amusing double bill and, with typically wry wit, director Jeremy Gray duly placed a shabby-chic armoire centre-stage and made it the location of some Cherubino-Countess-style confusions and Goldoni-esque farce. »

05 Oct 2012

Frank Bridge Song Focus

Frank Bridge (1879-1941) was a professional violinist and violist, a talented conductor, a versatile composer and skilled teacher; yet he remains something of an enigma and his music relatively unknown. »

05 Oct 2012

“Dreamers of Dreams”

During the years from 1890 to 1940, the so-called ‘land without music’ witnessed a remarkable outpouring of chamber and instrumental music.  »

05 Oct 2012

Mozart’s Ghost finds its Way through Das Labyrinth

W.A. Mozart, despite a historically antagonistic relationship with his city of birth, retains an omnipresence in Salzburg that emerges in full force with each iteration of the illustrious summer festival.  »

05 Oct 2012

Cecilia Bartoli Comes, Divides and Conquers

Cleopatra, one of few female seductresses in operatic history to emerge not only alive but empowered in the final act, is a fitting role for Cecilia Bartoli in her first season as artistic director of the Salzburg Whitsun Festival.  »

04 Oct 2012

Dmitri Hvorostovsky, Wigmore Hall

The Wigmore Hall 2012-3 season (see link below) started with a gala of glamour. Dmitri Hvorostovsky attracts patrons in jewels and designer gowns.  »

04 Oct 2012

Martinů : Julietta, ENO

The ENO gave the British premiere of Bohuslav Martinů's Julietta many years ago, so this new production was eagerly awaited. But what will audiences new to Martinů get from this production? It's a myth that the English language makes opera more accessible. That just means audiences focus on words, rather than really listening or understanding.  »

02 Oct 2012

Handel Jephtha, Welsh National Opera

Welsh National Opera have revived Katie Mitchell’s 2003 production of Handel’s Jephtha, with Robert Murray in the title role and a new focus for the drama.  »

28 Sep 2012

Rigoletto in San Francisco

Four Rigolettos in nine days (for this critic), of twelve Rigolettos in 24 days (are these world records?). »

28 Sep 2012

Nixon in China at the BBC Proms

John Adams’s Nixon in China has become one of the most successful operas in the late 20th/early 21st century wave of post-modernist attempts to revitalise the operatic tradition. It has even started its own sub-genre, the so-called CNN opera.  »

28 Sep 2012

Marriage of Figaro at the BBC Proms

Glyndebourne Festival Opera’s visit to the Proms has become a much anticipated annual event. This year on 28 August, they brought Michael Grandage’s new production of Mozart’s The Marriage of Figaro, with the Orchestra of the Age of Enlightenment conducted by Robin Ticciati, who takes over as musical director at Glyndebourne in 2014. »

28 Sep 2012

Peter Grimes BBC Prom 55

The ghost of Peter Pears may no longer hover in the wings, but in an age when ‘defining’ interpretations by the likes of Jon Vickers and Philip Langridge still linger powerfully in collective audience memories, Stuart Skelton’s interpretation of Crabbe’s problematic fisherman is assuming a striking individuality and impact.  »

27 Sep 2012

Santa Fe 2012

The venerable Santa Fe Opera served up a richly eclectic mix of high-caliber offerings that surely is one of their best festivals in recent seasons.  »

28 Aug 2012

Rossini Opera Festival, Pesaro 2012

Ciro in Babilonia Matilda di Shaban and Il signor Bruschino in Rossini land. »

28 Aug 2012

La bohème at the Salzburg Festival

It is difficult to speak with excessive enthusiasm of the programming of a Salzburg Festival that included both Carmen and La bohème, though it would subsequently be redeemed in part by a staging of Die Soldaten.  »

24 Aug 2012

Eternal Echoes: Songs and Dances for the Soul

Eternal Echoes is an album of khazones [Jewish cantorial music] for cantorial soloist, solo violin and a blended instrumental ensemble comprising a small orchestra and the Klezmer Conservatory Band.  »

24 Aug 2012

James MacMillan’s “Since it was the day of Preparation…” Premieres at Edinburgh International Festival

It was fitting that in this Year of Creative Scotland, the Edinburgh International Festival should honour James MacMillan’s contribution to Scottish musical life with the premiere of a new work. »

20 Aug 2012

Glimmerglass Gambles and Wins

Impresaria Francesca Zambello kept up her seemingly tireless process of rejuvenating the Glimmerglass Opera Festival with an ambitious, nay downright risky repertoire choice.  »

20 Aug 2012

Ariadne auf Naxos, Salzburg Festspiele

When announced in November, this was trailed as the original version of Ariadne auf Naxos, a rare treat indeed.  »

20 Aug 2012

Berlioz and Liszt at the Salzburg Festival

At the Salzburg Festival, Riccardo Muiti conducted Liszt’s Von der Wiege bis zum Grabe and Berlioz’s Messe solonnelle. »

14 Aug 2012

Mahler: Symphony no. 3 / Kindertotenlieder

Michael Tilson Thomas’s recording of Mahler’s Third Symphony is an outstanding contribution to the composer’s discography.  »

14 Aug 2012

Schoenberg’s Gurrelieder — BBC Proms 2012

Arnold Schoenberg’s Gurrelieder is conceived as cosmic panorama. King Waldemar curses God and is himself cursed, doomed to ride the skies forever, inspiring awe and horror.  »

13 Aug 2012

Berlioz’s Requiem (Grande messe des morts) — BBC Prom 39

The massed forces of the 600+ singers and players assembled for this exciting performance of Berlioz’s gargantuan Requiem (Grande messe des morts) made for an impressive visual spectacle in the vast high Victorian Royal Albert Hall.  »

12 Aug 2012

The Makropulos Case at Edinburgh International Festival

The Edinburgh International Festival, in partnership with Opera North, presented Janáček’s The Makropulos Case at the Edinburgh Festival Theatre. »

11 Aug 2012

Edinburgh International Festival - Delius, A Mass of Life

The Edinburgh International Festival got off to a rousing start with Frederick Delius, A Mass of Life, rarely heard because it's scored for huge forces.  »

10 Aug 2012

Oliver Knussen’s Symphonies from NMC

Oliver Knussen burst into British music with an unprecedented flourish. In 1967, the London Symphony Orchestra premiered Knussen’s First Symphony, with István Kertész scheduled to conduct.  »

05 Aug 2012

Glyndebourne : Ravel Double Bill L'enfant et les sortilèges, L'heure espagnole

Surrealist fantasy with wit and style! L'heure espagnole and L'enfant et les sortilèges, the Ravel Double Bill at Glyndebourne, mixes charm, intelligence and nightmare. »

03 Aug 2012

Bach Mass in B minor, BBC Prom 26

Bach probably never intended the full Mass in B Minor to be performed, so it is tricky to talk about what forces he meant it to be performed by. But the Kyrie and Gloria certainly were sent by Bach to the Royal Court at Dresden (which was Roman Catholic), and these movements could be used in the Lutheran Church as well.  »

02 Aug 2012

Tippett : A Child of Our Time BBC Prom 25

In November 1938 a young Polish Jew, Herschel Grynsban, driven to desperation and despair by the Nazi persecution of his mother, shot a minor German diplomat in Paris. The Nazis retaliated with one of the most savage, vicious pogroms experienced up to that time. A Child of our Time, composed during 1938-41, was Michael Tippett’s musical response to this contemporary tragedy and his attempt to comprehend its universal and eternal relevance.  »

02 Aug 2012

Santa Fe Opera convinces : Rossini Maometto II

Santa Fe, NM : It is not unusual for Santa Fe Opera to produce little known or rarely heard operas in their enduring devotion to both unusual and ‘lost’ repertory, as well as commissioned and contemporary works. But is it unusual - very - for two such mountings in one season to be smash hits. Santa Fe lately enjoyed two such successes, graced by elevated musical and performance quality, and strong audience acceptance.  »

02 Aug 2012

Santa Fe Opera, Karol Szymanowski : King Roger

The gifted Polish composer Karol Szymanowski wrote his three-act King Roger, in the 1920's. It is an allegorical tale of honor vs. pleasure set to quite beautiful music, especially in the orchestral writing, which Santa Fe chose to play in the same season as the Rossini in a wide tip of the hat to unknown but worthy repertory.  »

01 Aug 2012

Tchaikovsky: Eugene Onegin, Opera Holland Park, London

This was unquestionably the best all-round performance I have yet seen from Opera Holland Park, staging and musical performances alike often putting august metropolitan houses from around the world to shame.  »

30 Jul 2012

Exquisite Juxtapositions : Ian Bostridge, Wigmore Hall

Although John Cage’s Seven Haiku for piano are all about chance and accident, this final concert in Ian Bostridge’s Ancient and Modern series was a masterpiece of meticulous planning and execution. »

30 Jul 2012

Beethoven Ninth Symphony, Daniel Barenboim, BBC Prom 18

Few composers seem as remote and yet as necessary to our age as Beethoven, and perhaps the symphonic Beethoven in particular. Irony is a foreign word to him; blazing affirmation and indeed intensity of struggle seem too much for us.  »

27 Jul 2012

Pierre Boulez : Le marteau sans maître BBC Proms

Pierre Boulez Le marteau sans maître is important as Stravinsky's Rite of Spring and Schoenberg's Pierrot Lunaire, says conductor François-Xavier Roth, who conducted it with members of the West-Eastern Divan Orchestra in BBC Prom 17.  »

23 Jul 2012

Hector Berlioz, Les Troyens (concert performance, BBC Proms)

Hearing The Trojans in concert at the Royal Albert Hall as part of the Proms was, for me at least, a much happier experience than when it laboured under the crowd-pleasing would-be-musical-comedy served up by David McVicar’s production for the Royal Opera. »

22 Jul 2012

Verdi Falstaff Opera Holland Park

“It is as sunny as the composer’s garden at Busetto, clear as crystal in construction, tender and explosive by turns, humorous and witty without a touch of extravagance or a note of vulgarity.” So wrote Charles Stanford on the occasion of the first performance of Verdi’s final opera, in 1893. »

20 Jul 2012

Rossini Il viaggio a Reims, Royal Opera House

The Royal Opera House’s Jette Parker Young Artists programme is celebrating the 10th anniversary of their annual Summer Performance.  »