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Elsewhere

Kathleen Ferrier Remembered

Kathleen Ferrier Remembered, from SOMM Recordings, makes available on CD archive broadcasts of British and German song. All come from BBC broadcasts made between 1947 and 1952. Of the 26 tracks in this collection, 19 are "new", not having been commercially released. The remaining seven have been remastered by sound restoration engineer Ted Kendall. Something here even for those who already own the complete recordings.

Saint Louis Butterfly Soars

Opera Theatre of Saint Louis knew to trust the surefire potential of Madame Butterfly, and pretty much stayed out of its way.

Saint Louis: Gordon’s Revised Grapes

If opera is to remain a viable, accessible 21st century art form, it will be largely owing to the commitment of visionary companies like Opera Theatre of Saint Louis.

Titus Lightens Up in Saint Louis

Mozart’s opera seria, La Clemenza di Tito, performed in English at Opera Theatre of Saint Louis did something I did not think possible.

Il turco in Italia: Garsington Opera

Martin Duncan's production of Rossini's Il turco in Italia debuted in 2011, only the second production to be performed in Garsington Opera's then new home at Wormsley. Revived for the first time on 25 June 2017, David Parry was again conducting with Quirijn de Lang as Selim, Geoffrey Dolton as Don Geronio and Mark Stone as Prosdocimo returning to their roles, plus Sarah Tynan as Fiorilla, Katie Bray as Zaide, Luciano Botelho as Narciso and Jack Swanson as Albazar. Designs were by Francis O'Connor, with lighting by Mark Jonathan and movement by Nick Winston.

Glyndebourne's wartime Ariadne auf Naxos

It’s country-house opera season, and Glyndebourne have decided it’s time for a return of Katharina Thoma’s country-house-set Ariadne auf Naxos, first seen in 2013. Thoma locates Strauss’s opera-about-opera in a 1940s manor house which has been sequestered as a military hospital, neatly alluding to Glyndebourne’s own history when it transformed itself into a centre for evacuees from east London and the Christie children’s nursery became a sick bay.

On Trial in Saint Louis

That Opera Theatre of Saint Louis fearlessly embraces the cutting edge is once again evidenced by their compelling American premiere of The Trial.

A Traditional Rigoletto in Las Vegas

On June 9, 2017, Opera Las Vegas presented a traditional production of Verdi’s Rigoletto conducted by Music Director Gregory Buchalter with a cast headed by veteran baritone Michael Chioldi. A most convincing Rigoletto, Chioldi was a man in psychological pain from the begining of the opera. His fear and his vulnerability to the whims of the nobility were evident in every meaty, well-colored phrase he sang.

Thumbprint, An Amazing Woman Leaves an Indelible Mark

Thumbprint is the story of the young, innocent and illiterate Mukhtar Mai who was assaulted by a group of powerful men. Following the attack, Mukhtar, having supposedly been disgraced, was expected to commit suicide. Instead, she amazed everyone who knew her by going to the police and calling for the arrest of her attackers.

Kaufmann's first Otello: Royal Opera House, London

Out of the blackness, Keith Warner’s new production of Verdi’s Otello explodes into being with a violent gesture of fury. Not the tempest raging in the pit - though Antonio Pappano conjures a terrifying maelstrom from the ROH Orchestra and the enlarged ROH Chorus hurls a blood-curdling battering-ram of sound into the auditorium. Rather, Warner offers a spot-lit emblem of frustrated malice and wrath, as a lone soldier fiercely hurls a Venetian mask to the ground.

Don Carlo in Marseille

First mounted in 2015 at the Opéra National de Bordeaux this splendid Don Carlo production took stage just now at the Opéra de Marseille with a completely different cast and conductor. This Marseille edition achieved an artistic stature rarely found hereabouts, or anywhere.

Diamanda Galás: Savagery and Opulence

Unconventional to the last, Diamanda Galás tore through her Barbican concert on Monday evening with a torrential force that shattered the inertia and passivity of the modern song recital. This was operatic activism, pure and simple. Dressed in metallic, shimmering black she moved rather stately across the stage to her piano - but there was nothing stately about what unfolded during the next 90 minutes.

Schubert Wanderer Songs - Florian Boesch, Wigmore Hall

A summit reached at the end of a long journey: Florian Boesch and Malcolm Martineau at the Wigmore Hall, as the two-year Complete Schubert Song series draws to a close. Unmistakably a high point in the whole traverse. A well-planned programme of much-loved songs performed exceptionally well, with less well known repertoire presented with intelligent flourish.

La Bohème in San Francisco

In 2008 it was the electrifying conducting of Nicola Luisotti and the famed Mimì of Angela Gheorghiu, in 2014 it was the riveting portrayals of Michael Fabbiano’s Rodolfo and Alexey Markov’s Marcelo. Now, in 2017, it is the high Italian style of Erika Grimaldi’s Mimì — and just about everything else!

A heart-rending Jenůfa at Grange Park Opera

Katie Mitchell’s 1998 Welsh National Opera production of Janáček’s first mature opera, Jenůfa, is a good choice for Grange Park Opera’s first season at its new home, West Horsley Place. Revived by Robin Tebbutt, Mitchell and designer Vicki Mortimer’s 1930s urban setting emphasises the opera’s lack of sentimentality and subjectivism, and this stark realism is further enhanced by the narrow horseshoe design of architect Wasfi Kani’s ‘Theatre in the Woods’ whose towering walls and narrow width seem to add further to the weight of oppression which constricts the lives of the inhabitants.

Pelléas et Mélisande at Garsington Opera

“I am nearer to the greatest secrets of the next world than I am to the smallest secrets of those eyes!” So despairs Golaud, enflamed by jealousy, suspicious of his mysterious wife Mélisande’s love for his half-brother Pelléas. Michael Boyd’s thought-provoking new production of Debussy’s Pelléas et Mélisande at Garsington Opera certainly ponders plentiful secrets: of the conscience, of the subconscious, of the soul. But, with his designer Tom Piper, Boyd brings the opera’s dreams and mysteries into landscapes that are lit, symbolically and figuratively, with precision.

Carmen: The Grange Festival

The Grange Festival, artistic director Michael Chance, has opened at Northington Grange giving everyone a chance to see what changes have arisen from this change of festival at the old location. For our first visit we caught the opening night of Annabel Arden's new production of Bizet's Carmen on Sunday 11 June 2017. Conducted by Jean-Luc Tingaud with the Bournemouth Symphony Orchestra in the pit, the cast included Na'ama Goldman as Carmen, Leonardo Capalbo as Don Jose, Shelley Jackson as Micaela and Phillip Rhodes as Escamillo. There were also two extra characters, Aicha Kossoko and Tonderai Munyevu as Commere and Compere. Designs were by Joanna Parker (costume co-designer Ilona Karas) with video by Dick Straker, lighting by Peter Mumford. Thankfully, the opera comique version of the opera was used, with dialogue by Meredith Oakes.

Don Giovanni in San Francisco

San Francisco Opera revved up its 2011 production of Don Giovanni with a new directorial team and a new conductor. And a blue-chip cast.

Dutch National Opera puts on a spellbinding Marian Vespers

A body lies in half-shadow, surrounded by an expectant gathering. Our Father is intoned in Gregorian chant. The solo voices bloom into a chorus with a joyful flourish of brass.

Into the Wood: A Midsummer Night's Dream at Snape Maltings

‘I know a bank where the wild thyme blows, Where Oxlips and the nodding Violet grows.’ In her new production of Britten’s A Midsummer Night’s Dream, Netia Jones takes us deep into the canopied groves of Oberon’s forest, luring us into the nocturnal embrace of the wood with a heady ‘physick’ of disorientating visual charms.


OPERA TODAY ARCHIVES »

Reviews

Kathleen Ferrier Remembered
27 Jun 2017

Kathleen Ferrier Remembered

Kathleen Ferrier Remembered, from SOMM Recordings, makes available on CD archive broadcasts of British and German song. All come from BBC broadcasts made between 1947 and 1952. Of the 26 tracks in this collection, 19 are "new", not having been commercially released. The remaining seven have been remastered by sound restoration engineer Ted Kendall. Something here even for those who already own the complete recordings.  »

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19 Aug 2013

Rivals—Arias for Farinelli & Co.

In generations past, an important singer’s first recording of Italian arias would almost invariably have included the music of Verdi.  »

19 Aug 2013

Prom 47: Brahms — A German Requiem

In the first of her two visits to the Royal Albert Hall this summer, Marin Alsop led the Orchestra of the Age of Enlightenment and its associated Choir through three nineteenth-century works which are united by their romantic intensity and progression from darkness to light.  »

19 Aug 2013

Grand Duchess of Gerolstein at Santa Fe

On Wednesday August 7, Santa Fe Opera presented an energetic, fun-loving production of Jacques Offenbach, Henri Meilhac and Ludovic Halévy's The Grand Duchess of Gerolstein.  »

19 Aug 2013

Santa Fe Opera Revives The Marriage of Figaro

On Thursday, August 8, Santa Fe Opera revived the Bruce Donnell production of Wolfgang Amadeus Mozart's The Marriage of Figaro.  »

19 Aug 2013

Weill's Musical Theater: Stages of Reform

Commonly viewed as a ‘second-rate’ composer — a European radical persecuted by the Nazis whose trans-Atlantic emigration represented a sell-out to an inferior American popular culture —  »

17 Aug 2013

Prom 45: Tiippett’s The Midsummer Marriage

Sir Michael Tippett's The Midsummer Marriage has a lot of things against it, it requires a large cast including dancers and a large chorus and orchestra, the plot with its elements of Jungian analysis is confusing, the composer's libretto with its colloquial elements now sounds rather dated and frankly a bit embarrassing.  »

13 Aug 2013

La Donna del Lago at Santa Fe

Based on Sir Walter Scott’s narrative poem “The Lady of the Lake,” the opera by Rossini and librettist Andrea Leone Tottola was first seen in 1819 at the Teatro San Carlo in Naples. »

13 Aug 2013

Billy Budd at Glyndebourne

In their magnificent Glyndebourne production of Billy Budd, first seen in 2010 and revived here to mark Britten’s centenary anniversary, director Michael Grandage (revival director, Ian Rutherford) and designer Christopher Oram immerse us, quite literally, in the harsh realities of life aboard a late-eighteen-century man-’o-war: the uncompromisingly, and perhaps optimistically, named Indomitable. »

13 Aug 2013

Oscar: A Viable New Opera

Oscar Wilde wrote: “We are each our own devil, and we make this world our hell.” On July 27, 2013, Theodore Morrison’s opera Oscar had its world premiere at Santa Fe.  »

13 Aug 2013

Glimmerglass: Major League Move

“World-class” is an encomium often used indiscriminately by promoters and publicists but in light of Glimmerglass Festival’s triumphant Der Fliegende Holländer the press office has my full encouragement to use the phrase loud and often.  »

13 Aug 2013

Un ballo in maschera at Orange

A massive antique Roman theater where stadium opera is always grand opera and often good opera as well. »

08 Aug 2013

A Very Real Traviata

Conductor Leo Hussein, like many of the artists in the production, was making his debut. His take on the story was immediately ascertainable when he played parts of the overture with an earthy tone. This was Violetta’s world, where otherwise refined men wined, dined, and cavorted with the most expensive Parisian courtesans.  »

06 Aug 2013

Verdi at the Old MET

With celebrations of the Verdi Bicentennial in full swing, there have been many grumblings about the precarious state of Verdi singing in the world’s major opera houses today.  »

03 Aug 2013

Coleridge Taylor: The Song of Hiawatha, Three Choirs Festival

The Song of Hiawatha, Samuel Coleridge-Taylor at Gloucester Cathedral, highlight of this year's Three Choirs Festival.  »

02 Aug 2013

Italo Montemezzi: L’amore dei tre re

In the thirty-five years immediately following its American première at the Metropolitan Opera in 1914, Italo Montemezzi’s ‘Tragic Poem in Three Acts’ L’amore dei tre re was performed in New York on sixty-six occasions.   »

02 Aug 2013

Così fan tutte from DG

Few operas inspire the kind of competing affection and controversy that have surrounded Mozart’s Così fan tutte almost since its first performance in Vienna in 1790.   »

01 Aug 2013

Glimmerglass’s handsomely staged ‘Passions’ expands the boundaries of oratorio

The double-bill program of sacred vocal works uses choreography, sets and costumes to heighten the drama within the music »

31 Jul 2013

Heart’s Delight: The Songs of Richard Tauber

During his career in film, opera, and operetta, Richard Tauber (1891 - 1948) enjoyed the sort of global fame that eludes all but the tiniest handful of ‘serious’ singers today.  »

30 Jul 2013

Prom 20: Wagner — Götterdämmerung

By the end of the first act, I was convinced that, barring a catastrophe of, well, Götterdämmerung-like proportions, this would now turn out to be the greatest Ring since Bernard Haitink’s 1998 Royal Opera performances— also semi-staged, also at the Royal Albert Hall.  »

30 Jul 2013

Prom 19: Wagner — Tristan and Isolde

For those whose Wagnerian thirst had not yet been quenched by three parts of the Ring, the Proms now offered Tristan und Isolde. »

30 Jul 2013

Prom 18: Wagner — Siegfried

The brightest star in this performance proved once again to be the Staatskapelle Berlin, under Daniel Barenboim’s guidance. »

30 Jul 2013

Schubert’s Winterreise, Wigmore Hall

When faced with the illustrious Winterreises of the past and the renowned, and often highly original, interpretations of present-day performers, how is a tenor to approach Schubert’s setting of Wilhelm Müller’s pessimistic exploration of a mind spinning into disillusion and despair? »

30 Jul 2013

Something Rotten in the State of Arcady?

One can only imagine the small-ad: “exquisite small italianate water garden wishes to meet pastoral “little opera” in intimate setting, small cast and orchestra ideal, with music of delightful poise and accessibility. »

30 Jul 2013

The Aix Festival 2013

Don Giovanni — the coup de coeur. Elektra — a masterpiece. Rigoletto — a hit and a miss. »

24 Jul 2013

Prom 15: Wagner — Die Walküre

The superstitious would have us believe that it is better not to build up expectations, lest they be confounded.  »

23 Jul 2013

Glimmerglass’s rarely done ‘King for a Day’ a rare treat, well done

This zany production of Verdi’s only comic opera before ‘Falstaff’ keeps the singers in chaos and the audience in stitches  »

23 Jul 2013

Elena and The House Taken Over

That’s Helen (of Troy) by Cavalli, so maybe you are interested after all, though the more engaging experience was The House Taken Over by Vasco Mendonça. »

23 Jul 2013

Prom 14: Das Rheingold

For me, this is almost to have come full circle — though as anyone with even the slightest acquaintance with the Ring will tell you, the so-called ‘cycle’ does not end where it began, its world having been changed forever.  »

22 Jul 2013

A Music Of One’s Own: From The Diary of Virginia Woolf

The final concert in pianist Julius Drake’s Perspectives series united song, literature and biography through the prism of Dominick Argento’s Pulitzer Prize-winning song-cycle, From the Diary of Virginia Woolf. »

20 Jul 2013

Stockhausen at the BBC Proms

The Royal Albert Hall was made for Karl-Heinz Stockhausen. BBC Prom 11 2013 featured Gesang der Jünglinge and Welt-Parliament from Mittwoch from Licht. »

20 Jul 2013

Capriccio, Royal Opera

‘Wort oder Ton?’ may be the Countess’s question, but it is far from the only question asked in, let alone by, Capriccio.  »

19 Jul 2013

Glimmerglass premiere of ‘Camelot’ chivalrous, but hardly a knight to remember

David Pittsinger, as King Arthur, provided most of the magic in this pleasant but unspectacular production of the Lerner and Loewe musical »

19 Jul 2013

Don Pasquale, Glyndebourne

Donizetti’s late comedy Don Pasquale debuted in Paris in 1843 and has been popular ever since. It was produced at the Glyndebourne Festival in 1938 but, rather surprisingly, Mariame Clement’s 2013 production, refreshingly set in the 18th century rather than being update, was the first festival production since 1938.  »

19 Jul 2013

Prom 8: Adès’ Totentanz

This remarkably cohesive programme of works by Britten, Lutoslawski and Adès was underpinned by a dark intensity; tragic realism interwoven with transient intimations of hope. »

18 Jul 2013

Adriana Lecouvreur from Decca

Known principally for its two concert show-pieces for the leading lady, the success of Francesco Cilea’s Adriana Lecouvreur relies upon finding a soprano willing to take on, and able to pull off, the eponymous role.  »

17 Jul 2013

Cléopâtre and Les Troyens in Marseille

There are forces to be reckoned with at l’Opéra de Marseille — a first class orchestra, a first class chorus, first class casts (with notable exception, see below) who inhabit an extraordinarily fine old opera house. »

17 Jul 2013

L’elisir d’amore, Opera Holland Park

Pia Furtado’s production of Donizetti’s gentle rom-com, L’elisir d’amore, opens in the greenhouse-laboratory of a sunflower factory — all steel trolleys and agronomic apparatus.  »

17 Jul 2013

Glimmerglass Festival’s ‘The Flying Dutchman’ a voyage to remember

Excellent staging and strong vocal efforts put wind in the sails of this legendary ghost ship »

16 Jul 2013

Opera from Cambridge University Press

Although part of a series entitled Cambridge Introductions to Music, Robert Cannon’s wide-ranging, imaginative and thought-provoking survey of opera is certainly not a ‘beginners’ guide’.  »

13 Jul 2013

Ermonela Jaho — Singing and Character

Ermonela Jaho caused a sensation at Covent Garden in London five years ago, when she took over Violetta at short notice from Anna Netrebko.  »

11 Jul 2013

Britten: The Canticles

First performed at this year’s Brighton Festival and originally designed for the Theatre Royal Brighton, this multi-media staging of Benjamin Britten’s five Canticles by long-standing collaborators Neil Bartlett and Paule Constable, also had an outing at Snape Maltings Aldeburgh in May this year, and has now arrived on the austere stage of the Linbury Studio at the Royal Opera House. »

10 Jul 2013

Central City Opera: Rocky Mountain High

Central City Opera’s meticulous staging of Our Town makes as good a case as is likely possible for Ned Rorem’s operatic version of that classic play.  »

10 Jul 2013

Macbeth, Blackheath Halls

Since its inception in 2006, the annual community opera at Blackheath Halls has become a favourite fixture in the local summer calendar.  »

08 Jul 2013

Lawrence Brownlee’s Spiritual Sketches

It would be condescending and perhaps even offensive to suggest that singing traditional Spirituals is a rite a passage for artists of color, but the musical heritage of the United States has been greatly enriched by the performances and recordings of Spirituals by important artists such as Paul Robeson, Marian Anderson, Leontyne Price, Martina Arroyo, Shirley Verrett, Grace Bumbry, Jessye Norman, Barbara Hendricks, Florence Quivar, Kathleen Battle, Harolyn Blackwell, and Denyce Graves.  »

08 Jul 2013

Britten’s Curlew River and The Prodigal Son

Poised between ritual and drama, between East and West, between Zen-Buddhist symbolism and Christian medieval morality play, Britten’s three church parables pose some tricky problems — including a deliberately objectivised framing device which can distance the work from the audience, and, unusually for Britten, some less than effective musico-dramatic pacing.  »

08 Jul 2013

Musical Fireworks in Iowa

‘Tis the season for aerial starbursts, and for my money more than a few rockets could be sent up to laud Des Moines Metro Opera.  »

07 Jul 2013

La Rondine, Royal Opera House

La Rondine isn’t Puccini’s finest moment. As drama it’s a retread of La Bohème. The music resembles out-takes from Madama Butterfly. What holds it together is Magda. »