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Elsewhere

Green: Mélodies françaises sur des poèmes de Verlaine

Philippe Jaroussky lends poetry and poise to the sounds of nineteenth- and twentieth-century France

J. C. Bach: Adriano in Siria

At this start of the year, Classical Opera embarked upon an ambitious project. MOZART 250 will see the company devote part of its programme each season during the next 27 years to exploring the music by Mozart and his contemporaries which was being written and performed exactly 250 years previously.

Bethan Langford, Wigmore Hall

The Concordia Foundation was founded in the early 1990s by international singer and broadcaster Gillian Humphreys, out of her ‘real concern for building bridges of friendship and excellence through music and the arts’.

Tansy Davies: Between Worlds (world premiere)

An opera dealing with — or at least claiming to deal with — the events of 11 September 2001? I suppose it had to come, but that does not necessarily make it any more necessary.

Arizona Opera Ends Season in Fine Style with Fille du Régiment

On April 10, 2015, Arizona Opera ended its season with La Fille du Régiment at Phoenix Symphony Hall. A passionate Marie, Susannah Biller was a veritable energizer bunny onstage. Her voice is bright and flexible with a good bloom on top and a tiny bit of steel in it. Having created an exciting character, she sang with agility as well as passion.

Il turco in Italia, Royal Opera

This second revival of Patrice Caurier and Moshe Leiser’s 2005 production of Rossini’s Il Turco in Italia seems to have every going for it: excellent principals comprising experienced old-hands and exciting new voices, infinite gags and japes, and the visual éclat of Agostino Cavalca’s colour-bursting costumes and Christian Fenouillat’s sunny sets which evoke the style, glamour and ease of La Dolce Vita.

The Siege of Calais
——
The Wild Man of the West Indies

English Touring Opera’s 2015 Spring Tour is audacious and thought-provoking. Alongside La Bohème the company have programmed a revival of their acclaimed 2013 production of Donizetti’s The Siege of Calais (L’assedio di Calais) and the composer’s equally rare The Wild Man of the West Indies (Il furioso all’isola di San Domingo).

The Met’s Lucia di Lammermoor

Mary Zimmerman’s still-fresh production is made fresher still by Shagimuratova’s glimmering voice, but the acting disappoints

Voices, voices in space, and spaces: Thoughts on 50 years of Meredith Monk

When WNYC’s John Schaefer introduced Meredith Monk’s beloved Panda Chant II, which concluded the four-and-a-half hour Meredith Monk & Friends celebration at Carnegie’s Zankel Hall, he described it as “an expression of joy and musicality” before lamenting the fact that playing it on his radio show could never quite compete with a live performance.

St. John Passion by Soli Deo Gloria, Chicago

This year’s concert of the Chicago Bach Project, under the aegis of the Soli Deo Gloria Music Foundation, was a presentation of the St. John Passion (BWV 245) at the Harris Theater in Millennium Park.

Fedora in Genoa

It is not an everyday opera. It is an opera that illuminates a larger verismo history.

The Marriage of Figaro, LA Opera

On March 26, 2015, Los Angeles Opera presented Mozart’s Le nozze di Figaro (The Marriage of Figaro). The Ian Judge production featured jewel-colored box sets by Tim Goodchild that threw the voices out into the hall. Only for the finale did the set open up on to a garden that filled the whole stage and at the very end featured actual fireworks.

The Tempest Songbook, Gotham Chamber Opera

Gotham Chamber Opera’s latest project, The Tempest Songbook, continues to explore the possibilities of unconventional spaces and unconventional programs that the company has made its hallmark. The results were musically and theatrically thought-provoking, and left me wanting more.

San Diego Opera presents Adams’ Riveting Nixon in China

Nixon in China is a three-act opera with a libretto by Alice Goodman and music by John Adams that was first seen at the Houston Grand Opera on October 22, 1987. It was the first of a notable line of operas by the composer.

Ars Minerva presents Castrovillari’s La Cleopatra in San Francisco

It is thanks to Céline Ricci, mezzo-soprano and director of Ars Minerva, that we have been able to again hear Daniele Castrovillari’s exquisite melodies because she is the musician who has brought his 1662 opera La Cleopatra to life.

World Premiere of Jennifer Higdon’s opera Cold Mountain at Santa Fe Opera this August

East Coast Premiere at Opera Philadelphia next season. Performances from Cold Mountain at the Guggenheim in New York this Monday, March 30.

An Ideal Cast in Chicago’s Tannhäuser

Lyric Opera of Chicago, in association with the Royal Opera House, Covent Garden, has staged a production of Richard Wagner’s Tannhäuser with an estimable cast.

Winners of the Metropolitan Opera National Council Auditions Announced

Five Young Singers Named Winners of the 2015 Met National Council Auditions, America’s Most Prestigious Vocal Competition

A Chat with Julia Noulin-Mérat

Julia Noulin-Mérat is the principal designer for the Noulin-Merat Studio, an intrepid New York City production design firm that works in theater, film, and television, but emphasizes opera and immersive site-specific theatre.

Madame Butterfly, Royal Opera

Puccini and his fellow verismo-ists are commonly associated with explosions of unbridled human passion and raw, violent pain, but in this revival (by Justin Way) of Moshe Leiser’s and Patrice Caurier’s 2003 production of Madame Butterfly, directorial understatement together with ravishing scenic beauty are shown to be more potent ways of enabling the sung voice to reveal the emotional depths of human tragedy.


OPERA TODAY ARCHIVES »

Reviews

Green: Mélodies françaises sur des poèmes de Verlaine
16 Apr 2015

Green: Mélodies françaises sur des poèmes de Verlaine

Philippe Jaroussky lends poetry and poise to the sounds of nineteenth- and twentieth-century France »

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29 Mar 2009

Farinelli — Il Castrato

Naïve re-releases the soundtrack to the film Farinelli here in a handsome “book” casing, appending a second disc of highlights from the discography of Christophe Rousset’s recordings with Les Talens Lyriques, the artists also responsible for the soundtrack. »

27 Mar 2009

In Sarasota the composer is king

In the world of opera it’s now the director who is the top banana.  »

25 Mar 2009

Jenůfa — English National Opera, London Coliseum

Janáček enthusiasts in London have been spoiled this month: opening the day before English Touring Opera’s Katya Kabanova, David Alden’s staging of Jenůfa made a welcome return to the Coliseum following its original double Olivier Award-winning run in 2006. »

25 Mar 2009

Paul Robeson: The Complete EMI Sessions 1928-1939

Seven discs, of 170 tracks, amounting to over eight hours of music - this EMI set somehow manages to be both voluminous and narrow in its portrait of Paul Robeson. »

25 Mar 2009

Venice's Variable “War Requiem”

I had been looking forward to it for weeks — really, for years. »

25 Mar 2009

La Sonnambula at the MET

In 1831, when Vincenzo Bellini composed this pastorale full of characters who never express any but sincere emotions (with the exception of Lisa, the calculating flirt), he certainly intended them, and their feelings, and therefore their story, to be taken seriously – or he would not have given them such seriously lovely music.  »

25 Mar 2009

Il Trovatore at the MET

For nearly a decade after its premiere, in 1853, Il Trovatore was the most popular opera, perhaps the most popular stage work on the planet — even more than Rigoletto or Ernani, and far more than Traviata, which had its premiere the following autumn.  »

24 Mar 2009

Franz Schubert: The Conspirators (Die Verschworenen)

Schubert was desperate to be an opera composer — or so one might surmise from the many (at least 18) attempts he made to make a name for himself as a man of the theatre.  »

24 Mar 2009

Katya Kabanova/The Magic Flute — English Touring Opera, Hackney Empire Theatre

English Touring Opera is 30 years old this year, and has never been more adventurous.  »

22 Mar 2009

Songs by Samuel Barber

Among the impressive contributions to the American song literature of the twentieth century are works by Samuel Barber (1910-81), whose efforts in this genre reflect his own musical training as a singer, as well as the influence of his aunt, Louise Homer, whose professional relationships put her nephew in contact with other vocalists of the day.  »

19 Mar 2009

TELEMANN: Brockes-Passion

Heinrich Brockes’s famous poetic setting of the Passion, Der für die Sünden der Welt gemarterte und sterbende Jesus (1712), was one of the most significant devotional texts of its day in Germany.  »

15 Mar 2009

Don Giovanni — Victorian Opera

Each Australia state maintains its own opera company. The dominant company is Opera Australia, a permanent ensemble based at the Sydney Opera House but which originated in the Melbourne based National Theatre Opera Company in the 1940s.  »

15 Mar 2009

LA “Ring” up and running

LOS ANGELES: On February 21 the capacity audience in the Dorothy Chandler Pavilion was overwhelmed by the staging of Das Rheingold that launched the Los Angeles Opera’s new production of Der Ring des Nibelungen. So was Wagner. »

15 Mar 2009

Haydn’s L’Isola Disabitata by Gotham Chamber Opera

Had a misunderstanding with your truelove lately? Tough job straightening things out?  »

15 Mar 2009

Elisabeth Schwarzkopf, Soprano

This DVD contains the contents of four televised recitals of Elisabeth Schwarzkopf, with no way of telling from the information provided whether the recitals are presented complete or not.  »

15 Mar 2009

Henze: Der junge Lord

Hey man, you wanna take a trip? Groovy!  »

15 Mar 2009

Domenico Sarro: Achille in Sciro

The birth and death dates of Domenico Sarro (1679 and 1744) are very close to those of his more illustrious contemporary, Antonio Vivaldi.  »

15 Mar 2009

Mayr Rediscovered

Apparently Opera Rara “discovered” Giovanni Simone Mayr some years ago when it included several excerpts from his operas in their multi-volume series, “A Hundred Years of Italian Opera.” »

15 Mar 2009

Tippett: A Child of Our Time

Although an ineffable aura of the 1960s emanates from Michael Tippett’s oratorio A Child of Our Time, its composition came at the start of WWII in Europe.  »

15 Mar 2009

Luciano Pavarotti: The EMI Recordings

A Decca recording artist for most of his career, Luciano Pavarotti did do a very few items with EMI, probably as part of those “artist-swapping” arrangements recording labels sometime arrange.  »

15 Mar 2009

Wagner’s Das Rheingold at Los Angeles Opera

There is some slim irony to an opera company pursuing the complicated business of staging Richard Wagner’s Der Ring des Nibelungen in the current economy — it entails the very sort of dubious compromises that get Wotan and crew into such hot water (if one assumes the cataclysmic fire at the end of Götterdämmerung heated the Rhine).  »

08 Mar 2009

Tristan und Isolde in Chicago

By the close of the first act of Richard Wagner’s Tristan and Isolde in its current production at Lyric Opera of Chicago the audience has been given a strong impression of the multi-faceted characters bound up in the musical drama unfolding on stage.  »

08 Mar 2009

Fidelio — London Lyric Opera, Cadogan Hall

After a problematic debut last Autumn with Der fliegende Holländer at the Barbican, London’s newest opera-in-concert outfit returned this month with Fidelio at the smaller Cadogan Hall. »

08 Mar 2009

Siegfried Wagner: Rainulf und Adelasia

A medieval tale of ill-starred love, in three very long acts, with questions of loyalty to a king and one title character urging another to drink from a cup of poison... »

08 Mar 2009

Korngold Thrills in Venice

It is not often that the team of stage director, set and costume designer get the biggest, most boisterously rowdy roar of approval at opera's end. »

05 Mar 2009

Dr Atomic lands on London with a bang

To say that Dr Atomic landed in London with a bang is shocking, but the subject it deals with is meant to be disturbing. Unlike the scientists at Los Alamos, we can’t live in denial of the wider implications. This isn’t history. It’s a universal dilemma, utterly relevant today.  »

05 Mar 2009

La bohème — English National Opera

Jonathan Miller's new production of Puccini's wintry opera was denied its planned opening night on Monday 2nd February by a bout of unusually heavy snow which brought most of London's transport services to a halt and turned it into a virtual ghost town (thus, up the road at Covent Garden, the cancellation of a performance of Korngold's 'Die tote Stadt' was equally ironic). »

05 Mar 2009

Mahler: Das Lied von der Erde (The Song of the Earth)

Recorded on 9 November 1959 at Symphony Hall (now Symphony Center), this recent issue of a classic performed of Gustav Mahler’s Das Lied von der Erde translates the then state-of-the-art RCA “Living Stereo” sound for the LP vinyl medium to the enhanced sound currently available in SACD format.  »

05 Mar 2009

Janáček's Šárka at Dicapo Opera

There is a visceral pleasure in hearing so many healthy sets of young lungs tearing into this music, and they do sing, they do not bellow. »

27 Feb 2009

A restrained Flying Dutchman at the Royal Opera House, London

This Der fliegende Holländer was eagerly awaited as it hasn’t been heard at the Royal Opera House, London, since 2000. With Bryn Terfel’s return to Covent Garden as the Dutchman guaranteed a full house. »

27 Feb 2009

Lucrezia Borgia at Munich

Donizetti’s Lucrezia Borgia, his 30th opera, is based on Victor Hugo’s play of the same name, and had its premiere at La Scala in 1833.  »

25 Feb 2009

Rigoletto at the MET

The Plague of Beautiful Sounds: Has Bel Canto gone too far? »

25 Feb 2009

Lehár's Die Lustige Witwe from Semperoper Dresden

Jérôme Savary, director of this December 2007 Semperoper Dresden production of Lehár's Die Lustige Witwe, expresses a view in the booklet essay that many others will probably share: "What I like most of all about The Merry Widow is its music, which is literally bursting with colours, gyrating movements and sensuality..." »

25 Feb 2009

Adriana Lecouvreur at the MET

There come nights in the opera season where gesamtkunstwerke won’t do — enough of epic masterpieces and supreme lyric outpourings of the human spirit!  »

25 Feb 2009

Frankfurt: Thinking Inside the Box

My heart didn't exactly leap in joyful anticipation as I entered the Frankfurt Opera and saw the Arabella pre-set on stage: a big, shallow, white box.  »

24 Feb 2009

No Home for Heroes at the Theater an der Wien, Vienna — Pierre Audi’s new production of Handel’s Partenope.

Handel operas are like London buses — you wait for ages and then 3 come along together.  »

22 Feb 2009

Massenet's Don Quichotte at San Diego Opera

Ferrucio Furlanetto apparently loves the temperate climes of San Diego in California's equivalent of late winter.  »

15 Feb 2009

Kurt Weill’s Der Kuhhandel at Volks Oper Wien

The Kurt Weill-composed operetta Arms and the Cow premiered in 1935 under the title A Kingdom for a Cow, according to Erwin Berger’s booklet essay for this DVD of a 2007 VolksOper Vien staging of David Pountney’s production. »

13 Feb 2009

Fritz Wunderlich — The Legend

Some opera aficionados who take a look at the contents of this two-CD Fritz Wunderlich collection from Profil might shake their heads in bemused wonder: the German lyric tenor as Turridu, let alone Pinkerton and Rodolfo? »

13 Feb 2009

Donizetti's Don Pasquale from the Ravenna Festival

The CEO of the Ravenna Festival, one Cristina Mazzavillano Muti, understandably takes top billing at the top of this DVD booklet's three - count 'em, 3! - pages of credits for the Festival, not counting the single page of credits for the production of Donizetti's Don Pasquale itself. »

10 Feb 2009

Chicago’s Lyric brings life to Tristan

Superlatives were in short supply when the curtain fell on Tristan und Isolde at Chicago Lyric Opera on January 27.  »

08 Feb 2009

Magic Flute at ENO

‘Back by popular demand’ claimed ENO’s publicity material for the 21-year-old production which had its supposed swan-song last season – though it remains questionable whether the company ever really intended to get rid of it.  »

08 Feb 2009

Die tote Stadt, Royal Opera House

Die tote Stadt is Korngold’s masterpiece in the old sense of the word, when a craftsman would produce a dazzling work to show the world what he could do. This is Korngold’s manifesto, so to speak.  »

08 Feb 2009

The Beggar’s Opera at Covent Garden

Entering the Linbury Studio for this production of The Beggar’s Opera, one might have been forgiven for thinking that one had wandered into the main house by mistake.  »

08 Feb 2009

Liber Evangeliorum: Verse and Music From the Age of Charlemagne

The emergence of a standardized western liturgy with a uniform chant repertory, while to a significant degree realized, neither completely silenced regional liturgies nor extinguished the additions to liturgical practice that comprise much medieval creativity.  »

08 Feb 2009

Eugene Onegin at the MET

Pushkin’s poem Eugene Onegin is the first of the great line of Russian novels, passionately loved by all the literate of that most literary nation.  »

08 Feb 2009

Poaching in Cologne

One definition of “poach” is “to take or appropriate something unfairly.” »