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Elsewhere

Peter Grimes in Princeton

The Princeton Festival presents one opera annually, amidst other events. Its offerings usually alternate annually between 20th century and earlier operas. This year the Festival presented Benjamin Britten’s Peter Grimes, now a classic work, in a very effective and moving production.

Scintillating Strauss in Saint Louis

If you like your Ariadne on Naxos productions as playful as a box of puppies, then Opera Theatre of Saint Louis is the address for you.

Saint Louis Takes On ‘The Scottish Opera’

Opera Theatre of Saint Louis took forty years before attempting Verdi’s Macbeth but judging by the excellence of the current production, it was well worth the wait.

Anatomy Theater: A Most Unusual New Opera

On June 16, 2016, Los Angeles Opera with Beth Morrison Projects presented the world premiere of Pulitzer Prize-winning composer David Lang's Anatomy Theater at the Roy and Edna Disney/CalArts Theater (REDCAT).

Shalimar in St. Louis: Pagliaccio Non Son

In its compact forty-year history, the ambitious Opera Theatre of Saint Louis has just triumphantly presented its twenty-fifth world premiere with Shalimar the Clown.

Jenůfa, ENO

The sharp angles and oddly tilting perspectives of Charles Edwards’ set for David Alden’s production of Jenůfa at ENO suggest a community resting precariously on the security and certainty of its customs, soon to slide from this precipice into social and moral anarchy.

The “Other” Marriage of Figaro in a West Village Townhouse

Last week an audience of 50 assembled in the kitchen of a luxurious West Village townhouse for a performance of Marriage of Figaro.

West Wind: A new song-cycle by Sally Beamish

In a recent article in BBC Music Magazine tenor James Gilchrist reflected on the reason why early-nineteenth-century England produced no corpus of art song to match the German lieder of Schumann, Schubert and others, despite the great flowering of English Romantic poetry during this period.

Interview with Star of Florencia en el Amazonas, Elizabeth Caballero

Lyric soprano Elizabeth Caballero’s signature role is Violetta in La traviata, which she portrays with a compelling interpretation, focused sound, and elegant coloratura that floats through the opera house as naturally as waves on the ocean.

Florencia en el Amazonas, NYCO

With the New York Premiere of Florencia en el Amazonas, the New York City Opera Steps Out of the Shadows of the Past

Idomeneo, re di Creta, Garsington

Opportunities to see Idomeneo are not so frequent as they might be, certainly not so frequent as they should be.

Don Carlo in San Francisco

Not merely Don Carlo, but the five-act Don Carlo in the 1886 Modena version! The welcomed esotericism of San Francisco Opera’s extraordinary spring season.

Jenůfa in San Francisco

The early summer San Francisco Opera season has the feel of a classy festival. There is an introduction of Spanish director Calixto Bieito to American audiences, a five-act Don Carlo and two awaited, inevitable role debuts, Karita Mattila as Kostelnička and Malin Bystrom as Janacek's Jenůfa.

Musings on the “American Ring

Now that the curtain has long fallen on the third and last performance of the Ring cycle at the Washington National Opera (WNO), it is safe to say that the long-anticipated production has been an unqualified success for the company, director Francesca Zambello, and conductor Philippe Auguin.

Nabucco, Covent Garden

Most of the attention during this revival of Daniele Abbado’s 2013 production of Nabucco has been directed at Plácido Domingo’s reprise of the title role, with the critical reception somewhat mixed.

Tristan, English National Opera

My first Tristan, indeed my first Wagner, in the theatre was ENO’s previous staging of the work, twenty years ago, in 1996. The experience, as it should, as it must, although this is alas far from a given, quite overwhelmed me.

The Cunning Little Vixen, Glyndebourne

Four years ago, almost to the day (13th to 12th), I saw Melly Still’s production of The Cunning Little Vixen during its first Glyndebourne run. I found myself surprised how much more warmly I responded to it this time.

London: A 90th birthday tribute to Horovitz

This recital celebrated both the work of the Park Lane Group, which has been supporting the careers of outstanding young artists for 60 years, and the 90th birthday of Joseph Horovitz, who was born in Vienna in 1926 and emigrated to England aged 12.

Opera Las Vegas: A Blazing Carmen in the Desert

Headed by General Director Luana DeVol, a world-renowned dramatic soprano, Opera Las Vegas is a relatively new company that presents opera with first-rate casts at the University of Las Vegas’s Judy Bayley Theater. In 2014 they presented Rossini’s The Barber of Seville and in 2015, Puccini’s Madama Butterfly. This year they offered a blazing rendition of Georges Bizet’s Carmen.

La bohème, Opera Holland Park

Ever since a friend was reported as having said he would like something in return for modern-dress Shakespeare (how quaint that term seems now, as if anyone would bat an eyelid!), namely an Elizabethan-dress staging of Look Back in Anger, I have been curious about the possibilities of ‘down-dating’, as I suppose we might call it. Rarely, if ever, do we see it, though.


OPERA TODAY ARCHIVES »

Reviews

Michael Druiett as Wotan, Jo Pohlheim as Alberich and Wolfgang Ablinger-Sperrhacke as Loge
29 Jun 2016

Das Rheingold, Opera North

Das Rheingold is, of course, the reddest in tooth and claw of all Wagner’s dramas - which is saying something.  »

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17 Nov 2005

An Introduction to... MASSENET Werther

For anyone who is remotely familiar with opera, the first question would be, “What is the need for a recording like this?” Of course, not being familiar with the CD justifies the question, but once it has been played, the realization sets in that the answer was there all along. »

17 Nov 2005

Soprano Songs and Arias

For those who frequent the Santa Fe Opera and Houston Grand Opera, Ana María Martínez is well-known as a superb lyric soprano on her way to a stellar career. With the release of this collection of songs and arias for soprano, the rest of the world will come to know this as well. »

16 Nov 2005

Decca Classic Recitals

The first thought one has is « how nice to have those recitals back like they were issued ». One remembers too well the first days of the CD when historical vocal recitals appeared more or less mutilated, often culled from two or more LP’s so that some tracks were sorely missed. »

15 Nov 2005

STRAUSS: Lieder

The Lieder of Richard Strauss lend themselves well to various interpretations that bring out different aspects of the music. »

15 Nov 2005

ROSSINI: William Tell (Two Reviews)

Not Just a Famous Overture »

13 Nov 2005

STRAVINSKY : The Rake’s Progress

This production, from Glyndebourne in 1975, is a treasure of literate, artistically informed stagecraft. Opera is meant to be seen as much as heard, and productions like this prove that good staging brings a score alive. »

13 Nov 2005

VERDI: Stiffelio

This is the third re-issue (in Europe anyway) on CD of the only existing studio recording of Stiffelio. Luckily it is a rather good one as its live competitors are not recordings for eternity. Neither Limarilli in 1968 nor Del Monaco (at his coarsest in 1972) have much sense of style, let alone a knack for true Verdi-phrasing. Not that José Carreras is flawless. »

09 Nov 2005

TCHAIKOVSKY: Sleeping Beauty

Tchaikovsky counted Sleeping Beauty as one of his best works. The idea came from Ivan Vsevolozhsky (1835-1909), director of the Russian Imperial Theatres from 1881 onward. He had staged several of Tchaikovsky’s operas, and he wanted Tchaikovsky to produce a ballet score with him. »

09 Nov 2005

STRAUSS: Daphne

The formidable Straussian Sir Georg Solti wrote that after the 1929 death of Strauss’s long-time librettist Hugo von Hofmannsthal, “Strauss lived for another twenty years, but he never again wrote a great work.” »

09 Nov 2005

KHACHATURIAN: Spartacus

Khachaturian was one of the few Soviet composers of the Stalin regime to overcome his public demotion in 1948. Even though he was removed from his job and his works disappeared from the theatres, Khachaturian moved to the world of film music and waited for the storm to blow over. »

08 Nov 2005

Hear My Prayer

This anthology, a twentieth-anniversary commemoration of Aled Jones’ first recording for the Welsh company, Sain, is a re-issue of that 1983 recording, “Diolch â Chân,” along with several other tracks from the mid-1980’s. Jones stepped out of the choir stalls at Bangor Cathedral to become a highly marketed treble, and his relative celebrity, as attested here, was well deserved. »

07 Nov 2005

Méthodes & Traités, series II: France 1800-1860 (Les grandes méthodes romantiques de chant), Vol. IV

As far back as the Middle Ages, students (often only identified as Anonymous) have recorded the methods of performance imparted by their masters. In later centuries, such illustrious teachers wrote and published their own methods. »

06 Nov 2005

RIGHINI: Il Convitato di Pietra (The Stone Guest)

Born in Bologna on January 22, 1756, Righini’s musical career started early when he was a choirboy at San Petronio. When he was nineteen, Righini made his professional singing debut as a tenor in Parma, and one year later he joined the Bustelli Opera in Prague. »

02 Nov 2005

ROSSINI: Der Barbier von Sevilla (Barbiere di Siviglia)

Rossini’s masterpiece is based on Beaumarchais’ first of three plays—Le Barbier de Séville, La folle journée ou Le Mariage de Figaro, and La Mère Coupable—detailing the adventures of Figaro, a barber from Seville, Spain. Rossini was not the first, nor the last composer to set the story to music: Giovanni Maria Pagliardi, Friedrich Ludwig Benda, Johann André, Francesco Morlacchi, Miguel Nieto and Gerónimo Jiménez, Nicolo Isouard, and H. R. Bishop are some of the names that come to mind. »

01 Nov 2005

BORODIN: Prince Igor (Highlights)

Not long ago the record label Delos announced that they would embark on a series of studio recordings of highlights from operas. This intriguing idea seemed to address the recording crisis spawned by the shrinking market for full studio sets, with their high cost for both producer and purchaser. »

01 Nov 2005

BIBER: Missa Christi resurgentis

In 1682 the Archbishopric of Salzburg celebrated its 1100th anniversary with an appropriately festal service in the Cathedral, depicted in an engraving by Melchior Küsel. Küsel’s engraving is a striking image, bringing into harmony the grand scale of the building (not yet one hundred years old), the ornamental richness of the interior, and the strong subdivisions of its space. »

30 Oct 2005

SAINT-SAËNS: Samson et Dalila

French composer Camille Saint-Saëns was a child prodigy, musicologist, astronomer, archeologist, poet, writer, teacher, and one of the most important and prolific composers of his generation. Yet, Saint-Saëns’ reputation has, for some time, mainly rested on his instrumental works the “Organ” Symphony, the overture Carnival of the Animals and his oratorio turned opera, Samson et Dalila. »

30 Oct 2005

PUCCINI: Manon Lescaut

Manon Lescaut was Puccini’s first big success, and his first contribution to the repertory. Yet it’s popularity has always lagged behind that of the composer’s following three mega-hits La Boheme, Tosca, and Madama Butterfly, as well as some later successes such as Turandot and even Gianni Schicchi. »

30 Oct 2005

Ewa Podleś — Rossini Gala

If Rossini could set a laundry list to music, then Ewa Podleś is one of the few candidates available to sing it. In this CD, recorded live at the Polish Radio Hall in Wroclaw (Wratislavia), during the thirty third International Festival Wratislavia Cantans Music and Fine Arts, the Polish contralto gives ample proof of her status as one of the great singers of her generation. »

27 Oct 2005

ROSSINI: La Cenerentola

Naxos is perhaps the only significant major label regularly releasing complete opera sets. A few have won widespread praise, and certainly the prices, at super-budget level, make them attractive to both first-time buyers and those whose collections scarcely justify an additional set. »

27 Oct 2005

ALBRIGHT: Berlioz's Semi-Operas

This book examines two of the more interesting musical pieces of the Romantic movement: Romeo et Juliette (1839) and La damnation de Faust (1846). Both were composed by Hector Berlioz (1803-69), and were very much constructed in a Gesamtkunstwerk mode where literature, music, and the other arts are fused together in a hybrid style that defies genre and categorization. »

26 Oct 2005

Great Operatic Arias, Vol. 17 — Christine Brewer

Beethoven Shines Thru the Mix In the best of all possible worlds this recording of arias and show tunes would have been done in the original languages, the language of composition, with the vocal sounds intended by Gluck, Mozart, Weber, Wagner and others who defined great singing. »

26 Oct 2005

BACH: Cantatas, vol. 18

Here we have another part of John Eliot Gardiner’s remarkable Bach Cantata Pilgrimage, undertaken to perform—and record live—all of Bach’s surviving church cantatas at many different churches in a single year. »

26 Oct 2005

SZYMANOWSKI: Piano Music

Piotr Anderszewski is a talented young pianist, who makes Szymanowski’s music come alive in his recent recording of three of the composer’s major pieces. »

24 Oct 2005

King Arthur - the first musical?

Reviewing this DVD recording of Purcell’s music-drama “King Arthur” from the 2004 Salzburg Festival was both a pleasure and a pain. The pleasure came from the intense, contagious sense of sheer fun that illuminates this production by Jurgen Flimm and Nikolaus Harnoncourt from start to finish. »

24 Oct 2005

The Karajan Collection—Wagner Orchestral Music

“Das Wunder Karajan” – “the miracle of Karajan” – is a phrase associated with the conductor since he was thirty years old, and that phrase holds true in his recorded legacy. In addition to recent DVD releases, EMI has issued a series of CDs in its “The Karajan Collection,” which preserves many fine studio recordings. »

24 Oct 2005

The Karajan Collection—Philharmonia Promenade Concert

The rich legacy of Herbert von Karajan includes a number of recordings with various orchestras around the world, and among them is the Philharmonia Orchestra, which is documented in the CD entitled Philharmonia Promenade Concert. As Richard Osborne recounts in the notes that accompany this release, Herbert von Karajan made a number of recordings with the Philharmonia Orchestra between 1948 and 1960. »

24 Oct 2005

DVOŘÁK: Tone Poems

In a richly Bohemian folk-style, the Czech poet Karel Jaromír Erben produced a collection of enchanted poetry that inspired Antonín Dvořák to compose his expressive array of hauntingly dark tone poems. Ultimately, the main character of each poem suffers a tragic consequence for their transgressions, ranging from the thoughtless utterances of a frustrated mother, to disobeying a parent, to murder. »

23 Oct 2005

PUCCINI: Tutti Libretti d'Opera

This is a collection of the original libretti to Puccini's Le Villi, Edgar, Manon Lescaut, La Bohème, Tosca, Madama Butterfly, La Fanciulla del West, La Rondine, Il Trittico (Gianni Schicchi, Il Tabarro, Suor Angelica), and Turandot in nine booklets within a cardboard slipcase. »

21 Oct 2005

BRUCKNER: Symphony No. 8

In recent years orchestras like the London Symphony have begun to release their own CDs, in lieu of pursing contracts recording firms. While the implications of this are best left to another discussion, it is significant to see that Royal Concertgebouw Orchestra now has its own label, and among its recordings is a fine live performance of Anton Bruckner’s Symphony no. 8 in C minor, led by its conductor laureate, Bernard Haitink. This recording is actually made from performances given on 18 and 20 February 2005, and preserves an outstanding recent interpretation of this enduring work by Bruckner. »

21 Oct 2005

Walisische Lieder sind eine Entdeckung wert

Das walisische Label SAIN (das walisische Wort für "Sound"), gegründet 1969 von Dafydd Iwan, Huw Jones und Brian Morgan Edwards, hat einen starken sozialen und politischen Anspruch und ist darauf spezialisiert, CD's mit jungen Sängern und Liedern aus Wales und in walisischer Sprache herauszubringen. »

21 Oct 2005

Welsh songs worth discovering

SAIN (the Welsh word for 'sound', and pronounced like the English word 'sign') is Wales' leading recording company, founded in 1969 in Cardiff by Dafydd Iwan, Huw Jones and Brian Morgan Edwards. The label has a strong social and political message, and for the first few years, SAIN specialised in songs by young singers, many of them concerning the national and linguistic resurgence of Wales, which had begun in the 60's. »

18 Oct 2005

BERKELEY: Ruth

You may never have heard of Lennox Berkeley. But his music was admired by many of the most notable composers of the mid-20th century—Britten and Poulenc were close personal friends, and he has a dedicated band of admirers today (there is a Lennox Berkeley Society). Yet, for one reason or another, Berkeley has never become a household name. »

18 Oct 2005

XL—Œuvres pour grand chœur

The “XL” of the title of this recording is, as the program book notes, a double reference. First, read as Roman numerals, it points to the extraordinary number of voice parts in Thomas Tallis’ famous “Spem in alium” and its modern analogue here, Antony Pitts’ “XL,” a forty-voice setting of text from Psalm 40. »