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Elsewhere

Accentus stream full-length operas on Opernhaus Zürich website

Accentus is delighted to announce that a selection of outstanding full-length operas that the production company and label has produced will be streamed on the Opernhaus Zürich website.

Philip Venables' Denis & Katya: teenage suicide and audience complicity

As an opera composer, Philip Venables writes works quite unlike those of many of his contemporaries. They may not even be operas at all, at least in the conventional sense - and Denis & Katya, the most recent of his two operas, moves even further away from this standard. But what Denis & Katya and his earlier work, 4.48 Psychosis, have in common is that they are both small, compact forces which spiral into extraordinarily powerful and explosive events.

Royal Academy of Music appoints Brenda Hurley as Head of Opera

The Royal Academy of Music today announced Brenda Hurley as its new Head of Opera, effective July 2020.

The Royal Opera House launches a programme of free online content for the culturally curious at home

The Royal Opera House today announced a free programme of curated online broadcasts, musical masterclasses and cultural insights that get under the skin of both ballet and opera and offer everyone a unique look behind the scenes at one of the world's most famous cultural institutions.

A new, blank-canvas Figaro at English National Opera

Making his main stage debut at ENO with this new production of The Marriage of Figaro, theatre director Joe Hill-Gibbins professes to have found it difficult to ‘develop a conceptual framework for the production to inhabit’.

Massenet’s Chérubin charms at Royal Academy Opera

“Non so più cosa son, cosa faccio … Now I’m fire, now I’m ice, any woman makes me change colour, any woman makes me quiver.”

Charles Wuorinen: June 9, 1938 – March 11, 2020

Press release from Aleba & Co.:

Edward Nelson Wins 2020 Glyndebourne Opera Cup

A rising star American baritone who didn’t encounter opera until he was 18 has won the 2020 Glyndebourne Opera Cup as the major international singing competition culminated in a live broadcast on Sky Arts from the Glyndebourne stage.

Bluebeard’s Castle, Munich

Last year the world’s opera companies presented only nine staged runs of Béla Bartòk’s Bluebeard’s Castle.

The Queen of Spades at Lyric Opera of Chicago

If obsession is key to understanding the dramatic and musical fabric of Tchaikovsky’s opera The Queen of Spades, the current production at Lyric Opera of Chicago succeeds admirably in portraying such aspects of the human psyche.

WNO revival of Carmen in Cardiff

Unveiled by Welsh National Opera last autumn, this Carmen is now in its first revival. Original director Jo Davies has abandoned picture postcard Spain and sun-drenched vistas for images of grey, urban squalor somewhere in modern-day Latin America.

Lise Davidsen 'rescues' Tobias Kratzer's Fidelio at the Royal Opera House

Making Fidelio - Beethoven’s paean to liberty, constancy and fidelity - an emblem of the republican spirit of the French Revolution is unproblematic, despite the opera's censor-driven ‘Spanish’ setting.

A sunny, insouciant Così from English Touring Opera

Beach balls and parasols. Strolls along the strand. Cocktails on the terrace. Laura Attridge’s new production of Così fan tutte which opened English Touring Opera’s 2020 spring tour at the Hackney Empire, is a sunny, insouciant and often downright silly affair.

A wonderful role debut for Natalya Romaniw in ENO's revival of Minghella's Madama Butterfly

The visual beauty of Anthony Minghella’s 2005 production of Madama Butterfly, now returning to the Coliseum stage for its seventh revival, still takes one’s breath away.

Charlie Parker’s Yardbird at Seattle

It appears that Charlie Parker’s Yardbird has reached the end of its road in Seattle. Since it opened in 2015 at Opera Philadelphia it has played Arizona, Atlanta, Chicago, New York, and the English National Opera.

La Périchole in Marseille

The most notable of all Péricholes of Offenbach’s sentimental operetta is surely the legendary Hortense Schneider who created the role back in 1868 at Paris’ Théâtre des Varietés. Alas there is no digital record.

Three Centuries Collide: Widmann, Ravel and Beethoven

It’s very rare that you go to a concert and your expectation of it is completely turned on its head. This was one of those. Three works, each composed exactly a century apart, beginning and ending with performances of such clarity and brilliance.

Seventeenth-century rhetoric from The Sixteen at Wigmore Hall

‘Yes, in my opinion no rhetoric more persuadeth or hath greater power over the mind; hath not Musicke her figures, the same which Rhetorique? What is a but her Antistrophe? her reports, but sweet Anaphora's? her counterchange of points, Antimetabole's? her passionate Aires but Prosopopoea's? with infinite other of the same nature.’

Hrůša’s Mahler: A Resurrection from the Golden Age

Jakub Hrůša has an unusual gift for a conductor and that is to make the mightiest symphony sound uncommonly intimate. There were many moments during this performance of Mahler’s Resurrection Symphony where he grappled with its monumental scale while reducing sections of it to chamber music; times when the power of his vision might crack the heavens apart and times when a velvet glove imposed the solitude of prayer.

Full-Throated Troubador Serenades San José

Verdi’s sublimely memorable melodies inform and redeem his setting of the dramatically muddled Il Trovatore, the most challenging piece to stage of his middle-period successes.


OPERA TODAY ARCHIVES »

Reviews

26 Mar 2020

Philip Venables' Denis & Katya: teenage suicide and audience complicity

As an opera composer, Philip Venables writes works quite unlike those of many of his contemporaries. They may not even be operas at all, at least in the conventional sense - and Denis & Katya, the most recent of his two operas, moves even further away from this standard. But what Denis & Katya and his earlier work, 4.48 Psychosis, have in common is that they are both small, compact forces which spiral into extraordinarily powerful and explosive events.  »

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22 Dec 2011

Jonathan McGovern, Wigmore Hall

2011 has been a good year for baritone Jonathan McGovern: 2nd prize at the Kathleen Ferrier Awards, the Karaviotis Prise at the Les Azuriales Ozone Young Artists Competition, and the John Meikle Duo Prize at the Wigmore Hall/Kohn Foundation International Song Competition are just some of the awards he has garnered.  »

22 Dec 2011

Wilhelm Friedemann Bach Cantatas

In Wilhelm Weitsch’s well-known painting of Wilhelm Friedemann Bach, the eldest son of Johann Sebastian seems far distant from the cantorial world of his father.  »

19 Dec 2011

Operas of Jean-Philippe Rameau

Jean-Philippe Rameau, an organist and music theoretician, was active for much of his life in musical centers distant from the cultural juggernaut of Paris.  »

19 Dec 2011

San Marco in Hamburg: Motets by Hieronymus Praetorius

In the first part of the seventeenth century, the north German city of Hamburg spawned an unusually rich organ culture, with Jacob Praetorius, the younger, and Heinrich Scheidemann both pupils of the famous Dutch organist, Jan Pieterzoon Sweelinck, as leading figures.  »

18 Dec 2011

“A Year at King’s”

This recent recording of the men and boys from King’s College, Cambridge, is an anthology organized around the texts and themes of the liturgical year, a scheme that offers ample opportunity for diverse works—in that sense the recording feels something like a “sampler”—but a scheme that also reflects the real experience of the daily life of the choir which sings demanding choral services six days of the week in term time.  »

16 Dec 2011

Bernarda Fink, Wigmore Hall

The Wigmore Hall marks the 75th anniversary of the death of Maurice Ravel with a series of concerts that run through to June 2012. »

16 Dec 2011

Randal Turner Sings the Songs of Living American Composers

A self-published recording, baritone Randal Turner’s traversal of contemporary songs in English, Living American Composers, makes for a fine vocal calling card.  »

16 Dec 2011

Anne Schwanewilms, Wigmore Hall

Combining innate musicianship and superb technique, Anne Schwanewilms showed once again that she can run the emotional gamut from light-hearted joy to deep anguish in this flawless performance with pianist, Charles Spencer. »

16 Dec 2011

Karita Mattila at Carnegie Hall

In 1983, Karita Mattila was the first singer to win the Cardiff Singer of the World competition.  »

13 Dec 2011

Kurt Weill’s Magical Night, Linbury Studio Theatre, London

Buzz Lightyear Meets Hansel and Gretel! Most children who have grown up in the Toy Story era know that toys come alive when left to their own devices.  »

13 Dec 2011

Belshazzar’s Feast, London

The English Oratorio season at the Barbican Hall, London continued with Gerald Finley and two very different approaches to Belshazzar’s Feast — William Walton and Jean Sibelius.  »

13 Dec 2011

Drapes ‘n’ Drops in Paris Forza

Paris Opera has lavished quite a monumental staging on Verdi’s musically rich (and Piave’s dramatically vapid) La Forza del Destino. »

13 Dec 2011

Call Her Flott — Felicity Lott sings in English

Soprano Felicity Lott has concentrated her career in her UK homeland and in Europe, although she certainly has had her share of US appearances.  »

13 Dec 2011

Colossal Hercules in Essen

Apparently the Aalto Theater didn’t get the memo that oratorios often make weak theatre pieces, since the company presented such a gripping dramatic case for Handel’s Hercules.  »

13 Dec 2011

Amsterdam’s Adventurous Idomeneo

Straight to the point: Netherlands Opera has mounted as luminous and emotionally engaging an Idomeneo as is imaginable. »

13 Dec 2011

Grand Don Giovanni, La Scala, Milan

More than a gala for Milan and for Italy, this wonderful Don Giovanni at Teatro alla Scala, Milan, was a gala for all the world, broadcast live internationally. »

09 Dec 2011

Berlioz: L’Enfance du Christ, London

I have somehow managed to miss Sir Colin Davis’s London performances of L’Enfance du Christ, making it one of the final major Berlioz works I have heard in the flesh.  »

06 Dec 2011

Silent Night, Minnesota Opera

At the November 12, 2011 world premiere of Silent Night at the Ordway Theatre in St. Paul, a buzz of energy filled the audience.  »

05 Dec 2011

Anne Sofie von Otter and Brad Mehldau: Love Songs

Brad Mehldau seems to be the “go to” jazz pianist for classically trained singers who want to venture into other musical territory than opera and lieder.  »

02 Dec 2011

Faust, Metropolitan Opera

At one point in The Met’s history, Faust was performed so frequently that one critic in mocking reference to Wagner’s opera house at Bayreuth coined the theater Faustophilhaus.  »

02 Dec 2011

Antwerp’s Puzzling Tchaikovsky Rarity

From the moment the curtain rose to reveal a loony bin instead of the 15th Century Inn of the libretto, it seemed likely the Flemish Opera was going to raise more questions than it answered about Tchaikovsky’s rarely performed The Enchantress.  »

02 Dec 2011

Perceptive La Traviata, Royal Opera House

Richard Eyre’s 1994 staging of Verdi’s La Traviata may have been revived many times, but this production reveals striking new depths of interpretation.  »

01 Dec 2011

Salome, Manitoba Opera

Opera has never been an art form to hold anything back. But even within the genre itself, Salome is — literally — one tough, depraved act to follow. »

28 Nov 2011

François Couperin by Florilegium, Wigmore Hall

Although François Couperin won his reputation as an esteemed composer at the ostentatious and vainglorious court of Versailles, under the patronage of Louis XIV, the ‘Sun King’, his work is often surprisingly discreet and intimate.  »

27 Nov 2011

Tosca, ENO

The swift return to the Coliseum of Catherine Malfitano’s production of Tosca, premiered in 2010, contrasts strongly with the increasingly disposable nature of many recent ENO productions.  »

25 Nov 2011

Saul, Barbican Hall

Handel’s oratorio Saul was the first dramatic oratorio that he wrote with a strong libretto.  »

25 Nov 2011

Xerxes in San Francisco

No cuts, not a single one, nearly four hours of non-stop arias, and its only hit tune happens within the first five minutes. »

23 Nov 2011

The Queen of Spades, Opera North

Opera North holds a special place in my affections: my first full opera in the theatre was the company’s Wozzeck, which I saw as a schoolboy at the Lyceum Theatre in Sheffield.  »

22 Nov 2011

Hugh the Drover Over the Pub

Imagine a tuneful eighteenth-century “ballad opera” of country life, say Stephen Storace’s enduringly popular No Song No Supper, cross it with Cavalleria Rusticana, throw in a bit of Rocky for good measure, and you have some idea of Ralph Vaughan Williams’s first opera, Hugh the Drover, a “Romantic Ballad Opera.” »

20 Nov 2011

Turandot in San Francisco

The magnificent David Hockney Turandot production burst again onto the War Memorial stage with a new cast and conductor that recaptured its potential to make this fairytale into great opera. »

18 Nov 2011

Lucia di Lammermoor, Chicago

Lyric Opera of Chicago staged Gaetano Donizetti’s Lucia di Lammermoor as its second production of the current season with Susanna Phillips taking on the role of the heroine torn between romantic love and familial pressures.  »

17 Nov 2011

Tricks and Treats, New World Symphony

If this generation were to stake a claim to its own classical vocal music “Golden Age,” Christine Brewer presents a strong case.  »

15 Nov 2011

Eugene Onegin, ENO

Deborah Warner’s new production of Tchaikovsky’s Eugene Onegin is an evocative and lyrical depiction of elegiac passion.  »

14 Nov 2011

Dark Sisters, New York

They’re no longer just door-to-door missionaries with a science fiction theology and strange underwear! What with a presidential candidacy and a hit Broadway musical, the Mormons are having their breakout season in New York.  »

14 Nov 2011

Carmen in San Francisco

Déja vu. Well, sort of. Last time around (2006) there was a Carmen and then another who canceled leaving San Francisco Opera in the lurch.  »

13 Nov 2011

Jonas Kaufmann as Werther and Cavaradossi

For some years now the opera world has reveled in the appearance of many fine lyric tenors, with Juan Diego Florez leading the charge.  »

13 Nov 2011

Adriana Lecouvreur, Carnegie Hall

What could be more appropriate for the Samhain season than a return from near-death?  »

09 Nov 2011

Tales of Hoffmann, Chicago

For its first production of the new season, Jacques Offenbach’s Les Contes d’Hoffmann, Lyric Opera of Chicago assembled a distinguished roster of soloists with the Lyric Opera Orchestra under the direction of Emmanuel Villaume.  »

09 Nov 2011

David Alden directs Cavalli’s Ercole Amante for Amsterdam, 2009

The operas of a composer born before the settlement of Jamestown face dim prospects of getting staged at the larger American houses.  »

09 Nov 2011

Roméo et Juliette, LA

Love and gloom at the Los Angeles Opera.  »

05 Nov 2011

Lieberson’s Neruda Songs and Theofandis’s Symphony No. 1

In 2006 classical music lost one of its great singers — American mezzo-soprano Lorraine Hunt Lieberson, taken at the height of her career.  »

05 Nov 2011

La sonnambula, Royal Opera

Bellini’s La sonnambula does not have the most gripping or convincing of opera plots: a young girl sleepwalks into a stranger’s room, where she is discovered by her fiancé; disbelieving her pleas of innocence, he jilts her and plans to wed another; but, she is vindicated when she is spied on a nocturnal wander, and the lovers are reconciled.  »

05 Nov 2011

Bluebeard’s Castle, Royal Festival Hall

Bartók’s only opera, a masterpiece to rank with other sole works in the genre such as Fidelio and Pelléas et Mélisande, was chosen for the climax of the Philharmonia’s year-long series, ‘Infernal Dance: Inside the World of Béla Bartók’.  »

05 Nov 2011

Wily Wexford Stays the Course

Wexford Festival Opera made a boldly calculated choice sixty years ago when it eschewed bread-and-butter titles, and instead raided the dusty closet where forgotten pieces by some famous (and mostly non-) composers were (at best) consigned to history. »

04 Nov 2011

Heart of Darkness, Royal Opera

There are some literary texts which, by dint of their intense compression of incident, their creators’ firm control of structure, and the precision of linguistic nuance, do not naturally seem to lend themselves to operatic treatment.  »

01 Nov 2011

Anna Bolena, Metropolitan Opera

It’s very unusual for the Met these days—or any major opera house, in any era—to present a glossy new production with two different stars in the leading role.  »

01 Nov 2011

Castor & Pollux, ENO

Daring dramas which probe dark psychological depths; music that embodies visceral emotional conflicts, and stirs heated, often contradictory, passions; the text and score shaped into radical musico-dramatic structures, employing shockingly inventive harmonic language and orchestral timbres.  »

27 Oct 2011

Renée Fleming and Dmitri Hvorostovsky: A Musical Odyssey in St. Petersburg

Exactly what makes this entertaining, handsome video of Dmitri Hvorostovsky and Renée Fleming in concert an “odyssey”?  »

27 Oct 2011

Pavarotti at the Metropolitan Opera

Luciano Pavarotti died in September 2007, just short of his 72nd birthday and only a few years after his last performance at the Metropolitan Opera, in Tosca.  »

27 Oct 2011

Carmen returns to the Opéra Comique

“Historically Informed Performance” sure has a nice ring — not only does the acronym capture the trendiness of the movement (“HIP”), but one has to admire the subtle put-down the term encapsulates. »

27 Oct 2011

Béatrice et Bénédict, Opera Boston

How is one to write a Romantic opera?  »