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Elsewhere

Carmen, Pacific Symphony

On February 19, 2015, Pacific Symphony presented its annual performance of a semi-staged opera. This year’s presentation at the Segerstrom Center for the Arts in Costa Mesa, California, featured Georges Bizet’s Carmen. Director Dean Anthony used the front of the stage and a few solid set pieces by Scenic Designer Matt Scarpino to depict the opera’s various scenes.

The Mastersingers of Nuremberg, ENO

Although the English National Opera has been decidedly sparing with its Wagner for quite some time now, its recent track record, leaving aside a disastrous Ring, has perhaps been better than that at Covent Garden.

San Diego Opera presents an excellent Don Giovanni

On Friday February 20, 2015, San Diego Opera presented Mozart’s Don Giovanni in a production by Nicholas Muni originally seen at Cincinnati Opera.

Tosca at Chicago Lyric

In a production first seen in Houston several years ago, and now revised by its director John Caird, Puccini’s Tosca has returned to Lyric Opera of Chicago with two casts, partially different, scheduled into March of the present season.

Henri Dutilleux: Correspondances

Henri Dutilleux’s music has its devotees. I am yet to join their ranks, but had no reason to think this was not an admirable performance of his song-cycle Correspondances.

LA Opera Revives The Ghosts of Versailles

In 1980, the Metropolitan Opera commissioned composer John Corigliano to write an opera celebrating the company’s one-hundredth anniversary. It was to be ready in 1983.

La Traviata, ENO

English National Opera’s revival of Peter Konwitschny’s production of Verdi’s La Traviata had many elements in common with the production’s original outing in 2013 (The production was a co-production with Opera Graz, where it had debuted in 2011).

Idomeneo in Lyon

You might believe you could go to an opera and take in what you see at face value. But if you did that just now in Lyon you would have had no idea what was going on.

Der fliegende Holländer, Royal Opera

I wonder whether we need a new way of thinking — and talking — about operatic ‘revivals’. Perhaps the term is more meaningful when it comes to works that have been dead and buried for years, before being rediscovered by subsequent generations.

Iphigénie en Tauride in Geneva

Hopefully this brilliant new production of Iphigénie en Tauride from the Grand Théâtre de Genève will find its way to the new world now that Gluck’s masterpiece has been introduced to American audiences.

Tristan et Isolde in Toulouse

Tristan first appeared on the stage of the Théâtre du Capitole in 1928, sung in French, the same language that served its 1942 production even with Wehrmacht tanks parked in front of the opera house.

Arizona Opera presents Tchaikovsky’s Eugene Onegin

Arizona Opera presented Eugene Onegin during and 1999-2000 season and again on February 1 of this year as part of the 2014-2015 season. In this country Onegin is not a crowd pleaser like La Bohème or Carmen, but its story is believable and its music melodic and memorable. Just hum the beginning of the “Polonaise” and your friends will know the music, if not where it comes from.

A Chat with Anita Rachvelishvili

Anita Rachvelishvili recently performed the title role in Carmen broadcast by The Metropolitan Opera Live in HD. Here she drops by for a little chat with our Maria Nockin.

Ernst Krenek: Reisebuch aus den österreichischen Alpen, Florian Boesch, Wigmore Hall

Florian Boesch and Roger Vignoles at the Wigmore Hall in Ernst Krenek’s Reisebuch aus den österreichischen Alpen. Matthias Goerne has called Hanns Eisler’s Hollywooder Liederbuch the Winterreise of the 20th century. Boesch and Vignoles showed how Krenek’s Reisebuch is a journey of discovery into identity at an era of extreme social change. It is a parable, indeed, of modern times.

Anna Bolena at Lyric Opera of Chicago

Lyric Opera of Chicago’s new Anna Bolena, a production shared with Minnesota Opera, features a distinguished cast including several notable premieres.

San Diego Celebrates 50th Year with La Bohème

On Tuesday January 27, 2015, San Diego Opera presented Giacomo Puccini's La Boheme. It is the opera with which the company opened in 1965 and a work that the company has faithfully performed every five years since then.

English Pocket Opera Company: Verdi’s Macbeth

Last year we tracked Orfeo on his desperate search for his lost Euridice, through the labyrinths and studio spaces of Central St Martin’s; this year we were plunged into Macbeth’s tragic pursuit of power in the bare blackness of the CSM’s Platform Theatre.

Béla Bartók: Duke Bluebeard’s Castle

Béla Bartók’s only opera, Duke Bluebeard’s Castle, composed in 1911 and based upon a libretto by the Hungarian writer Béla Balázs, was not initially a success.

Katia Kabanova in Toulon

Káťa Kabanová is, they say, Janáček's first mature opera — it comes a mere 20 years after his masterpiece, Jenůfa.

Peter Grimes in Nice

Nice’s golden winter light is not that of England’s North Sea coast. Nonetheless the Opéra de Nice’s new production of Peter Grimes did much to take us there.


OPERA TODAY ARCHIVES »

Reviews

28 Feb 2015

Eine florentinische Tragödie and I pagliacci in Monte-Carlo

An evening of strange-bedfellow one-acts in high-concept stagings, mindbogglingly delightful. »

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14 Nov 2007

“The Sacrifice” – Welsh National World Premiere Tour

Welsh National Opera’s new opera “The Sacrifice”, composed by James MacMillan with libretto by Michael Symmons Roberts, and directed by Katie Mitchell, is an emotionally raw and compelling study of the nature of conflict, and how humans are changed by it. »

13 Nov 2007

Macbeth at the Met

Verdi, a born skeptic where the supernatural is concerned, did not seem to know quite what to do with the witches in Macbeth and was far too loyal to Shakespeare to reduce their role – he knew how closely the play was bound to them, famous for them. »

12 Nov 2007

Le Nozze di Figaro – Metropolitan Opera

Le Nozze di Figaro, in 1786, was the longest and most elaborate opera buffa ever composed and (though it is seldom given complete) is still the longest you are likely to see in the regular repertory. »

12 Nov 2007

Armida

As its name suggests, the selections on this wonderful new CD are all excerpted from five different versions of the tale of the beautiful enchantress “Armida.” »

11 Nov 2007

BEETHOVEN: Fidelio

Recorded on 29 January 1978, this performance preserves a classic production of Beethoven’s Fidelio, which involved a gifted cast. »

11 Nov 2007

Houston pays homage to opera’s living legends

Although seriously ill, Beverly Sills and Luciano Pavarotti were still very much alive when general director Anthony Freud in his second year in this position planned the 53rd season of the Houston Grand Opera. »

11 Nov 2007

Verdiland Revisited

Since his appointment as general manager of Parma’s Teatro Regio in August 2005, Mauro Meli didn’t conceal his ambitious plans for growth. »

11 Nov 2007

Preparing G.B. Pergolesi’s tercentenary — with a fair advance

A notice for organizers: it’s relatively easy to produce a vocal recital and sell out a large house for two nights in a row. »

11 Nov 2007

This “Swallow” Makes November Summery

It’s somewhat of a mystery why Puccini’s 1917 “La Rondine” is such a neglected, rarely-performed opera. »

31 Oct 2007

Oper als Geschäft

This book is in German, which may make it of limited interest to people who are not sufficiently familiar with the language. »

31 Oct 2007

The 17th Bienal of Contemporary Brazilian Music

The 17th Bienal of Contemporary Brazilian Music [XVII Bienal de Música Brasileira Contemporânea] began on Sunday, Oct. 21, 2007 at the Sala Cecilia Meireles, Rio's leading concert hall, with a lengthy program divided between six orchestral works, entrusted to the National Symphony Orchestra of the Universidade Federal Fluminense, based in Niteroi, RJ and three works for percussion, interpreted by the Dynamo Percussion Quartet. »

30 Oct 2007

MAHLER: Symphony no. 3

When performances remain in the aural memory of the audience long after the final wave of applause, the event merits attention. »

30 Oct 2007

Hamburg's Tales Told

I recently made a special trip to Hamburg with one real goal in mind: to hear one of my most favorite young singers, bass Kyle Ketelsen in the Staatsoper’s new production of “Tales of Hoffmann.” »

29 Oct 2007

Jean Sibelius: A Film in Two Parts

The two short films about the composer Jean Sibelius (1865-1957), The Early Years and Maturity & Silence comprise a video biography of Finnish artist. »

28 Oct 2007

DONIZETTI: La Figlia del Reggimento

For the final HD moviecast of the 2007-08 season, the Metropolitan Opera will present two stars in a production that has already earned rave reviews at Covent Garden: Natalie Dessay and Juan Diego Florez starring in Donizetti’s La Fille du Regiment. »

28 Oct 2007

The Magic Flute — English National Opera

Despite rumours to the contrary, English National Opera’s advertising material claims that this 12th revival of Nicholas Hytner’s popular production of ‘ The Magic Flute’ will be the last. Though it’s arguably better to get rid of a production in... »

28 Oct 2007

“Apollo e Dafne” — the English Concert at St. Georges, Bristol.

Someone once called Handel’s Italian cantata Apollo e Dafne a “proto-opera” and it’s easy to see why. »

28 Oct 2007

SHOSTAKOVICH: Lady Macbeth of Mtsensk

Among the signal operas of the twentieth century, Lady Macbeth of Mtsensk (1934) by Dmitri Shostakovich (1906-1975) is a powerful transformation of Shakespeare’s tragedy Macbeth, based on the 1865 short story by Nicolai Leskov. »

28 Oct 2007

The Coronation of Poppea — English National Opera

For some seasons now, ENO has expressed a commitment to reinforce the role of dance within opera. »

24 Oct 2007

Der Freischütz at Oper Köln

Do you remember a moment when a piece, new to you, so engaged you that you immediately wanted to know more. . .or all about it? »

24 Oct 2007

Jan Neckers on Recently Reissued Historicals

I doubt many admirers of Leontyne Price will be tempted to buy this issue. »

22 Oct 2007

La Nilsson: My Life in Opera

Birgit Nilsson probably never heard of “the Protestant work ethic,” but she didn’t need to know it. »

22 Oct 2007

MAZZOCCHI: Madrigali e Dialoghi

The Roman composer Mazzocchi is one of those figures known only to musicologists, and it is a pity, for this disc contains first-rate music. »

22 Oct 2007

Biondi’s Labors Won, or Unearthing The Lost Vivaldi

An expedition against the famed warring women, the Amazons, ranking as Hercules’ ninth labor out the canonic twelve, provided the subject for the libretto by Antonio Salvi (not Giacomo Francesco Bussani, as hitherto misattributed) that Vivaldi set to music in 1723 as his own sixteenth operatic labor. »

22 Oct 2007

Opera at the BBC Proms 2007

Glyndebourne Festival Opera’s guest appearance is an annual fixture at the Proms, and this year the work of choice was Verdi’s Macbeth, in a semi-staged performance on July 24th based on Richard Jones’s new production for this year’s Festival. »

16 Oct 2007

San Francisco stages triumphant Tannhäuser

At this point in his career David Gockley has no need to prove himself. He did that with awesome success as general director of Houston Grand Opera for 33 years, during which he made that company a front runner both on the American and international opera scenes. »

16 Oct 2007

GIORDANO: Fedora

Mirella Freni’s 1993 triumph in the lead of Umberto Giordani’s Fedora at La Scala has made it to DVD. In his booklet essay, Werner Pfister (translated by Stewart Spencer) admits the opera “does not enjoy the best of reputations.” »

16 Oct 2007

“Dein ist mein ganzes Herz”

Okay, okay, I freely admit this up front: I am not inordinately fond of operetta. Just thought you should know. All the more remarkable then that I found myself listening to this new recording several times over. »

15 Oct 2007

STRAUSS : Elektra

Whatever you do, don't give this DVD as a gift to people you don't want to alienate. »

15 Oct 2007

Philip Glass celebrates 70th with compelling new opera

SAN FRANCISCO — “My subject is war and the pity of war, and the poetry is in the pity.” »

15 Oct 2007

Handel’s “Radamisto” revisited with mixed results in Hamburg

A remarkably quick turnaround from only last May when the first run of Handel’s “Radamisto” was blessed with a consistently high level of vocal performance may have been the reason for sparser houses this time round at the Hamburg Staatsoper (October 6th). »

09 Oct 2007

The Met’s New Lucia

Of Donizetti’s fifty or so “serious” operas, Lucia di Lammermoor was the only one to survive his heyday almost unscathed by change of fashion; today, when a dozen of his other worthy works have been restored to the repertory, Lucia easily hangs on. »

09 Oct 2007

I Hear American Singing

Recorded in August 2001 at the Salzburg Festival, less than a month before the tragic events of 11 September, the presentation of songs and readings of music by American composers and texts by American authors seems aimed at a different world. Without venturing into political or social dimensions of the event, the concept of America in August 2001 suggested at times a sense of being impermeable, if not invincible. »

09 Oct 2007

Thomas Stoltzer. Psalm Motets.

Thomas Stoltzer represents German composition in the wake of the Reformation yet still immersed in the contrapuntal richness of the Josquin tradition. »

09 Oct 2007

MAHLER: Symphony no. 6 / Piano Quartet

With its fine engineering, the rich score of Mahler’s Sixth Symphony and the superb playing of the Philadelpha Orchestra conducted by Christoph Eschenbach emerge well in this recently released recording. »

09 Oct 2007

The Yves Becko Collection

This must be one of the most interesting collectors’ collections to have appeared in many a year. Personally I’ve always liked any singer from Fernando De Lucia to Rolando Villazon but I never was tempted to collect shellac and therefore didn’t have to contact Yves Becko. »

08 Oct 2007

CAVALLI: La Calisto

René Jacobs’s beautiful 1996 production of Francesco Cavalli’s Calisto has garnered many enthusiastic fans over the years. »

04 Oct 2007

HAYNES: The End of Early Music — A Period Performer’s History of Music for the Twenty-First Century

Once upon a time, there was something known as early music. This was not so much a repertoire, a musico-historical epoch, as an attitude, a counter-cultural group. »

02 Oct 2007

Carmen at ENO

There is a certain onerous responsibility in developing a new production of Carmen at a major house. »

01 Oct 2007

JANÁČEK: Jenůfa

Across the country from Los Angeles, the Metropolitan Opera has opened its 2007-08 season with big stars (Netrebko, Alagna, Dessay, Giordani) in juicy, melodic operas by Donizetti and Gounod. »

28 Sep 2007

Allegri “Miserere”; Palestrina “Missa Papae Marcelli”

This is a recording that glories in iconicity. »

28 Sep 2007

Dusting off a Masterpiece… “The Fortunes of King Croesus” by Reinhard Keiser, coming to Opera North, Leeds and Minnesota Opera soon.

Masterpiece? The term rather depends on whether the artist in question was indeed a master and it might come as a surprise to learn that this little-known composer of the brief, but significant, German Baroque Opera period is regarded by many as just that. »

26 Sep 2007

Margaret Garner at NYCO

The New York City Opera’s production of Richard Danielpour’s and Toni Morrison’s opera, Margaret Garner, boldly faces the ugly history of slavery in the United States, and the racism inherent in the institution of opera. »

23 Sep 2007

Hear the Voice and Prayer

There are a number of signs of the popularity of the King’s Singers—their longevity as an ensemble, the huge success of their public concerts, and their sizable discography all come immediately to mind. »

23 Sep 2007

The Feast of St. Edward, King and Confessor at Westminster Abbey.

Westminster Abbey is surely many things to many people. »

23 Sep 2007

Playing Elizabeth’s Tune

The 2004 DVD "Playing Elizabeth’s Tune," originating in a BBC television production, features concert performances of Byrd’s sacred music sung by the Tallis Scholars along with documentary material treating the composer and his time. »

23 Sep 2007

Brewer at her best in live “Fidelio”

It is not surprising that it was Beethoven’s Fidelio that was chosen to reconsecrate rebuilt opera houses in Vienna and Berlin in the years after World War Two. »

23 Sep 2007

Italian Sunshine Sweeps Away Gloomy Operatic Forecast

If the swift downpour that hit Pesaro, moments before the Prima of G. Rossini’s Otello on August 8th, seemed like a bad omen, that was nothing compared to the two major cast changes that could have weakened the foundation of the Rossini Opera Festival’s new production of the opera and washed it away. »