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Elsewhere

Hugo Wolf, Italienisches Liederbuch

Nationality is a complicated thing at the best of times. (At the worst of times: well, none of us needs reminding about that.) What, if anything, might it mean for Hugo Wolf’s Italian Songbook? Almost whatever you want it to mean, or not to mean.

Mortal Voices: the Academy of Ancient Music at Milton Court

The relationship between music and money is long-standing, complex and inextricable. In the Baroque era it was symbiotically advantageous.

Glyndebourne Opera Cup 2018: semi-finalists announced

The semi-finalists for the first Glyndebourne Opera Cup have been announced. Following a worldwide search that attracted nearly 200 entries, and preliminary rounds in Berlin, London and Philadelphia, 23 singers aged 21-28 have been chosen to compete in the semi-final at Glyndebourne on 22 March.

ENO announces Studio Live casts and three new Harewood Artists

English National Opera (ENO) has announced the casts for Acis and Galatea and Paul Bunyan, 2018’s two ENO Studio Live productions. ENO Studio Live forms part of ENO Outside which takes ENO’s work to arts-engaged audiences that may not have considered opera before, presenting the immense power of opera in more intimate studio and theatre environments.

Handel in London: 2018 London Handel Festival

The 2018 London Handel Festival explores Handel’s relationship with the city. Running from 17 March to 16 April 2018, the Festival offers four weeks of concerts, talks, walks & film screenings explore masterpieces by Handel, from semi-staged operas to grand oratorio and lunchtime recitals.

Dartington International Summer School & Festival: 70th anniversary programme

Internationally-renowned Dartington Summer School & Festival has released the course programme for its 70th Anniversary Summer School and Festival, curated by the pianist Joanna MacGregor, that will run from 28th July to 25th of August 2018.

I Puritani at Lyric Opera of Chicago

What better evocation of bel canto than an opera which uses the power of song to dispel madness and to reunite the heroine with her banished fiancé? Such is the final premise of Vincenzo Bellini’s I puritani, currently in performance at Lyric Opera of Chicago.

Iolanthe: English National Opera

The current government’s unfathomable handling of the Brexit negotiations might tempt one to conclude that the entire Conservative Party are living in the land of the fairies. In Gilbert & Sullivan’s 1882 operetta Iolanthe, the arcane and Arcadia really do conflate, and Cal McCrystal’s new production for English National Opera relishes this topsy-turvy world where peris consort with peri-wigs.

Il barbiere di Siviglia in Marseille

Any Laurent Pelly production is news, any role undertaken by soprano Stephanie d’Oustrac is news. Here’s the news from Marseille.

Riveting Maria de San Diego

As part of its continuing, adventurous “Detour” series, San Diego Opera mounted a deliciously moody, proudly pulsating, wholly evocative presentation of Astor Piazzolla’s “nuevo tango” opera, Maria de Buenos Aires.

La Walkyrie in Toulouse

The Nicolas Joel 1999 production of Die Walküre seen just now in Toulouse well upholds the Airbus city’s fame as Bayreuth-su-Garonne (the river that passes through this quite beautiful, rich city).

Barrie Kosky's Carmen at Covent Garden

Carmen is dead. Long live Carmen. In a sense, both Bizet’s opera and his gypsy diva have been ‘done to death’, but in this new production at the ROH (first seen at Frankfurt in 2016) Barrie Kosky attempts to find ways to breathe new life into the show and resurrect, quite literally, the eponymous temptress.

Candide at Arizona Opera

On Friday February 2, 2018, Arizona Opera presented Leonard Bernstein’s Candide to honor the 100th anniversary of the composer’s birth. Although all the music was Bernstein’s, the text was written and re-written by numerous authors including Lillian Hellman, Richard Wilbur, Stephen Sondheim, John La Touche, and Dorothy Parker, as well as the composer.

Satyagraha at English National Opera

The second of Philip Glass’s so-called 'profile' operas, Satyagraha is magnificent in ENO’s acclaimed staging, with a largely new cast and conductor bringing something very special to this seminal work.

Mahler Symphony no 8—Harding, Swedish Radio Symphony Orchestra

From the Berwaldhallen, Stockholm, a very interesting Mahler Symphony no 8 with Daniel Harding and the Swedish Radio Symphony Orchestra. The title "Symphony of a Thousand" was dreamed up by promoters trying to sell tickets, creating the myth that quantity matters more than quality. For many listeners, Mahler 8 is still a hard nut to crack, for many reasons, and the myth is part of the problem. Mahler 8 is so original that it defies easy categories.

Wigmore Hall Schubert Birthday—Angelika Kirchschlager

At the Wigmore Hall, Schubert's birthday is always celebrated in style. This year, Angelika Kirchschlager and Julius Drake, much loved Wigmore Hall audience favourites, did the honours, with a recital marking the climax of the two-year-long Complete Schubert Songs Series. The programme began with a birthday song, Namenstaglied, and ended with a farewell, Abschied von der Erde. Along the way, a traverse through some of Schubert's finest moments, highlighting different aspects of his song output : Schubert's life, in miniature.

GLUCK: Alceste

Alceste. Tragedia in three acts (Italian version). Alceste. Tragédie opéra in three acts (French version).

A Splendid Italian Spoken-Dialogue Opera: De Giosa’s Don Checco

Never heard of Nicola De Giosa (1819-85), a composer who was born in Bari (a town on the Adriatic, near the heel of Italy), but who spent most of his career in Naples? Me, neither!

Winterreise by Mark Padmore

Schubert's Winterreise is almost certainly the most performed Lieder cycle in the repertoire. Thousands of performances and hundreds of recordings ! But Mark Padmore and Kristian Bezuidenhout's recording for Harmonia Mundi is proof of concept that the better the music the more it lends itself to re-discovery and endless revelation.

Ilker Arcayürek at Wigmore Hall

The first thing that struck me in this Wigmore Hall recital was the palpable sincerity of Ilker Arcayürek’s artistry. Sincerity is not everything, of course; what we think of as such may even be carefully constructed artifice, although not, I think, here.


OPERA TODAY ARCHIVES »

Reviews

Jonas Kaufmann and Diana Damrau perform Wolf’s Italienisches Liederbuch as part of the Barbican Presents 2017-18 season in the Barbican Hall on 16th February 2018.
18 Feb 2018

Hugo Wolf, Italienisches Liederbuch

Nationality is a complicated thing at the best of times. (At the worst of times: well, none of us needs reminding about that.) What, if anything, might it mean for Hugo Wolf’s Italian Songbook? Almost whatever you want it to mean, or not to mean.  »

Recently in Reviews

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28 Sep 2011

Faust, Royal Opera House

When the Royal Opera House London does things well, it does them very well indeed. This Gounod’s Faust was a sizzler!  »

28 Sep 2011

Lucrezia Borgia in San Francisco

Bad news travels fast. Though you are about to read another version of how American diva Renée Fleming failed to bring Lucrezia Borgia alive, let us begin by discussing a few other things you already know. »

28 Sep 2011

Ioan Holender Farewell Concert

What better way for the long-reigning director of the Vienna State Opera, Ioan Holender, to celebrate the end of his time in the post than with a lengthy gala featuring such stars as Gergely Németi, Roxana Constantinescu, Krassimira Stoyanova, and Keith Ikaia-Purdy?  »

28 Sep 2011

Billy Budd at the Barbican

Among recent recordings of Britten’s opera Billy Budd, the recent release conducted by Daniel Harding has much to offer in terms of performance quality, interpretation, and also the quality of recording.  »

28 Sep 2011

Atys, Brooklyn Academy of Music

In 1989, William Christie’s ten-year-old Paris-based baroque troupe, Les Arts Florissants, brought a staged production to the Brooklyn Academy of Music for the first time, Lully’s Atys.  »

26 Sep 2011

Christian Gerhaher, Wigmore Hall

Christian Gerhaher and Gerold Huber presented Schubert’s song cycles at the Wigmore Hall, London.  »

23 Sep 2011

Beecham conducts Delius

Frederick Delius counts among those many composers whose reputations rely on their orchestral efforts, but who dearly wanted to make a lasting contribution to the opera repertory.  »

23 Sep 2011

Lawrence Zazzo, Wigmore Hall

Lawrence Zazzo’s last visit to the Wigmore Hall, in April earlier this year, saw him present an intriguing sequence of American song from the twentieth and twenty-first centuries.  »

22 Sep 2011

The Passenger, ENO, London

The circumstances behind Mieczysław Weinberg’s The Passenger at the ENO, London, are extraordinary.  »

21 Sep 2011

Stars of Lyric Opera at Millennium Park, Chicago

In a program of Italian and French arias and duets Lyric Opera gave to Chicago audiences a preview of the first operas in its forthcoming season and an opportunity to hear familiar voices as well as those soon destined to grace the operatic stages of the world.  »

21 Sep 2011

Turandot in San Francisco

Los Angeles has been good to Turandot. The gritty 1984 Andre Serban production inaugurated an opera company in Los Angeles where a mere eight years later L.A. Opera bestowed the splendid Luciano Berio ending upon the world in an uber-pompous Gian-Carlo del Monaco production. »

21 Sep 2011

La tragedia di Tosca at the Washington National Opera

Whether or not one agrees with Joseph Kerman’s immortal definition of Tosca as a “shabby little shocker,” Puccini’s melodramma, the inaugural production of the Washington National Opera’s 2011-12 season, is intense, “blood-and-guts” kind of entertainment.  »

21 Sep 2011

Il Trittico, Covent Garden

What do a ferociously violent melodrama, an ecstatic spiritual revelation and an ironic black farce have in common?  »

21 Sep 2011

The Elixir of Love, ENO

It’s easy to dismiss the undoubted charms of Donizetti’s The Elixir of Love with a wry smile and a dash of condescension.  »

21 Sep 2011

The Italian Girl in London, Bampton Classical Opera

As one of the most successful Italian opera composers of the late-eighteenth century, Domenico Cimarosa’s reputation lasted well into the following century during which his operas were staple repertoire in all the major European opera houses.  »

21 Sep 2011

Paris: A Thrilling Leap and Then a Stumble

Stylish, spirited vocalism that rang convincingly through the Palais Garnier was the hallmark of Paris Opera’s thrilling revival of one of Mozart's least appreciated mature operas.  »

21 Sep 2011

Willy Decker’s staging of Schoenberg’s Moses und Aron

As a rule the celebrated incomplete operas of the repertory eluded completion due to the untimely death of the composer.  »

21 Sep 2011

Schiller: Ein Leben in Liedern, Wigmore Hall

While the music industry seems to be spiralling dementedly downmarket, the Wigmore Hall keeps standards extremely high.  »

21 Sep 2011

Heart of a Soldier, San Francisco

The house lights dimmed, SFO General Director David Gockley instructed us to stand and sing the Star Spangled Banner. This crucial moment revealed the intentions and complexities of this fine production at San Francisco Opera. »

19 Sep 2011

Wigmore Hall International Song Competition 2011

The Wigmore Hall is the most respected centre of art song excellence in Britain and its Song Competition attracts interest from all over the world.  »

15 Sep 2011

Bruckner: Symphony no. 9

Recorded on 31 October 2007 in the Großer Musikvereinssaal, Vienna, this performance of the Cleveland Orchestra offers a compelling interpretation of the three completed movements of Bruckner’s Ninth Symphony.  »

15 Sep 2011

L’Amour des trois oranges on CD and DVD

Opera companies around the world — though relatively few in the United States — cannot resist the temptation to stage Sergei Prokofiev’s first major opera.  »

13 Sep 2011

BBC Prom 73: Der Freischütz

Why would a French composer take an opera which epitomises German Romanticism and Nationalism and adapt it to the conventions of the French grand opera tradition?  »

12 Sep 2011

Munich’s Dialogues des Carmélites

Dialogues des Carmélites is a magnificently anti-operatic opera. »

10 Sep 2011

Santa Fe Faust — Revisited

The distinguished soprano Patricia Racette once advised this observer, “If you are coming to the opera to review me, please attend the latest performance you can.” I knew what she meant.  »

09 Sep 2011

Les Troyens by La Fura dels Baus

When the opera opens, a chorus of Trojan is rejoicing that the Greeks have abandoned the war and gone home.  »

08 Sep 2011

Prom 67: Beethoven, Mass in D major, op.123

I shall not beat about the bush: this was a great performance.  »

08 Sep 2011

Glyndebourne’s Billy Budd

Hermann Melville wrote a poem called “Fragments of a Lost Gnostic Poem of the Twelfth Century”: »

06 Sep 2011

Ruhrtriennale’s Luminous Tristan

Bochum’s Jahrhunderthalle, a massive, re-purposed industrial building, seemed an unlikely location to contain and frame the transcendent, unbounded spiritual journey of Wagner’s masterpiece Tristan und Isolde. »

06 Sep 2011

Macbeth from Paris and Parma

Superstitions surround theatrical productions of Shakespeare’s Scottish tragedy.  »

01 Sep 2011

Verdi’s Requiem Closes Grant Park Festival

In its final performances of the Summer 2011 season the Grant Park Orchestra and Chorus along with guest soloists gave two performances of Verdi’s Requiem.  »

30 Aug 2011

BBC Prom 58: Mendelssohn’s Elijah

Droughts, deserts, false gods, angels, earthquakes, hurricanes, tsunamis and a firestorm. Plenty of drama in the Bible. In BBC Prom 58, Paul McCreesh and the Gabrieli Consort and Players made a good case for period performance of Mendelssohn’s magnificent Elijah op 70.  »

30 Aug 2011

Bayreuth’s Tannhäuser: Recycled Trash

Newsflash: Wartburg is a world-wide recycling company, at one with the universe, wherein everything and everyone exists in a perfectly sustainable environment.  »

30 Aug 2011

Carlos Kleiber — Traces to Nowhere

Film biographies of great musicians notoriously exhibit a preference for talking heads nattering on over any music passages.  »

29 Aug 2011

BBC Prom 55: Rinaldo

It’s becoming rather a fashion to set operas in English public schools.  »

29 Aug 2011

Don Giovanni, Salzburg

When discussing the evolution of opera as a genre, the towering figure of Richard Wagner cannot be ignored.  »

29 Aug 2011

L’elisir d’amore, Miami

“The number of recordings testify to the continuing popularity of Donizetti’s melodrama in two acts [L’elisir d’amore], which rivals Don Pasquale among his comic operas and is often rated the better on account of its superior libretto by Felice Romani.”  »

28 Aug 2011

BBC Prom 50

In 2008, the late Richard Hickox, founder and then music director of the City of London Sinfonia, commissioned a work from composer Colin Matthews to celebrate the orchestra’s 40th anniversary, which takes place this year. »

27 Aug 2011

Santa Fe: Best of Show 2011

As this is written, the third week of August, the Santa Fe music season is winding down.  »

27 Aug 2011

Caractacus,Three Choirs Festival, Worcester

Superb performance of Elgar’s epic oratorio Caractacus at the The Three Choirs Festival in Worcester Cathedral. »

27 Aug 2011

Santa Fe Musical Delights

Musical excellence was the centerpiece of three of Santa Fe Opera’s annual offerings. »

27 Aug 2011

Nino Machaidze: Romantic Arias

The back cover of soprano Nino Machiadze’s debut solo recital from Sony Classical quotes her as describing the disc’s selection of arias as “my world, my successes to date and my hopes for the future.”  »

27 Aug 2011

Franz Schmidt’s The Book with Seven Seals at Grant Park

In keeping with the festival nature of the piece, the Grant Park Orchestra and Chorus, along with guest soloists and a guest chorus director, gave two performances of Franz Schmidt’s Das Buch mit sieben Siegeln on recent weekend evenings.  »

27 Aug 2011

Two one-act comic operas from New York Festival of Song

The New York Festival of Song, created and run by Steven Blier and Michael Barrett, dedicates itself to what one might call “American lieder” — art songs by top American composers, classic Broadway, and operatic numbers. »

27 Aug 2011

Mosé in Egitto and Adelaide di Borgogna in Pesaro

It was a no-brainer. The Old Testament Egyptians had to become today’s Palestinians. »

25 Aug 2011

Rossini’s Armida from the Met HD Live

What is to be done about Armida?  »

20 Aug 2011

Donizetti’s Marino Faliero at the 2008 Bergamo Music Festival

Gaetano Donizetti is arguably the established opera composer with the highest ratio of failures to successes.  »

19 Aug 2011

BBC Prom 41

This concert of three substantial choral and orchestral works by Benjamin Britten recreated the ‘50th birthday’ Promenade concert which Britten himself conducted on 12 September 1963.  »

19 Aug 2011

Glimmer, Glamour Back in Cooperstown

A breath of fresh air is making its way through the Glimmerglass Opera festival, and her name is Francesca Zambello. »

19 Aug 2011

Previn and Caird’s Brief Encounter

The chief classical music and opera critic for the Los Angeles Times often criticizes any new operas based on familiar films or classic novels, on the basis of artistic timidity and conservatism.  »

19 Aug 2011

La Bohème at Torre del Lago

This is where Puccini composed many of his operas until the lake got so polluted he had to move to nearby Viareggio.  »

14 Aug 2011

Ariadne auf Naxos, Dell’Arte Opera Ensemble

Today’s general public labors under the unfortunate misconception that in order to enjoy opera, one needs to be educated and at ease with mobility in social circles largely consisting of decrepit old rich people.  »

14 Aug 2011

Opera at Grant Park Music Festival

For its seventh program of the Summer 2011 season the Grant Park Music Festival presented concert ensembles performed by members of the Ryan Opera Center of Lyric Opera of Chicago.  »

14 Aug 2011

Les Contes d’Hoffmann, Wolf Trap

For opera lovers who are serious enough to even think of a performing career, the path is an arduous one.  »

14 Aug 2011

Prom 32: Brahms and Mahler

Brahms’s Violin Concerto and Mahler’s Das klagende Lied did not seem to be the most obvious bedfellows — there has been some rather peculiar programming at this year’s Proms — and even after further consideration, the only real connection I could muster was that they were written at the same time: the concerto in 1878, the cantata between 1878 and 1880.  »