Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

The Rose and the Ring

Published in 1855 as an entertainment for his two daughters, William Makepeace Thackeray’s The Rose and the Ring is a burlesque fairy-tale whose plot — to the author’s wilful delight, perhaps — defies summation and elucidation.

The Lighthouse at San Francisco’s Opera Parallèle

What more fitting memorial for composer Peter Maxwell Davies (d. 03/14/2016) than a splendid performance of The Lighthouse, the third of his eight works for the stage.

King’s Consort at Wigmore Hall

I suspect that many of those at the Wigmore Hall for The King’s Consort’s performance of the La Senna festeggiante (The Rejoicing Seine) were lured by the cachet of ‘Antonio Vivaldi’ and further enticed by the notion of a lover’s serenade at which the generic term ‘serenata’ seems to hint.

Bampton Classical Opera 2016

A Double-Bill of Divine Comedies

Kathleen Ferrier Awards 2016

Having enjoyed superb singing by a young cast of soloists in Classical Opera’s UK premiere of Jommelli’s Il Vogoleso the previous evening, I was delighted that the 2016 Kathleen Ferrier Awards Final at the Wigmore Hall confirmed the strength and depth of talent possessed by the young singers studying in and emerging from our academies and conservatoires.

A Conversation with Sir Nicholas Jackson

With its merry-go-round exchange of deluded and bewitched lovers, an orphan-turned-princess, a usurped prince, a jewel and a flower with magical properties, a march to the scaffold and a meddling ‘mistress-of-ceremonies’ who encourages the young lovers to disguise and deceive, William Makepeace Thackeray’s The Rose and the Ring has all the ingredients of an opera buffa.

Pacific Opera Project Recreates Mozart and Salieri Contest

On February 7, 1786, Emperor Joseph II of Austria had brand new one-act operas by Wolfgang Amadeus Mozart and Antonio Salieri performed in the Schönbrunn Palace’s Orangery.

Powerful chemistry in La Cenerentola in Cologne

Those poor opera lovers in Cologne have a never ending problem with the city’s opera house. Together with the rest of city, the construction of the new opera house is mired in political incompetence.

Tannhäuser: Royal Opera House, London

London remains starved of Wagner. This season, its major companies offer but two works, Tannhäuser from the Royal Opera and Tristan from ENO.

The Golden Cockerel in Düsseldorf

Dmitry Bertman’s hilarious staging of Rimsky-Korsakov’s political sex-comedy The Golden Cockerel in Düsseldorf.

San Diego Opera Presents a Tragic Madama Butterfly

On April 16, 2016, San Diego Opera presented Giacomo Puccini’s sixth opera, Madama Butterfly, in an intriguing production by Garnett Bruce. Roberto Oswald’s scenery included the usual Japanese styled house with many sliding doors and walls. On either side, however, were blooming cherry trees with rough trunks and gnarled branches that looked as though they had been growing on the property for a hundred years.

Simon Rattle conducts Tristan und Isolde

New Co-Production Tristan und Isolde with Metropolitan: Simon Rattle and Westbroek electrify Treliński’s Opera-Noir.

San Jose’s Smooth Streetcar Ride

In an operatic world crowded with sure-fire bread and butter repertoire, Opera San Jose has boldly chosen to lavish a new production on a dark horse, Andre Previn’s A Streetcar Named Desire.

Roméo et Juliette: Dutch National Opera and Ballet seal merger with leaden Berlioz

Choral symphony, oratorio, symphonic poem — Berlioz’s Roméo et Juliette does not fit into any mould. It has the potential to work as an opera-ballet, but incoherent storytelling and uninspired conducting undermined this production.

Donizetti : Lucia di Lammermoor, Royal Opera House

When Kasper Holten took the precaution of pre-warning ticket-holders that the Royal Opera House’s new production of Lucia di Lammermoor featured scene portraying ‘sexual acts’ and ‘violence’, one assumed that he was aiming to avert a re-run of the jeering and hectoring that accompanied last season’s Guillaume Tell. He even went so far as to offer concerned patrons a refund.

Five Reviews of Regina at Maryland Opera Studio

These are five very different reviews by students at the University of Maryland on its Opera Studio production of Regina — an interesting, informative and entertaining read . . .

Three Cheers for the English Touring Opera

‘Remember me, the one who is Pia;/ Siena made me, Maremma undid me.’ The speaker is Pia de’ Tolomei. She appears in a brief episode of Dante’s Divine Comedy (Purgatorio V, 130-136) which was the source for Gaetano Donizetti’s Pia de’ Tolomei - by way of Bartolomeo Sestini’s verse-novella of 1825.

Andriessen's De Materie at the Park Avenue Armory

"The large measure of formalism which forms the basis of De Materie does not in itself offer any guarantee that the work will be beautiful," says Dutch composer Louis Andriessen of his four-movement opera.

Falstaff Makes a Big Splash in Phoenix

On April 1, 2016, Arizona Opera presented Falstaff by Giuseppe Verdi (1813-1901) and Arrigo Boito (1842-1918) in Phoenix. Although Boito based most of his libretto on Shakespeare’s The Merry Wives of Windsor, he used material from Henry IV as well. Verdi wrote the music when he was close to the age of eighty. He was concerned about his ability at that advanced age, but he was immensely pleased with Boito’s text and decided to compose his second comedy, despite the fact that his first, Un giorno di regno, had not been successful.

Svadba in San Francisco

The brand new SF Opera Lab opened last month with artist William Kentridge’s staged Schubert Winterreise. Its second production just now, Svadba-Wedding — an a cappella opera for six female voices — unabashedly exposes the space in a different, non-theatrical configuration.


OPERA TODAY ARCHIVES »

Reviews

Frontispiece from The Rose and Ring (1855)
05 May 2016

The Rose and the Ring

Published in 1855 as an entertainment for his two daughters, William Makepeace Thackeray’s The Rose and the Ring is a burlesque fairy-tale whose plot — to the author’s wilful delight, perhaps — defies summation and elucidation. »

Recently in Reviews

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32  |  33  |  34  |  35  |  36  |  37  |  38  |  39  |  40  |  41  |  42  |  43  |  44  |  45  |  46  |  47  |  48  |  49  |  50  |  51  |  52  |  53  |  54  |  55  |  56  |  57  |  58  |  59  |  60  |  61  |  62  |  63  |  64  |  65  |  66  |  67  |  68  |  69  |  70  |  71  |  72  |  73  |  74  |  75  |  76  |  77  |  78  |  79  |  80  |  81  |  82  |  83  |  84  |  85  |  86  |  87  |  88  |  89  |  90  |  91  |  92  |  93  |  94  |  95 
06 Jul 2014

The Turn of the Screw, Holland Park

‘Only make the reader’s general vision of evil intense enough … and his own experience, his own imagination, his own sympathy … will supply him quite sufficiently with all the particulars.  »

06 Jul 2014

Plenty of Va-Va-Vroom: La Fille du Regiment, Iford

It is not often that concept, mood, music and place coincide perfectly. On the first night of Opera della Luna’s La Fille du Regiment at Iford Opera in Wiltshire, England we arrived with doubts (rather large doubts it should be admitted)as to whether Donizetti’s “naive and vulgar” romp of militarism and proto-feminism, peopled with hordes of gun-toting soldiers and praying peasants, could hardly be contained, surely, inside Iford’s tiny cloister?  »

02 Jul 2014

La finta giardiniera, Glyndebourne

‘Lovers and madmen have such seething brains,/ Such shaping fantasies, that apprehend/ More than cool reason ever comprehends.’  »

02 Jul 2014

Sophie Karthäuser, Wigmore Hall

Belgian soprano Sophie Karthäuser has a rich range of vocal resources upon which to draw: she has power and also precision; her top is bright and glinting and it is complemented by a surprisingly full and rich lower register; she can charm with a flowing lyrical line, but is also willing to take musical risks to convey emotion and embody character.  »

30 Jun 2014

Ariadne auf Naxos, Royal Opera

‘When two men like us set out to produce a “trifle”, it has to become a very serious trifle’, wrote Hofmannsthal to Strauss during the gestation of their opera about opera.  »

27 Jun 2014

Leoš Janáček : The Cunning Little Vixen, Garsington Opera at Wormsley

Janáček started The Cunning Little Vixen on the cusp of old age in 1922 and there is something deeply elegiac about it.  »

26 Jun 2014

La Traviata in Marseille

It took only a couple of years for Il trovatore and Rigoletto to make it from Italy to the Opéra de Marseille, but it took La traviata (Venice, 1853) sixteen years (Marseille, 1869). »

23 Jun 2014

Madama Butterfly in San Francisco

Gesamtkunstwerk, synthesis of fable, sound, shape and color in art, may have been made famous by Richard Wagner, and perhaps never more perfectly realized than just now by San Francisco Opera. »

23 Jun 2014

Luca Francesconi : Quartett, Linbury Studio Theatre, London

Luca Francesconi is well-respected in the avant garde. His music has been championed by the Arditti Quartett and features regularly in new music festivals. His opera Quartett has at last reached London after well-received performances in Milan and Amsterdam.  »

19 Jun 2014

Puccini Manon Lescaut, Royal Opera House, London

Manon Lescaut at the Royal Opera House, London, brings out the humanity which lies beneath Puccini's music. The composer was drawn to what we'd now called "outsiders. In Manon Lescaut, Puccini describes his anti-heroine with unsentimental honesty. His lush harmonies describe the way she abandons herself to luxury, but he doesn't lose sight of the moral toughness at the heart of Abbé Prévost's story, Manon is sensual but, like her brother, fatally obssessed with material things. Only when she has lost everything else does she find true values through love..  »

18 Jun 2014

The Pearl Fishers, ENO

Writing in a programme article to accompany this first revival of her 2010 production of Bizet’s The Pearl Fishers, director Penny Woolcock remarks upon the opera’s ‘plethora of beautiful arias, duets, choral and orchestral music … and catchy tunes that spawn earworms’.  »

16 Jun 2014

Britten: Owen Wingrave, Aldeburgh Music Festival

An ideal choice for this year's Aldeburgh Music Festival, Britten's Owen Wingrave. From a very early age, Britten was incensed by bullying and repression.  »

13 Jun 2014

Show Boat in San Francisco

To be uncomplimentary about the current production of Show Boat at San Francisco Opera will surely provoke a summons to appear before the House Un-American Activities Commission. »

12 Jun 2014

La Traviata in San Francisco

La Traviata has hit the stage at San Francisco Opera every three to five years (even annually in some periods) since 1924. Surprises have been rare. »

11 Jun 2014

Opera Las Vegas Presents Stellar Barber of Seville

On June 6, 2014, Opera Las Vegas presented Gioachino Rossini’s The Barber of Seville with a cast drawn from the Metropolitan Opera and other major companies.  »

11 Jun 2014

Il barbiere di Siviglia, Holland Park

The geographical and chronological transportation of Rossini’s famous factotum from 18th-century Seville to 19th-century London is director Oliver Platt’s most radical notion in this satisfying, if somewhat straightforward, new production of Il barbiere di Siviglia for Opera Holland Park.  »

11 Jun 2014

Rising Stars at Lyric Opera of Chicago

In its annual concert devoted to performances by current members of the Patrick G. and Shirley W. Ryan Opera Center, Lyric Opera of Chicago showcased a roster of talented singers who will doubtless add greatly to operatic and concert stages of the immediate future.  »

10 Jun 2014

Don Giovanni, Glyndebourne

Having become so jaded with indifferent — or, sadly, far worse than merely indifferent — stagings of an opera I love more than words can tell, it proved a relief and indeed a joy for me to attend this first revival of Jonathan Kent’s 2010 Glyndebourne production, especially its first act.  »

10 Jun 2014

Offenbach’s Vert-Vert at Garsington Opera

Is Garsington the new Glyndebourne, a Glyndebourne for the 21st Century? »

09 Jun 2014

Bernarda Fink Sings Mahler Lieder

Bernarda Fink’s recording of Gustav Mahler’s Lieder is an important new release that includes outstanding performances of the composer’s well-known songs, along with compelling readings of some less-familiar ones.  »

06 Jun 2014

Hector Berlioz: Benvenuto Cellini

First, a sigh of relief: in almost every respect, this new ENO staging of Benvenuto Cellini marks a significant improvement  »

06 Jun 2014

Giacomo Puccini: La fanciulla del West

‘I like the atmosphere of the West’, Puccini wrote after seeing three of David Belasco’s plays performed on Broadway in 1907, ‘but in all the “pièces” I have seen, I have found only a few scenes here and there.  »

03 Jun 2014

Così fan tutte at the Los Angeles Philharmonic

On May 23rd the Los Angeles Philharmonic premiered its production of Così fan tutte, the third and last of the Mozart/Daponte opera series it inaugurated in 2012. »

02 Jun 2014

Sir Harrison Birtwistle — Yan Tan Tethera: A Mechanical Pastoral

A month in which London, or indeed anywhere else, saw one performances of a Birtwistle drama would be something.  »

02 Jun 2014

Gerald Finley, Wigmore Hall

For the final recital in his three-concert residency at the Wigmore Hall, Canadian bass-baritone Gerald Finley offered the familiar and the new in striking juxtaposition, Franz Schubert’s posthumously published Schwanengesang enclosing Einojuhani Rautavaara’s Rubáiyát, which was written specially for Finley.  »

02 Jun 2014

Dialogues des Carmélites, Royal Opera

A black bare stage heaving with a rebellious revolutionary throng; they stare with still hostility directly at the audience, stark light streaming from above.  »

29 May 2014

Dmitri Hvorostovsky in Los Angeles

Siberian born baritone, Dmitri Hvorostovsky returned to Dorothy Chandler Hall on May 22nd with a unique all Russian song recital which included songs composed to Pushkin’s poetry and Dmitri Shostakovich’s Suite on Verses of Michelangelo Buonarroti. »

27 May 2014

Schubert Liederabende, Wigmore Hall

In this Schubert Liederabende — the second in Ian Bostridge and Julius Drake’s planned series of four recitals at the Wigmore Hall — dark, sombre worlds evoking the romantic turbulence of Death and the Maiden were only briefly alleviated by radiance and light.  »

22 May 2014

LA Opera: The Monk vs. The Courtesan

As Athanaël, Placido Domingo created a realistic monk who was ostensibly tempted to disregard his vows. The audience knew that had the courtesan Thaïs lived longer, he would have thrown his immortal soul into the wind. »

22 May 2014

LA Opera Presents Powerful Streetcar Named Desire

As Blanche, Renée Fleming sang her role with a sultry air. Her smooth, creamy tones revealed her character’s ultra-refined dream world as she told of having once been married to a gay man. The moment when Blanche met Stanley was electric. From that first second, the audience knew he hated everything she valued.  »

22 May 2014

English Concert, Wigmore Hall

With the FIFA World Cup just three weeks away perhaps it is permissible to use a sporting metaphor, for this performance by The English Concert at the Wigmore Hall — part of the ensemble’s 40th anniversary celebrations — really was a game of two halves.  »

19 May 2014

The Met’s ‘La Cenerentola’ a winning ensemble of music and comedy

The company bids a smiling farewell to its 2013-14 HD simulcast season with Rossini’s comic masterpiece  »

19 May 2014

Così fan tutte at ENO

It must be the sea air. In Thomas Hardy’s vignette ‘The History of the Hardcomes’, two young women — quiet, gentle Emily Darth, and the more lively, rumbustious Olive Pawle — are betrothed to two cousins, James and Stephen Hardcome; but the quartet decide that they are paired up wrongly, and so ‘swap’ suitors, submitting to a moment of irrational infatuation.  »

19 May 2014

Verdi’s Macbeth of the Living Dead

If it is supposed to bring bad luck to even whisper the name of the “Scottish Play” out loud, someone must have screamed Macbeth deafeningly before the performance at Saarbrücken’s State Opera House. »

19 May 2014

Birtwistle at 80 — Gawain

This was a truly outstanding performance, thoroughly worthy of its standing ovation. The only problem now will be of upholding such standards throughout the Barbican’s Birtwistle at 80 series.  »

18 May 2014

Strauss: Der Rosenkavalier, Glyndebourne 2014

Der Rosenkavalier opened Glyndebourne’s 80th anniversary season, dedicated to the memory of George Christie, who created country house opera as we know it today. »

13 May 2014

La clemenza di Tito at Lyric Opera of Chicago

For its final production of the 2013-14 season Lyric Opera of Chicago featured Mozart’s La clemenza di Tito in a staging originating at the Festival d’Aix-en-Provence, in co-production with the Théatre du Capitole de Toulouse and l’Opéra de Marseille.  »

08 May 2014

Baden-Baden: Proficient Puccini as Easter Treat

Baden’s Easter Festival centerpiece was a solid production of Manon Lescaut that was well-intended, well-designed, and well-performed. »

08 May 2014

Amsterdam: Arabella’s New Water in Old Glasses

What a difference a venue and a cast can make!  »

07 May 2014

The Marriage of Figaro, Royal Opera

“Oh! Woman! Woman! Woman!” So, cries Beaumarchais’s Figaro, in his angry, self-chastising, at times self-pitying diatribe against the injustices of ‘life’. “Oh, servants, servants, servants!” might be the Count’s complaint in David McVicar’s production of Le Nozze di Figaro, revived here for the sixth time.  »

06 May 2014

Stéphane Degout, Wigmore Hall, London

Excellent Wigmore Hall recital with Stéphane Degout and Simon Lepper. Degout is one of the great names in French repertoire and in French baroque in particular.  »

05 May 2014

Thebans: World Premiere at ENO

Julian Anderson’s Thebans at the Coliseum, London, absolutely justifies the ENO's mission: opera, in English, and of national significance. Anderson is one of the most influential figures in modern British music.  »

30 Apr 2014

Les Mamelles de Tirésias in San Francisco

Poulenc’s racy little 1947 confection took stage within Kurt Weill’s peculiar little 1927 singspiel Mahagonny all framed within the current California drought and doomsday predictions of impending global aridity.  »

26 Apr 2014

A Coffin in Egypt: A Tour-de-Force for von Stade

Librettist Leonard Foglia based his elegant and literate text on the late Horton Foote’s play, A Coffin in Egypt, and the opera has the original play’s dramatic punch.  »