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Elsewhere

Cold Mountain, Philadelphia

Opera Philadelphia deserves congratulations on yet another coup. The company co-commissioned Cold Mountain, an opera by Jennifer Higdon based on Gene Scheer’s adaptation of Charles Frazier’s celebrated Civil War epic.

Christian Gerhaher Wolfgang Rihm Wigmore Hall

For their first of two recitals at the Wigmore Hall, Christian Gerhaher and Gerold Huber devised an interesting programme - popular Schubert mixed with songs by Wolfgang Rihm and by Huber himself.

Götterdämmerung in Palermo

There are not many opera productions that you would cross oceans to see. Graham Vick’s Götterdämmerung in Sicily however compelled such a voyage.

Emmanuel Chabrier L’Étoile — Royal Opera House London

Premièred in 1877 at Offenbach’s own Théâtre des Bouffes Parisiens, Emmanuel Chabrier’s L’Étoile has a libretto, by Eugène Leterrier and Albert Vanloo, which stirs the blackly comic, the farcical and the bizarre into a surreal melange, blending contemporary satire with the frankly outlandish.

Robert Ashley’s Quicksand at the Kitchen

Robert Ashley’s opera-novel Quicksand makes for a novel experience

Premiere of Raskatov’s Green Mass

One of the leading Russian composers of his generation, Alexander Raskatov’s reputation in the UK and western Europe derives from several, recent large-scale compositions, such as his reconstruction of Alfred Schnittke’s Ninth Symphony from a barely legible manuscript (the work was first performed in 2007 in the Dresden Frauenkirche by the Dresden Philharmonic under Dennis Russell Davies), and his 2010 opera A Dog’s Heart, based on Mikhail Bulgakov’s satire (which was directed by Simon McBurney at English National Opera in 2010, following the opera’s premiere at Netherlands Opera earlier that year).

Orpheus in the Underworld, Opera Danube

I’m not sure that St John’s Smith Square was the most appropriate venue for Opera Danube’s latest production: Jacques Offenbach’s satirical frolic, Orpheus in the Underworld.

Lady Macbeth of Mtsensk in Lyon

This nasty little opera evening in Lyon lived up to the opera’s initial reputation as pure pornophony. This is the erotic Shostakovich of the D minor cello sonata, it is the sarcastic and complicated Shostakovich of The Nose . . .

Bel Canto: A World Premiere at Lyric Opera of Chicago

During December 2015 and presently in January Lyric Opera of Chicago has featured the world premiere of the opera Bel Canto, with music by Jimmy López and libretto by Nilo Cruz, based on the novel by Ann Patchett.

Tosca, Royal Opera

Christmas at the Royal Opera House is all about magic, mystery and miracles: as represented by the conjuror’s exploits in The Nutcracker — with its Kingdom of Sweets and Sugar Plum Fairy — or, as in the Linbury Theatre this year, the fantastical adventures of the Firework-Maker’s Daughter, Lila, and her companions — a lovesick elephant, swashbuckling pirates, tropical beasts and Fire-Fiends.

Lianna Haroutounian resplendent in Madama Butterfly at the Concertgebouw

The title role is a deciding factor in Madama Butterfly. Despite a last-minute conductor cancellation, last Saturday’s concert performance at the Concertgebouw was a resounding success, thanks to Lianna Haroutounian’s opulent, heart-stealing Cio-Cio-San.

Classical Opera: MOZART 250 — 1766: A Retrospective

With this performance of vocal and instrumental works composed by the 10-year-old Mozart and his contemporaries during 1766, Classical Opera entered the second year of their 27-year project, MOZART 250, which is designed to ‘contextualise the development and influences of [sic] the composer’s artistic personality’ and, more audaciously, to ‘follow the path that subsequently led to some of the greatest cornerstones of our civilisation’.

Benjamin Appl — Schubert, Wigmore Hall London

Luca Pisaroni and Wolfram Rieger were due to give the latest installment in the Wigmore Hall's complete Schubert songs series, but both had to cancel at short notice. Fortunately, the Wigmore Hall rises to such contingencies, and gave us Benjamin Appl and Jonathan Ware. Since there's a huge buzz about Appl, this was an opportunity to hear more of what he can do.

Ferrier Awards Winners’ Recital

The phrase ‘Sunday afternoon concert’ may suggest light, post-prandial entertainment, but soprano Gemma Lois Summerfield and her accompanist, Simon Lepper, swept away any such conceptions in this demanding programme at St. John’s Smith Square.

Pelléas et Mélisande at the Barbican

When, o when, will someone put Peter Sellars and his compendium of clichés out of our misery?

A Chat With Up-and-Coming Conductor Kathleen Kelly

Kathleen Kelly is an internationally renowned pianist, coach, conductor, and master teacher. She was the first woman and first American named Director of Musical Studies at the Vienna State Opera.

Samuel Barber: Choral Music

This recording, made in the Adrian Boult Hall at the Birmingham Conservatoire of Music in June 2014, is the fourth disc in SOMM’s series of recordings with Paul Spicer and the Birmingham Conservatoire Chamber Choir.

L'Arpeggiata: La dama d’Aragó, Wigmore Hall

Having recently followed some by-ways through the music of Purcell, Monteverdi and Cavalli, L’Arpeggiata turned the spotlight on traditional folk music in this characteristically vibrant and high-spirited performance at the Wigmore Hall.

Tippett : A Child of Our Time, London

Edward Gardner brought all his experience as a choral and opera conductor to bear in this stirring performance of Michael Tippett’s A Child of Our Time at the Barbican Hall, with a fine cast of soloists, the BBC Symphony Orchestra and BBC Symphony Chorus.

Taverner and Tavener, Fretwork, London

‘Apt for voices or viols’: eager to maximise sales among the domestic market in Elizabethan England, publishers emphasised that the music contained in collections such as Thomas Morley’s First Book of Madrigals to Four Voices of 1594 was suitable for performance by any combination of singers and players.


OPERA TODAY ARCHIVES »

Reviews

Ada (Isabel Leonard) recalls saying goodbye to Inman
08 Feb 2016

Cold Mountain, Philadelphia

Opera Philadelphia deserves congratulations on yet another coup. The company co-commissioned Cold Mountain, an opera by Jennifer Higdon based on Gene Scheer’s adaptation of Charles Frazier’s celebrated Civil War epic.  »

Recently in Reviews

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12 Dec 2008

Der Fliegende Holländer — London Lyric Opera, Barbican Hall

Much has been promised of London Lyric Opera. The newest company on the capital’s opera scene, it will collaborate with the Royal Philharmonic Orchestra to specialise in full-scale concert performances with high-profile soloists.  »

11 Dec 2008

When Water Sprites Go Bad in Brussels

Brussels’ reliably excellent De Munt/La Monnaie Opera served up a Rusalka that was theatrically vivid, musically resplendent, and cheered to the rafters at its premiere.  »

08 Dec 2008

Elektra, Avery Fisher Hall, New York

Elektra begins with an explosion and remains, with a few lyric interludes, on that extreme pitch throughout its two hours.  »

07 Dec 2008

Glyndebourne on Tour — Theatre Royal, Plymouth

Glyndebourne Touring Opera has long been bringing its wares to the further reaches of the southern United Kingdom and its current package of Hansel und Gretel, Carmen and The Magic Flute has been drawing good crowds from Norwich in the east to Plymouth in the south-west. »

05 Dec 2008

Tristan und Isolde at the MET

The bad luck of last season’s Tristans seems to be edging into the present one — but the curse now finds the house better prepared for trouble.  »

05 Dec 2008

London Philharmonic Orchestra — 75th Anniversary, Vol. 3: 1983-2007.

Released to commemorate the seventy-fifth anniversary of the London Philharmonic Orchestra, the three multi-disc sets of recordings makes available recordings that document the triumphs of the ensemble since its founding in 1932 by Sir Thomas Beecham.  »

05 Dec 2008

Barcelona: Figaro la, Figaro qua

Like Seville’s peripatetic barber, Gran Teatro del Liceu's new Marriage of Figaro is rather all over the place. »

02 Dec 2008

Porgy through a glass lightly

It was, of course, coincidence. When the Chicago Lyric Opera scheduled George Gershwin’s Porgy and Bess for the current season, not even the preludes to the 2008 presidential election had begun.  »

02 Dec 2008

Munich's Christmas Treasures: Massenet and Handel

Not all of Munich's holiday delights are to be found at the just-opened annual Christmas Market filling the Marienplatz and environs.  »

01 Dec 2008

Carmen at the Washington National Opera

From the director’s point of view, there are two ways to approach staging an opera.  »

01 Dec 2008

Verdi's Aida at La Scala

Can this truly be the production of Verdi's Aida that earned world-wide headlines in December 2007? »

01 Dec 2008

GIORDANO: Marcella

Alberto Cantù's booklet essay for the Dynamic release of Umberto Giordano's rare one-act opera Marcella quotes a review from the day after the 1907 premiere, which indicates that the premiere's audience's expectations of "greater originality of melodic invention" went unmet. »

28 Nov 2008

The Tales of Hoffmann at Covent Garden

The opening performance of the ROH’s seventh revival of John Schlesinger’s 1980 production of The Tales of Hoffmann was dedicated to the memory of Richard Hickox.  »

25 Nov 2008

Debussy’s Pelléas - a fine swansong for Independent Opera in London

Pelléas et Mélisande in a 200 seat theatre, with just 35 musicians and no pit?  »

25 Nov 2008

Boris Godunov at ENO

There are two things which, in recent history, English National Opera has consistently done extremely well.  »

25 Nov 2008

La Bohème in San Francisco

The show curtain was an illustration of the typical Parisian skyline.  »

25 Nov 2008

Lulu-Palooza in the Windy City

Marlis Petersen, the much lauded "Lulu-du-jour," brought her well-traveled portrayal of Berg's complex heroine to Chicago Lyric Opera and she alone was almost worth the price of admission.  »

21 Nov 2008

Il Barbiere di Siviglia at Opera House Zürich

This 2001 Zürich performance of Rossini's masterpiece Il Barbiere di Siviglia boasts one of the final performances of the great bass Nicolai Ghiaurov, who passed away in 2004. »

20 Nov 2008

MAYR: L’amor coniugale

Naxos, in conjunction with SWR, has been releasing recordings from the Rossini in Wildbad Festival, which focuses not just on the titular composer but also on his contemporaries. »

19 Nov 2008

Matilde di Shabran at Covent Garden

The rare Rossini opera which brought Juan Diego Flórez to international attention in Pesaro in 1996 was thrown together by the composer at the last minute to meet a deadline in February 1821, with a plot from one source and characters from another, and bits of the score filled in by Pacini.  »

18 Nov 2008

Doctor Atomic and Arjuna’s Dilemma

As Tom Stoppard put it, “There is an art to the building up of suspense.”  »

17 Nov 2008

Opera in Germany

Following a recent visit to Germany, Wes Blomster surveys the vibrant opera scene in Berlin and Magdeburg.  »

17 Nov 2008

La Damnation de Faust at the MET

The Met has not staged La Damnation de Faust in a hundred years, since 1906, when it clocked a mere five performances.  »

16 Nov 2008

La Traviata at the MET

When La Traviata had its first performance, in Venice in 1853, it was a scandal. »

16 Nov 2008

Lucrezia Borgia at the Washington National Opera

After a somewhat shaky start to the season, as my recently posted review of La traviata attests, Washington National Opera has added considerable luster to its roster this November with the infusion of spectacle and star power in two new productions.  »

16 Nov 2008

Wozzeck, Munich

Wozzeck stands ankle deep in water on the flooded stage of the Bavarian State Opera, above him hovers a huge, movable box – the dingy apartment he shares with Marie and their adolescent bastard – and he is surrounded by a freak-show worthy of a George Groszian nightmare and worse. »

16 Nov 2008

Great Operatic Arias with Sir Thomas Allen 2

The "2" in this disc's title indicates that this is the second Chandos recital for Sir Thomas Allen.  »

13 Nov 2008

Jean Baptiste Lully's Persée

At a time when it is the fashion for stage direction, sets, and costumes to have little, if anything to do with the ouvre presented on stage, this production of Jean-Baptiste Lully's Persée (1682) is candy for the eyes and ears, with adherence to what is known of the French Baroque operatic standards.1 »

13 Nov 2008

A powerful, poignant Elektra at the Royal Opera House, London

“This won’t be a total Schlacht of sound” said the director, Charles Edwards, of this production. Instead, it’s a strikingly intelligent interpretation, focusing on the deeper aspects of the drama. »

13 Nov 2008

Aïda – English National Opera, London Coliseum

It is incredibly unfashionable nowadays to stage opera straightforwardly. Welsh National Opera’s recent lavish staging of Otello prompted a dismissive reception from the critics.  »

09 Nov 2008

L’elisir d’amore in San Francisco

There are remnants of snobbery in San Francisco that are happiest when San Francisco Opera associates itself with the likes of Vienna State Opera and Covent Garden, and left positively frightened at the idea of a production from Opera Colorado/Fort Worth Opera/et al. on the War Memorial Opera House stage.  »

09 Nov 2008

Muti's La Traviata

EMI owns this recording, so if pride dictates they repackage it in the "Great Recordings of the Century" series, a dissenter shouldn't moralize. »

09 Nov 2008

Ernani and I Capuletti e I Montecchi on Dynamic DVD

Both these performances come from mid-2005. Teatro Regio di Parma presented the Ernani in May of that year; August saw I Capuletti e I Montecchi on stage at the Festival della Valle d'Itria di Martina Franca.  »

09 Nov 2008

Andrew Lloyd Webber — A Classical Tribute

Countless must be the number of true opera fans who have heard well-meaning acquaintances say, "Oh I just love opera! Especially Phantom of the Opera." »

07 Nov 2008

The Pearl Fishers at Lyric Opera of Chicago

The current revival of Georges Bizet’s The Pearl Fishers at Lyric Opera of Chicago (seen 25 October) brings together an exceptionally strong cast.  »

07 Nov 2008

Houston brushes up its Shakespeare

In 1830, three years after the death of Beethoven and two after Schubert’s untimely demise, Berlioz, 27, dazzled the world with his phantasmagoric — perhaps drug-inspired — Symphonie fantastique.  »

04 Nov 2008

Boris Godunov at San Francisco Opera

As performed just now by the San Francisco Opera Mussorgsky’s initial (1869), seven scene version of Boris Godunov revealed itself a finished masterpiece.  »

04 Nov 2008

Rusalka and La tragedie de Carmen by English Touring Opera

Of their two tours per year, English Touring Opera tends to channel the majority of the budget into the Spring season, and the Autumn tour – despite a focus in recent years on some high-quality Baroque chamber works, which lend themselves well to the size of the venues around the UK which the company visits – can be rather noticeably the poor relation.  »

04 Nov 2008

Elektra at Royal Opera House

“Opera directing is very different to theatre directing”, says Charles Edwards, director of Elektra at the Royal Opera House this season. “It has to be the music that motivates you”. For this production, he works with Mark Elder, “an extraordinarily theatrically-minded conductor who sees theatre in everything he hears”. »

02 Nov 2008

Wagner Duets: Nilsson and Hotter, Polaski and Botha

A few years ago EMI released a recording of Wagner duets with Placido Domingo and Deborah Voigt. »

02 Nov 2008

The Tsar’s Bride by OONY

What opera contains a terrific overture, a wedding sextet, two murderous magical potions, a mad scene for coloratura soprano, a magnificent a cappella aria for contralto, dozens of glorious melodies and lots of nifty choral writing?  »

02 Nov 2008

Blond Leading the Blond: Scandinavia Times Three

I was just itching to experience the new Oslo Opera House ever since I saw the pictures of its grand opening (ahead of schedule, thank-you-very-much) last April.  »

02 Nov 2008

Boston Baroque’s Xerxes shows the way

Is Boston Baroque period performance’s best kept secret?  »

31 Oct 2008

Lucia di Lammermoor at the MET

Mary Zimmerman’s unmusical production of Lucia certainly improves if you give it a cast of singers who know what Donizetti is about. »

31 Oct 2008

Don Giovanni at the MET

The fascination of Don Giovanni lies not only in the bejeweled score but in the interplay of its eight intriguing characters, each based on an ancient type, yet each somehow cut loose from the formula da Ponte molded so well.  »

30 Oct 2008

Portraits of Domingo and Pavarotti

While the tributes and retrospectives continue to appear for the late Luciano Pavarotti, his sometime-colleague (if not rival) Plácido Domingo maintains a top-rank career, even including a contract with Deutsche Grammophon for new studio work.  »

30 Oct 2008

STRAUSS: Die Liebe der Danae

Gala may be a budget label, but more opera sets of vintage live performances deserve a booklet essay as concise yet comprehensive, critically honest and yet fair, as Andrew Palmer's for this set, which preserves a 1980 performance of Richard Strauss and Joseph Grigor's Die Liebe der Danae. »

24 Oct 2008

Falstaff at Pimlico Opera, Cadogan Hall

Pimlico Opera is based at the Grange in Hampshire, home of the Grange Park opera festival, but pre-dates its sister company by a decade and has been giving national tours of popular operas since the 1980s as well as doing some pioneering opera and music theatre projects in UK prisons. »

24 Oct 2008

BACH: Mass in B minor

Bach’s monumental Mass in b minor exists in an abundant quantity of period performances to the point where one might ponder the wisdom of adding yet another to the shelf.  »