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Elsewhere

Hugo Wolf, Italienisches Liederbuch

Nationality is a complicated thing at the best of times. (At the worst of times: well, none of us needs reminding about that.) What, if anything, might it mean for Hugo Wolf’s Italian Songbook? Almost whatever you want it to mean, or not to mean.

Mortal Voices: the Academy of Ancient Music at Milton Court

The relationship between music and money is long-standing, complex and inextricable. In the Baroque era it was symbiotically advantageous.

Glyndebourne Opera Cup 2018: semi-finalists announced

The semi-finalists for the first Glyndebourne Opera Cup have been announced. Following a worldwide search that attracted nearly 200 entries, and preliminary rounds in Berlin, London and Philadelphia, 23 singers aged 21-28 have been chosen to compete in the semi-final at Glyndebourne on 22 March.

ENO announces Studio Live casts and three new Harewood Artists

English National Opera (ENO) has announced the casts for Acis and Galatea and Paul Bunyan, 2018’s two ENO Studio Live productions. ENO Studio Live forms part of ENO Outside which takes ENO’s work to arts-engaged audiences that may not have considered opera before, presenting the immense power of opera in more intimate studio and theatre environments.

Handel in London: 2018 London Handel Festival

The 2018 London Handel Festival explores Handel’s relationship with the city. Running from 17 March to 16 April 2018, the Festival offers four weeks of concerts, talks, walks & film screenings explore masterpieces by Handel, from semi-staged operas to grand oratorio and lunchtime recitals.

Dartington International Summer School & Festival: 70th anniversary programme

Internationally-renowned Dartington Summer School & Festival has released the course programme for its 70th Anniversary Summer School and Festival, curated by the pianist Joanna MacGregor, that will run from 28th July to 25th of August 2018.

I Puritani at Lyric Opera of Chicago

What better evocation of bel canto than an opera which uses the power of song to dispel madness and to reunite the heroine with her banished fiancé? Such is the final premise of Vincenzo Bellini’s I puritani, currently in performance at Lyric Opera of Chicago.

Iolanthe: English National Opera

The current government’s unfathomable handling of the Brexit negotiations might tempt one to conclude that the entire Conservative Party are living in the land of the fairies. In Gilbert & Sullivan’s 1882 operetta Iolanthe, the arcane and Arcadia really do conflate, and Cal McCrystal’s new production for English National Opera relishes this topsy-turvy world where peris consort with peri-wigs.

Il barbiere di Siviglia in Marseille

Any Laurent Pelly production is news, any role undertaken by soprano Stephanie d’Oustrac is news. Here’s the news from Marseille.

Riveting Maria de San Diego

As part of its continuing, adventurous “Detour” series, San Diego Opera mounted a deliciously moody, proudly pulsating, wholly evocative presentation of Astor Piazzolla’s “nuevo tango” opera, Maria de Buenos Aires.

La Walkyrie in Toulouse

The Nicolas Joel 1999 production of Die Walküre seen just now in Toulouse well upholds the Airbus city’s fame as Bayreuth-su-Garonne (the river that passes through this quite beautiful, rich city).

Barrie Kosky's Carmen at Covent Garden

Carmen is dead. Long live Carmen. In a sense, both Bizet’s opera and his gypsy diva have been ‘done to death’, but in this new production at the ROH (first seen at Frankfurt in 2016) Barrie Kosky attempts to find ways to breathe new life into the show and resurrect, quite literally, the eponymous temptress.

Candide at Arizona Opera

On Friday February 2, 2018, Arizona Opera presented Leonard Bernstein’s Candide to honor the 100th anniversary of the composer’s birth. Although all the music was Bernstein’s, the text was written and re-written by numerous authors including Lillian Hellman, Richard Wilbur, Stephen Sondheim, John La Touche, and Dorothy Parker, as well as the composer.

Satyagraha at English National Opera

The second of Philip Glass’s so-called 'profile' operas, Satyagraha is magnificent in ENO’s acclaimed staging, with a largely new cast and conductor bringing something very special to this seminal work.

Mahler Symphony no 8—Harding, Swedish Radio Symphony Orchestra

From the Berwaldhallen, Stockholm, a very interesting Mahler Symphony no 8 with Daniel Harding and the Swedish Radio Symphony Orchestra. The title "Symphony of a Thousand" was dreamed up by promoters trying to sell tickets, creating the myth that quantity matters more than quality. For many listeners, Mahler 8 is still a hard nut to crack, for many reasons, and the myth is part of the problem. Mahler 8 is so original that it defies easy categories.

Wigmore Hall Schubert Birthday—Angelika Kirchschlager

At the Wigmore Hall, Schubert's birthday is always celebrated in style. This year, Angelika Kirchschlager and Julius Drake, much loved Wigmore Hall audience favourites, did the honours, with a recital marking the climax of the two-year-long Complete Schubert Songs Series. The programme began with a birthday song, Namenstaglied, and ended with a farewell, Abschied von der Erde. Along the way, a traverse through some of Schubert's finest moments, highlighting different aspects of his song output : Schubert's life, in miniature.

GLUCK: Alceste

Alceste. Tragedia in three acts (Italian version). Alceste. Tragédie opéra in three acts (French version).

A Splendid Italian Spoken-Dialogue Opera: De Giosa’s Don Checco

Never heard of Nicola De Giosa (1819-85), a composer who was born in Bari (a town on the Adriatic, near the heel of Italy), but who spent most of his career in Naples? Me, neither!

Winterreise by Mark Padmore

Schubert's Winterreise is almost certainly the most performed Lieder cycle in the repertoire. Thousands of performances and hundreds of recordings ! But Mark Padmore and Kristian Bezuidenhout's recording for Harmonia Mundi is proof of concept that the better the music the more it lends itself to re-discovery and endless revelation.

Ilker Arcayürek at Wigmore Hall

The first thing that struck me in this Wigmore Hall recital was the palpable sincerity of Ilker Arcayürek’s artistry. Sincerity is not everything, of course; what we think of as such may even be carefully constructed artifice, although not, I think, here.


OPERA TODAY ARCHIVES »

Reviews

Jonas Kaufmann and Diana Damrau perform Wolf’s Italienisches Liederbuch as part of the Barbican Presents 2017-18 season in the Barbican Hall on 16th February 2018.
18 Feb 2018

Hugo Wolf, Italienisches Liederbuch

Nationality is a complicated thing at the best of times. (At the worst of times: well, none of us needs reminding about that.) What, if anything, might it mean for Hugo Wolf’s Italian Songbook? Almost whatever you want it to mean, or not to mean.  »

Recently in Reviews

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02 Aug 2009

Donizetti: Lucrezia Borgia

Of Donizetti's 55 operas, four to five hold on to secure places in the repertory, a much greater number are all but unknown, and in the middle come the titles that see occasional revivals, as flawed but fascinating rarities.  »

02 Aug 2009

Verdi: La Forza del Destino

This looks like a winner, with an esteemed conductor (Zubin Mehta), top-rank cast (Violeta Urmana, Marcello Giordani, Carlo Guelfi), and a production directed by Nicholas Joël that originated at the Opernhaus Zürich, a house that takes some chances and scores some successes.  »

01 Aug 2009

‘Opera Noir’ Entertains at Santa Fe

Can a famously successful movie be made into an effective opera? A quick answer is: yes! »

29 Jul 2009

Schubert bounces along at Wigmore Hall

The performance of lieder is a partnership between singer and pianist. In May I heard Julius Drake redeem an indifferent recital by the sheer beauty of his playing. I’ve been listening to him for more than 15 years. He’s a favorite. So I was completely taken by surprise by this recital »

29 Jul 2009

Busoni: Doktor Faust

The legacy of Ferruccio Busoni (1866-1924) includes some notable compositions, and among them is his unique setting of the Faust story.  »

27 Jul 2009

An Evening at Père Lachaise [Or, Natalie Dessay Attempts Violetta]

A fine-sounding Santa Fe Opera orchestra, excellently conducted by Frédéric Chaslin, was barely into the haunting, delicate prelude to Act I of La traviata, when a funeral procession, wet umbrellas unfurled, arrived to wend its way though a stage full of big grey marble rectangular boxes, handsomely abstracted tomb shapes, soon to be the courtesan Violetta Valéry’s destination. So much for the Prelude to Act I. »

22 Jul 2009

Bought and Paid-for Magic — Bernstein Tahiti in Munich’s Cuvilliès Theater

There she is, in her inch or two of sarong, floating, floating…Oh, excuse me, where was I? »

22 Jul 2009

Mozart: Die Entführung aus dem Serail

The strategies of non-traditional opera directors are becoming as predictable and formulaic as the stuffy, static traditional productions that they work so hard not to emulate.  »

21 Jul 2009

A knock-out Ariadne auf Naxos at Munich’s Bavarian State Opera Festival

There are rare times when a critic can just enjoy, and say “Wow!”  »

21 Jul 2009

Tosca at the Baths of Caracalla, Rome

Tosca is the quintessential Roman opera, with a plot located in three infamous landmarks of Rome, its 1900 premiere in Rome was bound to be enormously successful.  »

20 Jul 2009

Rossini: Il Turco in Italia

If the economic downturn has canceled some opera lovers plans to attend any of the appealing European summer festivals, perhaps a trip online will find a DVD of a production from a recent year.  »

20 Jul 2009

Munich's Re-constructed Lohengrin

Were someone looking to assemble a musical Dream Team to thrill us to the core with Wagner’s Lohengrin, one would need look no further than the assembled forces currently on stage at Munich's Bavarian State Opera. »

19 Jul 2009

Alice Coote stars in the First Night of the BBC Proms 2009

The Proms reach people all over the world, bringing them together for a kind of international street party, celebrating a shared love of music. If the arts make us more human and humane, then the BBC Proms are a force for good.  »

19 Jul 2009

Festival Aix-en-Provence by Stéphan Lissner

The Aix Festival imagines itself one of Europe’s great festivals, defining itself as the crossroads of European culture.  »

19 Jul 2009

Götterdämmerung at Aix-en-Provence — A Human Symphony

This year’s program at the Aix-en-Provence Festival includes Götterdämmerung, the much-anticipated final installment of the Ring co-sponsored by Festival d’Aix-en-Provence and the Osterfestspiele Salzburg.  »

19 Jul 2009

Mozart Mistreated at Aix-en-Provence Festival

At the festival of Aix-en-Provence, now in its sixty-first year, the final installment of Wagner’s “Ring,” with Simon Rattle and the Berlin Philharmonic, has hogged the spotlight.  »

19 Jul 2009

Prom 2 — Haydn: The Creation

‘I never left a theatre more contented, and all night I dreamed of The Creation of the world.’ — the view of one of those at the first performance of The Creation in 1799. »

19 Jul 2009

Amsterdam: Old Wine in New Bull Rings

A roster of exciting young artists supported by the Concertgebouw Orchestra in the pit, ensured that Amsterdam’s Carmen worked its usual spell. »

15 Jul 2009

Magic Flutes & Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater

Readers may recognize the author of this book, David J. Buch, a specialist on the origins of the libretto to Mozart’s Magic Flute.  »

14 Jul 2009

Il Barbiere di Siviglia at Covent Garden

Music-masters, singing lessons and serenading bands all abound in Rossini’s comic masterpiece, Il Barbiere di Sivilglia, but at this performance it was the medical rather than the musical puns which drew the loudest laughs.  »

12 Jul 2009

Tosca at Royal Opera House

This revival of Jonathan Kent’s 2006 production of Tosca brings to an end the ROH’s ‘Italian Season’ in fine style. »

09 Jul 2009

DONIZETTI: Don Gregorio

Like a baseball player with a low batting average but a propensity for home runs, Gaetano Donizetti composed dozens of operas, among which only a very few get frequent performances today.  »

09 Jul 2009

DVOŘÁK: Král a uhlíř (The King and the Charcoal Burner)

Years before Antonin Dvořák composed his most famous opera Rusalka (1900), he completed a series of works in the genre which contributed to his reputation and skill in this genre.  »

07 Jul 2009

Benjamin Britten: A Time There Was. . .

With its’ title taken from the composer’s Suite of English Folk Tunes, Op. 90, Tony Palmer’s film Benjamin Britten: A Time There Was… is a solid documentary assembled from interviews, rehearsal clips, photographs and other audio-visual materials to create a vivid portrait of the composer.  »

07 Jul 2009

Saariaho’s sumptuous L’amour de loin at the ENO, London

Absence of plot is by no means an impediment in opera.  »

04 Jul 2009

The Ravenna Festival: La scuola napoletana

Ravenna once served as the capital of the Roman Empire in the 5th and 6th centuries C.E.  »

03 Jul 2009

Porgy and Bess in San Francisco

For Americans of older generations Porgy and Bess is surely a primal experience, formed by the 1959 Otto Preminger film with Sammy Davis Jr. as Sportin’ Life, the audio recording derived from the 1952 London production with Leontyne Price as Bess, and a first encounter with Porgy and Bess as an opera in the artistically satisfying, and well traveled 1976 Houston production (was it twenty-five performances in the War Memorial Opera House?).  »

03 Jul 2009

Summer Nights with the Stars — OTSL’s 2009 Season Shines

The success of Opera Theatre of St. Louis’ 2009 festival season reflects the intelligent leadership of both the previous triumvirate (Charles MacKay, Colin Graham, and Stephen Lord) and the new recruits Timothy O’Leary and James Robinson.  »

02 Jul 2009

Carmen Triumphs (Again) at the Opéra Comique

Bizet’s famed heroine Carmen returned this June to the place where it all began, in a critically-heralded new production by Adrian Noble. Frank Cadenhead was on hand to experience the staging held at the opulent newly-renovated Opéra Comique. »

29 Jun 2009

Antonio Pappano and Friends — Royal Opera House, Covent Garden

It’s not often that the accompanist is given top billing in a vocal recital, even when he’s the venue’s musical director.  »

29 Jun 2009

Glyndebourne : a spectacular Purcell The Fairy Queen

Glyndebourne is the epitome of British opera festivals. Seventy-five years ago, John Christie founded the tradition of “country house opera”, where opera can be enjoyed in beautiful settings.  »

29 Jun 2009

Un ballo in maschera at Royal Opera House

On the whole, I’d prefer the conspirators to be sitting on toilets… »

26 Jun 2009

Gőtterdämmerung in Venice and Kőln — Sex and Politics Behind the Berlin Wall

With Götterdämmerung, a co-production with the Köln Opera House created by Robert Carsen (stage direction), Patrick Kinmonth (sets and costumes) and Jeffrey Tate (conductor), La Fenice approaches completion of the Ring cycle.  »

26 Jun 2009

La Traviata at Royal Opera House

Four years have passed since the most celebrated American soprano of recent times, Renée Fleming, graced the stage at Covent Garden, in Elijah Moshinsky’s classic production of Otello.  »

25 Jun 2009

Ligeti’s Le Grand Macabre shocks Rome but only mildly

Le Grand Macabre is the only opera of György Ligéti, one of the major composers of the 20th century.  »

25 Jun 2009

SCHUBERT: Alfonso und Estrella

What is the worst opera with the best music?  »

24 Jun 2009

La Traviata in San Francisco

Much ink has been spilled over the failed Marta Domingo production of La Traviata that San Francisco Opera inexplicably imported for its blatantly audience baiting summer season (Traviata, Tosca, Porgy and Bess). »

24 Jun 2009

MAHLER: Symphony no. 8

The Gala release of Mahler’s Eighth Symphony from Hamburg performances on 29 and 30 November 1954 serves to document further the composer’s presence in the concerto hall prior to the well-known Mahler-renewal in 1960.  »

24 Jun 2009

A Masked Ball by Brooklyn Repertory Opera

Amato Opera went to the netherworld of expired extravaganzas this spring, a one-man operation whose one man was weary. As New York’s oldest down-the-block and semi-pro company, it’s loss was regrettable — though it’s many years since Amato gave up doing interesting repertory. »

24 Jun 2009

Saint Louis: Reliably Excellent

It is quite possible that Opera Theatre of Saint Louis is the leading summer opera destination in the United States. »

22 Jun 2009

Schwanengesang at Wigmore Hall

A performance of sublime authority from Goerne and Eschenbach »

21 Jun 2009

Madam Butterfly - English National Opera, London Coliseum

Following the death of the American film director Anthony Minghella, ENO were left with a gap in the season vacated by the new production which he had been engaged to direct, and what better way to do so than by bringing back his immensely popular 2005 staging of Madam Butterfly? Minghella’s widow, Carolyn Choa (who has worked on the production from its original conception) was charged with resurrecting the production in tribute. »

21 Jun 2009

Madame Says Farewell

Last week (May 27), “without further a-don’t,” as she adorably puts it, Madame Vera Galupe-Borszkh, the world’s reigning traumatic soprano — lately, she says, more of a soprano “spento” — bade a last, lingering, loving farewell to her adoring public in a sold-out concert at the Leonard Nimoy Thalia Theater on Manhattan’s Upper West Side.  »

21 Jun 2009

Alceste by The Collegiate Chorale

The Collegiate Chorale (ably supported by the orchestra of the New York City Opera under George Manahan) chose Gluck’s Alceste, last heard in New York at the City Opera in 1982, for its annual spring concert opera — an excellent choice for a chorus eager to show its stuff. »

21 Jun 2009

Britten’s Midsummer Night’s Dream Charms La Scala

Robert Carsen’s production of Benjamin Britten’s A Midsummer Night’s Dream is not new, as the La Scala playbill suggests.  »

21 Jun 2009

La Cenerentola at the MET

La Cenerentola runs third in popularity among Rossini’s comic operas — the Met didn’t get around to it at all until the present staging was created for Cecilia Bartoli.  »

21 Jun 2009

Claudio Abbado Introduces the Complete Pergolesi

Very little is known about Giovanni Battista Draghi (or Drago, according to certain sources), known as Pergolesi.  »