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Elsewhere

Will Don Quichotte Be the Last Production at San Diego Opera?

This quotation from Cervantes was displayed before the opening of the opera’s final scene:

“The greatest madness a man can commit in this life is to let himself die, just like that, without anybody killing him or any other hands ending his life except those of melancholy.”

Gound Faust - Calleja and Terfel, Royal Opera House London

Gounod's Faust makes a much welcomed return to the Royal Opera House. With each new cast, the dynamic changes as the balance between singers shifts and brings out new insights. In that sense, every revival is an opportunity to revisit from new perspectives. This time Bryn Terfel sang Méphistophélès, with Joseph Calleja as Faust - stars whose allure certainly helped fill the hall to capacity. And the audience enjoyed a very good show.

Syracuse Opera’s Porgy and Bess
Got Plenty O’ Plenty

The company ends its 2013-14 season on a high note with a staged performance of Gershwin’s theatrical masterpiece

A New Rusalka in Chicago

Lyric Opera of Chicago’s new production of Antonin Dvorak’s Rusalka is visually impressive and fulfills all possible expectations musically with unquestioned excitement.

Karlsruhe’s Mixed Blessing Ballo

The reliable Badisches Staatstheater has assembled plenty of talent for its new Un Ballo in Maschera.

Louise Alder, Wigmore Hall

This varied, demanding programme indisputably marked soprano Louise Alder as a name to watch.

Luke Bedford: Through His Teeth, Linbury, Royal Opera House

Can this be the best British opera in years? Luke Bedford’s Through His Teeth at the Royal Opera House’s Linbury Theatre is exceptional. Drop everything and go.

Powder Her Face, ENO

As one descends the steel steps into the cavernous bunker of Ambika P3, one seems about to enter rather insalubrious realms — just right one might imagine, then, for an opera which delves into the depths of the seedier side of celebrity life.

Iphigénie Fascinates in the Pfalz

Kaiserslautern’s Pfalztheater has produced a tantalizing realization of Gluck’s Iphigénie en Aulide, characterized by intriguing staging, appealing designs, and best of all, superlative musical standards.

ROH presents Cavalli’s L’Ormindo at the Sam Wanamaker Playhouse, London

Never thought I’d say it but......

Harrison Birtwistle, Elliott Carter, Wigmore Hall, London

Celebrating the 80th birthday of one of the UK's greatest composers (if not the greatest), this concert was an intriguing, and not always stimulating, mix. Birtwistle with Carter makes sense, but Birtwistle with Adams does not - or at least only within the remit of the concert series. The concert was actually entitled “Nash Inventions: American and British Masterworks, including an 80th Birthday Tribute to Sir Harrison Birtwistle” and was the final concert in the “Inventions” series.

Requiem for a Lost Opera Company

On Wednesday, March 19, 2014, General Director Ian Campbell of San Diego Opera announced that the company would go out of business at the end of this season. The next day the company performed their long-planned Verdi Requiem with a stellar cast including soprano Krassimira Stoyanova, mezzo-soprano Stephanie Blythe, tenor Piotr Beczala, and bass Ferruccio Furlanetto.

The Met’s Werther a tasty mix of singing, staging, acting and orchestral splendor

Visual elements in Richard Eyre’s striking production offset Massenet’s melodic shortcomings

Chicago’s New Barber of Seville

New productions of repertoire staples such as Gioachino Rossini’s Il Barbiere di Siviglia bear much anticipation for both performers and staging.

Lucia in LA: A Performance to Remember

On March 15, 2014, Los Angeles Opera presented Elkhanah Pulitzer’s production of the opera, which she set in 1885 when women were beginning to be recognized as persons separate from their fathers, brothers and husbands. At that time many European countries were beginning to allow women to own property, obtain higher education, and choose their husbands.

San Diego Opera Presents an All Star Ballo in Maschera

On March 11, 2014, San Diego Opera presented Verdi’s A Masked Ball in a traditional production by Leslie Koenig. Metropolitan Opera star tenor Piotr Beczala was Gustav III, the king of Sweden, and Krassimira Stoyanova gave an insightful portrayal of Amelia, his troubled but innocent love interest.

Anne Schwanewilms, Wigmore Hall

From the moment she walked, resplendent in red, onto the Wigmore Hall platform, Anne Schwanewilms radiated a captivating presence — one that kept the audience enthralled throughout this magnificent programme of Romantic song.

Die Frau ohne Schatten, Royal Opera

Magnificent! Following the first night of this new production of Die Frau ohne Schatten, I quipped that I could forgive an opera house anything for musical performance at this level, whether orchestral, vocal, or, in this case, both.

Jean-Paul Scarpitta in Montpellier

I met with the embattled artistic director of the Opéra et Orchestre National de Montepellier not to talk about his battles. I simply wanted to know the man who had cast and staged a truly extraordinary Mozart/DaPonte trilogy.

Interview: Tenor Saimir Pirgu — From Albania to Italy to LA

Maria Nockin interviews tenor Saimir Pirgu.


OPERA TODAY ARCHIVES »

Reviews

Anke Vondung as Dulcinea and Ferruccio Furlanetto as Don Quixote [Photo by Ken Howard]
15 Apr 2014

Will Don Quichotte Be the Last Production at San Diego Opera?

This quotation from Cervantes was displayed before the opening of the opera’s final scene:

“The greatest madness a man can commit in this life is to let himself die, just like that, without anybody killing him or any other hands ending his life except those of melancholy.”

 »

Recently in Reviews

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12 Oct 2011

La Traviata and the Credit Crunch

One way of thinking about La Traviata is to consider it as a portrayal of bubble wealth that makes artistic capital from the shimmering, rainbow hues of the surface rather than showing any interest in what sustains the bubble.  »

12 Oct 2011

Mahler 8, Royal Festival Hall

Following Lorin Maazel’s lifeless first movement from Mahler’s Tenth Symphony  »

10 Oct 2011

Così fan tutte, Los Angeles

The Los Angeles Opera Company’s charmingly understated new production of Così fan tutte will please your eyes and delight your ears, but its story might grieve your romantic soul. »

07 Oct 2011

Carmen, Philadelphia

There are two ways to sing the role of Carmen: as a “grand opera” heroine and as a character from opéra-comique.  »

05 Oct 2011

Menotti in German

As long as one keeps in mind that historical value is not the same as aesthetic quality, this DVD of early 1960’s live German TV performances of two short Gian Carlo Menotti operas makes for fascinating viewing. »

03 Oct 2011

The Inaugural Cambridge Handel Festival: a rosy dawn?

The haughty beauties that are the ancient colleges of Cambridge were definitely feeling the heat this past weekend, and not even the cooling streams of the Cam and its tributaries could assuage the heat of an Indian summer in the Fens of Eastern England.  »

02 Oct 2011

Eugene Onegin, Los Angeles

Kudos to the Los Angeles Opera Company for expanding its heretofore limited Russian repertoire and opening its 26th season with Tchaikovsky’s Eugene Onegin. The romantic work based on the novel in verse of the same name by Alexander Pushkin, is likely everyone’s favorite Tchaikovsky opera. »

30 Sep 2011

The music of Donnacha Dennehy

Love and Death is the name of one of Woody Allen’s earlier films, one built around parodies of Tolstoy and other Russian 19th century literary giants.  »

30 Sep 2011

Mahler, Royal Festival Hall

My response to much of this and last year’s Mahler anniversary bonanza has been to stay away: certainly not out of antipathy, nor out of boredom, nor on account of any other negative reaction to the music of a composer whom I admire as greatly as ever, but simply because there are too many unnecessary performances of that music on offer.  »

28 Sep 2011

Faust, Royal Opera House

When the Royal Opera House London does things well, it does them very well indeed. This Gounod’s Faust was a sizzler!  »

28 Sep 2011

Lucrezia Borgia in San Francisco

Bad news travels fast. Though you are about to read another version of how American diva Renée Fleming failed to bring Lucrezia Borgia alive, let us begin by discussing a few other things you already know. »

28 Sep 2011

Ioan Holender Farewell Concert

What better way for the long-reigning director of the Vienna State Opera, Ioan Holender, to celebrate the end of his time in the post than with a lengthy gala featuring such stars as Gergely Németi, Roxana Constantinescu, Krassimira Stoyanova, and Keith Ikaia-Purdy?  »

28 Sep 2011

Billy Budd at the Barbican

Among recent recordings of Britten’s opera Billy Budd, the recent release conducted by Daniel Harding has much to offer in terms of performance quality, interpretation, and also the quality of recording.  »

28 Sep 2011

Atys, Brooklyn Academy of Music

In 1989, William Christie’s ten-year-old Paris-based baroque troupe, Les Arts Florissants, brought a staged production to the Brooklyn Academy of Music for the first time, Lully’s Atys.  »

26 Sep 2011

Christian Gerhaher, Wigmore Hall

Christian Gerhaher and Gerold Huber presented Schubert’s song cycles at the Wigmore Hall, London.  »

23 Sep 2011

Beecham conducts Delius

Frederick Delius counts among those many composers whose reputations rely on their orchestral efforts, but who dearly wanted to make a lasting contribution to the opera repertory.  »

23 Sep 2011

Lawrence Zazzo, Wigmore Hall

Lawrence Zazzo’s last visit to the Wigmore Hall, in April earlier this year, saw him present an intriguing sequence of American song from the twentieth and twenty-first centuries.  »

22 Sep 2011

The Passenger, ENO, London

The circumstances behind Mieczysław Weinberg’s The Passenger at the ENO, London, are extraordinary.  »

21 Sep 2011

Stars of Lyric Opera at Millennium Park, Chicago

In a program of Italian and French arias and duets Lyric Opera gave to Chicago audiences a preview of the first operas in its forthcoming season and an opportunity to hear familiar voices as well as those soon destined to grace the operatic stages of the world.  »

21 Sep 2011

Turandot in San Francisco

Los Angeles has been good to Turandot. The gritty 1984 Andre Serban production inaugurated an opera company in Los Angeles where a mere eight years later L.A. Opera bestowed the splendid Luciano Berio ending upon the world in an uber-pompous Gian-Carlo del Monaco production. »

21 Sep 2011

La tragedia di Tosca at the Washington National Opera

Whether or not one agrees with Joseph Kerman’s immortal definition of Tosca as a “shabby little shocker,” Puccini’s melodramma, the inaugural production of the Washington National Opera’s 2011-12 season, is intense, “blood-and-guts” kind of entertainment.  »

21 Sep 2011

Il Trittico, Covent Garden

What do a ferociously violent melodrama, an ecstatic spiritual revelation and an ironic black farce have in common?  »

21 Sep 2011

The Elixir of Love, ENO

It’s easy to dismiss the undoubted charms of Donizetti’s The Elixir of Love with a wry smile and a dash of condescension.  »

21 Sep 2011

The Italian Girl in London, Bampton Classical Opera

As one of the most successful Italian opera composers of the late-eighteenth century, Domenico Cimarosa’s reputation lasted well into the following century during which his operas were staple repertoire in all the major European opera houses.  »

21 Sep 2011

Paris: A Thrilling Leap and Then a Stumble

Stylish, spirited vocalism that rang convincingly through the Palais Garnier was the hallmark of Paris Opera’s thrilling revival of one of Mozart's least appreciated mature operas.  »

21 Sep 2011

Willy Decker’s staging of Schoenberg’s Moses und Aron

As a rule the celebrated incomplete operas of the repertory eluded completion due to the untimely death of the composer.  »

21 Sep 2011

Schiller: Ein Leben in Liedern, Wigmore Hall

While the music industry seems to be spiralling dementedly downmarket, the Wigmore Hall keeps standards extremely high.  »

21 Sep 2011

Heart of a Soldier, San Francisco

The house lights dimmed, SFO General Director David Gockley instructed us to stand and sing the Star Spangled Banner. This crucial moment revealed the intentions and complexities of this fine production at San Francisco Opera. »

19 Sep 2011

Wigmore Hall International Song Competition 2011

The Wigmore Hall is the most respected centre of art song excellence in Britain and its Song Competition attracts interest from all over the world.  »

15 Sep 2011

Bruckner: Symphony no. 9

Recorded on 31 October 2007 in the Großer Musikvereinssaal, Vienna, this performance of the Cleveland Orchestra offers a compelling interpretation of the three completed movements of Bruckner’s Ninth Symphony.  »

15 Sep 2011

L’Amour des trois oranges on CD and DVD

Opera companies around the world — though relatively few in the United States — cannot resist the temptation to stage Sergei Prokofiev’s first major opera.  »

13 Sep 2011

BBC Prom 73: Der Freischütz

Why would a French composer take an opera which epitomises German Romanticism and Nationalism and adapt it to the conventions of the French grand opera tradition?  »

12 Sep 2011

Munich’s Dialogues des Carmélites

Dialogues des Carmélites is a magnificently anti-operatic opera. »

10 Sep 2011

Santa Fe Faust — Revisited

The distinguished soprano Patricia Racette once advised this observer, “If you are coming to the opera to review me, please attend the latest performance you can.” I knew what she meant.  »

09 Sep 2011

Les Troyens by La Fura dels Baus

When the opera opens, a chorus of Trojan is rejoicing that the Greeks have abandoned the war and gone home.  »

08 Sep 2011

Prom 67: Beethoven, Mass in D major, op.123

I shall not beat about the bush: this was a great performance.  »

08 Sep 2011

Glyndebourne’s Billy Budd

Hermann Melville wrote a poem called “Fragments of a Lost Gnostic Poem of the Twelfth Century”: »

06 Sep 2011

Ruhrtriennale’s Luminous Tristan

Bochum’s Jahrhunderthalle, a massive, re-purposed industrial building, seemed an unlikely location to contain and frame the transcendent, unbounded spiritual journey of Wagner’s masterpiece Tristan und Isolde. »

06 Sep 2011

Macbeth from Paris and Parma

Superstitions surround theatrical productions of Shakespeare’s Scottish tragedy.  »

01 Sep 2011

Verdi’s Requiem Closes Grant Park Festival

In its final performances of the Summer 2011 season the Grant Park Orchestra and Chorus along with guest soloists gave two performances of Verdi’s Requiem.  »

30 Aug 2011

BBC Prom 58: Mendelssohn’s Elijah

Droughts, deserts, false gods, angels, earthquakes, hurricanes, tsunamis and a firestorm. Plenty of drama in the Bible. In BBC Prom 58, Paul McCreesh and the Gabrieli Consort and Players made a good case for period performance of Mendelssohn’s magnificent Elijah op 70.  »

30 Aug 2011

Bayreuth’s Tannhäuser: Recycled Trash

Newsflash: Wartburg is a world-wide recycling company, at one with the universe, wherein everything and everyone exists in a perfectly sustainable environment.  »

30 Aug 2011

Carlos Kleiber — Traces to Nowhere

Film biographies of great musicians notoriously exhibit a preference for talking heads nattering on over any music passages.  »

29 Aug 2011

BBC Prom 55: Rinaldo

It’s becoming rather a fashion to set operas in English public schools.  »

29 Aug 2011

Don Giovanni, Salzburg

When discussing the evolution of opera as a genre, the towering figure of Richard Wagner cannot be ignored.  »

29 Aug 2011

L’elisir d’amore, Miami

“The number of recordings testify to the continuing popularity of Donizetti’s melodrama in two acts [L’elisir d’amore], which rivals Don Pasquale among his comic operas and is often rated the better on account of its superior libretto by Felice Romani.”  »

28 Aug 2011

BBC Prom 50

In 2008, the late Richard Hickox, founder and then music director of the City of London Sinfonia, commissioned a work from composer Colin Matthews to celebrate the orchestra’s 40th anniversary, which takes place this year. »

27 Aug 2011

Santa Fe: Best of Show 2011

As this is written, the third week of August, the Santa Fe music season is winding down.  »

27 Aug 2011

Caractacus,Three Choirs Festival, Worcester

Superb performance of Elgar’s epic oratorio Caractacus at the The Three Choirs Festival in Worcester Cathedral. »

27 Aug 2011

Santa Fe Musical Delights

Musical excellence was the centerpiece of three of Santa Fe Opera’s annual offerings. »

27 Aug 2011

Nino Machaidze: Romantic Arias

The back cover of soprano Nino Machiadze’s debut solo recital from Sony Classical quotes her as describing the disc’s selection of arias as “my world, my successes to date and my hopes for the future.”  »

27 Aug 2011

Franz Schmidt’s The Book with Seven Seals at Grant Park

In keeping with the festival nature of the piece, the Grant Park Orchestra and Chorus, along with guest soloists and a guest chorus director, gave two performances of Franz Schmidt’s Das Buch mit sieben Siegeln on recent weekend evenings.  »

27 Aug 2011

Two one-act comic operas from New York Festival of Song

The New York Festival of Song, created and run by Steven Blier and Michael Barrett, dedicates itself to what one might call “American lieder” — art songs by top American composers, classic Broadway, and operatic numbers. »

27 Aug 2011

Mosé in Egitto and Adelaide di Borgogna in Pesaro

It was a no-brainer. The Old Testament Egyptians had to become today’s Palestinians. »